2023 Oscar Predictions: December 17th Edition

My first post Golden Globes and Critics Choice Awards nominations Oscar forecast doesn’t see any changes in Best Picture and I find myself stuck in the same conundrum. There are 11 films I believe will get nominated and ten spots. Until the Critics Choice nods, I thought The Color Purple might be dead in the water. However, its CCA inclusion keeps it in the mix after its surprise snub at the Globes. I still have it clinging to a nomination over Anatomy of a Fall.

In Best Actor, I’m putting Colman Domingo (Rustin) back in over Jeffrey Wright (American Fiction). Yet it’s a coin flip right now and I agree that Leonardo DiCaprio (Killers of the Flower Moon, currently my 4) could also find himself on the outside looking in.

Julianne Moore is in the Best Supporting Actress quintet for May December. It’s the first time she’s above the line and I’ve taken out Taraji P. Henson (The Color Purple) to make that room. Also in this race, there’s a new #1 as Da’Vine Joy Randolph (The Holdovers) just keeps collecting critics prize. She tops the list and drops my longtime #1 Danielle Brooks (The Color Purple) to second.

You can read all the movement below as I now have Oppenheimer, Killers, and Poor Things all receiving a dozen mentions with Barbie close behind at 11!

Best Picture

Predicted Nominees:

1. Oppenheimer (Previous Ranking: 1) (Even)

2. Killers of the Flower Moon (PR: 2) (E)

3. Barbie (PR: 3) (E)

4. Poor Things (PR: 4) (E)

5. The Holdovers (PR: 5) (E)

6. Maestro (PR: 6) (E)

7. Past Lives (PR: 7) (E)

8. American Fiction (PR: 9) (+1)

9. The Zone of Interest (PR: 8) (-1)

10. The Color Purple (PR: 10) (E)

Other Possibilities:

11. Anatomy of a Fall (PR: 11) (E)

12. May December (PR: 12) (E)

13. Air (PR: 15) (+2)

14. Saltburn (PR: Not Ranked)

15. Spider-Man: Across the Spider-Verse (PR: 13) (-2)

Dropped Out:

The Iron Claw

Best Director

Predicted Nominees:

1. Christopher Nolan, Oppenheimer (PR: 1) (E)

2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)

3. Greta Gerwig, Barbie (PR: 3) (E)

4. Yorgos Lanthimos, Poor Things (PR: 4) (E)

5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)

Other Possibilities:

6. Bradley Cooper, Maestro (PR: 8) (+2)

7. Celine Song, Past Lives (PR: 7) (E)

8. Alexander Payne, The Holdovers (PR: 6) (-2)

9. Justine Triet, Anatomy of a Fall (PR: 9) (E)

10. Cord Jefferson, American Fiction (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)

2. Emma Stone, Poor Things (PR: 2) (E)

3. Carey Mulligan, Maestro (PR: 3) (E)

4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)

5. Margot Robbie, Barbie (PR: 5) (E)

Other Possibilities:

6. Greta Lee, Past Lives (PR: 7) (+1)

7. Fantasia Barrino, The Color Purple (PR: 6) (-1)

8. Cailee Spaeny, Priscilla (PR: 10) (+2)

9. Natalie Portman, May December (PR: 8) (-1)

10. Annette Bening, Nyad (PR: 9) (-1)

Best Actor

Predicted Nominees:

1. Bradley Cooper, Maestro (PR: 1) (E)

2. Cillian Murphy, Oppenheimer (PR: 2) (E)

3. Paul Giamatti, The Holdovers (PR: 3) (E)

4. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (E)

5. Colman Domingo, Rustin (PR: 6) (+1)

Other Possibilities:

6. Jeffrey Wright, American Fiction (PR: 5) (-1)

7. Andrew Scott, All of Us Strangers (PR: 7) (E)

8. Barry Keoghan, Saltburn (PR: 10) (+2)

9. Teo Yoo, Past Lives (PR: 8) (-1)

10. Zac Efron, The Iron Claw (PR: 9) (-1)

Best Supporting Actress

Predicted Nominees:

1. Da’Vine Joy Randolph, The Holdovers (PR: 2) (+1)

2. Danielle Brooks, The Color Purple (PR: 1) (-1)

3. Emily Blunt, Oppenheimer (PR: 3) (E)

4. Julianne Moore, May December (PR: 6) (+2)

5. Rachel McAdams, Are You There God? It’s Me, Margaret (PR: 5) (E)

Other Possibilities:

6. Jodie Foster, Nyad (PR: 7) (+1)

7. Taraji P. Henson, The Color Purple (PR: 4) (-3)

8. America Ferrera, Barbie (PR: 10) (+2)

9. Juliette Binoche, The Taste of Things (PR: Not Ranked)

10. Rosamund Pike, Saltburn (PR: Not Ranked)

Dropped Out:

Penelope Cruz, Ferrari

Sandra Hüller, The Zone of Interest

Best Supporting Actor

Predicted Nominees:

1. Robert Downey Jr., Oppenheimer (PR: 1) (E)

2. Ryan Gosling, Barbie (PR: 2) (E)

3. Charles Melton, May December (PR: 3) (E)

4. Mark Ruffalo, Poor Things (PR: 4) (E)

5. Robert De Niro, Killers of the Flower Moon (PR: 5) (E)

Other Possibilities:

6. Willem Dafoe, Poor Things (PR: 6) (E)

7. Sterling K. Brown, American Fiction (PR: 10) (+3)

8. John Magaro, Past Lives (PR: 8) (E)

9. Dominic Sessa, The Holdovers (PR: 7) (-2)

10. Glenn Howerton, BlackBerry (PR: 9) (-1)

Best Original Screenplay

Predicted Nominees:

1. Barbie (PR: 1) (E)

2. The Holdovers (PR: 2) (E)

3. Past Lives (PR: 3) (E)

4. Anatomy of a Fall (PR: 4) (E)

5. May December (PR: 5) (E)

Other Possibilities:

6. Maestro (PR: 6) (E)

7. Air (PR: 7) (E)

8. Saltburn (PR: 8) (E)

9. Asteroid City (PR: 9) (E)

10. The Iron Claw (PR: Not Ranked)

Dropped Out:

Fair Play

Best Adapted Screenplay

Predicted Nominees:

1. Killers of the Flower Moon (PR: 2) (+1)

2. Poor Things (PR: 1) (-1)

3. Oppenheimer (PR: 3) (E)

4. American Fiction (PR: 4) (E)

5. All of Us Strangers (PR: 6) (+1)

Other Possibilities:

6. The Zone of Interest (PR: 5) (-1)

7. Are You There God? It’s Me, Margaret (PR: 10) (+3)

8. The Color Purple (PR: 7) (-1)

9. The Taste of Things (PR: 8) (-1)

10. Spider-Man: Across the Spider-Verse (PR: 9) (-1)

Best International Feature Film

Predicted Nominees:

1. The Zone of Interest (PR: 1) (E)

2. Perfect Days (PR: 3) (+1)

3. The Taste of Things (PR: 2) (-1)

4. Fallen Leaves (PR: 5) (+1)

5. Society of the Snow (PR: 6) (+1)

Other Possibilities:

6. The Teachers’ Lounge (PR: 4) (-2)

7. About Dry Grasses (PR: 8) (+1)

8. Tótem (PR: 9) (+1)

9. Io Capitano (PR: Not Ranked)

10. The Promised Land (PR: 10) (E)

Dropped Out:

20 Days in Mariupol

Best Animated Feature

Predicted Nominees:

1. Spider-Man: Across the Spider-Verse (PR: 1) (E)

2. The Boy and the Heron (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. Nimona (PR: 4) (E)

5. Wish (PR: 7) (+2)

Other Possibilities:

6. Teenage Mutant Ninja Turtles: Mutant Mayhem (PR: 6) (E)

7. The Peasants (PR: 5) (-2)

8. Suzume (PR: 9) (+1)

9. The Super Mario Bros. Movie (PR: 10) (+1)

10. Chicken Run: Dawn of the Nugget (PR: 8) (-2)

Best Documentary Feature

Predicted Nominees:

1. Beyond Utopia (PR: 1) (E)

2. 20 Days in Mariupol (PR: 2) (E)

3. Four Daughters (PR: 4) (+1)

4. The Eternal Memory (PR: 3) (-1)

5. The Mother of All Lies (PR: 7) (+2)

Other Possibilities:

6. Still: A Michael J. Fox Movie (PR: 6) (E)

7. American Symphony (PR: 9) (+2)

8. Stamped from the Beginning (PR: 5) (-3)

9. The Deepest Breath (PR: 8) (-1)

10. Every Body (PR: Not Ranked)

Dropped Out:

Orlando, My Political Biography

Best Cinematography

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Maestro (PR: 4) (E)

5. The Zone of Interest (PR: 5) (E)

Other Possibilities:

6. The Color Purple (PR: 6) (E)

7. Barbie (PR: Not Ranked)

8. Saltburn (PR: 9) (+1)

9. El Conde (PR: 7) (-2)

10. The Killer (PR: 8) (-2)

Dropped Out:

Napoleon

Best Costume Design

Predicted Nominees:

1. Barbie (PR: 2) (+1)

2. Poor Things (PR: 1) (-1)

3. The Color Purple (PR: 4) (+1)

4. Killers of the Flower Moon (PR: 3) (-1)

5. Wonka (PR: 10) (+5)

Other Possibilities:

6. Napoleon (PR: 5) (-1)

7. Maestro (PR: 8) (+1)

8. Oppenheimer (PR: 7) (-1)

9. Chevalier (PR: 9) (E)

10. Priscilla (PR: 6) (-4)

Best Film Editing

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Barbie (PR: 6) (+2)

5. Maestro (PR: 5) (E)

Other Possibilities:

6. Anatomy of a Fall (PR: 8) (+2)

7. The Holdovers (PR: 4) (-3)

8. Past Lives (PR: 7) (-1)

9. Air (PR: 10) (+1)

10. The Killer (PR: 9) (-1)

Best Makeup and Hairstyling

Predicted Nominees:

1. Maestro (PR: 1) (E)

2. Poor Things (PR: 2) (E)

3. Barbie (PR: 6) (+3)

4. Guardians of the Galaxy Vol. 3 (PR: 3) (-1)

5. Oppenheimer (PR: 4) (-1)

Other Possibilities:

