Tag: movies

Is Origin An Oscar Sleeper?

Last year, a late breaking Oscar campaign for Andrea Riseborough’s performance in the micro-budgeted drama To Leslie resulted in success. With various celebrities holding events touting her work, Riseborough nabbed one of the five slots in Actress (over favored competitors like Danielle Deadwyler in Till and Viola Davis in The Woman King). This resulted in both controversy and kudos for a unique way to campaign for gold hardware.

Now for the 96th Academy Awards, we have another midnight hour title raising eyebrows in the form of Selma director Ana DuVernay’s Origin. Based on Isabel Wilkerson’s nonfiction novel, the race relations drama premiered on the festival circuit early in the fall at Venice and Toronto. Some reviews were raves, but not all. An 80% Rotten Tomatoes score resulted and Neon picked up distribution rights. Its wide release comes this Friday.

That timing could come in handy. However, Origin hasn’t been seen as a true threat for Picture, Adapted Screenplay, or Actress. Yet there’s been some noteworthy activity over the past week. Angelina Jolie hosted an FYC event with DuVernay and the film’s lead Aunjanue Ellis-Taylor (nominated for Supporting Actress in 2021 for King Richard). Today the USC Scripter nods for Adapted Screenplay had this in their top 5 along with expected heavy hitters American Fiction, Killers of the Flower Moon, Oppenheimer, and Poor Things.

Could Origin nab a screenplay mention from the Academy? That’s still a tough road. The other four titles should make the cut and Barbie is also an adapted work according to Oscar (despite that being heavily debatable). It wasn’t eligible for the USC prize due to their rules.

Where this could “come out of nowhere” as Riseborough did is in Actress. I would say Lily Gladstone in Flower Moon and Emma Stone in Poor Things are locked in. Sandra Hüller (Anatomy of a Fall) and Carey Mulligan (Maestro) aren’t shoo-ins, but their inclusion is expected. Then we have one slot up for grabs and hopefuls include Greta Lee (Past Lives), Margot Robbie (Barbie), and Annette Bening (Nyad). We shall see if this fresh round of campaigning puts Ellis-Taylor in the mix. I have my doubts. Then again I didn’t predict Riseborough a year ago and was proven wrong.

I do think Best Picture is a reach. At best, this might be 12th or 13th as far as possibilities. Or perhaps the power of Jolie isn’t to be underestimated. My final Oscar predictions are arriving on the blog imminently…

January 19-21 Box Office Predictions

The space station set sci-fi thriller I.S.S. is the only wide release debut in what should be a sluggish weekend at the box office. Our newcomer may struggle to make the top five and you can peruse my detailed prediction post on it here:

I.S.S. Box Office Prediction

After a fetching start (more on that below), Mean Girls should remain #1 for the second weekend. However, with a weak B Cinemascore grade, a drop in the mid to high 50s is possible. It still might be the only title to get beyond $10 million as the typical January slowdown commences.

Jason Statham’s action thriller The Beekeeper, after its stronger than anticipated premiere, should be keeping its spot at #2 with a mid to high 40s decline.

The rest of the top five should consist of holiday leftovers with Wonka, Anyone but You, and Migration all experiencing meager dips.

Back to I.S.S. I’m just not seeing a launch of any magnitude and my $2.6 million forecast does indeed mean a showing outside the high five.

Here’s how I do see it:

1. Mean Girls

Predicted Gross: $12.6 million

2. The Beekeeper

Predicted Gross: $8.7 million

3. Wonka

Predicted Gross: $6 million

4. Anyone but You

Predicted Gross: $5.5 million

5. Migration

Predicted Gross: $4.9 million

Box Office Results (January 12-15)

It was a robust premiere for the latest take on Mean Girls as the musical comedy scored $33.6 million over the four-day MLK weekend. That’s over my $27.6 million prediction and at the peak end of its anticipated range.

The Beekeeper also exceeded expectations with $18.7 million, well over my $10.6 million projection. It proved to be a viable option for action fans despite bad weather and playoff football. P.S. – now that my Browns are out, go Texans (Buckeye CJ Stroud) or Lions (long suffering fanbase).

Wonka was third with $11 million, not matching my $12.9 million call. The hit of the holidays has amassed $178 million after five weeks with $200 million domestic in its sights.

Migration was fourth with $8.5 million (I said $8.3 million) as it approaches the century mark with $88 million in four weekends.

Anyone but You rounded out the top five and also grossed $8.5 million for its impressive four-week haul of $56 million. A went with a little more at $9.5 million.

