Tag: movies

2023 Oscar Predictions: June 25th Edition

For my last forecast for the month of June, not a lot has changed in my predictions for the 96th Academy Awards. Viola Davis (Air) is back in Supporting Actress over Julianne Moore (May December). In the screenplay contests, I’ve elevated Anatomy of a Fall over May December in the original derby. For Adapted Screenplay, Oppenheimer jumps into the top five over Poor Things. It is worth noting that while I don’t have animated box office behemoth Spider-Man: Across the Spider-Verse in my BP ten, it does jump seven positions to number 12.

When I do my initial July projections in a couple of weeks, we might have some buzz for potential heavy hitters Oppenheimer and Barbie as they each ready their debuts on July 21st.

We have seen our first peeks at fall contenders such as Challengers, Priscilla, Drive-Away Dolls, and Dumb Money over the past few days via their trailers. Truth be told, this is a slow time for awards prognosticating. This will change before we know it with festival season around the corner.

Best Picture

Predicted Nominees:

1. Killers of the Flower Moon (Previous Ranking: 1) (Even)

2. Past Lives (PR: 2) (E)

3. The Color Purple (PR: 3) (E)

4. Dune: Part Two (PR: 4) (E)

5. Oppenheimer (PR: 6) (+1)

6. The Zone of Interest (PR: 5) (-1)

7. Saltburn (PR: 9) (+2)

8. The Holdovers (PR: 10) (+2)

9. Air (PR: 8) (-1)

10. Poor Things (PR: 7) (-3)

Other Possibilities:

11. Maestro (PR: 11) (E)

12. Spider-Man: Across the Spider-Verse (PR: 19) (+7)

13. Anatomy of a Fall (PR: 14) (+1)

14. Barbie (PR: 15) (+1)

15. May December (PR: 12) (-3)

16. Asteroid City (PR: 17) (+1)

17. Challengers (PR: 13) (-4)

18. Napoleon (PR: 15) (-3)

19. Bob Marley: One Love (PR: 23) (+4)

20. Rustin (PR: 22) (+2)

21. The Killer (PR: 20) (-1)

22. The Nickel Boys (PR: 24) (+2)

23. The Book of Clarence (PR: 18) (-5)

24. Ferrari (PR: 25) (+1)

25. How Do You Live? (PR: Not Ranked)

Dropped Out:

Flint Strong (moved to 2024)

Best Director

Predicted Nominees:

1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)

2. Denis Villeneuve, Dune: Part Two (PR: 3) (+1)

3. Celine Song, Past Lives (PR: 2) (-1)

4. Blitz Bazawule, The Color Purple (PR: 4) (E)

5. Jonathan Glazer, The Zone of Interest (PR: 5) (E()

Other Possibilities:

6. Christopher Nolan, Oppenheimer (PR: 6) (E)

7. Emerald Fennell, Saltburn (PR: 8) (+1)

8. Alexander Payne, The Holdovers (PR: 10) (+2)

9. Yorgos Lanthimos, Poor Things (PR: 7) (-2)

10. Bradley Cooper, Maestro (PR: 12) (+2)

11. Justine Triet, Anatomy of a Fall (PR: 9) (-2)

12. Greta Gerwig, Barbie (PR: 13) (+1)

13. Ben Affleck, Air (PR: 11) (-2)

14. Ridley Scott, Napoleon (PR: 15) (+1)

15. David Fincher, The Killer (PR: Not Ranked)

Dropped Out:

Todd Haynes, May December

Best Actress

Predicted Nominees:

1. Fantasia Barrino, The Color Purple (PR: 1) (E)

2. Greta Lee, Past Lives (PR: 2) (E)

3. Sandra Hüller, Anatomy of a Fall (PR: 3) (E)

4. Emma Stone, Poor Things (PR: 4) (E)

5. Natalie Portman, May December (PR: 5) (E)

Other Possibilities:

