Tag: movies

Oscar Predictions: Maestro

Five years ago, Bradley Cooper made his directorial debut with A Star Is Born and it received 8 Oscar nominations with its sole win coming for “Shallow” in Original Song. At the Venice Film Festival, his follow-up Maestro has bowed prior to its November 22nd limited theatrical output and December 20th Netflix premiere. It recounts the relationship between famed conductor Leonardo Bernstein (Cooper) and activist Felicia Montealegre (Carey Mulligan). Costars include Matt Bomer, Maya Hawke, Sarah Silverman, and Michael Urie.

The vast majority are singing Maestro‘s praises and it is at 91% on Rotten Tomatoes. However, some of the positive reactions reveal drawbacks like a protracted third act. Cooper’s second behind the camera feature is expected to garner awards attention. The Venice reaction is enough for me to think Picture is likely as well as Cooper and Mulligan for their lead work. It’s also a contender in down the line competitions like Cinematography, Film Editing, Sound, Production Design, and (especially) Makeup and Hairstyling.

However, Maestro could experience some of the same omissions that A Star Is Born had. Cooper wasn’t nominated for Best Director five years ago and he could miss here. Star also didn’t get in for Adapted Screenplay. I don’t think it’s automatic that this one makes the cut for Original Screenplay (from Cooper and Josh Singer). My Oscar Prediction posts will continue…

Oscar Predictions: Rustin

As the gay activist instrumental in organizing Martin Luther King Jr.’s March on Washington, Colman Domingo has been seen as a serious Best Actor possibility since Rustin was announced. The biopic has premiered in Telluride prior to its November 3rd limited theatrical release and November 17th Netflix streaming start. George C. Wolfe, in his follow-up to Ma Rainey’s Black Bottom, directs with a supporting cast including Chris Rock, Glynn Turman, Ami Ameen, CCH Pounder, Michael Potts, Jeffrey Wright, and Audra McDonald.

Festival reviews indicate Domingo should find himself among the lead Actor quintet and that’s even with the already considerable competition (it’s going to be tricky to figure out who gets snubbed). The pic itself sits at 100% on Rotten Tomatoes.

It will be interesting to see Netflix’s campaign. They’re sure to go all in on Bradley Cooper’s Maestro and their BP blitz for Rustin could be more muted. There’s certainly the chance that Domingo represents its only nod (though Lenny Kravitz has a track called “Road to Freedom” that could make it). If the love extends to supporting, perhaps Turman contends. I’m skeptical about that. As for Domingo, it sure seems like the voters will go his way for a spot. My Oscar Prediction posts will continue…

Oscar Predictions: The Holdovers

One of the most surprising 21st century Best Actor snubs at the Oscars was Paul Giamatti being left out in 2004 for Alexander Payne’s Sideways. The movie itself nabbed five nominations – Picture, Director, Supporting Actress (Virginia Madsen), Supporting Actor (Thomas Haden Church), and a win for its Adapted Screenplay. Somehow its star couldn’t make his final five.

Giamatti would receive his one and only nom in Supporting Actor the following year with Cinderella Man. Nearly two decades after the Sideways omission, his latest collaboration with Payne could get him the second and first in lead. Dramedy The Holdovers has premiered at Telluride prior to an October 27th limited release and November 10th wide bow.

Early reviews are hailing it as a return to form for Payne (100% right now on RT). His previous effort Downsizing in 2017 underwhelmed critics and crowds. It could be his fourth Best Picture nominee after Sideways, The Descendants, and Nebraska and if he gets in for his direction, that would also be #4. The original screenplay by David Hemingson seems like a shoo-in.

Could Giamatti miss again? Sure. We already have major contenders such as Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Bradley Cooper (Maestro), and Barry Keoghan (Saltburn). Those are just the pics that have already screened. I’d look for Focus Features to make a strong push. They’ll do the same for his costars Da’vine Joy Randolph and newbie Dominic Sessa in their supporting fields. The former probably has the best shot, but don’t discount Sessa. My Oscar Prediction posts will continue…

Oscar Predictions: The Promised Land

A decade after his 2012 pic A Royal Affair received a Foreign Language Film nomination at the Oscars, director Nikolaj Arcel’s latest The Promised Land hopes to do the same. The 18th century set epic is a co-production between Denmark, Sweden, and Germany. It’s worth noting that Denmark submitted Affair for consideration. Mads Mikkelsen stars.

Land premiered at the Venice Film Festival and early reviews are of the mixed variety with 71% on Rotten Tomatoes. The film will move to Toronto for more exposure next week. However, initial reaction indicates it could face tricky odds to break into International Feature Film. My Oscar Prediction posts will continue…

Oscar Predictions: Poor Things

Upon its screening at the Venice Film Festival, the awards possibilities are rich for Poor Things. Based on the 1992 Alasdair Gray novel, it marks Yorgos Lanthimos’s follow-up to The Favourite from 2018. That pic garnered 10 Oscar nominations and one (surprise) win for Olivia Colman in Best Actress. This one could contend in several of the same races.

The word brilliant has popped up in more than one evaluation thus far as Things sits at 100% on Rotten Tomatoes. Emma Stone (2016’s Best Actress winner for La La Land) is drawing raves and her inclusion in Actress seems assured. This would mark her fourth nod after Birdman (supporting), La La Land, and Supporting Actress in The Favourite. She could be a threat to take her second gold statue. Just as Stone and Rachel Weisz competed against each other for The Favourite, there are two Supporting Actor hopefuls here with Willem Dafoe and Mark Ruffalo. Prior to screenings, I assumed Dafoe might have the edge. However, it seems Ruffalo has just as strong a chance. It would mark Dafoe’s fifth nom and Ruffalo’s fourth. Neither has won.

