Tag: movie-review

November 21-23 Box Office Predictions

Wicked: For Good sweeps in to rule the box office and it could compete for 2025’s biggest domestic opening. We also have Finnish action sequel Sisu: Road to Revenge and Japan set dramedy Rental Family making their debuts and you can peruse my detailed prediction posts on the newcomers here:

Wicked: For Good Box Office Prediction
Sisu: Road to Revenge Box Office Prediction
Rental Family Box Office Prediction

The second part of Wicked is expected to easily swoosh past the $112 million opening of part 1 last year. The real question is whether it eclipses the $162 million start of A Minecraft Movie which currently holds the record for the year. I have falling just behind.

Sisu: Road to Revenge should manage to top the $3.3 million out of the gate that its predecessor achieved in 2023, but perhaps not by much. My mid single digits projection puts it in fifth.

Rental Family with Oscar winner Brendan Fraser hasn’t been able to generate much buzz despite mostly solid reviews. I have it struggling in sixth place.

Holdovers should populate slots 2-4. Now You See Me: Now You Don’t scored a surprise #1 showing (more on that below). If it drops in range with Now You See Me 2 from nine years ago, it could fall below $10 million for the runner-up spot. The second weekend of The Running Man and third frame of Predator: Badlands could see similar numbers battling for third.

Here’s how I have it shaking out:

1. Wicked: For Good

Predicted Gross: $158.1 million

2. Now You See Me: Now You Don’t

Predicted Gross: $9.4 million

3. The Running Man

Predicted Gross: $6.7 million

4. Predator: Badlands

Predicted Gross: $5.9 million

5. Sisu: Road to Revenge

Predicted Gross: $4 million

6. Rental Family

Predicted Gross: $2.9 million

Box Office Results (November 14-16)

As mentioned, threequel Now You See Me: Now You Don’t easily ruled the charts with a better than anticipated $21 million compared to my $17.1 million prediction. While it’s the lowest opening of the franchise (falling under the original’s $29 million and part two’s $22 million), the #1 posting was an unexpected development.

That’s because many prognosticators, including me, figured The Running Man with Glen Powell might manage bragging rights. Yet the sci-fi remake took in only $16.4 million for second, under my $19.6 million estimate.

Another projection I missed is that I thought Predator: Badlands wouldn’t experience the hefty sophomore decline of other pics in the franchise. However, it plummeted 68% to $12.7 million. I was far more generous at $18.2 million. The two-week tally is still an impressive $66 million.

Regretting You was fourth with $3.7 million and I was higher at $5 million. The four-week take is $44 million.

Black Phone 2 rounded out the top five and I incorrectly didn’t have it there. In its fifth week, it earned $2.6 million to bring its total to $74 million.

Keeper from Osgood Perkins was right behind in sixth with $2.5 million (I said $3.2 million). The horror flick couldn’t attract its intended audience.

And that does it for now, folks! Until next time…

The Life of Chuck Review

In Mike Flanagan’s The Life of Chuck, I found myself more emotionally invested in the concept than the characters. That doesn’t appear to be an accident as we ponder the big themes and equally sized swings taken by the adaptation of Stephen King’s novella. We’re meant to see ourselves in the experiences of the title character during his 39 years and they are great years as we’re told and occasionally shown. There are moments scattered throughout where the heart tugging feels effortless and others where the cosmic machinations emanating from its screenplay feels… something else. Not necessarily forced, but slightly underwhelming in its impact because of our limited time with Tom Hiddleston’s Chuck in his adult years. Ultimately I valued seeing highlights and lowlights of his journey.

The film is told in reverse chronology. It should be noted that a spoiler free review is challenging, but I’ll try my best. Chuck opens in act three of three with middle school teacher Marty (Chiwetel Ejiofor) presiding over a dwindling class size as natural disasters and other happenings are putting the planet on course for a seemingly slow death. His parent-teacher conferences are both sad and humorous and it affords David Dastmalchian with an amusing cameo. Sad and humorous are a fair description for this first/third act as Marty attempts to reconnect with his ex-wife, nurse Felicia (Karen Gillan). Much of the comedy comes from the bizarre sightings of Chuck Krantz (Tom Hiddleston). As the Earth crumbles, the bespectacled accountant appears to be the only constant. He pops up in TV ads and park benches and billboards thanking him for “39 Great Years!” No one seems to recall where they know him from or if they do and no one can explain his sudden omnipresence.

