Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. All four acting contests have been covered. If you missed my write-ups on them, they are linked here:
I published my first preview of the directing field on April 12th. In that post, I listed my initial predictions for the quintet along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Park Chan-wook, No Other Choice
Luca Guadagnino, After the Hunt
Andrew Patterson, The Rivals of Amziah King
Josh Safdie, Marty Supreme
Chloé Zhao, Hamnet
Other Possibilities:
Paul Thomas Anderson, One Battle After Another
Noah Baumbach, Jay Kelly
Edward Berger, Ballad of a Small Player
James Cameron, Avatar: Fire and Ash
Jon M. Chu, Wicked: For Good
Guillermo del Toro, Frankenstein
Mike Flanagan, The Life of Chuck
Yorgos Lanthimos, Bugonia
Spike Lee, Highest 2 Lowest
Joachim Trier, Sentimental Value
The 5 eventual nominees could be found among those 15 possibilities. However, we can be confident some won’t make it in. For Andrew Patterson, The Rivals of Amziah King seems to be a 2026 release. After the Hunt was a commercial and critical disappointment and Luca Guadagnino appears to be a non-factor. The out of contention status also applies to Edward Berger, Mike Flanagan, and Spike Lee.
Let’s get into the others and other names not raised back in April. Both Josh Safdie and Chloé Zhao’s movies are probable safe bets for BP. They could certainly come along for the ride. I’m slightly more confident in Zhao contending for her second trophy after winning in 2020 for Nomadland though Safdie is definitely viable in his solo behind the camera effort.
Park Chan-wook’s fortunes should be tied to whether No Other Choice makes BP and I keep going back and forth on that. The same could be said Noah Baumbach, Jon M. Chu, Guillermo del Toro, and Yorgos Lanthimos. Their respective features Jay Kelly, Wicked: For Good (as yet unseen), Frankenstein, and Bugonia are all on the BP bubble. Same goes for the unmentioned A House of Dynamite and Kathryn Bigelow.
Even if Avatar: Fire and Ash gets into BP, I’m skeptical James Cameron is in unless the third franchise entry as universally seen as the best. We’ll know that in a few weeks.
Sentimental Value is not on the bubble. Its ticket is likely punched and that could benefit Joachim Trier for a first nomination though I don’t believe his nom is assured as the movie’s.
Who is assured? Paul Thomas Anderson. One Battle is your soft frontrunner for BP and this is a golden opportunity for the Academy to honor PTA for this and his overall body of work.
I also think Ryan Coogler (Sinners) is in for his vampire epic which is the other Warner Bros title vying for BP alongside One Battle.
A pair of foreign filmmakers could vie for a slot – Jafar Panahi (It Was Just an Accident) and Kieber Mendonça Filho (The Secret Agent). Their fortunes are also tied to BP inclusion and I feel the latter has a stronger pathway.
In conclusion, I feel safe with PTA, Coogler, and Zhao RSVP’d for the directorial dance. The other two noms could be filled by plenty of names above. My in-depth posts on the six biggest categories will conclude with Best Picture!
In Mike Flanagan’s The Life of Chuck, I found myself more emotionally invested in the concept than the characters. That doesn’t appear to be an accident as we ponder the big themes and equally sized swings taken by the adaptation of Stephen King’s novella. We’re meant to see ourselves in the experiences of the title character during his 39 years and they are great years as we’re told and occasionally shown. There are moments scattered throughout where the heart tugging feels effortless and others where the cosmic machinations emanating from its screenplay feels… something else. Not necessarily forced, but slightly underwhelming in its impact because of our limited time with Tom Hiddleston’s Chuck in his adult years. Ultimately I valued seeing highlights and lowlights of his journey.
The film is told in reverse chronology. It should be noted that a spoiler free review is challenging, but I’ll try my best. Chuck opens in act three of three with middle school teacher Marty (Chiwetel Ejiofor) presiding over a dwindling class size as natural disasters and other happenings are putting the planet on course for a seemingly slow death. His parent-teacher conferences are both sad and humorous and it affords David Dastmalchian with an amusing cameo. Sad and humorous are a fair description for this first/third act as Marty attempts to reconnect with his ex-wife, nurse Felicia (Karen Gillan). Much of the comedy comes from the bizarre sightings of Chuck Krantz (Tom Hiddleston). As the Earth crumbles, the bespectacled accountant appears to be the only constant. He pops up in TV ads and park benches and billboards thanking him for “39 Great Years!” No one seems to recall where they know him from or if they do and no one can explain his sudden omnipresence.
It’s in act two and when we meet the numbers cruncher in the flesh as Hiddleston and then younger versions played by Benjamin Pajak as a preteen and Jacob Tremblay as a near adult. This isn’t really a spoiler as we’re told by the Narrator (a delightfully droll Nick Offerman) that Chuck’s 39 years do not extend to 40. The third act explores an often tragic upbringing raised by Grandpa, or zayde, Albie (Mark Hamill) and kindly Grandma/bubbe Sarah (Mia Sara). From the latter is where Chuck develops a love for many forms of dance. From the former is where he is told to avoid dancing to the beat of his own drum in favor a safer route (like an accounting career). It’s in the middle sequence where grownup Chuck grooves to the rhythm of someone else’s drum and that easily gives us the picture’s strongest moments of pure joy.
Chuck features plenty of recognizable faces from iconic movies. There is no star as even Hiddleston’s title character has limited screen time. Of course, his elders are Luke Skywalker and Sloane from Ferris Bueller’s Day Off. Both shine as shapers of Chuck’s near four decades. Matthew Lillard and Carl Lumbly pop up as armageddon approaches in the first third while Heather Langenkamp (Nancy from A Nightmare on Elm Street) dispatches advice to young Chuck in the the last.
