Fall season is upon us and that means my Oscar prediction posts will be ramping up on this here blog. I will be following the same formula as I did last year. Six “early” prediction posts on Picture, Director, and the four acting races. It’s my goal to have all of these posted by Monday, if not earlier.
From there, every Thursday I’ll bring you my weekly prediction posts all the way to the nominations next year. In both these initial posts covering the six categories and for the weekly posts starting next week, I’ll list my predicted nominees for Best Picture as well as 25 pictures total as possibilities. For the other races (the two Screenplay categories will be included with the weekly posts), I’ll list my five predicted nominees along with ten other ranked possibilities. From week to week, you’ll be able to track the up and down movement of my predictions, who and what have dropped out, and who and what have joined the mix.
We begin today with Best Supporting Actress and just like any category at this juncture (just as festival season is beginning), everything is up in the air. I would say Hong Chau’s work in Downsizing is pretty darn close to a sure thing with Melissa Leo’s role in Novitiate close as well (as long as her campaign doesn’t switch to Lead Actress).
As far as history with my previous year’s earliest predictions in Supporting Actress, 2014 and 2016 yielded two of the eventual five nominees while 2015 gave us three.
Let’s get to it, shall we?
TODD’S FIRST PREDICTIONS – BEST SUPPORTING ACTRESS
Mary J. Blige, Mudbound
Hong Chau, Downsizing
Melissa Leo, Novitiate
Kristin Scott Thomas, Darkest Hour
Michelle Williams, The Greatest Showman
Other Possibilities:
Kirsten Dunst, The Beguiled
Carrie Fisher, Star Wars: The Last Jedi
Samantha Isler, Molly’s Game
Lesley Manville, Phantom Thread
Tatiana Maslany, Stronger
Julianne Moore, Suburbicon
Michelle Pfeiffer, mother!
Margot Robbie, Goodbye Christopher Robin
Millicent Simmonds, Wonderstruck
Octavia Spencer, The Shape of Water
And there you have it! I’ll have Supporting Actor up shortly…
Well folks – summer is winding down and on the movie calendar, that means fall ushers in Oscar contenders, film festivals, and all kinds of other eagerly awaited releases! Today on the blog, I bring you my 10 most awaited pictures of the season. Getting the list down to that number wasn’t exactly easy, so I’ll cheat a bit and mention some that just “missed the cut”. They include sequels (Kingsman: The Golden Circle, Thor: Ragnarok), star vehicles like American Made with Tom Cruise and Roman Israel, Esq. with Denzel Washington, and Academy contenders like Battle of the Sexes, The Greatest Showman, Suburbicon, Darkest Hour, All the Money in the World, and The Disaster Artist.
Yet here are the ten that my personal movie calendar is most looking forward to (listed alphabetically):
Blade Runner 2049
Release Date: October 6
35 years after Ridley Scott made his landmark sci-fi pic, Sicario and Arrival director Denis Villeneuve enters this visually stunning world with Ryan Gosling, Jared Leto, and Robin Wright and Harrison Ford returning as Deckard.
Downsizing
Release Date: December 22
It may not be out until Christmas, but buzz will be out soon for this Oscar hopeful as it screens in Venice in just days. Alexander Payne’s fantastic filmography includes Election, About Schmidt, Sideways, The Descendants, and Nebraska. His latest is a sci-fi comedy/drama starring Matt Damon, Kristin Wiig, Christoph Waltz, Alec Baldwin, Neil Patrick Harris, Jason Sudeikis, and (get used to hearing this name) Hong Chau, who’s already garnering Supporting Actress talk.
NO TRAILER AT PRESS TIME
It
Release Date: September 8
Fall essentially kicks off with this adaptation of one of Stephen King’s greatest works. Trailers for It looks scary as hell and it could compete for both biggest September debut ever and highest horror opening of all time.
Justice League
Release Date: November 17
DC’s version of The Avengers has been the subject of shaky buzz, but I’m curious to see how Batman, Aquaman, The Flash, and others meld together. Oh… there’s another one in the form of Gal Gadot’s Wonder Woman, who just happened to headline the summer’s unexpected largest domestic hit (beating out other superheroes like the Guardians and Spidey).
mother!