It’s in act two and when we meet the numbers cruncher in the flesh as Hiddleston and then younger versions played by Benjamin Pajak as a preteen and Jacob Tremblay as a near adult. This isn’t really a spoiler as we’re told by the Narrator (a delightfully droll Nick Offerman) that Chuck’s 39 years do not extend to 40. The third act explores an often tragic upbringing raised by Grandpa, or zayde, Albie (Mark Hamill) and kindly Grandma/bubbe Sarah (Mia Sara). From the latter is where Chuck develops a love for many forms of dance. From the former is where he is told to avoid dancing to the beat of his own drum in favor a safer route (like an accounting career). It’s in the middle sequence where grownup Chuck grooves to the rhythm of someone else’s drum and that easily gives us the picture’s strongest moments of pure joy.

Chuck features plenty of recognizable faces from iconic movies. There is no star as even Hiddleston’s title character has limited screen time. Of course, his elders are Luke Skywalker and Sloane from Ferris Bueller’s Day Off. Both shine as shapers of Chuck’s near four decades. Matthew Lillard and Carl Lumbly pop up as armageddon approaches in the first third while Heather Langenkamp (Nancy from A Nightmare on Elm Street) dispatches advice to young Chuck in the the last.

Once the overall concept is unlocked, it flirts with and sometimes falls victim to becoming anticlimactic. Chuck’s world may not provide a great near two hour viewing recounting his near 40. However, it still manages to pack enough pleasures and pathos that it feels consequential.

*** (out of four)

82nd Golden Globe Awards Nomination Predictions

The 82nd Golden Globe Awards will come our way in a month on January 5th with Nikki Glaser handling hosting duties. Nominations are out this coming Monday (12/09). Readers of the blog know that I do a whole lotta Oscar speculating. That’s not the case with the GG’s but I’m giving you take on who and what will be nominated.

For the Globes, there are six nominees in each race with the exception of Cinematic and Box Office Achievement where there’s 8. I’ll give my picks along with a runner-up. Some quick notes: the Globes divide their Picture and lead acting derbies into Drama and Musical/Comedy. The designations below are the reported slots where films and performers are contending. Yes, there’s interesting choices with Heretic in comedy. On the flip side, if A Complete Unknown had submitted in Musical/Comedy, Timothée Chalamet might be the easy frontrunner in Best Actor.

Next week I’ll have a recap up with how I did and my early frontrunners for winners!

