Previously on the blog, I wrote a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 in recently years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned numerous posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them! Also – I still need to write these posts for 2023 and 2024. They’re coming.**
Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five movies that I believe would’ve gotten in. I’ve already covered 2005-08 and you can peruse my posts on them here:
We move to 2004. There’s an obvious five pictures that would’ve made the cut and that’s the group that were nominated. It begins with Clint Eastwood’s Million Dollar Baby. That boxing drama made a late surge 21 years back and took four trophies – Picture, Director, Actress (Hilary Swank), and Supporting Actor and was nominated for three more.
Martin Scorsese’s The Aviator scored a ceremony high 11 nods and won five – Cate Blanchett in Supporting Actress, Art Direction, Cinematography, Costume Design, and Film Editing. Finding Neverland from Marc Forster landed 7 nominations with a victory in Original Score. Taylor Hackford’s musical biopic Ray made Jamie Foxx a Best Actor victor and won Sound Editing in addition to nods in BP, Director, and two tech races. Alexander Payne’s Sideways was also up for Director, two acting races (though notably not Paul Giamatti in lead actor), and was the recipient of Adapted Screenplay.
That’s the quintet we know. Now we can speculate. And that begins with an unlikely contender in Michael Moore’s Fahrenheit 9/11. Moviegoers of a certain younger age may not recall. but the documentarian’s critical look at George W. Bush’s presidency and the Iraq War was a Palme d’Or winner at Cannes, a critical smash, and became the highest grossing documentary of all time in the summer of 2004. However, Moore chose not to submit Fahrenheit for consideration in Documentary Feature where it probably would’ve been a lock to win that prize.
Fahrenheit was, however, eligible for BP. And this is the rare place on the blog where I will speak of politics coming into play. Had President Bush lost reelection in 2004, Fahrenheit might’ve been seen as a contributing factor. And in Hollywood, that might’ve been enough to earn it a spot among the theoretical 10 nominees. That did not happen and I’m therefore not including it among the expanded contenders.
While Fahrenheit is a question mark, there are some features that I feel strongly would have made the longer list. Mike Leigh’s Vera Drake was up for Director, Actress (Imelda Staunton), and Original Screenplay. Michel Gondry’s Eternal Sunshine of the Spotless Mind was the winner in Original Screenplay while Kate Winslet was up in Actress (though Jim Carrey was notably snubbed in Actor). Hotel Rwanda was also nominated in Original Screenplay along with performers Don Cheadle and Sophie Okenedo.
In previous posts covering2007-2008, Ratatouille and Wall-E made the expanded 10. For 2004, same goes for The Incredibles. The Pixar property was the Animated Feature and Sound Editing honoree and it had nominations in (you guessed it) Original Screenplay and Sound Mixing.
That leaves one spot and there’s lots of contenders. Mel Gibson’s The Passion of the Christ was a box office smash that was up for Original Score, Cinematography, and Makeup. Yet I question whether the Academy would’ve gone for it even with five added possibilities.
Collateral from Michael Mann saw Jamie Foxx as a double nominee in Supporting Actor and a Film Editing nod. Closer had supporting nominations for Clive Owen and Natalie Portman. If it had managed a Screenplay nomination, I might’ve included it. Various tech nominations were bestowed upon Harry Potter and the Prisoner of Azkaban, Lemony Snicket’s A Series of Unfortunate Events, The Phantom of the Opera, Spider-Man 2, and A Very Long Engagement. If this were a do-over list, Azkaban probably would get in considering many believe it’s the best of the franchise. I don’t believe you’d see it at the time. Same goes for the second Spidey adventure.
For the tenth spot (and it’s admittedly a tricky one), I’m settling on The Motorcycle Diaries from Walter Salles. Diaries was subject to controversy at the Oscars in the Best Foreign Language Film (now International Feature Film) competition. The Academy ruled it ineligible in that race because “it didn’t have sufficient elements from any of the countries to qualify” (huh?). It still picked up nods in Adapted Screenplay and won Original Song. With a doubling of nominees, I think voters would’ve found room for it. That’s especially since it should have been a lock in the foreign derby.