Aquaman and the Lost Kingdom was sixth with $6.3 million, under my $7.6 million guesstimate, for $109 million overall since its Christmas weekend bow.

Badly reviewed horror flick Night Swim plummeted from 2nd to 7th with $5.4 million (I said $6.1 million) for two-week earnings of $20 million.

Finally, Biblical dramedy The Book of Clarence couldn’t find an audience. It was ninth with a mere $3 million compared to my projection of $5.5 million.

And that does it for now, folks! Until next time…

77th BAFTA Nominations Predictions

This Thursday, nominations for the British Academy Film Awards (commonly known as BAFTA) will be unveiled prior to its February 18th airdate. After a busy precursor frame this past week, all eyes will be on BAFTA as we finalize our Oscar forecast for the big announcement in seven days.

As I do with other precursors, I’m giving you my picks along with an alternate. With the BAFTAs, there’s a mix of numbers for the races. Most are five though directing and the acting derbies are six with ten for Outstanding British Film and 4 for Animated Feature.

Got all that? Let’s get to it!

Film

Anatomy of a Fall

Barbie

Killers of the Flower Moon

Oppenheimer

Poor Things

Alternate: The Zone of Interest

Director

Jonathan Glazer, The Zone of Interest

Andrew Haigh, All of Us Strangers

Yorgos Lanthimos, Poor Things

Christopher Nolan, Oppenheimer

Martin Scorsese, Killers of the Flower Moon

Justine Triet, Anatomy of a Fall

Alternate: Greta Gerwig, Barbie

Actress

Lily Gladstone, Killers of the Flowe Moon

Sandra Hüller, Anatomy of a Fall

Greta Lee, Past Lives

Mia McKenna-Bruce, How to Have Sex

Carey Mulligan, Maestro

Emma Stone, Poor Things

Alternate: Margot Robbie, Barbie

Actor

Bradley Cooper, Maestro

Leonardo DiCaprio, Killers of the Flower Moon

Paul Giamatti, The Holdovers

Barry Keoghan, Saltburn

Cillian Murphy, Oppenheimer

Andrew Scott, All of Us Strangers

Alternate: Jeffrey Wright, American Fiction

Supporting Actress

Emily Blunt, Oppenheimer

Danielle Brooks, The Color Purple

Claire Foy, All of Us Strangers

Cara Jade Myers, Killers of the Flower Moon

Rosamund Pike, Saltburn

Da’Vine Joy Randolph, The Holdovers

Alternate: Sandra Hüller, The Zone of Interest

Supporting Actor

Robert De Niro, Killers of the Flower Moon

Robert Downey Jr., Oppenheimer

Ryan Gosling, Barbie

Anthony Hopkins, One Life

Paul Mescal, All of Us Strangers

Mark Ruffalo, Poor Things

Alternate: Jamie Bell, All of Us Strangers

Original Screenplay

Anatomy of a Fall

Barbie

The Holdovers

Past Lives

Saltburn

Alternate: How to Have Sex

Adapted Screenplay

All of Us Strangers

American Fiction

Killers of the Flower Moon

Oppenheimer

Poor Things

Alternate: The Zone of Interest

Casting

All of Us Strangers

Barbie

Killers of the Flower Moon

Oppenheimer

Saltburn

Alternate: The Holdovers

Animated Feature

The Boy and the Heron

Chicken Run: Dawn of the Nugget

Nimona

Spider-Man: Across the Spider-Verse

Alternate: Elemental

British Film

All of Us Strangers

How to Have Sex

Napoleon

One Life

Poor Things

Rye Lane

Saltburn

Scrapper

Wonka

The Zone of Interest

Alternate: The Old Oak

Debut a British Writer, Director, or Producer

The End We Start From

How to Have Sex

Polite Society

Rye Lane

Scrapper

Alternate: Is There Anybody Out There?

Film Not in English Language

Anatomy of a Fall

The Boy and the Heron

Fallen Leaves

Past Lives

The Zone of Interest

Alternate: Society of the Snow

Documentary

20 Days in Mariupol

American Symphony

Beyond Utopia

Still: A Michael J. Fox Movie

Wham!