Best Motion Picture – Drama

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Nickel Boys

Sing Sing

ALTERNATE – The Room Next Door

Best Motion Picture – Musical or Comedy

Anora

Challengers

Emilia Pérez

A Real Pain

The Substance

Wicked

ALTERNATE – A Different Man

Best Director

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Jon M. Chu, Wicked

Brady Corbet, The Brutalist

Coralie Fargeat, The Substance

Denis Villeneuve, Dune: Part Two

ALTERNATE – Edward Berger, Conclave

Best Actress in a Motion Picture – Drama

Marianne Jean-Baptiste, Hard Truths

Angelina Jolie, Maria

Nicole Kidman, Babygirl

Saoirse Ronan, The Outrun

Tilda Swinton, The Room Next Door

Kate Winslet, Lee

ALTERNATE – Pamela Anderson, The Last Showgirl

Best Actor in a Motion Picture – Drama

Adrien Brody, The Brutalist

Timothée Chalamet, A Complete Unknown

Daniel Craig, Queer

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

ALTERNATE – John David Washington, The Piano Lesson

Best Actress in a Motion Picture – Musical or Comed

Cynthia Erivo, Wicked

Karla Sofia Gascón, Emilia Pérez

Mikey Madison, Anora

Demi Moore, The Substance

June Squibb, Thelma

Zendaya, Challengers

ALTERNATE – Amy Adams, Nightbitch

Best Actor in a Motion Picture – Musical or Comedy

Jesse Eisenberg, A Real Pain

Hugh Grant, Heretic

Michael Keaton, Beetlejuice Beetlejuice

Glen Powell, Hit Man

Ryan Reynolds, Deadpool & Wolverine

Sebastian Stan, A Different Man

ALTERNATE – Gabriel LaBelle, Saturday Night

Best Supporting Actress

Selena Gomez, Emilia Pérez

Ariana Grande, Wicked

Felicity Jones, The Brutalist

Margaret Qualley, The Substance

Isabella Rossellini, Conclave

Zoe Saldaña, Emilia Pérez

ALTERNATE – Danielle Deadwyler, The Piano Lesson

Best Supporting Actor

Yura Borisov, Anora

Kieran Culkin, A Real Pain

Clarence Maclin, Sing Sing

Guy Pearce, The Brutalist

Stanley Tucci, Conclave

Denzel Washington, Gladiator II

ALTERNATE – Jeremy Strong, The Apprentice

Best Screenplay

Anora

The Brutalist

Conclave

Emilia Pérez

Sing Sing

The Substance

ALTERNATE – A Real Pain

Best Animated Feature

Flow

Inside Out 2

Memoir of a Snail

Moana 2

Wallace & Gromit: Vengeance Most Fowl

The Wild Robot

ALTERNATE – Piece by Piece

Best Non-English Language Film

All We Imagine as Light

Emilia Pérez

The Girl with the Needle

I’m Still Here

Kneecap

The Seed of the Sacred Fig

ALTERNATE – Universal Language

Best Cinematic and Box Office Achievement

Beetlejuice Beetlejuice

Deadpool & Wolverine

Despicable Me 4

Dune: Part Two

Gladiator II

Inside Out 2

Twisters

Wicked

ALTERNATE – Moana 2

Best Score

The Brutalist

Challengers

Conclave

Dune: Part Two

Emilia Pérez

The Wild Robot

ALTERNATE – The Room Next Door

Best Song

“El Mal” from Emilia Pérez

“Harper and Will Go West” from Will & Harper

“Kiss the Sky” from The Wild Robot

“Like a Bird” from Sing Sing

“Mi Camino” from Emilia Pérez

“Piece by Piece” from Piece by Piece

ALTERNATE – “Beautiful That Way” from The Last Showgirl

That means I have these movies generating these numbers of nominations:

10 Nominations

Emilia Pérez

7 Nominations

The Brutalist

6 Nominations

Conclave

5 Nominations

Anora, Sing Sing, The Substance, Wicked

4 Nominations

Dune: Part Two

3 Nominations

Challengers, A Real Pain, The Wild Robot

2 Nominations

Beetlejuice Beetlejuice, A Complete Unknown, Deadpool & Wolverine, Gladiator II, Inside Out 2

1 Nomination

All We Imagine as Light, The Apprentice, Babygirl, Despicable Me 4, A Different Man, Flow, The Girl with the Needle, Hard Truths, Heretic, Hit Man, I’m Still Here, Kneecap, Lee, Maria, Memoir of a Snail, Moana 2, Nickel Boys, The Outrun, Piece by Piece, Queer, The Room Next Door, The Seed of the Sacred Fig, Thelma, Twisters, Wallace & Gromit: Vengeance Most Fowl, Will & Harper

November 22-24 Box Office Predictions

**Blogger’s Update (11/20): I have posted a $4 million forecast for Bonhoeffer today which puts it in fourth place. That change is reflected below and we now have a top 7 projections.

Bonhoeffer Box Office Prediction

Hollywood hopes for a massive box office weekend ahead as Wicked and Gladiator II look to inject $200 million or more in domestic receipts. You can peruse my detailed prediction posts on the newcomers here:

Wicked Box Office Prediction
Gladiator II Box Office Prediction

In July 2023, the phenomenon known as Barbenheimer occurred when Barbie soared with a $162 million starting haul while Oppenheimer took in $82 million. I don’t think the grosses will be as gargantuan with Wicked and Gladiator II, but multiplexes should be in for a much needed boost.

Wicked adapts the well-known stage musical with Cynthia Erivo and Ariana Grande as early versions of the Wicked Witch of the West and Glinda the Good Witch from The Wizard of Oz, respectively. This is part 1 of Jon M. Chu’s fantasy musical with part II arriving in a year. I’m projecting nearly $135 million out of the gate as a wide audience seems destined to greet it.