Blogger’s Update (12/21): I am increasing my The Color Purple one-day projection from $7.9M to $12.9M
With Christmas falling on a Monday this year, this is one of the most jam packed Yuletide box office seasons in memory. There’s a whole bunch of cinematic gifts that studios hope open well. On Friday (December 22), Aquaman and the Lost Kingdom looks to top the charts and reverse the misfortunes of the DCU in 2023. Joining Aquaman for the long weekend are Illumination Entertainment’s animated Migration, wrestling biopic The Iron Claw with Zac Efron, Indian Telugu-language action epic Salaar: Part 1 – Ceasefire, Sydney Sweeney and Glen Powell’s rom com Anyone but You, and the nationwide expansion of Oscar hopeful Poor Things with Emma Stone. On Christmas Day, they are joined by The Color Purple (adapting the Broadway musical which adapted the 1985 Spielberg pic which adapted the acclaimed novel), Michael Mann’s Ferrari with Adam Driver, and the George Clooney directed Olympic period piece The Boys in the Boat. You can peruse my detailed prediction posts on all nine (yes, nine) right here:
Even Aquaman himself, Jason Momoa, recently stated in an interview that the future of the franchise is murky at best. Despite the 2018 original making over a billion bucks worldwide, expectations for the sequel are underwater after the DCU’s year that included flops Shazam! Fury of the Gods, The Flash, and Blue Beetle. The worst case scenario is that this opens second to Wonka. On the bright side: Warner Bros gets the #1 slot either way. A low to mid 40s beginning from Friday to Monday is nothing to brag about, but that should get it to first place.
Wonka got off to a pretty sweet start at the top of its anticipated range (more on that below). Since I’m doing predictions from December 22-25, it may only decline from the high 30s to the mid to high 20s with bright weekends ahead (especially over New Year’s).
Therefore Wonka might be the family choice over Christmas and that could put Migration in third with a high teens or low 20s output. For Illumination, the silver lining should be small declines in subsequent frames.
I’m expecting a fourth place finish for The Iron Claw as wrestling fans could turn out to the tune of high single digits.
As for the three features out on Christmas Day, this obviously means I’m only doing a one-day projection. The Color Purple, with its well-known source material, should do best among that trio and I have its single day managing a fifth place showing.
Salaar: Part 1 – Ceasefire could over perform, but I have it in ninth. The newcomers should dominate the top ten as I have Anyone but You in sixth with the Poor Things expansion in seventh.
I do have holdovers The Hunger Games: The Ballad of Songbirds and Snakes and Trolls Band Together finishing out the top ten.
That means my single day estimates for Ferrari ($2.1 million) and The Boys in the Boat ($1.1 million) leave them outside the top ten.
Truth be told, this is a highly unpredictable Christmas weekend with lots of moving parts. Here’s my best attempt at that top 10 and keep in mind that this is for Friday-Monday:
1. Aquaman and the Lost Kingdom
Predicted Gross: $42.8 million
2. Wonka
Predicted Gross: $31.4 million
3. Migration
Predicted Gross: $19.6 million
4. The Color Purple
Predicted Gross: $12.9 million
5. The Iron Claw
Predicted Gross: $8.7 million
6. Anyone but You
Predicted Gross: $5.3 million
7. Poor Things
Predicted Gross: $5 million
8. Salaar: Part One – Ceasefire
Predicted Gross: $4.4 million
9. The Hunger Games: The Ballad of Songbirds and Snakes
Predicted Gross: $4.1 million
10. Trolls Band Together
Predicted Gross: $3.3 million
Box Office Results (December 15-17)
Warner Bros might face choppy waters ahead with Aquaman and the Lost Kingdom, but the Wonka opening went swimmingly. Timothee Chalamet’s take on the iconic chocolatier was treated to a $39 million start. That’s slightly ahead of my $36.4 million prediction as the family pic should have a robust road ahead this season.
It was the only newcomer this past weekend (which makes sense considering the onslaught ahead). The Hunger Games: The Ballad of Songbirds and Snakes stayed put in second with $5.8 million, a smidge under my $6.6 million call. The prequel is up to $145 million after five weekends.
The Boy and the Heron, after its better than anticipated bow, dropped from 1st to 3rd with $5.5 million. That’s lower than my $7 million forecast as the ten-day take is $23 million.
Godzilla Minus One was fourth with $5 million (I said $5.7 million) for $34 million after three weeks.
