Tag: movies

Oscar Predictions: Beau Is Afraid

A24 just hit the Oscar jackpot with Everything Everywhere All at Once and they have another multi-genre family opus opening in limited release this Friday. Beau Is Afraid is the third feature from writer/director Ari Aster behind acclaimed scary flicks Hereditary and Midsommar. With a $35 million budget, this is the biggest budget yet for the distributor. The three hour episodic mix of mommy issues, satire, and horror is headlined by Joaquin Phoenix with a supporting cast including stage legend Patti LuPone, Nathan Lane, Amy Ryan, Kylie Rogers, Parker Posey, Stephen McKinley Henderson, Hayley Squires, Michael Gandolfini, Zoe Lister-Jones, and Richard Kind.

The review embargo has just lifted and the reactions are all over the place. A 75% Rotten Tomatoes score is the number at this early stage. There are some recurring thoughts among the write-ups. One is that Aster takes gigantic swings. Some pay off. Some don’t. Another is that he’s perhaps given too much freedom this time and that the runtime is exceedingly long. There are comparisons to Charlie Kaufman and numerous mentions of Freud. You also get the impression that plenty of moviegoers will strongly dislike it. The word unhinged pops up in more than one synopsis.

It could be telling that Beau skipped the film festival circuit and opted for this spring release. A24 might suspect they don’t have an awards player (though you could correctly point out that Everything Everywhere came out around the same time). That said, they might opt to throw their serious campaigning behind the upcoming Past Lives (which drew raves at Sundance). While Phoenix is drawing praise for his performance, it could be a tall order for him to nab a Best Actor nod. Perhaps this fall’s Napoleon gives him a better shot. Some critics have singled out LuPone, but apparently her actual screen time is limited.

Beau will undoubtedly have its ardent supporters and fierce detractors. That could be a mix that doesn’t result in significant Oscar buzz. My Oscar Prediction posts will continue…

April 14-16 Box Office Predictions

Those animated Nintendo plumbers should dominate the box office once again after a massive Easter haul, but there are newcomers to ponder. We have horror comedy Renfield with Nicolas Cage and Nicholas Hoult, less funny horror tale The Pope’s Exorcist featuring Russell Crowe, and Japanese animated fantasy Suzume. You can peruse my detailed prediction posts on that trio here:

Renfield Box Office Prediction
The Pope’s Exorcist Box Office Prediction
Suzume Box Office Prediction

Nothing will approach the sophomore frame for The Super Mario Bros. Movie, which soared in its first five days of release (more on that below). The question is not whether it will remain #1 (it will easily), but how far it falls. With an A Cinemascore and no competition for families, I’ll say it drops in the 50% range.

Renfield is garnering pretty decent reviews and a double digits to low teens output should allow it to be the runner-up. Suzume is a little trickier. Other Toho titles have exceeded $10 million for their beginnings and this could do the same. I’m projecting it a tad under for a fourth place showing behind the sophomore weekend for Air (which should have a nice hold).

The Pope’s Exorcist is also a bit of a head scratcher. Horror flicks can certainly over perform and this did decent business overseas this past weekend. Yet with Renfield providing a diversion for eyeballs, this might not even make the top 5.

Finally, I’ll dispense with Mafia Mamma. This Bleecker Street comedy stars Toni Collette and seems to be flying far under the radar. I didn’t do an individual prognosis post for it and haven’t seen a screen count. Given the distributor’s lack of success with earlier projects, this might be lucky to hit $2 million. That would put it nowhere near the high five.

Given that numbers 3-7 especially could be close, I’ll give you my outlook for those spots:

1. The Super Mario Bros. Movie

Predicted Gross: $74.9 million

2. Renfield

Predicted Gross: $12.2 million

3. Air

Predicted Gross: $9.5 million

4. Suzume

Predicted Gross: $8.7 million

5. John Wick: Chapter 4

Predicted Gross: $8.4 million

6. The Pope’s Exorcist

Predicted Gross: $7.4 million

7. Dungeons & Dragons: Honor Among Thieves

Predicted Gross: $6.9 million

Box Office Results (April 7-9)

Illumination Entertainment doesn’t really miss when it comes to putting out animated blockbusters (think Despicable Me, Minions, Sing, The Secret Life of Pets franchises). Now they clearly have a host of Nintendo properties that will shower them with coins. The Super Mario Bros. Movie vastly exceeded expectations with $146.3 million from Friday to Sunday and $204.6 million since its Wednesday premiere. That is, to say the least, better than my respective estimates of $98.6 million and $137.7 million. The temperature was clearly right for its massive breakthrough performance as its global $377 million gross is the best ever for an animated feature.