Once the overall concept is unlocked, it flirts with and sometimes falls victim to becoming anticlimactic. Chuck’s world may not provide a great near two hour viewing recounting his near 40. However, it still manages to pack enough pleasures and pathos that it feels consequential.
In September of last year, Mike Flanagan’s The Life of Chuck was a surprise winner of the People’s Choice Award at the Toronto Film Festival. Yet it’s the Cannes Film Festival that may dash Chuck‘s hopes for awards love at the 98th Academy Awards.
Allow me to explain. The People’s Choice Award at TIFF has, for nearly two decades, been one of the more reliable indicators of an eventual Best Picture nomination at the Oscars. How much so? 15 of the last 16 Choice recipients achieved a BP mention including winners Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. The current streak of PCA’s to BP nominees stands at 12 in a row. In 2023, American Fiction instantly became an Academy player after the People’s prize and it resulted in five nominations.
However, distributor Neon did an unexpected thing after Chuck took the Toronto prize. They chose not to release the picture in calendar year 2024 and dated it for 2025. The sci-fi drama based on a 2020 Stephen King novella arrives in limited release on June 6th with a nationwide expansion the following week. Tom Hiddleston leads a cast that includes Chiwetel Ejiofor, Karen Gillan, Jacob Tremblay, and Mark Hamill.
Leaving a nine month gap between the TIFF publicity and its release date was a gamble. At Cannes, which concluded just days ago, Neon went on a spending spree. The distributor bought up the rights to Palme d’Or winner It Was Just an Accident from Iranian filmmaker Jafar Panahi as well as Grand Prix taker Sentimental Value from Joachim Trier and acclaimed Brazilian political thriller The Secret Agent. Conventional wisdom is that Value has already reserved a slot among the ten Oscar BP contenders. Accident and Agent could also factor into the competition.
Needless to say, that leaves Neon in the mode of picking and choosing their favorites. Unless Chuck becomes a sizable sleeper hit at the box office (which seems questionable), Neon may opt to put their full weight behind their international films. Last year when they delayed Chuck, they went all in on Sean Baker’s Anora and that obviously paid off with victories in Picture, Director, Actress (Mikey Madison), and Original Screenplay.
I’ve had Chuck in my 10 predicted BP nominees for the last several weeks, including my latest update from seven days ago. When I publish my updated predictions next weekend, I suspect it will drop out. I do think it stands a solid shot at Adapted Screenplay and maybe Mark Hamill in Supporting Actor. However, Neon’s fortunes at Cannes seem to have diminished Chuck‘s exposure a few months down the line. My Oscar Prediction posts will continue…
In my second update for ranked Oscar predictions covering Best Picture, Director, and the four acting derbies, confidence is growing that the force is strong with Ryan Coogler’s Sinners. It moves up two spots to third in Best Picture, Coogler rises a slot to second in Director, and Delroy Lindo is now in my Supporting Actor quintet. Michael B. Jordan, Hailee Steinfeld, and Miles Caton all rise or materialize in Other Possibilities in their respective races.
My Best Picture ten remains intact and same goes for Director, Actress, and Supporting Actress. In Best Actor, I’m putting in Jesse Plemons for Bugonia with Daniel Day-Lewis (Anemone) on the outside looking in. Mr. Lindo from Sinners replaces Colman Domingo for Michael. Domingo’s drop is due to persistent rumors that his film (a biopic of the King of Pop) will move to 2026.
You can read all the movement below and I’ll have another update up in a couple weeks!
Best Picture
Predicted Nominees:
1. After the Hunt (Previous Ranking: 1) (Even)
2. Marty Supreme (PR: 2) (E)
3. Sinners (PR: 5) (+2)
4. Wicked: For Good (PR: 4) (E)
5. The Rivals of Amziah King (PR: 6) (+1)
6. Sentimental Value (PR: 3) (-3)
7. Hamnet (PR: 7) (E)
8. Jay Kelly (PR: 8) (E)
9. The Life of Chuck (PR: 9) (E)
10. Avatar: Fire and Ash (PR: 10) (E)
Other Possibilities:
11. One Battle After Another (PR: 11) (E)
12. Bugonia (PR: 13) (+1)
13. Deliver Me from Nowhere (PR: 14) (+1)
14. Frankenstein (PR: 12) (-2)
15. No Other Choice (PR: 16) (+1)
16. Die, My Love (PR: 19) (+3)
17. The Ballad of a Small Player (PR: 17) (E)
18. Highest 2 Lowest (PR: 20) (+2)
19. Ann Lee (PR: 24) (+5)
20. Michael (PR: 18) (-2)
21. F1 (PR: 22) (+1)
22 Rental Family (PR: Not Ranked)