Trolls Band Together rounded out the top five with $3.9 million compared to my $4.6 million projection. The threequel is approaching nine figures after five weeks with $88 million.
And that does it for now, folks! Have a wonderful holiday and until next time…
Michael Mann’s first feature in nearly a decade zooms into multiplexes on Christmas Day with Ferrari. Adam Driver plays the automative entrepreneur with a supporting cast including Penélope Cruz, Shailene Woodley, Sarah Gadon, Gabriel Leone, Jack O’Connell, and Patrick Dempsey.
The Neon release (with a budget reportedly approaching $100 million) premiered at the Venice Film Festival early in the fall. Buzz was pretty decent (it’s at 75% on RT), but it hasn’t managed to become a serious awards contender. That kind of chatter could help its numbers. Yet it didn’t materialize.
My suspicion is that Ferrari will fail to make a significant dent in the holiday box office. Competition is fierce and this could get lost in the shuffle. Since it is out on Christmas Day (falling on Monday), this estimate is for that date only.
Ferrari opening day prediction: $2.1 million (Christmas Day estimate only)
For my Aquaman and the Lost Kingdom prediction, click here:
My closer look at six high profile races for the 96th Academy Awards arrives at Best Director. If you missed my posts covering the four acting derbies, you can peruse them here:
As I have with those categories, I am winnowing the field of my predicted nominees from 15 possibilities to 10. At the moment, I believe Christopher Nolan (Oppenheimer) and Martin Scorsese (Killers of the Flower Moon) are guaranteed slots with Yorgos Lanthimos (Poor Things) darn close to wrapping up one himself.
After that, there are plenty of hopefuls vying for the two spots. I do believe two females could populate them via some combo of Celine Song (Past Lives), Greta Gerwig (Barbie), Justine Triet (Anatomy of a Fall), and Ana DuVernay (Origin).
We also have Bradley Cooper (Maestro), Jonathan Glazer (The Zone of Interest), and Alexander Payne (The Holdovers) as strong possibilities. Perhaps even Cord Jefferson (director of freshly minted Toronto Film Festival People Choice’s winner American Fiction) could make a run.
And there’s the unseen contenders in Blitz Bazawule (The Color Purple) and Ridley Scott (Napoleon).
Lots to ponder and there are now three new players in my final quintet compared to my previous predictions on August 28th. Here’s where I have the race standing at the moment:
Predicted Nominees
1. Christopher Nolan, Oppenheimer (Previous Ranking: 2) (+1)
2. Martin Scorsese, Killers of the Flower Moon (PR: 1) (-1)
3. Yorgos Lanthimos, Poor Things (PR: 9) (+6)
4. Greta Gerwig, Barbie (PR: 7) (+3)
5. Justine Triet, Anatomy of a Fall (PR: 6) (+1)
Other Possibilities:
6. Jonathan Glazer, The Zone of Interest (PR: 5) (-1)
It’s been eight long years since Michael Mann has been behind the camera and Ferrari marks his first picture since the 2015 cybercrime flop Blackhat. The Heat maker casts Adam Driver in the 1950s set biopic of Enzo Ferrari and it scored a Venice premiere prior to a Christmas Day theatrical release. Penélope Cruz, Shailene Woodley, Gabriel Leone, Sarah Gadon, Jack O’Connell, and Patrick Dempsey costar.
Early reviews are mostly fresh and it sits at 76% on Rotten Tomatoes. They may not be quite strong enough for it to be a significant awards player. It could sneak into Best Picture depending on competition in the weeks and months ahead. I doubt you’ll see it in my top 10 at my next update on Labor Day. There are openings elsewhere. The Sound (especially), Film Editing, and Cinematography are all possibilities.
I don’t anticipate Driver will be much of a factor in Best Actor. However, Cruz is drawing raves for her work as Enzo’s wife Laura. Neon may have a decision to make whether to campaign for her in lead or supporting (I’m guessing the latter). She could make the cut though competition might be fierce. If she manages a nod, it would mark her fifth after Volver, Vicky Christina Barcelona (for which she won Supporting Actress in 2008), Nine, and Parallel Mothers. My Oscar Prediction posts will continue…
You could correctly call this Oscar Predictions post the calm before the festival storm as Venice kicks off this week with Telluride and Toronto right behind it. Yet a major development occurred last week as the sands of time are moving slower for Denis Villeneuve’s Dune: Part Two. The epic sequel was pushed back to the spring of 2024.