6. Nyad (PR: 5) (-1)

7. Society of the Snow (PR: 10) (+3)

8. The Color Purple (PR: 7) (-1)

9. Wonka (PR: Not Ranked)

10. Golda (PR: 9) (-1)

Dropped Out:

Killers of the Flower Moon

Best Original Score

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. The Zone of Interest (PR: 10) (+6)

5. Spider-Man: Across the Spider-Verse (PR: 5) (E)

Other Possibilities:

6. Elemental (PR: 6) (E)

7. Society of the Snow (PR: 7) (E)

8. Past Lives (PR: 4) (-4)

9. The Boy and the Heron (PR: 8) (-1)

10. Barbie (PR: Not Ranked)

Dropped Out:

The Killer

Best Original Song

Predicted Nominees:

1. “What Was I Made For?” from Barbie (PR: 1) (E)

2. “I’m Just Ken” from Barbie (PR: 2) (E)

3. “Road to Freedom” from Rustin (PR: 6) (+3)

4. “This Wish” from Wish (PR: 4) (E)

5. “Keep It Movin” from The Color Purple (PR: 3) (-2)

Other Possibilities:

6. “Quiet Eyes” from Past Lives (PR: 7) (+1)

7. “Peaches” from The Super Mario Bros. Movie (PR: 10) (+3)

8. “Gonna Be You” from 80 for Brady (PR: 9) (+1)

9. “A World Of Your Own” from Wonka (PR: Not Ranked)

10. “The Fire Inside” from Flamin’ Hot (PR: 5) (-5)

Dropped Out:

“Dance the Night” from Barbie

Best Production Design

Predicted Nominees:

1. Barbie (PR: 1) (E)

2. Poor Things (PR: 2) (E)

3. Killers of the Flower Moon (PR: 3) (E)

4. Oppenheimer (PR: 4) (E)

5. Asteroid City (PR: 6) (+1)

Other Possibilities:

6. The Color Purple (PR: 5) (-1)

7. Maestro (PR: 8) (+1)

8. The Zone of Interest (PR: Not Ranked)

9. Napoleon (PR: 7) (-2)

10. Wonka (PR: 9) (-1)

Dropped Out:

Saltburn

Best Sound

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Maestro (PR: 2) (E)

3. Killers of the Flower Moon (PR: 3) (E)

4. Ferrari (PR: 4) (E)

5. The Zone of Interest (PR: 5) (E)

Other Possibilities:

6. The Color Purple (PR: 6) (E)

7. Society of the Snow (PR: 9) (+2)

8. Napoleon (PR: 7) (-1)

9. The Killer (PR: 8) (-1)

10. Barbie (PR: Not Ranked)

Dropped Out:

Spider-Man: Across the Spider-Verse

Best Visual Effects

Predicted Nominees:

1. Guardians of the Galaxy Vol. 3 (PR: 1) (E)

2. The Creator (PR: 2) (E)

3. Poor Things (PR: 6) (+3)

4. Godzilla Minus One (PR: 7) (+3)

5. Society of the Snow (PR: Not Ranked)

Other Possibilities:

6. Dungeons & Dragons: Honor Among Thieves (PR: 3) (-3)

7. Spider-Man: Across the Spider-Verse (PR: 9) (+2)

8. Napoleon (PR: 4) (-4)

9. Mission: Impossible – Dead Reckoning Part One (PR: Not Ranked)

10. Indiana Jones and the Dial of Destiny (PR: 10) (E)

Dropped Out:

Rebel Moon: Part One – A Child of Fire

Killers of the Flower Moon

That equates to these movies garnering these numbers of nominations:

12 Nominations

Killers of the Flower Moon, Oppenheimer, Poor Things

11 Nominations

Barbie

7 Nominations

Maestro

6 Nominations

The Zone of Interest

4 Nominations

The Color Purple, The Holdovers

3 Nominations

May December

2 Nominations

American Fiction, Anatomy of a Fall, Guardians of the Galaxy Vol. 3, Past Lives, Rustin, Society of the Snow, Spider-Man: Across the Spider-Verse, Wish

1 Nomination

20 Days in Mariupol, All of Us Strangers, Are You There God? It’s Me, Margaret, Asteroid City, Beyond Utopia, The Boy and the Heron, The Creator, Elemental, The Eternal Memory, Fallen Leaves, Ferrari, Four Daughters, Godzilla Minus One, The Mother of All Lies, Nimona, Perfect Days, The Taste of Things, Wonka

81st Golden Globe Awards Nominations Reaction

Nominations for the 81st Golden Globe Awards (airing January 7th) were unveiled this morning. As always, there were some surprises and it was a particularly weak day for one hopeful. That said, a lot of what transpired went according to plan. I went 74 for 92 on my picks (I’ll take it!).

Let’s walk through each race with how I did and my initial take on who or what may emerge victorious.

Best Motion Picture Drama

Nominees: Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, The Zone of Interest

How I Did: 6/6 (!)

Nailed the Drama category as this probably will come down to Oppenheimer vs. Killers.

Best Motion Picture Musical/Comedy

Nominees: Air, American Fiction, Barbie, The Holdovers, May December, Poor Things

How I Did: 5/6

In what might be the most surprising omission of the morning, The Color Purple didn’t make the cut. I (along with everyone else) had it in. I didn’t have Air though it was my alternate. Barbie is the frontrunner though Poor Things is viable.