Release Date: September 15
Darren Aronofsky’s latest looks to be in the vein of his Oscar nominated Black Swan and that’s a very good thing. Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer star and if this trailer is any indication, we’re in for something very intriguing.
Murder on the Orient Express
Release Date: November 10
Michelle Pfeiffer makes another appearance on this list as she’s part of an impressive ensemble embroiled in this adaptation of Agatha Christie’s famed novel. Kenneth Branagh directs himself in the lead as Hercule Poirot. Other familiar faces include Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Willem Dafoe, and Josh Gad.
The Papers
Release Date: December 22
As in the Pentagon Papers and the Washington Post‘s battle with the Nixon administration to release them. You think this one has Oscar bait potential? It’s directed by Steven Spielberg and stars Meryl Streep and Tom Hanks.
NO TRAILER AT PRESS TIME
Phantom Thread
Release Date: December 27
Here’s how little is really known about this project… we’re not even sure Phantom Thread is its title. What do we know? It’s master filmmaker Paul Thomas Anderson’s latest and reunites him with his There Will Be Blood star Daniel Day-Lewis.
NO TRAILER AT PRESS TIME
The Shape of Water
Release Date: December 8
Visionary director Guillermo del Toro’s latest looks to be a visual and potentially dramatic winner judging from its trailer. Sally Hawkins and Michael Shannon star in this 1960s set tale of a woman’s friendship with a strange creature.
Star Wars: The Last Jedi
Release Date: December 15
Last, but oh so far from the least. Rian Johnson takes over directorial duties for the year’s most anticipated release with Luke Skywalker (Mark Hamill) gaining significantly more screen time and Carrie Fisher making her final bow as Princess Leia.
And there you have it, folks! Let us look forward to a hopefully glorious autumn season…
Well it’s Throwback Thursday and I’m giving you the culmination of my three-part series recounting the movie summers of 30, 20, and 10 years ago. We’ve already gone back to memory lane in 1987 and 1997. If you missed either of those posts, you can find them here:
That means I’m traveling back a decade ago to 2007 and it’s a summer where threequels were majorly in vogue, accounting for four of the top six grossing pictures. Sequels were pervasive in general in this particular season and it was a breakout summer for one Seth Rogen.
As I have with these previous entries, I’ll count down the top ten hits as well as other notable pics and some flops.
Let’s get to it!
10. Rush Hour 3
Domestic Gross: $140 million
The third and final pairing of Jackie Chan and Chris Tucker in this action comedy franchise is our first threequel on the list. It fell a steep $86 million short of what Rush Hour 2 accomplished six seasons earlier.
9. Knocked Up
Domestic Gross: $148 million
The comedic summer breakout continued Judd Apatow’s hit streak after The 40 Yr. Old Virgin from two previous summers and gave Seth Rogen his first big leading role. Katherine Heigl may have inexplicably trash talked it later, but audiences disagreed.
8. The Simpsons Movie
Domestic Gross: $183 million
Arriving nearly two decades after the still going FOX animated series debut, The Simpsons Movie surpassed all expectations with its gargantuan gross. Just last month, producers announced there’s been traction on a planned sequel.
7. Ratatouille
Domestic Gross: $206 million
Our second animated entry comes from the Pixar conglomerate. The critically hailed rat tale actually experienced one of the lowest openings for Pixar, but it still managed to top $200 million and its reputation has only grown.
6. The Bourne Ultimatum
Domestic Gross: $227 million
Matt Damon’s third go-round as the title character is still the highest grossing entry of the franchise and the only to pass $200 million. The star returned to the series just last summer.
5. Harry Potter and the Order of the Phoenix
Domestic Gross: $292 million
The fifth installment of the $2 billion plus franchise marks the first one directed by David Yates, who would make the following three pics as well. It stands #5 of the 8 Potter pics in domestic gross.
4. Pirates of the Caribbean: At World’s End
Domestic Gross: $309 million
The third Pirates flick is when critics really started to turn on the series. Getting past $300 million is nothing to sneeze at, but it is nearly $115 million lower than its predecessor Dead Man’s Chest just one summer before.
3. Transformers
Domestic Gross: $319 million
Michael Bay’s bot series started a decade ago and it’s still going. The original ranks third of the five in grosses as its two sequels topped it, but the last two have fallen under it.