23. The Smashing Machine (PR: 15) (-8)
24. Alpha (PR: 25) (+1)
25. Is This Thing On? (PR: 23) (-2)
Dropped Out:
Kiss of the Spider Woman
Best Director
Predicted Nominees:
1. Luca Guadagnino, After the Hunt (PR: 1) (E)
2. Ryan Coogler, Sinners (PR: 3) (+1)
3. Josh Safdie, Marty Supreme (PR: 2) (-1)
4. Joachim Trier, Sentimental Value (PR: 5) (+1)
5. Andrew Patterson, The Rivals of Amziah King (PR: 4) (-1)
Other Possibilities:
6. Jon M. Chu, Wicked: For Good (PR: 6) (E)
7. Chloé Zhao, Hamnet (PRP 7) (E)
8. Paul Thomas Anderson, One Battle After Another (PR: 9) (+1)
9. Yorgos Lanthimos, Bugonia (PR: 10) (+1)
10. Noah Baumbach, Jay Kelly (PR: 11) (+1)
11. Guillermo del Toro, Frankenstein (PR: 8) (-3)
12. Park Chan-wook, No Other Choice (PR: 15) (+3)
13. James Cameron, Avatar: Fire and Ash (PR: 12) (-1)
14. Scott Cooper, Deliver Me from Nowhere (PR: 13) (-1)
15. Lynne Ramsay, Die, My Love (PR: Not Ranked)
Dropped Out:
Mike Flanagan, The Life of Chuck
Best Actress
Predicted Nominees:
1. Julia Roberts, After the Hunt (PR: 1) (E)
2. Cynthia Erivo, Wicked: For Good (PR: 2) (E)
3. Renate Reinsve, Sentimental Value (PR: 3) (E)
4. Jessie Buckley, Hamnet (PR: 4) (E)
5. Amanda Seyfried, Ann Lee (PR: 5) (E)
Other Possibilities:
6. Jennifer Lawrence, Die, My Love (PR: 9) (+3)
7. Emma Stone, Bugonia (PR: 6) (-1)
8. Rose Byrne, If I Had Legs I’d Kick You (PR: 7) (-1)
9. June Squibb, Eleanor the Great (PR: 8) (-1)
10. Tessa Thompson, Hedda (PR: 10) (E)
11. Emma Mackey, Ella McCay (PR: 11) (E)
12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)
13. Lucy Liu, Rosemead (PR: 14) (+1)
14. Eva Victor, Sorry, Baby (PR: Not Ranked)
15. Margot Robbie, A Big Bold Beautiful Journey (PR: Not Ranked)
Dropped Out:
Jodie Foster, Vie privée
Olivia Colman, The Roses
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme (PR: 1) (E)
2. Matthew McConaughey, The Rivals of Amziah King (PR: 2) (E)
3. Jeremy Allen White, Deliver Me from Nowhere (PR: 3) (E)
4. George Clooney, Jay Kelly (PR: 4) (E)
5. Jesse Plemons, Bugonia (PR: Not Ranked)
Other Possibilities:
6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)
7. Michael B. Jordan, Sinners (PR: 10) (+3)
8. Paul Mescal, Hamnet (PR: 7) (-1)
9. Daniel Day-Lewis, Anemone (PR: 5) (-4)
10. Colin Farrell, The Ballad of a Small Player (PR: 9) (-1)
11. Willem Dafoe, Late Fame (PR: 11) (E)
12. Dwayne Johnson, The Smashing Machine (PR: 8) (-4)
13. Jaafar Jackson, Michael (PR: 13) (E)
14. Lee Byung-hun, No Other Choice (PR: Not Ranked)
15. Andrew Scott, Pressure (PR: Not Ranked)
Dropped Out:
Matthew McConaughey, The Lost Bus
Oscar Isaac, Frankenstein
Ethan Hawke, Blue Moon
Best Supporting Actress
Predicted Nominees:
1. Ariana Grande, Wicked: For Good (PR: 1) (E)
2. Gwyneth Paltrow, Marty Supreme (PR: 2) (E)
3. Angelina LookingGlass, The Rivals of Amziah King (PR: 3) (E)
4. Ayo Edebiri, After the Hunt (PR: 4) (E)
5. Teyana Taylor, One Battle After Another (PR: 5) (E)
Other Possibilities:
6. Laura Dern, Jay Kelly (PR: 8) (+2)
7. Hailee Steinfeld, Sinners (PR: Not Ranked)
8. Jennifer Lopez, Kiss of the Spider Woman (PR: 7) (-1)
9. Elle Fanning, Sentimental Value (PR: 6) (-3)
10. Emily Blunt, The Smashing Machine (PR: 9) (-1)
11. Regina Hall, One Battle After Another (PR: 11) (E)
11. Thomasin McKenzie, Ann Lee (PR: 15) (+4)
13. Emily Watson, Hamnet (PR: 12) (-1)
14. Glenn Close, Wake Up Dead Man: A Knives Out Mystery (PR: 13) (-1)
15. Greta Lee, Late Fame (PR: Not Ranked)
Dropped Out:
America Ferrera, The Lost Bus
Nia Long, Michael
Best Supporting Actor
Predicted Nominees:
1. Adam Sandler, Jay Kelly (PR: 1) (E)
2. Andrew Garfield, After the Hunt (PR: 2) (E)
3. Stellan Skarsgård, Sentimental Value (PR: 3) (E)
4. Delroy Lindo, Sinners (PR: 7) (+3)
5. Jeremy Strong, Deliver Me from Nowhere (PR: 5) (E)
Other Possibilities:
6. Colman Domingo, Michael (PR: 4) (-2)
7. Mark Hamill, The Life of Chuck (PR: 6) (-1)
8. Sean Penn, One Battle After Another (PR: 8) (E)
9. Miles Caton, Sinners (PR: Not Ranked)
10. Jonathan Bailey, Wicked: For Good (PR: 9) (-1)
A month and change after the 97th ceremony, it is time for my first ranked predictions in Best Picture, Director, and the four acting derbies! I gave you my first numbered looks around the same juncture in 2023 and 2024. Two years ago, my April outlook yielded the winners being mentioned in Picture and Director (Oppenheimer and Christopher Nolan), Actress (Emma Stone for Poor Things), Actor (Oppenheimer‘s Cillian Murphy), Supporting Actress (Da’Vine Joy Randolph for The Holdovers), and Supporting Actor (Robert Downey Jr. in Oppenheimer). Last year… not so much.