How big of an impact does that make for my forecasts? A heavy one as I had it achieving 11 nominations. In my previous projections on August 16th, that was second only to Oppenheimer‘s 12. I had it ranked 1st in Makeup and Hairstyling and Visual Effects, 2nd in Costume Design, Film Editing, Original Score, Production Design, and Sound, 3rd in Picture and Director, and 4th for Adapted Screenplay.
In fact, a victory for Dune in Visual Effects was probably the easiest race to call this early (its predecessor won too). Now it makes the VE contest quite interesting. Oppenheimer could take the prize and mark Christopher Nolan’s second win in a row in the category after 2020’s Tenet. It opens the door wider for The Creator from Gareth Edwards. And there’s now more of a shot for the MCU to nab its first statue in VE for Guardians of the Galaxy Vol. 3 in particular.
I plan to do my next update on Labor Day (September 4th). By that time, we will have reviews and buzz from Venice premieres including Ferrari, Maestro, Poor Things, Priscilla, and The Killer. We’ll also have the word out for whatever pics debut at Telluride (to be announced Thursday).
Right after that update on the 4th, the rest of the Venice titles and a slew of Toronto movies will be unveiled. They include The Holdovers, Rustin, Dumb Money, Next Goal Wins, Society of the Snow, Origin, Pain Hustlers,Nyad, Lee, American Fiction, The Burial, and Hit Man.
In other words… it’s about to get really interesting, folks! I’m also dropping some titles that I’m just not sure are actually releasing in 2023 like The Piano Lesson. Obviously, it will re-enter the dance if there’s confirmation on a release this year. Questions persist about other ones. Is Long Day’s Journey Into Night happening before December 31st? Is Shirley or Freud’s Last Session? Will other currently scheduled releases pull a Dune? The answer is likely affirmative.
With the Dune shift, Air moves back into my BP 10 and Bradley Cooper (Maestro) is in Director over Denis Villeneuve. In non-Dune related shifts, Sandra Huller is now #1 in Actress over The Color Purple‘s Fantasia Barrino. Charles Melton from May December hits my Supporting Actor five over Willem Dafoe (Poor Things).
You can read all the movement below and my next update with the Venice buzz arrives in a week!
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. Oppenheimer (PR: 2) (E)
3. Past Lives (PR: 4) (+1)
4. The Color Purple (PR: 6) (+2)
5. Maestro (PR: 5) (E)
6. The Zone of Interest (PR: 7) (+1)
7. Anatomy of a Fall (PR: 8) (+1)
8. Barbie (PR: 10) (+2)
9. Poor Things (PR: 9) (E)
10. Air (PR: 12) (+2)
Other Possibilities:
11. Saltburn (PR: 11) (E)
12. The Holdovers (PR: 13) (+1)
13. Spider-Man: Across the Spider-Verse (PR: 15) (+2)
14. Napoleon (PR: 14) (E)
15. Ferrari (PR: 16) (+1)
16. The Killer (PR: 17) (+1)
17. May December (PR: 20) (+3)
18. Asteroid City (PR: 18) (E)
19. One Life (PR: 21) (+2)
20. Next Goal Wins (PR: 19) (-1)
21. Rustin (PR: 24) (+3)
22. The Nickel Boys (PR: 22) (E)
23. Dumb Money (PR: 25) (+2)
24. Origin (PR: Not Ranked)
25. The Book of Clarence (PR: Not Ranked)
Dropped Out:
Dune: Part Two
The Piano Lesson
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Christopher Nolan, Oppenheimer (PR: 2) (E)
3. Celine Song, Past Lives (PR: 4) (+1)
4. Bradley Cooper, Maestro (PR: 7) (+3)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Greta Gerwig, Barbie (PR: 8) (+1)