John Wick: Chapter 4 stayed put in second with $14.4 million (on target with my $14.6 million call). The three-week total stands at $146 million.

Ben Affleck’s Air rode a wave of rising buzz to impressive numbers. It made $14.4 million for third with $20.2 million since its Wednesday start. The sports drama managed to top my takes which were $12.7 million and $18.9 million. As mentioned, this should hold up well in the coming weekends.

Dungeons & Dragons: Honor Among Thieves was the biggest victim of the Mario wave. In its second weekend, the adventure tumbled 63% to $13.8 million. I was more optimistic with $16.8 million. The ten-day domestic tally is $61 million as its future as a franchise is murky.

Scream VI was fifth with $3.4 million. I incorrectly had it outside the top five as it crossed the century mark after five weeks with $103 million.

Finally, faith-based drama His Only Son failed to capitalize on the religious holiday with $2.8 million for sixth. I thought it might do a bit better in frame #2 and said $3.8 million. It’s made $10 million.

Check out my podcast by searching Movies at the Speed of Speculation wherever you stream!

Until next time…

Oscar Predictions: How to Blow Up a Pipeline

The environmental heist thriller How to Blow Up a Pipeline debuted in limited release over Easter weekend to solid results. From director Daniel Goldhaber, this is a fictionalized adaptation of Andreas Malm’s nonfiction 2021 novel. The cast includes Ariela Barer (who also co-scripted), Kristine Froseth, Lukas Gage, Forrest Goodluck, Sasha Lane, Jayme Lawson, Marcus Scribner, Jake Weary, and Irene Bedard.

Pipeline first screened at the Toronto Film Festival to impressive reviews and was quickly snatched up by Neon for distribution. The Rotten Tomatoes meter stands at 95%. I would not be surprised if its distributor (who shepherded Triangle of Sadness to a BP nom last year) make a serious campaign push here.

It could be a long shot for BP, but I wouldn’t totally discount it. This could also be a contender for an Adapted Screenplay nod. My Oscar Prediction posts will continue…

Suzume Box Office Prediction

Suzume is the latest animated fantasy from Makoto Shinkai, maker of 2019’s acclaimed Weathering with You. The Japanese production comes from Toho, the studio behind Godzilla and the Demon Slayer pics that have recently posted impressive grosses stateside.

In fact, Toho’s titles in the U.S. have started to develop a familiar pattern of front loaded hauls. In March of 2022, Jujutsu Kaisen 0 made over $17 million during its first frame. That ended up being over half of its eventual $33 million domestic take. Just last month, Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village made off with $10.1 million in a special engagement sole weekend.

Like those efforts, Suzume has already made a killing in its home country. With over $100 million in the bank, it is the fourth highest grossing film in Japan from last year.

Opening on approximately 2000 screens, this could hit low double digits like Swordsmith. Compared with next weekend’s other newcomers, that would put it behind Renfield and perhaps ahead of The Pope’s Exorcist. I’m going to put it in higher single digits and that’s still in front of Exorcist.

Suzume opening weekend prediction: $8.7 million

For my Renfield prediction, click here:

Renfield Box Office Prediction

For my The Pope’s Exorcist prediction, click here:

The Pope’s Exorcist Box Office Prediction

The Pope’s Exorcist Box Office Prediction

Not to be confused with The Pope’s Sous-Chef or The Pope’s Orthopedic Surgeon, Sony Pictures gives us The Pope’s Exorcist on April 14th. Julius Avery (Overlord, Samaritan) directs the supernatural horror tale with Russell Crowe as the Pontiff’s chosen demon extractor. Costars include Daniel Zovatto, Alex Essoe, Ralph Ineson, and Franco Nero. ‘

This particular genre subsection has conjured up its share of pics in recent years. Titles like 2018’s The Possession of Hannah Grace and last fall’s Prey for the Devil managed $6.5 million and $7.2 million for their respective starts. 2014’s Deliver Us from Evil made just under $10 million. Meanwhile 2012’s The Possession and 2011’s The Rite hit $17 million and $14 million out of their gates.