6. Jessica Lange, Long Day’s Journey Into Night (PR: 6) (E)

7. Margot Robbie, Barbie (PR: 7) (E)

8. Zendaya, Challengers (PR: 8) (E)

9. Carey Mulligan, Maestro (PR: 10) (+1)

10. Annette Bening, Nyad (PR: 9) (-1)

11. Kate Winslet, Lee (PR: 11) (E)

12. Regina King, Shirley (PR: 12 )(E)

13. Cailee Spaeny, Priscilla (PR: Not Ranked)

14. Teyana Taylor, A Thousand and One (PR: Not Ranked)

15. Judy Greer, Eric Larue (PR: 15) (E)

Dropped Out:

Sandra Hüller, The Zone of Interest

Ryan Destiny, Flint Strong

Best Actor

Predicted Nominees:

1. Colman Domingo, Rustin (PR: 1) (E)

2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)

3. Barry Keoghan, Saltburn (PR: 4) (+1)

4. Bradley Cooper, Maestro (PR: 5) (+1)

5. Paul Giamatti, The Holdovers (PR: 3) (-2)

Other Possibilities:

6. Kingsley Ben-Adir, Bob Marley: One Love (PR: 7) (+1)

7. Cillian Murphy, Oppenheimer (PR: 8) (+1)

8. Anthony Hopkins, Freud’s Last Session (PR: 6) (-2)

9. Teo Yoo, Past Lives (PR: 9) (E)

10. Matt Damon, Air (PR: 10) (E)

11. David Strathairn, A Little Prayer (PR: 13) (+2)

12. Joaquin Phoenix, Napoleon (PR: 11) (-1)

13. Koji Yakusho, Perfect Days (PR: Not Ranked)

14. Ed Harris, Long Day’s Journey Into Night (PR: 15) (+1)

15. Andre Holland, The Actor (PR: 14) (-1)

Dropped Out:

Mike Faist, Challengers (moved to Supporting Actor)

Best Supporting Actress

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)

2. Danielle Brooks, The Color Purple (PR: 2) (E)

3. Taraji P. Henson, The Color Purple (PR: 3) (E)

4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)

5. Viola Davis, Air (PR: 6) (+1)

Other Possibilities:

6. Julianne Moore, May December (PR: 5) (-1)

7. Rosamund Pike, Saltburn (PR: 7) (E)

8. Aunjanue Ellis, The Nickel Boys (PR: 9) (+1)

9. Audra McDonald, Rustin (PR: 8) (-1)

10. Lashana Lynch, Bob Marley: One Love (PR: 10) (E)

11. Jodie Foster, Nyad (PR: 13) (+2)

12. Tilda Swinton, The Killer (PR: 11) (-1)

13. Halle Bailey, The Color Purple (PR: 12) (-1)

14. Vanessa Kirby, Napoleon (PR: Not Ranked)

15. Claire Foy, Strangers (PR: 14) (-1)

Dropped Out:

Jodie Comer, The Bikeriders

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. John Magaro, Past Lives (PR: 4) (+2)

3. Colman Domingo, The Color Purple (PR: 3) (E)

4. Willem Dafoe, Poor Things (PR: 2) (-2)

5. Charles Melton, May December (PR: 5) (E)

Other Possibilities:

6. Ryan Gosling, Barbie (PR: 7) (+1)

7. Ben Affleck, Air (PR: 6) (-1)

8. Mark Ruffalo, Poor Things (PR: 9) (+1)

9. Dominic Sessa, The Holdovers (PR: Not Ranked)

10. Richard E. Grant, Saltburn (PR: 8) (-2)

11. Jesse Plemons, Killers of the Flower Moon (PR: 12) (+1)

12. Mike Faist, Challengers (PR: Not Ranked – moved from lead)

13. Glynn Turman, Rustin (PR: 13) (E)

14. Josh O’Connor, Challengers (PR: 15) (+1)

15. Corey Hawkins, The Color Purple (PR: 11) (-4)

Dropped Out:

Brian Tyree Henry, Flint Strong

Ben Foster, Long Day’s Journey Into Night

Best Original Screenplay

Predicted Nominees:

1. Past Lives (PR: 1) (E)

2. The Holdovers (PR: 3) (+1)

3. Saltburn (PR: 4) (+1)

4. Air (PR: 2) (-2)

5. Anatomy of a Fall (PR: 9) (+4)

Other Possibilities:

6. May December (PR: 5) (-1)

7. Asteroid City (PR: 6) (-1)

8. Maestro (PR: 8) (E)

9. Barbie (PR: Not Ranked – moved from Adapted)

10. Challengers (PR: 7) (-3)

11. Drive-Away Dolls (PR: 2) (+1)

12. Rustin (PR: 11) (-1)

13. The Book of Clarence (PR: 10) (-3)

14. Bob Marley: One Love (PR: 14) (E)

15. Napoleon (PR: 13) (-2)

Dropped Out:

Monster

Best Adapted Screenplay

Predicted Nominees:

1. Killers of the Flower Moon (PR: 1) (E)

2. The Zone of Interest (PR: 4) (+2)

3. The Color Purple (PR: 3) (E)

4. Dune: Part Two (PR: 5) (+1)

5. Oppenheimer (PR: 6) (+1)

Other Possibilities:

6. Poor Things (PR: 2) (-4)

7. Spider-Man: Across the Spider-Verse (PR: 7) (E)

8. The Nickel Boys (PR: 9) (+1)

9. Freud’s Last Session (PR: 11) (+2)

10. Long Day’s Journey Into Night (PR: Not Ranked)

11. Strangers (PR: 12) (+1)

12. The Killer (PR: Not Ranked)

13. The Bikeriders (PR: 13) (E)

14. The Boys in the Boat (PR: 15) (+1)

15. Dumb Money (PR: Not Ranked)

Dropped Out:

Barbie (moved to Original)

Flint Strong

Ferrari

The Old Guard Review

There’s a grounded Unbreakable vibe that permeates parts of Gina Prince-Bythewood’s The Old Guard. In a cinematic universe where comic book adaptations are hurled at us every couple of months, this R-rated Netflix pic manages to frequently feel fresh and captivating. There’s a less is more spirit as the screenplay (from Greg Rucka based on his own graphic novel) sets the table for inevitable sequels. That’s not to say there aren’t a fair share of shoot-em-up video game style battles. There are and they’re a cut above some others.

Andy (Charlize Theron) leads a group of fighters as we open on their assignment to rescue abducted young girls in Sudan. Her teams consists of Booker (Matthias Schoenaerts) and Joe (Marwan Kenzari) and Nicky (Luca Marinelli), who are also a couple. Their assigner is CIA contact Copley (Chiwetel Ejiofor). If Danny Glover’s Roger Murtaugh complained about being too old for his job (he put it another way), he should’ve met this squad. The quartet is immortal. Andy can’t even remember her age (we’re talking thousands of years) while the others mark their existence in centuries. They’re not famous like The Avengers and the modern world makes it trickier for them to stay inconspicuous. The group can be riddled with machine gun fire and bounce back within a few seconds. That makes them, of course, lethal weapons.

Their latest gig turns out to be a double cross involving pharmaceutical company CEO Steven Merrick (Harry Melling). We know he’s bad because his company logo is often ominously panned to before he lays out his plans. They involve capturing the immortals to study their priceless DNA. Merrick only has profit on his mind even if that means locking up his subjects with his private army guarding them. His associate Copley’s reasonings are a bit more noble.

The eternal foursome becomes a quintet with American soldier Nile (KiKi Layne). After her tour of duty ends violently, she miraculously recovers and confounds her coworkers. Andy and team come to the rescue as they must explain her new undying circumstances (she’s the first new member of the exclusive club in over 200 years). With Merrick attempting to prescribe their captures, the well-choreographed action sequences commence.