Best Director

Nominees: Bradley Cooper (Maestro), Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Celine Song (Past Lives)

How I Did: 6/6 (!)

Just as in Motion Picture Drama, Nolan vs. Scorsese might be the showdown with Gerwig as a potential spoiler.

Best Actress Drama

Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Greta Lee (Past Lives), Carey Mulligan (Maestro), Cailee Spaeny (Priscilla)

How I Did: 6/6 (!)

I wouldn’t discount Hüller or Mulligan as slight upset picks, but Gladstone looks to be the favorite.

Best Actor Drama

Nominees: Bradley Cooper (Maestro), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Barry Keoghan (Saltburn), Cillian Murphy (Oppenheimer), Andrew Scott (All of Us Strangers)

How I Did: 6/6 (!)

Like the Oscar race, this could end up as a contest between Cooper vs. Murphy.

Best Actress Musical/Comedy

Nominees: Fantasia Barrino (The Color Purple), Jennifer Lawrence (No Hard Feelings), Natalie Portman (May December), Alma Pöysti (Fallen Leaves), Margot Robbie (Barbie), Emma Stone (Poor Things)

How I Did: 4/6

Pöysti is an out of nowhere selection while Lawrence was my alternate. They get in over Abby Ryder Fortson (Are You There God? It’s Me, Margaret) and Julia Louis-Dreyfus (You Hurt My Feelings). This is either Stone (probably) or Robbie (maybe).

Best Actor Musical/Comedy

Nominee: Nicolas Cage (Dream Scenario), Timothee Chalamet (Wonka), Matt Damon (Air), Paul Giamatti (The Holdovers), Joaquin Phoenix (Beau Is Afraid), Jeffrey Wright (American Fiction)

How I Did: 5/6

Phoenix in over Gael Garcia Bernal for Cassandro. Wright has a shot, but this is Giamatti’s category to lose in my view.

Best Supporting Actress

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Jodie Foster (Nyad), Julianne Moore (May December), Rosamund Pike (Saltburn), Da’Vine Joy Randolph (The Holdovers)

How I Did: 5/6

I would’ve picked Brooks as the likely winner until Purple‘s poor performance today. Now I think this acting race, perhaps more than any other, is wide open. I had Taraji P. Henson (The Color Purple) in instead of Pike.

Best Supporting Actor

Nominees: Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Charles Melton (May December), Mark Ruffalo (Poor Things)

How I Did: 5/6

Had Dominic Sessa (The Holdovers) and not Dafoe. Downey Jr. is the probable selection though I wouldn’t discount Gosling or Melton.

Best Screenplay

Nominees: Anatomy of a Fall, Barbie, Killers of the Flower Moon, Oppenheimer, Past Lives, Poor Things

How I Did: 4/6

I did not have Anatomy or Past Lives. Their inclusion is by no means shocking, but I am genuinely surprised The Holdovers did not make the list (neither did American Fiction). This is another race where the voters could go several directions with Barbie perhaps having an ever so slight edge.

Best Cinematic and Box Office Achievement

Nominees: Barbie, Guardians of the Galaxy Vol. 3, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning: Part One, Oppenheimer, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Taylor Swift: The Eras Tour

How I Did: 7/8

This new category can correctly be called the “Barbenheimer” award or the “Let’s Get Taylor Swift To The Ceremony Trophy”. I didn’t have Reckoning and instead had Elemental. Hard to imagine this not going to Barbie.

Best Non-English Motion Picture

Nominees: Anatomy of a Fall, Fallen Leaves, Io Capitano, Past Lives, Society of the Snow, The Zone of Interest

How I Did: 3/6

Here’s where I screwed up. Didn’t have Leaves, Capitano, or Past Lives (which is considered non-English for some reason here). Instead I had Perfect Days, The Taste of Things, and The Teachers’ Lounge. This should come down to Anatomy vs. Zone and I’m currently expecting the former to emerge.

Best Animated Motion Picture

Nominees: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Suzume, Wish

How I Did: 4/6

Suzume and Wish get in over Chicken Run: Dawn of the Nugget and Nimona. Some others were blindsided that Teenage Mutant Ninja Turtles: Mutant Mayhem didn’t make it. Boy vs. Spidey is the showdown.

Best Original Score

Nominees: The Boy and the Heron, Killers of the Flower Moon, Oppenheimer, Poor Things, Spider-Man: Across the Spider-Verse, The Zone of Interest

How I Did: 5/6

Zone makes the derby instead of Nyad. This should be Oppenheimer.

Best Original Song

Nominees: “Addicted to Romance” from She Came to Me, “Dance the Night” from Barbie, “I’m Just Ken” from Barbie, “Peaches” from The Super Mario Bros. Movie, “Road to Freedom” from Rustin, “What Was I Made For?” from Barbie

How I Did: 3/6

Well, I got half and those were the Barbie tracks. “The Fire Inside” from Flamin’ Hot, “Keep It Movin” from The Color Purple, and “A World of Your Own” from Wonka were my picks instead of “Addicted to Romance” (which could mean Bruce Springsteen shows up), “Peaches”, and “Road to Freedom”. I’d say “What Was I Made For?” or “I’m Just Ken” win.