Exorcist has competition from Renfield, the vampiric comedy with Nicolas Cage and Nicholas Hoult, premiering directly against it. Evil Dead Rises drops a week later. I think Crowe and company can gross north of $10 million, but I’ll say it falls under.

The Pope’s Exorcist opening weekend prediction: $7.4 million

For my Renfield prediction, click here:

Renfield Box Office Prediction

For my Suzume prediction, click here:

Suzume Box Office Prediction

Renfield Box Office Prediction

Universal Pictures is hoping horror and comedy fans add Renfield to their cinematic menu when it debuts April 14th. Nicholas Hoult stars as the title character and beleaguered assistant to Nicolas Cage’s Count Dracula. Chris McKay, who made The Lego Batman Movie and The Tomorrow War, directs. Costars include Awkwafina, Ben Schwartz, Adrian Martinez, and Shohreh Aghdashloo.

Early critical reaction is encouraging with an 89% Rotten Tomatoes rating. Will audiences sink their teeth into it? Renfield arrives on the same day as The Pope’s Exorcist with Russell Crowe and it could siphon away genre fans looking for a scary experience minus the laughs. Both pics hit multiplexes a week before Evil Dead Rise and some fright fest fans may simply wait for that.

Decent word-of-mouth could get this to high teens or even $20 million in the best case scenario. I’ll say double digits to low teens is likelier given the competition.

Renfield opening weekend prediction: $12.2 million

For my The Pope’s Exorcist prediction, click here:

The Pope’s Exorcist Box Office Prediction

For my Suzume prediction, click here:

Suzume Box Office Prediction

Oscar Predictions: The Super Mario Bros. Movie

The Super Mario Bros. Movie is out tomorrow and looks to rule the Easter holiday frame. While big money is about to flow through the pipeline, reviews are more of the mixed variety. The Illumination Entertainment animated production of the Nintendo property sits at 56% on Rotten Tomatoes.

This is the 13th feature from the studio. Of the previous dozen, only one (2013’s Despicable Me 2) has managed a Best Animated Feature mention. Illumination’s titles generate coins, but not nominations. That doesn’t look to change with Mario and Luigi’s new adventure. My Oscar Prediction posts will continue…

Oscar Predictions: Paint

Owen Wilson’s character in Paint might be named Carl Nargle, but he’s obviously based on the late coater of happy little trees PBS host Bob Ross. The comedy is written and directed by Brit McAdams and debuts in limited release this Friday. Costars include Michaela Watkins, Wendi McLendon-Covey, Ciara Renée, and Stephen Root.

The review embargo has lapsed and most critics are hardly deeming it a valuable work of art. It has just a 31% score on Rotten Tomatoes. Wilson actually received an Oscar nomination over 20 years ago for co-scripting The Royal Tenenbaums with Wes Anderson.

This won’t grant him a second. Based on the mostly negative reaction, it will be easy for voters to brush this one off. My Oscar Prediction posts will continue…

April 7-9 Box Office Predictions

Blogger’s Update (04/05): I am revising my estimate for Mario slightly up from $92.6M for the three-day to $98.6M and from $128.7M for the five-day to $137.7M

The Easter weekend starts early with Illumination Entertainment’s The Super Mario Bros. Movie and Ben Affleck’s sports drama Air rising in multiplexes on Wednesday. My detailed prediction posts on the newcomers can be accessed here:

The Super Mario Bros. Movie Box Office Prediction
Air Box Office Prediction

It’s Mario that should have no trouble ruling the holiday frame. Coming from the studio behind the massive Despicable Me, Minions, and Sing franchises, this is likely to spawn another one. I’ve got it topping $90 million for the traditional Friday to Sunday portion and falling just shy of $130 million during its first five days.

Air could certainly exceed forecasts with its strong reviews and frequent promotion during the March Madness tournament. I’m projecting a low double digits output for the three-day and high teens for the five. The Friday to Sunday take would place it fourth. Expect it to have sturdy holds in subsequent weekends.

Dungeons & Dragons: Honor Among Thieves may see a mid to high 50s dip in its sophomore frame while John Wick: Chapter 4 might experience a high 40s to 50% percentage drop. That would mean they fall a spot to 2nd and 3rd, respectively.