Neither Anora, its maker (Sean Baker), or Anora herself (Mikey Madison) were named in April of 2024. The film would debut a month later at Cannes and vault itself into contention. The Brutalist also wasn’t on my radar so no mention of Adrien Brody in Actor. In the supporting fields, Zoe Saldaña for Emilia Pérez was initially ranked 11th while Kieran Culkin (A Real Pain) was listed in fourth. Hindsight is 20/20 for 2024, but I had Steve McQueen’s Blitz in first position in Best Picture exactly one year ago. It would go onto receive 0 nominations (pressure is on… After the Hunt).
Let’s get some key caveats out of the way. Some of the performers listed in lead will end up in supporting and vice versa. Some of the pictures will get pushed back to 2026. Obviously there will be movies that turn out underwhelming and disappear from the awards conversation. Festival titles not listed today will rise up and contend.
You can expect these predictions will be updated every couple of weeks before it turns into a weekly post (probably in the late summer or early fall when festival season goes into overdrive).
This inaugural preview comes as Ryan Coogler’s Sinners rules the box office with terrific reviews and word-of-mouth. At the moment, its Oscar future looks bright. Let’s see how that sentence reads several months down the line.
With all that out of the way – here are my first ranked takes!
BEST PICTURE
Predicted Nominees:
1. After the Hunt
2. Marty Supreme
3. Sentimental Value
4. Wicked: For Good
5. Sinners
6. The Rivals of Amziah King
7. Hamnet
8. Jay Kelly
9. The Life of Chuck
10. Avatar: Fire and Ash
Other Possibilities:
11. One Battle After Another
12. Frankenstein
13. Bugonia
14. Deliver Me from Nowhere
15. The Smashing Machine
16. No Other Choice
17. The Ballad of a Small Player
18. Michael
19. Die, My Love
20. Highest 2 Lowest
21. Kiss of the Spider Woman
22. F1
23. Is This Thing On?
24. Ann Lee
25. Alpha
Best Director
Predicted Nominees:
1. Luca Guadagnino, After the Hunt
2. Josh Safdie, Marty Supreme
3. Ryan Coogler, Sinners
4. Andrew Patterson, The Rivals of Amziah King
5. Joachim Trier, Sentimental Value
Other Possibilities:
6. Jon M. Chu, Wicked: For Good
7. Chloe Zhao, Hamnet
8. Guillermo del Toro, Frankenstein
9. Paul Thomas Anderson, One Battle After Another
10. Yorgos Lanthimos, Bugonia
11. Noah Baumbach, Jay Kelly
12. James Cameron, Avatar: Fire and Ash
13. Scott Cooper, Deliver Me From Nowhere
14. Mike Flanagan, The Life of Chuck
15. Park Chan-wook, No Other Choice
Best Actress
Predicted Nominees:
1. Julia Roberts, After the Hunt
2. Cynthia Erivo, Wicked: For Good
3. Renate Reinsve, Sentimental Value
4. Jessie Buckley, Hamnet
5. Amanda Seyfried, Ann Lee
Other Possibilities:
6. Emma Stone, Bugonia
7. Rose Byrne, If I Had Legs I’d Kick You
8. June Squibb, Eleanor the Great
9. Jennifer Lawrence, Die, My Love
10. Tessa Thompson, Hedda
11. Emma Mackey, Ella McCay
12. Jessica Lange, Long Day’s Journey Into Night
13. Jodie Foster, Vie privée
14. Lucy Liu, Rosemead
15. Olivia Colman, The Roses
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme
2. Matthew McConaughey, The Rivals of Amziah King
3. Jeremy Allen White, Deliver Me from Nowhere
4. George Clooney, Jay Kelly
5. Daniel Day-Lewis, Anemone
Other Possibilities:
6. Leonardo DiCaprio, One Battle After Another
7. Paul Mescal, Hamnet
8. Dwayne Johnson, The Smashing Machine
9. Colin Farrell, The Ballad of a Small Player
10. Michael B. Jordan, Sinners
11. Willem Dafoe, Late Fame
12. Matthew McConaughey, The Lost Bus
13. Jaafar Jackson, Michael
14. Oscar Isaac, Frankenstein
15. Ethan Hawke, Blue Moon
Best Supporting Actress
Predicted Nominees:
1. Ariana Grande, Wicked: For Good
2. Gwyneth Paltrow, Marty Supreme
3. Angelina LookingGlass, The Rivals of Amziah King
4. Ayo Edebiri, After the Hunt
5. Teyana Taylor, One Battle After Another
Other Possibilities:
6. Elle Fanning, Sentimental Value
7. Jennifer Lopez, Kiss of the Spider Woman
8. Laura Dern, Jay Kelly
9. Emily Blunt, The Smashing Machine
10. America Ferrera, The Lost Bus
11. Regina Hall, One Battle After Another
12. Emily Watson, Hamnet
13. Glenn Close, Wake Up Dead Man: A Knives Out Mystery
14. Nia Long, Michael
15. Thomasin McKenzie, Ann Lee
Best Supporting Actor
Predicted Nominees:
1. Adam Sandler, Jay Kelly
2. Andrew Garfield, After the Hunt
3. Stellan Skarsgård, Sentimental Value
4. Colman Domingo, Michael
5. Jeremy Strong, Deliver Me from Nowhere
Other Possibilities:
6. Mark Hamill, The Life of Chuck
7. Delroy Lindo, Sinners
8. Sean Penn, One Battle After Another
9. Jonathan Bailey, Wicked: For Good
10. Denzel Washington, Highest 2 Lowest
11. Jeffrey Wright, Highest 2 Lowest
12. Andrew Scott, Blue Moon
13. Robert Pattinson, Die, My Love
14. Bradley Cooper, Is This Thing On?
15. Tyler, the Creator, Marty Supreme
You can expect another update shortly before the Cannes Film Festival kicks off where contenders like Sentimental Value, The Phoenician Scheme, Alpha, Eddington, Eleanor the Great, and Highest 2 Lowest will get their initial screenings.