And there you have it. I’ll have final predictions for the Globes up shortly before airtime. Keep an eye on the blog for all things Oscar!

August 4-6 Box Office Predictions

Pizza loving reptilian crimefighters are back and a giant shark wreaks havoc on humans and animals (again) as Teenage Mutant Ninja Turtles: Mutant Mayhem and Meg 2: The Trench open wide this week. You can peruse my detailed predictions posts on the newcomers here:

Turtles is getting the best reviews of any picture in the 30 year plus franchise as the animated reboot opens on Wednesday. With positive buzz and a healthy nostalgia factor, mid to high 30s over the traditional weekend and a five-day haul topping $50 million appears to be an achievable level of green.

The competition from Donatello, Michelangelo, Raphael, and Leonardo could hurt Meg 2 a tad. While the 2018 original premiered with $45 million, a mid 20s gross might be all that the sequel bites off.

This means the newbies may lag behind Barbie (for Turtles) and Oppenheimer (for Trench). Greta Gerwig’s take on the iconic doll should easily spend a third weekend atop the charts after a magnificent sophomore hold (more on that below). Oppenheimer could approach nearly $30 million in its third go-round.

Following a lackluster start, Disney’s Haunted Mansion should see a dip of at least 50% for fifth place.

Here’s how I see the pieces falling into place:

1. Barbie

Predicted Gross: $60.4 million

2. Teenage Mutant Ninja Turtles: Mutant Mayhem

Predicted Gross: $36.1 million (Friday to Sunday); $51.2 million (Wednesday to Sunday)

3. Oppenheimer

Predicted Gross: $29.3 million

4. Meg 2: The Trench

Predicted Gross: $24.5 million

5. Haunted Mansion

Predicted Gross: $11.4 million

Box Office Results (July 28-30)

As mentioned, Barbie was nothing to toy with in its second outing as the phenomenon made off with $93 million (ahead of my $82.6 million prediction). That’s the seventh largest sophomore weekend in box office history between The Avengers and The Super Mario Bros. Movie. My estimate above, incidentally, gives it the seventh best third frame.

Barbie only fell 43% and the same was true for Oppenheimer in second. Christopher Nolan’s Oscar contender took in $46.7 million, reaching a bit higher than my $43.8 million take. The three hour biopic has amassed $174 million thus far.

The Mouse House had another disappointment with Haunted Mansion. With mediocre reviews and scant chatter, the family fright flick was third with $24 million compared to my slightly better $25.4 million projection. Look for it to fade quickly.

Sound of Freedom was fourth with $12.8 million (I said $14.7 million) as the season’s sleeper hit is up to $149 million.

Mission: Impossible – Dead Reckoning Part One rounded out the top five with $10.6 million. My call? $10.6 million! In three weeks, the Tom Cruise sequel has underwhelmed with $139 million.

Finally, A24’s acclaimed low-budget horror pic Talk to Me was a robust sixth with $10.4 million. That’s well beyond my meager guesstimate of $3.6 million. Lesson learned – bet the over on this genre.

And that does it for now, folks! Until next time…

Meg 2: The Trench Box Office Prediction

Keeping up with the summer 2023 traditions of dropping the The from its title (Haunted Mansion) and being a follow-up to a 2018 predecessor (Transformers: Rise of the Beasts, Insidious: The Red Door, Mission: Impossible – Dead Reckoning Part One), Meg 2: The Trench is in theaters on August 4th. Ben Wheatley takes over directorial duties from Jon Turteltaub with Jason Statham reprising his role as a battler of giant ocean creatures. Costars include Wu Jing, Sophia Cai, Page Kennedy, Sergio Peris-Mencheta, Skyler Samuels, and Cliff Curtis.

Five summers ago, The Meg premiered in August and easily exceeded expectations. Despite so-so reviews, audiences were ready for a shark fix. It opened with $45 million and an eventual $145 million domestic haul. When factoring in bountiful international earnings, The Meg made more than half a billion.

Warner Bros is probably banking on overseas cash for profitability. I’m not sure stateside crowds are exactly chomping at the bit for this sequel. While it should do respectable biz, it may lose some of its demographic to Teenage Mutant Ninja Turtles: Mutant Mayhem. I’m expecting that to have a stronger opening than this. The Trench might be lucky to take in $30 or even $25 million.

Meg 2: The Trench opening weekend prediction: $24.5 million

For my Teenage Mutant Ninja Turtles: Mutant Mayhem prediction, click here:

July 28-30 Box Office Predictions

Blogger’s Update (07/26): A rather low reported 1900 screen count for Talk to Me has lowered my estimate from $4.8 million to $3.6 million. That likely leaves it outside of the top six.

After a historic box office weekend, July closes out with a pair of new releases in Disney’s Haunted Mansion and A24’s critically acclaimed Talk to Me. Neither are likely to dislodge the potent 1-2 punch of Barbenheimer. My detailed prediction posts on the newbies are here:

I don’t really see audiences clamoring for a fresh spin on Haunted Mansion (nearly 20 years after the one with Eddie Murphy) and buzz seems light. Family crowds should get it to a ho-hum mid 20s gross and that would place it in third.