2. Shrek the Third
Domestic Gross: $322 million
Much like Pirates, this is when reviewers started to sour on this series. It was still chugging along, but it did fall $120 million below Shrek 2.
1. Spider-Man 3
Domestic Gross: $336 million
Anyone noticing a pattern here? Once again – a third franchise entry where critics started sharpening their knives. This end to the Sam Raimi Spidey trilogy was considered a big letdown in quality, yet it still topped the summer while earning less than its two predecessors.
And now for some other notable pictures of summer 2007:
Live Free or Die Hard
Domestic Gross: $134 million
From a pure numbers standpoint, it’s the highest grossing pic to feature Bruce Willis in his signature role of John McClane (though that changes when adjusting for inflation). From a pure entertainment standpoint, the decision to make this the only PG-13 Die Hard film was a bit puzzling.
Superbad
Domestic Gross: $121 million
Mr. Rogen’s big summer kept rolling along with this acclaimed comedy in which he costarred and co-wrote. Jonah Hill, Michael Cera, and McLovin became household names due to this.
I Now Pronounce You Chuck and Larry
Domestic Gross: $120 million
Before his movies moved to Netflix, Adam Sandler could still crank out $100M+ earners just a decade ago, even if it was this stale comedy co-starring Kevin James.
Hairspray
Domestic Gross: $118 million
Based on both the John Waters 1988 pic and the Broadway musical that followed it, Hairspray featuring John Travolta, Michelle Pfeiffer, and Christopher Walken performed above expectations.
Ocean’s Thirteen
Domestic Gross: $117 million
Worth mentioning because it’s yet another threequel that couldn’t quite match the grosses of the first two. An all female version of the Ocean’s franchise is soon coming to a theater near you.
Once
Domestic Gross: $9 million
That may be appear to a small gross, but this little Irish romantic musical came out of nowhere stateside and has achieved a devoted following. It’s even been adapted into a Broadway play.
And now for some of the flops of summer 2007:
Evan Almighty
Domestic Gross: $100 million
Yes, it may have crossed the century mark, but this spin-off of 2003’s Bruce Almighty was considered the flop of the season. Starring Steve Carell fresh off the acclaimed 40 Yr. Old Virgin, this family feature came with a reported $175 million budget. Audiences and critics weren’t impressed.
Stardust
Domestic Gross: $38 million
This fantasy flick with Claire Danes, Robert De Niro, and Michelle Pfeiffer only earned a bit more than half its $70 million budget domestically. However, director Matthew Vaughn has bounced back in a significant way with Kick-Ass, X-Men: First Class, and Kingsman: The Secret Service.
The Invasion
Domestic Gross: $15 million
Another remake of Invasion of the Body Snatchers, bad reviews sunk this pic that featured Nicole Kidman and Daniel Craig, fresh off his heralded debut as James Bond.
I Know Who Killed Me
Domestic Gross: $7 million
Lindsay Lohan was a long way from Freaky Friday and Mean Girls with this panned psychological thriller that featured the starlet as a stripper. Audiences turned away.
And that does it, folks! You can rest assure you’ll see summer posts recounting 1988, 1998, and 2008 in a year’s time…
As we begin the month of August and the dog days of summer, I’ll be traveling back 30, 20, and 10 years ago to seasons past giving you the top ten hits and more of that particular time frame. Today we are going all the way to 1987.
It was a simpler time back then. There were very few sequels and franchises and reboots and a good portion of the highest grossing flicks dealt with law enforcement in action type settings. Only one picture grossed over $100 million dollars. Yes, the times have changed, but what a hoot to look back at what was burning up the box office charts three decades ago. This post will also discuss some other notable flicks outside the top ten and some big ole flops.
Let’s get to it!
10. The Living Daylights
Domestic Gross: $51 million
The 15th James Bond picture kicked off the brief two picture reign of Timothy Dalton, who took over the iconic role after the late Roger Moore’s 12 year long portrayal of 007. It’s $51M gross would just surpass the $50M earnings of Moore’s swan song, 1985’s A View to a Kill. Two summers later, Dalton would star in his swan song Licence to Kill before Pierce Brosnan donned the tuxedo six years later.