And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
It is just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They have been unfolding on the blog over the next few days. I already posted my take in the acting fields and they can be found here:
That brings us to Best Director. This is the one major race of these first six where I named none of the eventual nominees for 97th ceremony back in April of 2024. That means the winner Sean Baker (Anora) and the other quartet of contenders (Jacques Audiard for Emilia Pérez, Brady Corbet for The Brutalist, Coralie Fargeat for The Substance, James Mangold for A Complete Unknown) had yet to reach my radar screen. Two years ago, I already had eventual recipient Christopher Nolan (Oppenheimer) in my high five during the inaugural guesstimate.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system much like Anora, Pérez, The Substance, and The Brutalist last time around.
This premiere post projects a return to competition for previous honoree Chloe Zhao with heavy hitters like Paul Thomas Anderson and Guillermo del Toro on the outside looking in.
Here’s the first snapshot with Best Picture up next!
TODD’S FIRST OSCAR PREDICTIONS FOR BEST DIRECTOR AT THE 98TH ACADEMY AWARDS
The Venice, Telluride, and Toronto Film Festivals have all concluded and the Oscar landscape is looking a bit clearer for the 97th edition of the ceremony. Per usual with the festivals, there are films that rise and those that fall. No film rose more than Brady Corbet’s The Brutalist from Venice, but Toronto gave us a shocker in the form of Mike Flanagan’s The Life of Chuck. The sci-fi flick based on a Stephen King novella took People’s Choice at the Canadian event. 15 of the last 16 victors of that prize have received a Best Picture nomination including the past 12 in a row. We still don’t know which distributor will buy Chuck and it’s not confirmed to be out this year. For that matter, we also don’t know for a fact that A24’s The Brutalist will make the ’24 calendar. For now I’m assuming both will. That means I’m elevating Chuck from unranked to #11 in my BP possibilities on the outside just looking in.
There was a significant announcement that Tilda Swinton and Julianne Moore will be both be campaigned in lead actress for The Room Next Door. That means Swinton enters my quintet in that category with Amy Adams (Nightbitch) dropping. With Swinton leaving supporting, Selena Gomez (Emilia Pérez) resurfaces there. It has also been confirmed that Saoirse Ronan will vie for Actress with The Outrun and Supporting Actress in Blitz. I continue to list her a double nominee.
We have a change in Supporting Actor as I’m putting Jeremy Strong (The Apprentice) in with Denzel Washington (Gladiator II) falling out of the projected five.
For the last few months, I’ve included 25 BP contenders and 15 for Director, the four acting derbies, and the two screenplay competitions. As I typically do around this time of year, I will condense this to 15 BPs and 10 in the others. Got all that? Good!
Best Picture
Predicted Nominees:
1. The Brutalist (Previous Ranking: 1) (Even)
2. Blitz (PR: 2) (E)
3. Anora (PR: 3) (E)
4. Dune: Part Two (PR: 5) (+1)
5. Sing Sing (PR: 4) (-1)
6. Emilia Pérez (PR: 6) (E)
7. Conclave (PR: 7) (E)
8. Nickel Boys (PR: 9) (+1)
9. Saturday Night (PR: 8) (-1)
10. TheRoom Next Door (PR: 10) (E)
Other Possibilities:
11. The Life of Chuck (PR: Not Ranked)
12. A Complete Unknown (PR: 11) (-1)
13. September 5 (PR: 16) (+3)
14. The Seed of the Sacred Fig (PR: 12) (-2)
15. A Real Pain (PR: 13) (-2)
Dropped Out:
Gladiator II
Queer
Nosferatu
The Apprentice
All We Imagine as Light
Joker: Folie à Deux
The Piano Lesson
Wicked
Juror No. 2
His Three Daughters
A Different Man
Best Director
Predicted Nominees:
1. Brady Corbet, The Brutalist (PR: 1) (E)
2. Steve McQueen, Blitz (PR: 2) (E)
3. Denis Villeneuve, Dune: Part Two (PR: 3) (E)
4. Sean Baker, Anora (PR: 3) (E)
5. Jacques Audiard, Emilia Pérez (PR: 5) (E)
Other Possibilities:
6. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 7) (+1)
7. Edward Berger, Conclave (PR: 9) (+2)
8. RaMell Ross, Nickel Boys (PR: 6) (-2)
9. Greg Kwedar, Sing Sing (PR: 8) (-1)
10. Pedro Almodóvar, The Room Next Door (PR: 11) (+1)
Dropped Out:
Jason Reitman, Saturday Night
James Mangold, A Complete Unknown
Ridley Scott, Gladiator II
Luca Guadagnino, Queer
Payal Kapadia, All We Imagine as Light
Best Actress
Predicted Nominees:
1. Mikey Madison, Anora (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Karla Sofia Gascón, Emilia Pérez (PR: 3) (E)
4. Saoirse Ronan, The Outrun (PR: 4) (E)
