While the Cannes, Venice, and Telluride film festivals were successful in showcasing a number of Oscar hopefuls including Carol, The Danish Girl, Steve Jobs, and Spotlight, among others – this year’s in progress Toronto Film Festival has already premiered several titles that have seen their awards hope dim.
One is Freeheld, a domestic partnership drama starring Julianne Moore, Ellen Page, Steve Carell, and Michael Shannon. Directed by Peter Sollett and based on a 2007 documentary, this was looked at as a potential contender in several categories before it screened up north. Reviews have been very mixed and any chance it had at a Picture nod seems to have fallen by the wayside.
Still, it’s a little naive to completely count Moore in Best Actress out and her performance has received solid notices. Yet as mentioned in previous Oscar watch posts, that race is looking very crowded already with Cate Blanchett in Carol, possibly Alicia Vikander in The Danish Girl (though she could be recognized instead in Supporting), Carey Mulligan in Suffragette, Brie Larson in Room, Lily Tomlin in Grandma, Saoirse Ronan in Brooklyn, and the as yet unforeseen work of Jennifer Lawrence in Joy. In other words, the competition could crowd Moore out and Academy voters may be OK with that considering she won just last year for her work in Still Alice. She remains a possibility, however, and can’t be totally discounted. As for other performers, Michael Shannon has received positive word of mouth but is a long shot for Supporting Actor.
All in all, Toronto essentially dashed the hopes of Freeheld gaining any major traction in the 2015 awards derby.
The 2008 Oscars will likely go down as the final year when only five films would compete in the granddaddy category of them all, Best Picture. The following year, the Academy would change it to ten and a couple years after that, developed a formula where anywhere from 5-10 movies could be recognized.
Many believe the reason is 2008’s exclusion of the critically lauded superhero sequel The Dark Knight, which had become the year’s highest grossing feature and was considered a major milestone in the burgeoning genre. Yet with the exception of its acclaimed Joker, Knight was shut out in the major categories.
Best Picture instead went to a true “little movie that could” – Danny Boyle’s out of nowhere critical and audience pleaser Slumdog Millionaire.
It would win out over David Fincher’s The Curious Case of Benjamin Button, Ron Howard’s Frost/Nixon, Gus Van Sant’s Milk, and Stephen Daldry’s The Reader. It is a bit surprising that Oscar voters left out Knight and I would put forth that a decent argument could also be made for Jon Favreau’s Iron Man, which also stands as a creative high point in the comic book canon of movies.
In the Best Director category, it was a rare example of the five nominated auteurs matching the Picture nominees and Boyle would take home the gold over Fincher, Daldry, Van Sant, and Howard. Once again, Christopher Nolan would be on the outside looking in for his Knight direction.
Sean Penn would win his second Best Actor statue (2003’s Mystic River being the first) for playing gay activist Harvey Milk in Milk.
Other nominees: Richard Jenkins in The Visitor, Frank Langella in Frost/Nixon, Brad Pitt in Benjamin Button, and Mickey Rourke in a career comeback role as The Wrestler.
Certainly Christian Bale as Bruce Wayne/Batman and Robert Downey, Jr. as Tony Stark/Iron Man could have been considered along with Leonardo DiCaprio in Revolutionary Road, Clint Eastwood in Gran Torino, and the Slumdog Millionaire himself Dev Patel.
After a number of nominations with no victories, Kate Winslet would win Best Actress for The Reader, beating out Anne Hathaway (Rachel Getting Married). Angelina Jolie (Changeling), Melissa Leo (Frozen River), and the omnipresent Meryl Streep (Doubt).
It was a bit surprising to see Cate Blanchett’s work in Benjamin Button go unrecognized.
The Dark Knight would win its Oscar with the late Heath Ledger taking Supporting Actor as the Joker. Other nominees: Josh Brolin (Milk), Robert Downey Jr. (Tropic Thunder), Philip Seymour Hoffman (Doubt), and Michael Shannon (Revolutionary Road).
While it was refreshing to see the Academy nominate a comedic performance like Downey’s in Tropic Thunder, an equally good argument could have been made for Tom Cruise’s role in that picture. Same goes for James Franco’s exemplary work as a stoner in Pineapple Express.
Woody Allen has directed several actresses to Supporting Actress wins and he did it again with Penelope Cruz in Vicky Christina Barcelona.
She would be victorious over Amy Adams in Doubt, Viola Davis – also for Doubt, Taraji P. Henson in Benjamin Button, and Marisa Tomei for The Wrestler.
I might’ve found room for Frances McDormand in the Coen Brothers Burn After Reading.
And that’s all for now on the Oscar History front! I’ll be back with 2009 in the near future…
As we enter a new week, one question will be bothering box office prognosticators like me: How big will Man of Steel open?
Zack Snyder’s take on the Superman story seems to have a lot going for it. For starters, the trailers for it have been terrific. Audience awareness of the film is through the roof. And… well, it’s Superman for goodness sake!
However, the Man of Steel’s track record at the box office underwent an interest journey just seven summers ago. Bryan Singer’s Superman Returns was supposed to be the beginning of a new Supes franchise. It didn’t work out that way. While the picture grossed a solid $84 million in its first five days, moviegoers and critics weren’t impressed with what they saw. Returns went on to gross $200 million domestically, less than its huge budget. The film was considered a box office disappointment.
Warner Bros. went back to the drawing board, bringing in 300 and Watchmen director Snyder. Relative unknown (but not for long) Henry Cavill is Superman/Clark Kent. While the lead may not be a big name, Man of Steel‘s supporting cast is populated with recognizable stars – Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne and Russell Crowe.
Folks seem to be excited about Man of Steel. Those effective trailers have been a plus. As I consider its opening weekend possibilities, the question seems to be: will it gross over $100 million the first weekend or not?
I believe it will. Frankly, anything below nine figures might be considered a letdown. It does come with a reported $225 million budget, after all. When the sixth Fast and Furious earns $120 million over four days, it stands to reason that Man of Steel could make similar bank in three. Somewhere in the $120M range seems like the best bet. There’s also the distinct possibility that it makes upwards of that number. Anything around $140 million and we’re talking Top Ten openings of all time. I’m skeptical it’ll reach that high and I’m more inclined to go a bit lower. However, as the week rolls along and anticipation grows, this could turn out to be a low ball figure.
With that, here’s my best guess:
Man of Steel opening weekend prediction: $124.3 million
We’ll see what happens! Tomorrow on the blog – my prediction for the week’s other newcomer, the all-star comedy This is the End.