Rucka’s script weaves in occasional flashbacks of Andy’s past that reveal other associates. It turns out nothing may last forever even though our main warrior probably fought alongside Alexander the Great and Genghis Khan and partied with Keith Richards. These callbacks to history succeed in elevating anticipation for future installments.

If there’s as flaw in The Old Guard, it’s the most common of its sort. Melling’s villain isn’t exactly fleshed out. We’ve become used to the antagonists being a weak link. The preachy tone about the industry he works for can sometimes come across as clumsy and there’s the lingering knowledge that these heroes have likely fought far more interesting foes.

Yet I welcomed the approach of letting the vast backstory of the main characters have gradual reveals that are surely still formulating. Some origin stories play like the duller forward to more enticing chapters. That’s not the case here and with the talented Theron leading the charge, The Old Guard could turn out to be an enduring title in the 21st century’s preeminent genre.

*** (out of four)

Ruby Gillman, Teenage Kraken Box Office Prediction

Blogger’s Update (06/29): I have revised my prediction from $10.8 million down to $7.8 million

DreamWorks is banking on young girls and their parents depositing their money and time into Ruby Gillman, Teenage Kraken when it debuts June 30th. The animated coming-of-age fantasy is directed by Kirk DeMicco, who helmed blockbuster The Croods for the studio a decade ago. Lana Condor voices the high school sophomore title character. Other performers mic’d up include Toni Collette, Annie Murphy, Sam Richardson, Colman Domingo, Will Forte, Liza Koshy, and Jane Fonda.

The studio just had a sizable hit with Puss in Boots: The Last Wish over the holidays and they have future entries in the Trolls and Kung Fu Panda series on deck. Kraken has the disadvantage of not being based on known IP and following Spider-Man: Across the Spider-Verse and Pixar’s Elemental.

There doesn’t seem to be much chatter for this one. If Elemental couldn’t hit $30 million out of the gate, I question whether Gillman can reach half of that number. I’ll project that it falls short for an underwhelming premiere.

Ruby Gillman, Teenage Kraken opening weekend prediction: $7.8 million

For my Indiana Jones and the Dial of Destiny prediction, click here:

Indiana Jones and the Dial of Destiny Box Office Prediction

Oscar Predictions: No Hard Feelings

There are times when these Oscar Predictions posts quickly morph into Golden Globe Predictions entries. Such is the case for No Hard Feelings. The raunchy comedy hits theaters this Friday with Jennifer Lawrence starring. Good Boys director Gene Stupnitsky is behind the camera and the supporting cast includes Andrew Barth Feldman, Laura Benanti, Natalie Morales, and Matthew Broderick.

The hard R-rated flick is generating mixed notices with a 61% Rotten Tomatoes score. The Sony Release isn’t meant to be an awards player. However, even the bulk of negative reviews have kind words for Lawrence. In her first theatrical headlining role since 2018’s Red Sparrow, J-Law has been with a fixture at the Globes. She’s a five-time nominee and three of them were for Best Actress in a Musical/Comedy. Two were victories for 2012’s Silver Linings Playbook and 2015’s Joy. She also made the cut for 2021’s Don’t Look Up.

A sixth GG nod is not out of the question, but it will depend on how stacked the race is. That remains to be seen. My Oscar (Globe) Prediction posts will continue…

Indiana Jones and the Dial of Destiny Box Office Prediction

Ahh, the 80s. It’s a decade where filmmakers (many of whom came of age at the time) are constantly prodding our nostalgic sensibilities. That’s when the Spielberg/Lucas collaborative trilogy of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, and Indiana Jones and the Last Crusade gave Harrison Ford another iconic role and moviegoers another classic franchise. In 2008, Ford donned the fedora again to more mixed results with Indiana Jones and the Kingdom of the Crystal Skull. The 80s now describes the lead’s own age (he became an octogenarian last summer). Indy is back as James Mangold takes over directorial duties with Indiana Jones and the Dial of Destiny, the time travel adventure that marks the fifth and last entry in the series. The Logan and Ford v Ferrari maker also has Karen Allen and John Rhys-Davies reprising their roles. Other supporting players include Phoebe Waller-Bridge, Mads Mikkelsen, Antonio Banderas, Toby Jones, Boyd Holbrook, and Ethann Isidore.