Even if it made $30-35 million, that wouldn’t mean top two. Those spots are reserved for Barbie and Oppenheimer after their amazing starts (more on that below). The question is how far each dips in weekend #2.

For Barbie, the event status that it took on makes it somewhat naturally front loaded. A worst case decline might be around 55-60%. Considering the A Cinemascore grade and chance for repeat business, I’ll say 45-50% is more feasible and that means low to possibly mid 80s.

Oppenheimer also nabbed an A Cinemascore grade and perhaps some adult viewers are content for the IMAX screenings to be a bit less packed. I’ll say it doesn’t quite fall 50% with a take of over $40 million.

Sound of Freedom should continue its meager percentage decreases while Mission: Impossible – Dead Reckoning Part One hopes to right the ship after a turbulent two weeks. They should place fourth and fifth, respectively.

While Talk to Me is generating impressive reviews, this could be the type of A24 elevated horror experience that doesn’t bring genre fans out in droves. A lot of them just got their fright fix with Insidious: The Red Door as well.

And with that, here’s how I see the top 6 playing out:

1. Barbie

Predicted Gross: $82.6 million

2. Oppenheimer

Predicted Gross: $43.8 million

3. Haunted Mansion

Predicted Gross: $25.4 million

4. Sound of Freedom

Predicted Gross: $14.7 million

5. Mission: Impossible – Dead Reckoning Part One

Predicted Gross: $10.6 million

Box Office Results (July 21-23)

Racking up the fourth highest financial frame in history, Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer gave us the best weekend in over four years.

Barbie captured the zeitgeist and an especially sizable female audience to the tune of $162 million, right on pace with my $160.8 million prediction. That’s the best three-day opening of 2023 and my hunch is that it will remain so. It’s also the #1 premiere for a female directed feature and 20th overall.

Oppenheimer gave Mr. Nolan his personal best third start (after The Dark Knight Rises and The Dark Knight). Blasting beyond my $65.3 million estimate, the three-hour Oscar contender amassed $82.4 million for an astonishing runner-up showing. Those packed IMAX screenings didn’t hurt.

Sound of Freedom was third as it continued its low declines with $19.8 million, just below my $21 million projection. The brilliantly marketed action thriller sits at $124 million.

And this is where the good news stops. Mission: Impossible: Dead Reckoning, after a less than expected opening, had a free fall from 1st to 4th. The Barbenheimer phenomenon helped it plummet 65% to $19.3 million compared to my $25.5 million call. The ten-day tally is $118 million.

Indiana Jones and the Dial Destiny and Insidious: The Red Door were fifth and sixth, respectively. Each made $6.6 million. Indy‘s four-week earnings are at $158 million while Insidious‘s three-week bounty is $71 million.

I incorrectly had Elemental in fifth, but it was seventh with $5.7 million (I said $6.7 million) for $137 million overall.

And that does it for now, folks! Until next time…

July 21-23 Box Office Predictions

Blogger’s Update (07/19): Rising predictions as Barbie is elevated to $160.8M and Oppenheimer to $65.3M

In one of the most anticipated box office frames in recent memory, two awards hopefuls hoping to score massive grosses are off and running. It’s been deemed the “Barbenheimer” weekend across social media outlets as Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer premiere. You can peruse my detailed prediction posts on them here:

The range of possibility for Barbie keeps rising as it appears to have captured the zeitgeist. All ages are expected to attend with a particularly gigantic female crowd and that puts my estimate at over $125 million. That would give it the second biggest three-day haul of any 2023 title behind The Super Mario Bros. Movie.

While Oppenheimer won’t reach Barbie territory, Mr. Nolan is one of the few directors whose name can open a picture and I expect that to apply with this likely Oscar hopeful. I believe it can manage a rock solid second place showing north of $50 million (the pricier IMAX showings should provide an assist).

After a smaller than anticipated debut (more on that below), Mission: Impossible – Dead Reckoning Part One could fall victim to the shiny newcomers. I have it dropping over 50%. I do expect it will level off nicely in August and eventually post numbers similar to predecessor Fallout from 2018.

Sound of Freedom landed a jaw dropping second weekend figure when it rose 39%. That’s something we simply don’t see in the summer months (and hardly ever in any season). Truth be told, I have no clue what this anomaly will post in its third frame. I’ll guesstimate a 20-25% decline.

Elemental seems poised for a minimal dip compared to fellow holdovers Insidious: The Red Door and Indiana Jones and the Dial of Destiny and that might keep it in fifth position.

Here’s how I envision that top 5 shaking out:

1. Barbie

Predicted Gross: $160.8 million

2. Oppenheimer

Predicted Gross: $65.3 million

3. Mission: Impossible – Dead Reckoning Part One

Predicted Gross: $25.5 million

4. Sound of Freedom

Predicted Gross: $21 million

5. Elemental

Predicted Gross: $6.7 million

Box Office Results (July 14-16)

Tom Cruise’s seventh adventure as IMF agent Ethan Hunt came in under projections and unable to set franchise records as many figured it would. That includes this blogger. Mission: Impossible – Dead Reckoning Part One made $54.6 million from Friday to Sunday and $78.4 million when factoring in the five-day tally since it opened on Wednesday. That’s considerably below my respective estimates – $72.7 million and $102.3 million. It played more like the sequel to series predecessor Fallout from 2018 and less like Cruise’s immediate follow-up to the phenomenon that was last summer’s Top Gun: Maverick. The earnings left it under Fallout‘s franchise best three-day marker of $61 million.