Gladiator II is the long-in-development follow-up to Ridley Scott’s Best Picture winner with Paul Mescal headlining and Denzel Washington in an Oscar baity supporting turn. My high 60s forecast puts it in the runner-up position. I would note that either of these titles could over perform and keep on this post to see if there are any upgrades by Thursday.

With families flocking to Wicked and action fans packed for Gladiator, current champ Red One will slide to third. The holiday themed action comedy may experience a decline north of 50% considering the fresh competition.

The rest of the high five will consist of holdovers Venom: The Last Dance and The Best Christmas Pageant Ever and Heretic in a close race for fifth. Here’s how I envision the top 6 shaking out:

1. Wicked

Predicted Gross: $134.6 million

2. Gladiator II

Predicted Gross: $69.8 million

3. Red One

Predicted Gross: $14.9 million

4. Bonhoeffer

Predicted Gross: $4 million

5. Venom: The Last Dance

Predicted Gross: $3.6 million

6. The Best Christmas Pageant Ever

Predicted Gross: $2.7 million

7. Heretic

Predicted Gross: $2.5 million

Box Office Results (November 15-17)

On one hand, Red Notice with Dwayne Johnson and Chris Evans was originally set for Amazon only distribution so any number is better than nothing. On the other, its debut is fairly ho-hum considering the reported $250 million price tag. It made $32.1 million which did manage to exceed my $27.6 million take. As mentioned, I do expect a hefty dip though it could rebound over the Turkey Day frame.

Venom: The Last Dance was second after three weeks in 1st with $7.3 million, falling behind my $10.2 million prediction. The comic book based threequel sits at $127 million after four outings.

The Best Christmas Pageant Ever was third with $5.2 million. In a trend from this past weekend, it didn’t match my number as I pegged it at $7.6 million. The two-week tally is $19 million.

Heretic was fourth with $5.1 million (I said $6.3 million) as Hugh Grant horror thriller’s total is $20 million after its second go-round.

The Wild Robot rounded out the top five with $4.2 million compared to my $5.5 million call. The animated tale has earned $137 million in eight weeks.

And that does it for now, folks! Until next time…

November 15-17 Box Office Predictions

Dwayne Johnson and Chris Evans headline this weekend’s sole wide release with the Christmas action comedy Red One. It looks to dominate the charts with an eye on a lengthy holiday run. You can peruse my detailed prediction post on it here:

Red One Box Office Prediction

Early word-of-mouth is a bit troubling with a 30% Rotten Tomatoes score. I don’t think it gets to the top end of its anticipated range ($40 million). A mid to high 20s output would be considered a cold opening, but families may wait until later in the month to check it out.

Holdovers should all drop a notch as we await heavy hitters like Wicked, Gladiator II, and Moana 2. Venom: The Last Dance should dip to second after three weeks atop the charts. There’s a decent chance that The Best Christmas Pageant Ever stays in third as it might have a better sophomore hold than Heretic. The Wild Robot should round out the top five and here’s how I envision it breaking down:

1. Red One

Predicted Gross: $27.6 million

2. Venom: The Last Dance

Predicted Gross: $10.2 million

3. The Best Christmas Pageant Ever

Predicted Gross: $7.6 million

4. Heretic

Predicted Gross: $6.3 million

5. The Wild Robot

Predicted Gross: $5.5 million

Box Office Results (November 8-10)

Tom Hardy’s loopy third take on his comic book creation was #1 for a third frame as Venom: The Last Dance repeated with $15.9 million. That’s a bit ahead of my $14.3 million projection as the total is $114 million thus far. It won’t match its two predecessors, but it has posted solid holds weekend to weekend.

Horror thriller Heretic with Hugh Grant came in right where it was forecasted in second with $11 million (I said $11.2 million). Despite strong reviews, this certainly didn’t over perform and a so-so C+ Cinemascore could mean it fades fairly quickly.

Yuletide dramedy The Best Christmas Pageant Ever was third with $10.7 million, outpacing my $8 million call. This will hope for smallish declines as the festive season is just underway.

The Wild Robot was fourth with $6.6 million, edging my $5.5 million prediction. The potential Animated Feature Oscar frontrunner has collected $130 million after seven weeks.

Smile 2 was fifth with $5.1 million (I went with $4.4 million) as the horror sequel sits at $60 million in its four weeks of play.

And that does it for now, folks! Until next time…