9. Robocop
Domestic Gross: $53 million
Paul Verhoeven’s futuristic sci-fi action thriller nearly received the dreaded X rating upon its release. It also received critical acclaim and spawned two sequels and a 2014 remake.
8. La Bamba
Domestic Gross: $54 million
This biopic of singer Ritchie Valens starring Lou Diamond Phillips was a major summer sleeper and even earned a Golden Globe nod for Best Picture (Drama). It also featured the Los Lobos cover of the title song that was in the top ten summer songs of 1987.
7. Dragnet
Domestic Gross: $57 million
A few years before Tom Hanks was earning back to back Best Actor Oscars, he was costarring in silly remakes of 1950s cop dramas. Dragnet managed to perform well and it’s a guilty pleasure, especially Dan Aykroyd’s take on Sgt. Joe Friday (a role made famous by Jack Webb).
6. Predator
Domestic Gross: $59 million
One of Arnold Schwarzenegger’s finest action pics, Predator also kicked off an impressive three picture directorial run by John McTiernan that was followed up by Die Hard and The Hunt for Red October. This franchise is still going strong today, but nothing beats the hard edged original.
5. Dirty Dancing
Domestic Gross: $63 million
The biggest sleeper hit of the summer vaulted Patrick Swayze into super stardom and won the Oscar for Best Original Song for Bill Medley and Jennifer Warnes’s “(I’ve Had) The Time of My Life”.
4. The Witches of Eastwick
Domestic Gross: $63 million
Mad Max maker George Miller went Hollywood with this critically appreciated comedic fantasy with an all-star cast of Jack Nicholson, Cher, Susan Sarandon, and Michelle Pfeiffer.
3. Stakeout
Domestic Gross: $65 million
This was the height of the buddy cop era and it propelled this one starring Richard Dreyfuss and Emilio Estevez to big grosses. A less regarded sequel costarring Rosie O’Donnell would follow six years later.
2. The Untouchables
Domestic Gross: $76 million
Brian De Palma’s take on the classic TV series was a big-budget and highly entertaining affair headlined by Kevin Costner, Robert De Niro, Andy Garcia, and Sean Connery (who won a Supporting Actor Oscar for his work).
1. Beverly Hills Cop II
Domestic Gross: $153 million
Eddie Murphy was just about the biggest movie star in the world in summer 1987 and that’s shown here by the enormous gross of the sequel to his 1984 classic, directed by Tony Scott. A much less successful third entry would follow seven summers later after Murphy’s box office potency had waned.
And now – here’s some other notable pictures from the season:
Full Metal Jacket
Domestic Gross: $46 million
Legendary director Stanley Kubrick’s first film in seven years (since The Shining) is now considered a modern classic, especially for its unforgettable first half featuring R. Lee Ermey’s Vietnam drill sergeant.
Spaceballs
Domestic Gross: $38 million
This Mel Brooks spoof of Star Wars may not be in Blazing Saddles or Young Frankenstein territory, but it’s certainly earned quite a cult status through the last 30 years.
Adventures in Babysitting
Domestic Gross: $34 million
The directorial debut of Chris Columbus (who would go on to make Home Alone, Mrs. Doubtfire and the first two Harry Potter pics), Babysitting has also achieved cult cred in addition to its decent box office showing at the time.
The Lost Boys
Domestic Gross: $32 million
Another flick with a rabid fan base, the teen pic cast Kiefer Sutherland, Jason Patric, and Corey Feldman in a California town overrun by vampires.
And now for a couple of 1987 summer box office bombs:
Jaws IV: The Revenge
Domestic Gross: $20 million
12 summers prior, Steven Spielberg’s original was a landmark motion picture. By the time the fourth entry came around, the series had gotten terrible. It still has a 0% score on Rotten Tomatoes and Michael Caine actually missed picking up his Oscar for Hannah and Her Sisters because he was shooting this turkey.
Superman IV: The Quest for Peace
Domestic Gross: $15 million
Not a solid summer for four-quels. This served as a bad ending to a series started nine years earlier. There was a moratorium on Supes pic for the next 19 years.
Ishtar
Domestic Gross: $14 million
Considered one of the largest bombs in film history at the time, this comedy with Warren Beatty and Dustin Hoffman was a punchline for years. Its reputation has grown a bit since.
And that’s my recap folks! I’ll be back recounting summer 1997 very soon…
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