In the runner-up slot, Sound of Freedom astonished everyone with its near 40% jump to $27.2 million in its sophomore outing. That’s, ahem, more than my $12.1 million prediction as the Angel Studios action thriller is up to $85 million since its July 4th beginning. No one saw these kind of financial fireworks and it could hit $200 million when all is said and done.

Insidious: The Red Door went from 1st to 3rd with an understandable 61% plummet to $13 million. The horror sequel actually held up sturdier than my $11.4 million estimate and the two-week total is $58 million.

Indiana Jones and the Dial of Destiny was fourth in weekend 3 with $12.2 million (I was close at $12.7 million). The subpar tally is $145 million.

Finally, Elemental rounded out the top five with a scant 9% decrease at $9 million compared to my $7.9 million prediction. It’s now at a respectable $125 million.

And that does it for now, folks! Until next time… may all your Barbenheimer dreams come true…

Mission: Impossible – Dead Reckoning Part One Review

The key to the Mission: Impossible movies are the set pieces that continue to wow us in a way few other franchises do. This has been amped up in the Christopher McQuarrie era that began with 2015’s Rogue Nation, continued with Fallout three years later, and now with Dead Reckoning Part One. Tom Cruise and his director appear determined to outdo themselves when it comes to Romanian car chases and battles set aboard the Orient Express and motorcycle stunts that defy gravity. In the seventh M:I saga, there’s also a welcome dose of humor that’s occasionally reminiscent of Roger Moore’s Bond stretch. We’re not talking Moonraker. I’m referring to the high point of that run in 1977’s The Spy Who Loved Me where elements of the plot might be borderline silly, but we don’t care because the stunts and choreography are thrilling us.

Cruise’s Ethan Hunt has entered the elder statesman portion of his service to the Impossible Missions Force (IMF). He should be making retirement plans. However, disavowed MI6 colleague Ilsa (Rebecca Ferguson) is partially responsible for the latest assignment. She possesses half of a key that could unlock the secrets to the Entity, an AI device that’s working overtime to retire defense systems across the globe. Their mission that they always choose to accept is finding the other half of that key to bring this dangerous new world to a semblance of order. The usual colleagues Luther (Ving Rhames) and Benji (Simon Pegg) join in while master thief Grace (Hayley Atwell) is a fresh addition. For her set of skills, she’s sought after by arms dealer Alanna (Vanessa Kirby) from Fallout to broker her own deal with the key. Yet Grace might be exactly the kind of recruit that IMF employs. She’s absolutely a value add with Atwell’s spirited performance.

There are callbacks in Dead Reckoning that dive deeper into our main character’s backstory than ever before. It’s well established that Ethan will do whatever it takes for his profession and we’re getting more clues as to why. I suspect the fleshing out will go on in part two. The screenplay does a commendable job of (for the first time) explaining why the IMFers keep accepting these missions rather than politely declining. Another form of callback comes with Kittridge (Henry Czerny), who hasn’t been seen since his iconic appearance in 1996’s original. His duplicitous presence is a bonus.

With the notable exception of Philip Seymour Hoffman in M:I III (2006), villains haven’t overshadowed the heroes in the quarter century plus canon and that’s accurate here. Esai Morales as Gabriel is a shadowy figure whose motives may not see the light until the second part. Considering the Entity he represents, he’s not actually the main antagonist. When it comes to those opposing IMF, Kirby and Pom Klementieff as a quietly deadly assassin are the most memorable.

Ultimately it’s those lengthy chases and fights that make Dead Reckoning the summertime adventure delight that it is. I’d put it a tad behind 2011’s Ghost Protocol and predecessor Fallout in the official rankings. Cruise and McQuarrie know their formula. Nobody does it better, it makes you feel bad for the rest, and it can make the rest look artificial.

***1/2 (out of four)

Oppenheimer Box Office Prediction

Blogger’s Update (07/19): I’ve increased my prediction from $52.3M to $65.3M

As one of the few directors whose name can open a movie, Christopher Nolan’s epic biopic Oppenheimer reaches theaters on July 21st. Cillian Murphy headlines the three-hour historical epic as the title character, known as the father of the atomic bomb. The large supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie.

Shot for a reported $100 million, the Oscar hopeful is targeting a second place showing by outpacing the second frame of Mission: Impossible – Dead Reckoning Part One. First place appears unreachable due to Barbie. The social media world has had a ball with memes and GIFs celebrating the premieres of these two huge projects on the same date. The term “Barbenheimer” has even been coined with thousands of moviegoers having already planned long days at the multiplex to view both.

Thanks in large part to his Dark Knight trilogy, Nolan serves as the biggest main draw for his own projects. He boasts a directorial bankability that few of his colleagues share (Tarantino is another example). Non-Batman projects have seen impressive starts. In 2010, Inception (hot on the heels of The Dark Knight) premiered with $62 million. Interstellar started with $47 million in 2014. Over Labor Day weekend in 2020, Tenet braved unfavorable COVID conditions and managed a $20 million beginning.