After a slightly better than anticipated beginning, His Only Son could take advantage of the Easter weekend with a l0w 30s slide for fifth.

Here’s how I see it playing out:

1. The Super Mario Bros. Movie

Predicted Gross: $98.6 million (Friday to Sunday); $137.7 million (Wednesday to Sunday)

2. Dungeons & Dragons: Honor Among Thieves

Predicted Gross: $16.8 million

3. John Wick: Chapter 4

Predicted Gross: $14.6 million

4. Air

Predicted Gross: $12.7 million (Friday to Sunday); $18.9 million (Wednesday to Sunday)

5. His Only Son

Predicted Gross: $3.8 million

Box Office Results (March 31-April 2)

Dungeons & Dragons: Honor Among Thieves matched or barely surpassed most prognostications with $37.2 million for the gold. That’s beyond my $32.7 million call. It’s a decent opening though not spectacular considering the reported $150 million budget (minus promotion). Factoring in overseas earnings, however, it might still spawn a franchise.

John Wick: Chapter 4 was second after its series best start. Down an understandable 62% at $28.3 million (I went a little higher at $31.5 million), the ten-day haul is $123 million.

Faith-based drama His Only Son, on less than 2000 screens, managed a sturdy $5.5 million (I was lower at $3.8 million). As mentioned, this may experience the lowest decline of the holdovers coming up.

Spots 4-6 were holdover sequels with Scream VI in fourth at $5.3 million compared to my $4.2 million projection. The tally is nearly at nine digits with $98 million.

Creed III was fifth with $5 million (I said $4.6 million) to bring its total to $148 million.

Shazam! Fury of the Gods was sixth at $4.6 million, in line with my $4.3 million forecast for a lowly $53 million (which is was its 2019 predecessor opened with).

Check out my podcast where I talk all things box office by searching “Movies at the Speed of Speculation” at your favorite podcasting engine…

And that’s all for now, folks! Until next time…

Creed III Review

Michael B. Jordan and screenwriters Keenan Coogler and Zach Baylin are tasked with mounting a Rocky without Rocky in Creed III. We could feel a slight tectonic shift in the franchise when Donnie (Jordan) had more story on his plate than Sylvester Stallone in part II. This completes the movement and it’s a mostly competent entry that tops its predecessor while certainly not matching the 2015 original. It also proves Jordan, directing for the first time, is capable of admirable stylistic flourishes.

There’s some symmetry in how Creed III starts compared to Rocky III forty years before it. Adonis, like his former trainer, is living large and content. Unlike Mr. Balboa in his third go-round, Creed is retired and a happy hubby to music producer wife Bianca (Tessa Thompson) and girl dad to Amara (Mila Davis-Kent). We’re left to assume Rocky is also good to go and reunited with his son in Canada.

A prologue from 2002 informs us of Donnie’s childhood friend Damian Anderson. A Golden Gloves phenom with a bright ring future, the ropes close after a run-in the law. 20 years later, he’s out of prison with Jonathan Majors as the grown-up “Diamond Dame”. Reconnecting with Donnie, the true history of their friendship and fallout is shared slowly. We know it will culminate in a squared circle face-off.

Where Creed III shines is the casting of Majors and the continued potent work from Jordan. If Creed II‘s foe (Ivan Drago’s son from Rocky IV) felt gimmicky (and it basically did), the screenplay assists Dame’s character in having more dimension. It’s the intense performance from Majors that sells it. As an aside, Florian Munteanu pops up rather unnecessarily as Viktor Drago once again.

Some of the family drama involving Phylicia Rashad as Donnie’s beloved adoptive mom and her healthy problems and Bianca’s melodic issues are filler. The pace is a little off as it takes about 40 minutes to get warmed up and then feels rushed when we hit the third act.

In that last act, thankfully, Jordan’s skills behind the camera come into focus. The final bout looks and sounds different than what we’ve paid for in the eight previous pics when Rocky, Creed, and his dad (and Uncle Paulie and that robot) were sparring. The hype for Donnie and Dame pays off and that’s where the admission feels earned. So while this eighth round isn’t always smooth, it’s less rocky than some others in the series.

*** (out of four)