Things also appears poised for a Best Picture nod and Lanthimos may pick up a directing mention. It should make the cut in Adapted Screenplay while tech nods like Cinematography, Costume Design, Makeup and Hairstyling, and (especially) Production Design are very possible. My Oscar Prediction posts will continue…

Oscar Predictions: The Bikeriders

Just as some potential awards heavy hitters are screening at the Venice Film Festival, the same holds true for Telluride over this Labor Day weekend. That includes The Bikeriders from Jeff Nichols (out December 1). Based on the 1968 book by Danny Lyon, the impressive cast includes Austin Butler (fresh off his Elvis nod), Jodie Comer, Tom Hardy, Michael Shannon, Mike Faist, Boyd Holbrook, and Norman Reedus.

The 60s and 70s set tale of a gang of outcasts marks the latest from critical favorite Nichols. Despite acclaim for Take Shelter, Mud, and Midnight Special, his only Oscar mention came with Ruth Negga’s Best Actress nod for 2016’s Loving. That category might be the only hope for The Bikeriders.

Some reviews are solid, but I don’t envision this as a player in Best Picture, Director, or Adapted Screenplay. Jodie Comer is getting the bulk of attention. She likely came close to an Actress slot for 2021’s The Last Duel. This could be a chance for the Academy to give her a first nomination. 20th Century Studios faces a decision whether to campaign for her in lead or supporting. No matter which race they choose, Comer’s inclusion may ride on whether voters are even thinking of The Bikeriders a few months down the road. My Oscar Prediction posts will continue…

Oscar Predictions: Ferrari

It’s been eight long years since Michael Mann has been behind the camera and Ferrari marks his first picture since the 2015 cybercrime flop Blackhat. The Heat maker casts Adam Driver in the 1950s set biopic of Enzo Ferrari and it scored a Venice premiere prior to a Christmas Day theatrical release. Penélope Cruz, Shailene Woodley, Gabriel Leone, Sarah Gadon, Jack O’Connell, and Patrick Dempsey costar.

Early reviews are mostly fresh and it sits at 76% on Rotten Tomatoes. They may not be quite strong enough for it to be a significant awards player. It could sneak into Best Picture depending on competition in the weeks and months ahead. I doubt you’ll see it in my top 10 at my next update on Labor Day. There are openings elsewhere. The Sound (especially), Film Editing, and Cinematography are all possibilities.

I don’t anticipate Driver will be much of a factor in Best Actor. However, Cruz is drawing raves for her work as Enzo’s wife Laura. Neon may have a decision to make whether to campaign for her in lead or supporting (I’m guessing the latter). She could make the cut though competition might be fierce. If she manages a nod, it would mark her fifth after Volver, Vicky Christina Barcelona (for which she won Supporting Actress in 2008), Nine, and Parallel Mothers. My Oscar Prediction posts will continue…

Oscar Predictions: El Conde

Chilean filmmaker Pablo Larrain is no stranger to awards attention. His 2012 effort No was an Academy Award nominee for Best Foreign Language Film (now best International Feature Film) while 2016’s Neruda was up in the same race at the Globes. Also in ’16, his English language debut Jackie scored Natalie Portman an Actress nod at the Oscars. Five years later, Kristen Stewart contended in the same category for Spencer.

At the Venice Film Festival, his latest El Conde (or The Count) has premiered prior to its Netflix debut on September 15th. Set in the director’s native land, it creates an alternate universe where dictator Augusto Pinochet (Jaime Vadell) is a vampire.

Reviews are mostly positive with an 82% Rotten Tomatoes score. However, I wouldn’t say they’re strong enough that it receives the kind of attention granted to Larrain’s aforementioned titles. Chile may select it as their pick for International Feature Film. Making the final five seems like a reach. My Oscar Prediction posts will continue…

Oscar Predictions: Comandante

The Italian World War II drama Comandante wasn’t supposed to open the 80th Venice Film Festival which kicked off today. That honor was supposed to go to Luca Guadagnino’s Challengers, but it got pushed back to 2024 due to the SAG-AFTRA strike and gave up its plum spot.

Early word for Edoardo De Angelis’s submarine tale is pretty weak. There’s only five reviews at press time and only one is positive (meaning a 20% Rotten Tomatoes rating). Obviously that score could end up not being quite as underwater. However, I don’t envision Italy championing this as their selection for awards consideration. I wouldn’t look for it to contend in International Feature Film. My Oscar Prediction posts will continue…

Oscar Predictions: Beyond Utopia

After winning the audience award for documentaries at Sundance earlier this year, Madeleine Gavin’s Beyond Utopia will receive further exposure this weekend at Telluride. The acclaimed feature focuses on North Korean defectors and it just scored an October distribution deal via Fathom Events and Roadside Attractions.

With a 100% Rotten Tomatoes score, look for its buyers to mount a serious Oscar campaign in Documentary Feature. When it comes to that competition, there’s always the caveat that the doc branch is capable of shocking omissions.

That said, Utopia is a threat for both a nomination and the win. My Oscar Prediction posts will continue…