Oppenheimer faces its challenges. There’s obviously the competition from an iconic doll and Ethan Hunt. The subject matter may not be enticing to younger viewers who typically drive the summer box office. Still early indications including some sold out IMAX venues at considerably higher prices have me thinking it could top $50 million.

Oppenheimer opening weekend prediction: $65.3 million

For my Barbie prediction, click here:

July 14-16 Box Office Predictions

Tom Cruise hopes to follow up the biggest hit of his career with a franchise best opening for the signature franchise as Mission: Impossible – Dead Reckoning Part One opens on Wednesday. It is the only newcomer out and you can peruse detailed prediction post on it here:

Cruise’s star power is the highest it’s been in years coming off the nearly billion and a half plus earning Top Gun: Maverick from last summer. In order to post the largest start among the seven missions, Reckoning will need to top the $61 million made by predecessor Fallout in 2018. I’m projecting it will do so with over $10 million to spare and bring in over $100 million when counting its Wednesday and Thursday numbers.

The real battle should be for second place. Coming off a surprise victory, Insidious: The Red Door should experience the heftiest decline (mid 60s) of the top five. This might cause a drop of 1st to 4th if Indiana Jones and the Dial of Destiny falls in the 50-55% range.

Sound of Freedom, the thriller from upstart Angel Studios, was the real story of the previous frame (more on that below). With an A+ Cinemascore grade, it should have the smallest decline other than Elemental in fifth position. If the dip is lower than my estimated 40%, it might just manage to rise from third to second. I’ll give Indy the slight edge. However, it might be worth keeping an eye on daily grosses throughout the week.

Here’s how I see the high five playing out:

1. Mission: Impossible – Dead Reckoning Part One

Predicted Gross: $72.7 million (Friday to Sunday); $102.3 million (Wednesday to Sunday)

2. Indiana Jones and the Dial of Destiny

Predicted Gross: $12.7 million

3. Sound of Freedom

Predicted Gross: $12.1 million

4. Insidious: The Red Door

Predicted Gross: $11.4 million

5. Elemental

Predicted Gross: $7.9 million

Box Office Results (July 7-9)

As mentioned, horror fans were ready for scares as Insidious: The Red Door opened impressively. The fifth pic in the series which started in 2010 posted the second highest debut behind #2 in 2013 with $33 million. That’s beyond my $25.2 million prediction as the Sony/Blumhouse production has already doubled its reported $16 million budget.

Indiana Jones and the Dial of Destiny was second in weekend #2 after its lackluster beginning. Sliding 55%, the $27.4 million gross was on pace with my $28 million take. The fifth go-round in this franchise is at $122 million after ten disappointing days for Disney.

The aforementioned Sound of Freedom employed shrewd marketing tactics that included a pay it forward method where viewers could purchase tickets for others. Jim Caviezel’s tale of taking on human traffickers reached its intended conservative and faith-based crowd and then some. The Friday to Sunday haul was $19.6 million for third place, easily outpacing my $12.5 million estimate. Since its unveiling on Tuesday, July 4th, the total is $41 million. Needless to say, Angel Studios has established itself as a player in the box office game.

Elemental was fourth with $10 million, ahead of my $8 million projection. Pixar’s latest finally crossed the century mark at $109 million.

Spider-Man: Across the Spider-Verse rounded out the top five with $8 million (I said $7.8 million) for $357 million overall.

Finally, critically acclaimed raunchy comedy Joy Ride stalled. It was sixth with just $5.8 million compared to my $8.4 million prediction.

And that does it for now, folks! Until next time…

Mission: Impossible – Dead Reckoning Part One Box Office Prediction

Paramount hopes to post franchise best numbers for Mission: Impossible – Dead Reckoning Part One, Tom Cruise’s action series that began some 27 years ago and has now reached its seventh installment. It opens Wednesday, July 12th and is the third M:I pic in a row directed by Christopher McQuarrie. Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, and Henry Czerny (returning for the first time since part 1) reprise their roles with Hayley Atwell, Esai Morales, and Pom Klementieff as newly assigned cast.

With a 98% Rotten Tomatoes rating, Reckoning is receiving the same acclaim that greeted predecessors Ghost Protocol (2011), Rogue Nation (2015), and Fallout (2018). Perhaps most importantly, this should benefit from being Cruise’s follow-up to last year’s box office phenomenon that was Top Gun: Maverick. It was easily summer 2022’s (and the year’s) largest grosser and the goodwill left over could launch this Mission to new heights.

In order to do so, Part One (part two is out in a year) would need to top the $61 million that Fallout took in five summers ago in its debut. With a Wednesday head start, a five-day haul over $100 million is certainly achievable.

The Mission movies traditionally leg out nicely throughout the season. With the exception of Ghost Protocol, all have premiered in summer. Many older filmgoers that will make the theatrical trek may not rush out opening weekend.

I’ll project low to mid 70s for the Friday to Sunday earnings as it should come awfully close and potentially exceed nine figures from Wednesday to the weekend’s end.

Mission: Impossible – Dead Reckoning Part One opening weekend prediction: $72.7 million (Friday to Sunday); $102.3 million (Wednesday to Sunday)