Oscars: The Case of Women Talking

Women Talking is the final Case Of post for the Best Picture nominees at the 95th Academy Awards. Will we be talking about Women gathering Oscars come March 12th? Let’s get into it.

The Case for Women Talking:

Sarah Polley’s adaptation of the 2018 Miriam Toews novel generated awards buzz out of the gate when it premiered at Toronto. At the Critics Choice Awards, it had a respectable showing with six mentions including BP and Director with a victory in Adapted Screenplay.

The Case Against Women Talking:

There’s a lot. For starters, its total of two nominations is the lowest of the candidates (it’s rare for a BP contender to have only one other nom). Women was ignored in Director, Original Score, and for any of its performances and it was once thought to be in contention for all. BAFTA totally ignored it. The Golden Globes only put it up in two races (Screenplay and Score) and it lost both. Its SAG count is one category. That was in Ensemble with individual players like Jessie Buckley, Claire Foy, and Ben Whishaw left out. Box office grosses have been subpar.

Other Nominations:

Adapted Screenplay

The Verdict:

Women Talking does stand a chance of becoming the Adapted Screenplay recipient. Perhaps this can cling to the hope that CODA took BP last year and it tied for the least numbers of nominations among the ten. Realistically there is just about zero chance of this becoming Best Picture.

While my Case Of posts for BP have concluded, I will now move to the filmmakers and thespians in Director and the four acting derbies. That will begin with the Daniels and their direction of Everything Everywhere All at Once!

If you missed my Case Of posts for the other BP nominees, you can access them here:

Oscar Predictions: Women Talking

After its debut at Telluride, Sarah Polley’s Women Talking has awards pundits talking about its solid reception. Based on a 2018 novel by Miriam Toews, it focuses on a group of Mennonite women who are subject to sexual abuse. The powerhouse cast includes Rooney Mara, Claire Foy, Jessie Buckley, Ben Whishaw, and Frances McDormand.

Based on a small number of reviews, critics are positive across the board with a Rotten Tomatoes score of 100%. There wasn’t much doubt that Women could be a contender at the Oscars. A better question was which performers would stand out. First things first. McDormand (who serves as a producer) apparently has a small role so she will not vie for a fourth acting statue. If any of the cast goes lead, it sounds like Mara would be the choice and her inclusion in Best Actress could come down to competition. A likelier scenario is Buckley or Foy (or both) in Supporting Actress and Whishaw in Supporting Actor. That would mark the second nomination for Buckley after last year’s The Lost Daughter and the first for Foy (who was surprisingly snubbed in 2018 for First Man). This would also be Whishaw’s first trip to the dance. Early chatter has praised Judith Ivey and Sheila McCarthy as well, but I wouldn’t be surprised if United Artists focuses on the higher profile thespians.

I’ve had Women Talking in my ten BP hopefuls for weeks and Telluride confirms its placement there. Polley could make the final five for her direction and her inclusion for Adapted Screenplay seems assured. Hildur Guðnadóttir’s score (she’s a past winner for Joker) and Cinematography are tech possibilities.

Bottom line: Women. Talking is showing itself to be worthy of chatter in the months to come. My Oscar Prediction posts will continue…