With a whopping budget reportedly approaching $300 million, Disney is banking on crowds of all ages making the multiplex trek. That’s not a sure thing as we all just witnessed The Flash go belly up. Destiny attempted to generate solid buzz when it premiered last month at the Cannes Film Festival. It might’ve had the opposite effect. Reviews were middling and it currently stands at just 59% on Rotten Tomatoes (the oft maligned Skull sits at 77%). Another factor is that younger viewers may not have the sentimentality for Indy that older ones hold.

Fifteen summers ago, Skull premiered on Thursday ahead of a long Memorial Day holiday weekend. It amassed over $150 million for the five-day haul. A three-day take of $100 million would be welcome news for the Mouse Factory. I’m skeptical if that’s achievable. In fact, I’m questioning whether it reaches the figure that shares Ford’s age. Anything under $80 million would certainly be considered a disappointment and that’s where I have this landing. In fact, I’m only going mid-6os for what would be considered a massive letdown.

Indiana Jones and the Dial of Destiny opening weekend prediction: $65.3 million

For my Ruby Gillman, Teenage Kraken prediction, click here:

Ruby Gillman, Teenage Kraken Box Office Prediction

June 23-25 Box Office Predictions

Following a weekend in which two high profile pictures opened far under what their respective studios hoped for, a pair of comedies debut wide attempting to find an audience. They are Jennifer Lawrence’s raunchy comedy No Hard Feelings and Wes Anderson’s Asteroid City. You can peruse my detailed prediction posts on them here:

No Hard Feelings Box Office Prediction
Asteroid City Box Office Prediction

Feelings marks Lawrence’s first headlining role in theaters since Red Sparrow over five years ago. This isn’t a genre she’s known for and comedies in general struggle to break out these days in multiplexes. It could be lucky to top $10 million and that should put it in fourth position for a soft start.

Asteroid City performed impressively in its limited NY/LA six theater engagement. Branching out to middle America is another ballgame and my estimate puts it in sixth.

As for the #1 spot… well, it gets interesting. Before The Flash premiered, the assumption was it would have two weeks to itself atop the charts. However, the Ezra Miller led DCEU adventure opened way below expectations (more on that below). With a weak B Cinemascore grade, a drop in the mid 60s could occur. If Spider-Man: Across the Spider-Verse sees a small decline in the 30% range, Spidey may return to the top spot over his superhero competitor. I’m guessing that will be the case.

The Flash wasn’t the only bomb as Pixar’s Elemental, for all intents and purposes, had the weakest wide release in the studio’s near 30 year history. It had an A Cinemascore grade so it may only dip in the mid to high 40s for third place.

I have Transformers: Rise of the Beasts falling around 55-60% in its third frame for fifth place with The Little Mermaid right behind Asteroid City in seventh.

Here’s how I see it playing out:

1. Spider-Man: Across the Spider-Verse

Predicted Gross: $18.9 million

2. The Flash

Predicted Gross: $17.5 million

3. Elemental

Predicted Gross: $16.8 million

4. No Hard Feelings

Predicted Gross: $11.7 million

5. Transformers: Rise of the Beasts

Predicted Gross: $9.3 million

6. Asteroid City

Predicted Gross: $7.6 million

7. The Little Mermaid

Predicted Gross: $7 million

Box Office Results (June 16-18)

You can read a whole slew of think pieces as to why The Flash failed so badly in its debut. I had it making $83.2 million. It… um… didn’t. The DCEU title earned an unthinkable $55 million marking a sizable disappointment for Warner Bros. Here’s a figure I can’t stop thinking about. Twelve summers ago, notorious dud Green Lantern rolled out with $53 million. Adjusted for inflation, that’s better than The Flash. Ouch.