5. Tilda Swinton, The Room Next Door (PR: Not Ranked) – moved from supporting
Other Possibilities:
6. Nicole Kidman, Babygirl (PR: 7) (+1)
7. Amy Adams, Nightbitch (PR: 5) (-2)
8. Marianne Jean-Baptiste, Hard Truths (PR: 6) (-2)
9. Fernanda Torres, I’m Still Here (PR: 10) (+1)
10. Demi Moore, The Substance (PR: 9) (-1)
Dropped Out:
Julianne Moore, The Room Next Door
Pamela Anderson, The Last Showgirl
Carrie Coon, His Three Daughters
June Squibb, Thelma
Zendaya, Challengers
Florence Pugh, We Live in Time
Best Actor
Predicted Nominees:
1. Adrien Brody, The Brutalist (PR: 1) (E)
2. Colman Domingo, Sing Sing (PR: 2) (E)
3. Ralph Fiennes, Conclave (PR: 3) (E)
4. Timothée Chalamet, A Complete Unknown (PR: 4) (E)
5. Daniel Craig, Queer (PR: 5) (E)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 6) (E)
7. Glen Powell, Hit Man (PR: 9) (+2)
8. Sebastian Stan, A Different Man (PR: 7) (-1)
9. Joaquin Phoenix, Joker: Folie à Deux (PR: 8) (-1)
10. Paul Mescal, Gladiator II (PR: 10) (E)
Dropped Out:
Gabriel LaBelle, Saturday Night
Jesse Plemons, Kinds of Kindness
Ethan Herisse, Nickel Boys
John David Washington, The Piano Lesson
Jesse Eisenberg, A Real Pain
Best Supporting Actress
Predicted Nominees:
1. Zoe Saldaña, Emilia Pérez (PR: 1) (E)
2. Danielle Deadwyler, The Piano Lesson (PR: 2) (E)
3. Saoirse Ronan, Blitz (PR: 4) (+1)
4. Felicity Jones, The Brutalist (PR: 3) (-1)
5. Selena Gomez, Emilia Pérez (PR: 6) (+1)
Other Possibilities:
6. Aunjanue Ellis-Taylor, Nickel Boys (PR: 7) (+1)
7. Lady Gaga, Joker: Folie à Deux (PR: 9) (+2)
8. Isabella Rossellini, Conclave (PR: 11) (+3)
9. Natasha Lyonne, His Three Daughters (PR: 8) (-1)
10. Joan Chen, Dídi (PR: 10) (E)
Dropped Out:
Tilda Swinton, The Room Next Door – moved to lead actress
Lesley Manville, Queer
Elle Fanning, A Complete Unknown
Toni Collette, Juror No. 2
Fernanda Montenegro, I’m Still Here
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 1) (E)
2. Guy Pearce, The Brutalist (PR: 2) (E)
3. Kieran Culkin, A Real Pain (PR: 3) (E)
4. Stanley Tucci, Conclave (PR: 5) (+1)
5. Jeremy Strong, The Apprentice (PR: 6) (+1)
Other Possibilities:
6. Denzel Washington, Gladiator II (PR: 4) (-2)
7. Mark Hamill, The Life of Chuck (PR: Not Ranked)
8. Adam Pearson, A Different Man (PR: 8) (E)
9. Samuel L. Jackson, The Piano Lesson (PR: 10) (+1)
10. Edward Norton, A Complete Unknown (PR: 7) (-3)
Dropped Out:
Drew Starkey, Queer
Harris Dickinson, Blitz
Mark Eidelstein, Anora
Brian Tyree Henry, The Fire Inside
Ray Fisher, The Piano Lesson
John Lithgow, Conclave
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. The Brutalist (PR: 2) (E)
3. Blitz (PR: 3) (E)
4. Saturday Night (PR: 5) (+1)
5. A Real Pain (PR: 4) (-1)
Other Possibilities:
6. Emilia Pérez (PR: 6) (E)
7. The Seed of the Sacred Fig (PR: 7) (E)
8. The Substance (PR: 9) (+1)
9. Hard Truths (PR: 10) (+1)
10. September 5 (PR: 13) (+3)
Dropped Out:
His Three Daughters
Dídi
Kinds of Kindness
A Different Man
Juror No. 2
Best Adapted Screenplay
Predicted Nominees:
1. Conclave (PR: 2) (+1)
2. Sing Sing (PR: 1) (-1)
3. Nickel Boys (PR: 3) (E)
4. The Room Next Door (PR: 4) (E)
5. The Life of Chuck (PR: Not Ranked)
Other Possibilities:
6. Dune: Part Two (PR: 6) (E)
7. Queer (PR: 5) (-2)
8. Hit Man (PR: 7) (-1)
9. A Complete Unknown (PR: 8) (-1)
10. The Piano Lesson (PR: 9) (-1)
Dropped Out:
I’m Still Here
Gladiator II
Nightbitch
Inside Out 2
Nosferatu
The Wild Robot
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. The Seed of the Sacred Fig (PR: 2) (E)
3. I’m Still Here (PR: 3) (E)
4. All We Imagine as Light (PR: 5) (+1)
5. Grand Tour (PR: 4) (-1)
Other Possibilities:
6. Universal Language (PR: 6) (E)
7. The Girl with the Needle (PR: 7) (E)
8. Caught by the Tides (PR: 8) (E)
9. Pedro Páramo (PR: Not Ranked)
10. Kneecap (PR: 9) (-1)
Dropped Out:
Simon of the Mountain
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 3) (E)
4. Wallace & Gromit: Vengeance Most Fowl (PR: 4) (E)
5. Memoir of a Snail (PR: 5) (E)
Other Possibilities:
6. Piece by Piece (PR: 6) (E)
7. Moana 2 (PR: 7) (E)
8. Savages (PR: 9) (+1)
9. Orion and the Dark (PR: 10) (+1)
10. The Lord of the Rings: The War of the Rohirrim (PR: 8) (-2)
Best Documentary Feature
Predicted Nominees:
1. No Other Land (PR: 2) (+1)
2. Will & Harper (PR: 3) (+1)
3. Daughters (PR: 1) (-2)
4. Sugarcane (PR: 4) (E)
5. Black Box Diaries (PR: 6) (+1)
Other Possibilities:
6. Soundtrack to a Coup d’Etat (PR: 5) (-1)
7. Union (PR: 7) (E)
8. The Remarkable Life of Ibelin (PR: Not Ranked)
9. Skywalkers: A Love Story (PR: 10) (+1)
10. Apocalypse in the Tropics (PR: 8) (-2)
Dropped Out:
Super/Man: The Christopher Reeve Story
Best Cinematography