Alternate: The Pigeon Tunnel

Cinematography

Killers of the Flower Moon

Oppenheimer

Poor Things

Saltburn

The Zone of Interest

Alternate: Maestro

Costume Design

Barbie

Napoleon

Oppenheimer

Poor Things

Wonka

Alternate: Killers of the Flower Moon

Editing

Anatomy of a Fall

Killers of the Flower Moon

Oppenheimer

Poor Things

The Zone of Interest

Alternate: Barbie

Makeup and Hair

Barbie

Maestro

Oppenheimer

Poor Things

Priscilla

Alternate: Killers of the Flower Moon

Original Score

Indiana Jones and the Dial of Destiny

Killers of the Flower Moon

Oppenheimer

Poor Things

Spider-Man: Across the Spider-Verse

Alternate: Saltburn

Production Design

Barbie

Killers of the Flower Moon

Napoleon

Oppenheimer

Poor Things

Alternate: The Zone of Interest

Sound

Ferrari

Maestro

Napoleon

Oppenheimer

The Zone of Interest

Alternate: Killers of the Flower Moon

Special Visual Effects

The Creator

Indiana Jones and the Dial of Destiny

Oppenheimer

Poor Things

Spider-Man: Across the Spider-Verse

Alternate: Guardians of the Galaxy Vol. 3

That works out to the following number of nominations for these films:

15 Nominations

Oppenheimer

13 Nominations

Poor Things

12 Nominations

Killers of the Flower Moon

7 Nominations

All of Us Strangers, Barbie

6 Nominations

Anatomy of a Fall, Saltburn, The Zone of Interest

4 Nominations

Maestro, Napoleon

3 Nominations

The Holdovers, How to Have Sex, Past Lives, Spider-Man: Across the Spider-Verse

2 Nominations

The Boy and the Heron, Indiana Jones and the Dial of Destiny, One Life, Rye Lane, Scrapper, Wonka

1 Nomination

20 Days in Mariupol, American Fiction, American Symphony, Beyond Utopia, Chicken Run: Dawn of the Nugget, The Color Purple, The Creator, The End We Start From, Fallen Leaves, Ferrari, Nimona, Polite Society, Priscilla, Still: A Michael J. Fox Movie, Wham!

Oscar Predictions: In the Rearview

Maciek Hamela’s documentary In the Rearview follows the harrowing journey of Ukrainian refugees to Poland after the Russian invasion. It premiered at the Cannes Film Festival last summer and is now one of 15 shortlisted features in contention for Documentary Feature at the Oscars.

Having played the festival circuit over the past several months, Rearview sports a 100% RT score. It has not been much of a player with major precursors. 20 Days in Mariupol is higher profile and covers similar subject matter. It seen as a potential threat to win the Academy Award.

I have not had this in my top 10 of possibilities since the shortlist was unveiled. Don’t expect it to vault upwards before my final forecast later this week. My Oscar Prediction posts will continue…

Oscar Predictions: A Still Small Voice

Chronicling a chaplain and his residency at Mount Sinai Hospital in NYC, Luke Lorentzen’s A Still Small Voice was first seen at the 2023 Sundance Film Festival. A year later, it’s one of the 15 shortlisted documentaries contending at the Academy Awards.

With a 96% RT score, Voice has made a little noise on the circuit. At Sundance, Lorentzen won the directing competition for docs. The National Board of Review named it one of their top five docs of ’23.

I haven’t put this in my projected quintet for Documentary Feature and I have it 8th currently. That means it’s at least a threat to make the final cut. My Oscar Prediction posts will continue…

Oscar Predictions: To Kill a Tiger

Nisha Pahuja’s documentary To Kill a Tiger originally premiered at the Toronto Film Festival back in September of 2022 and scored stateside distribution in October of last year. The true crime saga set in a small Indian village won Best Canadian Film honors at TIFF and has picked up regional fest awards over the past few months.

With a RT rating of 100%, it was still surprising that Tiger was included among the 15 shortlisted features for Documentary Feature at the Oscars. There’s always the possibility of unexpected inclusions in this race, but I haven’t put it in the top ten contenders in recent forecasts. My Oscar Prediction posts will continue…

29th Critics Choice Awards Reaction

Last Sunday, the Golden Globes were more the Oppenheimer show than a Barbenheimer love fest. One week later, the 29th Critics Choice Awards was more of a celebration for 2023’s acclaimed blockbusters that will forever be linked. Both managed to win in races I didn’t pick them in. Yet they arguably came up short in competitions where they were anticipated to emerge victorious. In addition to the impressive hardware picked up by the aforementioned pics, it was a pleasing night for The Holdovers. As for Killers of the Flower Moon or Maestro… not so much.

Barbenheimer accounted for 14 of the 21 wins this evening. That would be Oppenheimer with 8 and Barbie with 6. As for this blogger, I went 15 for 21 in my selections.