If it weren’t for the paragraph above, there would likely be more think pieces about Elemental not connecting with audiences. The Pixar animated feature was second with just $29.6 million. I was on target with a $30.6 million prediction. On the heels of Lightyear flopping last summer, this is two under performers in a row for the Disney property.

Spider-Man: Across the Spider-Verse was third with $27 million, in range with my $27.6 million call. The three-week tally is $279 million and, per above, I see it leaping to first yet again.

Transformers: Rise of the Beasts tumbled 66% in weekend #2 with $20.6 million (I said $21.8 million). The ten-day take is $101 million.

The Little Mermaid rounded out the top five with $11 million, falling below my $13.8 million forecast. The Disney live-action remake has made $253 million thus far in its four weeks.

Finally, horror spoof The Blackening couldn’t translate positive reviews to brisk business. It was sixth with $6 million compared to my $7.7 million projection.

And that does it for now, folks! Until next time…

Oscar Predictions: Kokomo City

D. Smith’s provocative and acclaimed doc Kokomo City was first unveiled at Sundance in January. Following four transgender sex workers in Georgia and New York, it won an audience prize when it screened at the Berlin Film Festival. Magnolia picked up the distribution rights and it is slated for domestic release on July 28th.

With a 100% score on Rotten Tomatoes, City‘s reviews are strong enough for potential awards consideration. If it manages to get buzz when it releases later next month (and it certainly could), this could be a contender for Documentary Feature that the Academy embraces. On the other hand, it might be too hot button for the unpredictable branch. My Oscar Prediction posts will continue…

Oscar Predictions: Eric Larue

As the mom of a school shooter preparing to meet with family members of the departed, Judy Greer stars in Michael Shannon’s directorial debut Eric Larue. Brett Neveu adapts his own play with a supporting cast including Paul Sparks, Alison Pill, Tracy Letts, and Alexander Skarsgård. It premiered at the Tribeca Film Festival and is seeking domestic distribution for later this year.

Reviews for the picture itself are a mixed bag with 70% on Rotten Tomatoes. Some of the critical reaction compares it to 2021’s similarly themed Mass. That film received more acclaim and came up empty at the Oscars.

The story should be the same for Larue with one possible exception. Greer is generating career best notices. She’s one of those performers that you’ll recognize from many projects on the big and small screen. The lengthy list includes Adaptation, 13 Going on 30, The Village, 27 Dresses, The Descendants, Dawn of the Planet of the Apes, Jurassic World, Ant-Man, Halloween and sequel Halloween Kills.

Normally I’d say that Larue might be too minor a project for Greer to contend for Best Actress attention. However, Andrea Riseborough’s surprise nom a few months back for To Leslie at least has me wondering. Greer is well-respected with two decades of character actor work. I wouldn’t count on her getting in, but the right campaign could change the dynamic. My Oscar Prediction posts will continue…

The Flash Review

Just as “Nuking the Fridge” has become shorthand for introducing unwanted material in a beloved franchise (courtesy of Indiana Jones and the Kingdom of the Crystal Skull) – “Waving the Baby” may enter the lexicon thanks to The Flash. You’ll see what I mean in the opening scene of the DCEU adventure. There’s shoddy visual effects accompanying the term that may produce unintended laughter. That said, I kind of warmed up to this initial action sequence with Ezra Miller’s title character given a save the day assignment from Alfred the Butler (Jeremy Irons, reprising his role from Batman v Superman: Dawn of Justice and Justice League). Like much of the first half, it’s light and quirky and (despite their offscreen troubles) Miller shines in a dual role. There’s genuine moments of intended laughter too. The second half is where this becomes overbaked and the frequent surprise cameos don’t save it. It’s a countdown to continued mediocrity after a sturdy start.