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Blitz (PR: 3) (E)
4. Nosferatu (PR: 4) (E)
5. Emilia Pérez (PR: 5) (E)
Other Possibilities:
6. Maria (PR: Not Ranked)
7. Conclave (PR: 9) (+2)
8. Anora (PR: 7) (-1)
9. Joker: Folie à Deux (PR: 6) (-3)
10. Gladiator II (PR: 8) (-2)
Dropped Out:
The Room Next Door
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 4) (+2)
3. Wicked (PR: 2) (-1)
4. Gladiator II (PR: 3) (-1)
5. Maria (PR: 7) (+2)
Other Possibilities:
6. Blitz (PR: 5) (-1)
7. Beetlejuice Beetlejuice (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 8) (E)
9. The Brutalist (PR: Not Ranked)
10. Saturday Night (PR: 10 (E)
Dropped Out:
Furiosa: A Mad Max Saga
Best Film Editing
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Anora (PR: 2) (E)
3. Dune: Part Two (PR: 6) (+3)
4. The Brutalist (PR: 3) (-1)
5. Saturday Night (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: 7) (+1)
7. Sing Sing (PR: 4) (-3)
8. Conclave (PR: 9) (+1)
9. Nickel Boys (PR: 8) (-1)
10. Challengers (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. A Different Man (PR: 3) (E)
4. Maria (PR: 5) (+1)
5. The Substance (PR: 9) (+4)
Other Possibilities:
6. Beetlejuice Beetlejuice (PR: 4) (-2)
7. Wicked (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 7) (-1)
9. Furiosa: A Mad Max Saga (PR: 8) (-1)
10. Sasquatch Sunset (PR: Not Ranked)
Dropped Out:
Gladiator II
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. The Brutalist (PR: 2) (E)
3. Sing Sing (PR: 3) (E)
4. Gladiator II (PR: 6) (+2)
5. The Wild Robot (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: 4) (-2)
7. Conclave (PR: 7) (E)
8. Saturday Night (PR: 10) (+2)
9. The Room Next Door (PR: Not Ranked)
10. The Life of Chuck (PR: Not Ranked)
Dropped Out:
Joker: Folie à Deux
Queer
Best Original Song
Predicted Nominees:
1. “Mi Camino” from Emilia Pérez (PR: 1) (E)
2. “Like a Bird” from Sing Sing (PR: 2) (E)
3. “Harley and Joker Waltz” from Joker: Folie à Deux (PR: Not Ranked)
4. “Piece by Piece” from Piece by Piece (PR: 4) (E)
5. “Relentless” from Diane Warren: Relentless (PR: 3) (-2)
Other Possibilities:
6. “Harper and Will Go West” from Will & Harper (PR: 5) (-1)
7. “Kiss the Sky” from The Wild Robot (PR: 6) (-1)
8. “We’re Back” from Moana 2 (PR: 7) (-1)
9. “Forbidden Road” from Better Man (PR: Not Ranked)
10. “El Mal” from Emilia Pérez (PR: 8) (-2)
Dropped Out:
“The Journey” from The Six Triple Eight
“Why Am I Here” from Shirley
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Nosferatu (PR: 4) (E)
5. The Brutalist (PR: 5) (E)
Other Possibilities:
6. Wicked (PR: 7) (+1)
7. Maria (PR: 10) (+3)
8. Furiosa: A Mad Max Saga (PR: 8) (E)
9. Joker: Folie à Deux (PR: Not Ranked)
10. Conclave (PR: 9) (-1)
Dropped Out:
Saturday Night
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Emilia Pérez (PR: 4) (E)
5. Joker: Folie à Deux (PR: 8) (+3)
Other Possibilities:
6. Nosferatu (PR: 6) (E)
7. Wicked (PR: 9) (+2)
8. Furiosa: A Mad Max Saga (PR: 5) (-3)
9. Civil War (PR: Not Ranked)
10. The Brutalist (PR: 10) (E)
Dropped Out:
A Complete Unknown
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Twisters (PR: 4) (E)
5. Here (PR: 5) (E)
Other Possibilities:
6. Blitz (PR: 6) (E)
7. Wicked (PR: 10) (+3)
8. Furiosa: A Mad Max Saga (PR: 8) (E)
9. Deadpool & Wolverine (PR: 7) (-2)
10. Better Man (PR: 9) (-1)
That equates to these movies generating these numbers of nominations:
10 Nominations
The Brutalist, Dune: Part Two
9 Nominations
Emilia Pérez
8 Nominations
Blitz
6 Nominations
Sing Sing
5 Nominations
Anora, Gladiator II
4 Nominations
Conclave, Nosferatu
3 Nominations
Maria, The Room Next Door, Saturday Night
2 Nominations
Joker: Folie à Deux, Nickel Boys, A Real Pain, The Wild Robot
1 Nomination
All We Imagine as Light, The Apprentice, Black Box Diaries, A Complete Unknown, Daughters, Diane Warren: Relentless, A Different Man, Flow, Grand Tour, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, The Life of Chuck, Memoir of a Snail, No Other Land, The Outrun, The Piano Lesson, Piece by Piece, Queer, The Seed of the Sacred Fig, The Substance, Sugarcane, Twisters, Wallace & Gromit: Vengeance Most Fowl, Wicked, Will & Harper
Silver Linings Playbook. 12 Years a Slave. The Imitation Game. Room. La La Land. Three Billboards Outside Ebbing, Missouri. Green Book. Jojo Rabbit. Nomadland. Belfast. The Fabelmans. American Fiction. What do those films have in common? They are the last 12 recipients of the Toronto Film Festival’s People’s Choice Award. Another commonality? Every one of them was nominated for Best Picture at the Academy Awards. Three (Slave, Green Book, Nomadland) won the top prize.