As anticipated, Oppenheimer is your Best Picture with Christopher Nolan as Best Director (just like the Globes). Same goes for Robert Downey Jr. in Supporting Actor as he’s established himself as the favorite for Oscar. It also won Acting Ensemble and I had Barbie taking that instead. The other four trophies: Cinematography, Editing, Score, and Visual Effects. For VE, Oppenheimer shockingly missed the shortlist for the Oscars. I picked Spider-Man: Across the Spider-Verse for Critics Choice (it did win Animated Feature as projected). Simply put, Oppenheimer is very well positioned for Oscar’s big prize.

Moving onto Barbie, it took home Original Screenplay. As you may be aware, it is slotted in Adapted Screenplay at the Academy Awards. Greta Gerwig’s phenomenon also won Comedy, Costume Design, Hair and Makeup (in a surprise win over the favored Maestro), Production Design, and Song. In another slight shock, “I’m Just Ken” was the honored tune over “What Was Made I For?”.

As for The Holdovers, all three prominent performers in the cast went home with an engraved reminder of their attendance. Paul Giamatti is Best Actor and I picked him in a coin flip over Cillian Murphy (Oppenheimer). It sets up a real race for that leading derby. Da’Vine Joy Randolph continued to solidify her dominance in Supporting Actress while Dominic Sessa is your Young Actor/Actress recipient.

We also have some drama in Best Actress. Emma Stone’s work in Poor Things won out over Globe victor Lily Gladstone (Killers of the Flower Moon). I got that wrong and it contributed to a night where Killers came up 0 for 12.

In other races: Adapted Screenplay went to American Fiction. I thought it would be Killers and this competition at the Oscars (where Barbie, Oppenheimer, and Poor Things should also be in the mix) is unpredictable.

Anatomy of a Fall, while not in contention for International Feature Film at the Oscars, is the Foreign Language Film selection (Globes went with it too). That’s one more award to help its chance of making the ten BP nominees.

My main takeaway: Oppenheimer, Nolan, Downey Jr., and Randolph might be sweeping. Best Actor and Actress look more competitive. For the former, it’s Giamatti vs. Murphy (with Bradley Cooper in Maestro still a potential spoiler). In Actress, it’s Gladstone vs. Stone.

Keep an eye on the blog for my final Oscar predictions later this week!

Oscar Predictions: Desperate Souls, Dark City and the Legend of Midnight Cowboy

Desperate Souls, Dark City and the Legend of Midnight Cowboy is an out of the blue contender for Documentary Feature at the Oscars. It recounts the making of the 1969 Best Picture winner with Jon Voight and Dustin Hoffman as well as its classic era of filmmaking. Nancy Buirski, who passed away in August of last year, directs.

Souls first premiered at the Venice Film Festival in August of 2022. While reviews stand at 91% on Rotten Tomatoes, some of them aren’t exactly raves. The victory for this doc about a BP recipient might be the shortlist. I haven’t had it in my top ten of possibilities and don’t expect to elevate it before making final selections later this week. My Oscar Prediction posts will continue…

Oscar Predictions: Amerikatsi

Amerikatsi from writer/director/star Michael A. Goorjian is the first Armenian picture to make the shortlist of 15 for International Feature Film at the Oscars. It also, I imagine, the only contender ever made by someone who played Neve Campbell’s love interest on the 90s show Party of Five (comment if I’m wrong).

The post WWII set drama came out in limited fashion last fall and has an 89% RT score. Its inclusion in the shortlist was an unexpected one. Amerikatsi has not been a factor in Academy precursors and I don’t have it listed in the top ten of possibilities for IFF.

In other words, I’m not projecting Armenia’s initial hopeful will get to the ultimate quintet when nominations are announced January 23rd. My Oscar Prediction posts will continue…

Oscar Predictions – Bobi Wine: The People’s President

Bobi Wine: The People’s President from directors Christopher Sharp and Moses Bwayo chronicles the Ugandan presidential campaign of the title character. Having originally debuted at the Venice Film Festival in 2022, it received distribution stateside last year via Disney+/National Geographic. It’s one of 15 shortlisted features for Best Documentary Feature.

Sporting a 100% RT score, Bobi‘s filmmakers are freshly nominated for the DGA prize for directing for documentary alongside 20 Days in Mariupol, Beyond Utopia, Kokomo City, and Still: A Michael J. Fox Movie. Only Kokomo is not eligible for Academy consideration.

This was under my radar for the majority of speculating season. However, it has sat at #9 in my last two rounds of predictions. I doubt it vaults into the top five when I make final picks later this week, but it’s certainly a viable contender for inclusion. My Oscar Prediction posts will continue…