The Flash’s alter ego is Barry Allen and he’s assisting Ben Affleck’s version of the Caped Crusader (and others) as we begin. He’s doing a bit of the grunt work while his Justice League teammates handle cooler assignments. Barry’s mom (Maribel Verdú) was murdered when he was a youngster. His dad (Ron Livingston) was wrongly convicted of the crime and is imprisoned with an appeal on deck. The possibility of time travel is introduced giving Barry a potential green light to undo the childhood trauma and save his family. We know through countless features that going back to alter the future never works as intended. By the way, there’s some enjoyable reference to Back to the Future and additional 80s classics.

Before we know it, Barry/The Flash is stuck in a multiverse situation with a younger and not as scientifically gifted version of himself. In this world, Affleck doesn’t don the Batsuit. Instead we are given the chance to witness Michael Keaton back in the role for the first time in over 30 years. His Bruce Wayne is long out of the limelight, but the Barry’s visit to his Manor might get him to repeat iconic line readings once again.

There’s less memorable character reappearances in the alternate reality. Michael Shannon reprises his turn as General Zod from Man of Steel as does Antje Traue as his second-in-command. If you weren’t clamoring for that bad guy’s comeback, I get it. He was a weak nemesis a decade ago and he is again. This isn’t really Shannon’s fault, who’s a gifted performer in plenty of other films. He simply doesn’t have much of a role to flesh out. If comic book movies are as solid as the villains, The Flash is offtrack.

Of course, weak villains have been a staple of the DCEU and MCU and other factors often rescue them. For awhile, that’s the situation. Miller excels with the comedic timing and dramatic beats. Given that the initial hour plus focuses on the older and socially awkward Barry teaching dumber but happier Barry how to become a superhero, there’s plenty of entertainment value. Then it goes and clocks in at nearly two and half hours. Keaton’s return is welcome at first. Gimmicky? Sure. Sasha Calle’s debut as Supergirl is underwritten though her performance is promising if she’s given screen time in future entries.

The latter portions of The Flash are interchangeable from about every other genre experience. We’re talking loud, messy, and dull battles. By then, it doesn’t much matter that Keaton is in uniform or Miller’s performance is impressive. They’re drowned out by effects. The multiverse happenings (and we do see plenty of alternate realities with familiar faces) are becoming standard procedure thanks to Doctor Strange and Spider-Men. Barry’s familial dynamics are also well covered territory.

I’d have no trouble recommending The Flash if it stopped after about 75 minutes. Unfortunately it keeps running and the time remaining alters a universe in which it is ultimately satisfying.

**1/2 (out of four)

Asteroid City Box Office Prediction

After premiering to mixed reactions at the Cannes Film Festival last month, Wes Anderson’s Asteroid City expands nationwide on June 23rd. The auteur’s distinctive mix of dry humor and drama looks to be in high supply and same goes for his impressive sprawling cast. This time around it includes plenty of Anderson regulars and some newbies. The list boasts Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, and Jeff Goldblum.

With a 74% Rotten Tomatoes rating, this is far from the peak of critical acclaim for the filmmaker. I doubt this approaches the $59 million domestic gross that 2014’s The Grand Budapest Hotel made in 2014 (his best earner). Yet this should eclipse predecessor The French Dispatch from October 2021. It took in just $16 million (this was also during theatrical COVID challenges).

City rolls out June 16th in six venues. I imagine it’ll have one of the biggest per theater averages of 2023. That doesn’t necessarily translate to impressive numbers when it expands between the coasts a week later. I’m skeptical that it manages $10 million.

Asteroid City opening weekend prediction: $7.6 million

For my No Hard Feelings prediction, click here:

No Hard Feelings Box Office Prediction