The surprise victor of People’s Choice at TIFF this morning is Mike Flanagan’s The Life of Chuck. Based on a novella by Stephen King, it finds the writer/director once again adapting the legendary author as he’s previously done with Gerald’s Game and Doctor Sleep. Chuck is said to be more of crowdpleaser sci-fi drama. Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay lead the ensemble.
Chuck managed to outpace runners-up Anora and Emilia Pérez (both expected BP hopefuls) in Toronto. With the stats given above, Chuck has immediately entered the awards chat. That said, there are issues to consider before placing it in your BP ten.
First and foremost, Chuck has yet to acquire a stateside distributor. That will surely occur quickly. Yet we don’t know at press time whether it will release in 2024. If it does, it’s hard to argue with the power of TIFF’s biggest trophy. In 2023, American Fiction essentially became a contender in Canada and went onto 5 Academy nods with an Adapted Screenplay victory.
With 88% on Rotten Tomatoes and 66 on Metacritic, Flanagan’s flick is generating nice notices. Frankly, though, I wasn’t really considering it a true contender until this TIFF announcement.
So what are Chuck‘s prospects now? In addition to Picture, Director and especially Adapted Screenplay are in the mix. If there’s an acting play, it might be Luke Skywalker himself Mark Hamill in supporting. If it continues to gain momentum, Editing, Original Score, and Visual Effects might be down ballot categories to keep an eye on. Toronto has potentially brought good luck to Chuck. It hasn’t been mentioned in my forecasts before. This will change at the next update later this week. My Oscar Prediction posts will continue…
The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.
In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.
All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.
First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.
Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.
Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.
Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.
Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.
Doctor Sleep often shines the most when it isn’t burdened with following up on its classic cinematic source material. Director/writer Mike Flanagan has one tough assignment here. Not only is he adapting Stephen King’s 2013 novel which served as the sequel to his beloved novel, but he must incorporate Stanley Kubrick’s 1980 vision of that original work. That adaptation, in case you didn’t know, did not count King among its ardent admirers due to many deviations from the book. Yet the iconic filmmaker’s take on The Shining is ardently admired by legions. This delicate balancing act isn’t always completely successful, but Flanagan sure makes it work most of the time. And that’s no small feat.
The opening takes place shortly after the events at the Overlook Hotel as Wendy Torrance (Alex Essoe) and young son Danny (Roger Dale Floyd) attempt to move on from their trauma and cold loss of their husband and father. Living in Florida, Danny is still blessed and cursed with the ability to “shine”, which encompasses numerous psychic powers. He’s able to put his visions and bad memories in a box (literally and figuratively) for years. We flash forward over 20 years and Danny now takes the form of Ewan McGregor and he’s not in a good place. He’s a raging alcoholic much like his dad was.
After hitting rock bottom, grown Danny enters a different kind of light in recovery. Through the kindness of his AA sponsor (Cliff Curtis), he’s given a small apartment and gets a job as an orderly in a hospice wing. He soon becomes known as Doctor Sleep with the ability to comfort patients in their last moments. Outside forces soon bring him back to past events. A group of vampires known as the True Knot are led by Rose the Hat (Rebecca Ferguson). In order to survive, they feed on small children with psychic abilities similar to Danny’s. One brutal scene depicts their practices with a famous young actor who cameos. It’s pretty terrifying. The new mission of the True Knot is tracking down teenage Abra (Kyliegh Curran), whose shining game is quite bright. When Danny and Abra team up, their fight eventually takes them to the well-known production design of that Colorado hotel.
Perhaps the most surprising aspect of Doctor Sleep is the introduction of its new characters courtesy of King’s novel. Ferguson’s performance as the cult leader is terrific. She appears like a roadie for an alt rock band, but she excels at making her character a demonic force to be reckoned with. Her supporting band of devotees are also memorable. I suspect a picture focused solely on the True Knot could have been fascinating. Curran gives a winning performance as Danny’s partner in shine.
Flanagan must pay homage to King and Kubrick. There’s a Spielberg connection here too. Henry Thomas (yep, little Elliot from E.T.: The Extra-Terrestrial) fills in as Jack Nicholson’s boozy and demented father figure from the 1980 original. That’s in addition to previously mentioned actors playing young Danny and Wendy. Carl Lumbly fills in for Scatman Crothers as the telepathic Dick Halloran. It’s unavoidably jarring to see these roles inhabited by others if, like me, you’ve seen The Shining multiple times. I did admire the way they decided to bring Nicholson’s iconic ax wielder back.
There’s probably no way to avoid the Overlook set third act and it is a pleasure to see those sets recreated. That also constitutes another Spielberg link as that director brought back the haunted hotel for scenes in 2018’s Ready Player One. It is also the weakest segment of the bunch, though not without its nostalgia inducing pleasures. Flanagan is able to engross the audience with the grown Danny and especially the new players around him prior to check in. In that sense, there’s certainly no legacies darkened in Doctor Sleep.
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