8. Blitz Bazawule, The Color Purple (PR: 10) (+2)
9. Yorgos Lanthimos, Poor Things (PR: 9) (E)
10. Emerald Fennell, Saltburn (PR: 11) (+1)
11. Ridley Scott, Napoleon (PR: 12) (+1)
12. Alexander Payne, The Holdovers (PR: 13) (+1)
13. Michael Mann, Ferrari (PR: 15) (+2)
14. David Fincher, The Killer (PR: 14) (E)
15. Wes Anderson, Asteroid City (PR: Not Ranked)
Dropped Out:
Denis Villeneuve, Dune: Part Two
Best Actress
Predicted Nominees:
1. Sandra Hüller, Anatomy of a Fall (PR: 2) (+1)
2. Carey Mulligan, Maestro (PR: 4) (+2)
3. Greta Lee, Past Lives (PR: 3) (E)
4. Fantasia Barrino, The Color Purple (PR: 1) (-3)
5. Emma Stone, Poor Things (PR: 5) (E)
Other Possibilities:
6. Annette Bening, Nyad (PR: 8) (+2)
7. Margot Robbie, Barbie (PR: 6) (-1)
8. Natalie Portman, May December (PR: 7) (-1)
9. Kate Winslet, Lee (PR: 9) (E)
10. Jessica Lange, Long Day’s Journey Into Night (PR: 10) (E)
11. Caille Spaeny, Priscilla (PR: 11) (E)
12. Aunjanue Ellis, Origin (PR: Not Ranked)
13. Regina King, Shirley (PR: 12) (-1)
14. Teyana Taylor, A Thousand and One (PR: 15) (+1)
15. Saoirse Ronan, Foe (PR: 13) (-2)
Dropped Out:
Helen Mirren, Golda
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 3) (+1)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 4) (E)
5. Barry Keoghan, Saltburn (PR: 5) (E)
Other Possibilities:
6. Paul Giamatti, The Holdovers (PR: 6) (E)
7. Teo Yoo, Past Lives (PR: 8) (+1)
8. Anthony Hopkins, One Life (PR: 10) (+2)
9. Joaquin Phoenix, Napoleon (PR: 9) (E)
10. Kingsley Ben-Adir, Bob Marley: One Love (PR: 7) (-3)
11. Michael Fassbender, Next Goal Wins (PR: 11) (E)
12. Adam Driver, Ferrari (PR: 13) (+1)
13. Matt Damon, Air (PR: 12) (-1)
14. David Strathairn, A Little Prayer (PR: Not Ranked)
15. Koji Yakusho, Perfect Days (PR: 14) (-1)
Dropped Out:
Anthony Hopkins, Freud’s Last Session
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Emily Blunt, Oppenheimer (PR: 4) (E)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Da’Vine Joy Randolph, The Holdovers (PR: 6) (E)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Julianne Moore, May December (PR: 8) (E)
9. Aunjanue Ellis, The Nickel Boys (PR: 9) (E)
10. Jodie Foster, Nyad (PR: 10) (E)
11. Helena Bonham-Carter, One Life (PR: 11) (E)
12. Penelope Cruz, Ferrari (PR: 14) (+2)
13. Claire Foy, All of Us Strangers (PR: Not Ranked)
14. Vanessa Kirby, Napoleon (PR: 12) (-2)
15. Niecy Nash-Betts, Origin (PR: Not Ranked)
Dropped Out:
Danielle Deadwyler, The Piano Lesson
Lashana Lynch, Bob Marley: One Love
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Robert De Niro, Killers of the Flower Moon (PR: 2) (E)
3. Ryan Gosling, Barbie (PR: 3) (E)
4. John Magaro, Past Lives (PR: 4) (E)
5. Charles Melton, May December (PR: 8) (+3)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 5) (-1)
7. Colman Domingo, The Color Purple (PR: 6) (-1)
8. Glenn Howerton, BlackBerry (PR: 9) (+1)
9. Dominic Sessa, The Holdovers (PR: 10) (+1)
10. Jesse Plemons, Killers of the Flower Moon (PR: 11) (+1)
11. Ben Affleck, Air (PR: 14) (+3)
12. Matt Bomer, Maestro (PR: 13) (+1)
13. Matt Damon, Oppenheimer (PR: 12) (-1)
14. Richard E. Grant, Saltburn (PR: Not Ranked)
15. Glynn Turman, Rustin (PR: Not Ranked)
Dropped Out:
Samuel L. Jackson, The Piano Lesson
Mark Ruffalo, Poor Things
Best Original Screenplay
Predicted Nominees:
1. Past Lives (PR: 1) (E)
2. Anatomy of a Fall (PR: 2) (E)
3. Maestro (PR: 4) (+1)
4. Air (PR: 7) (+3)
5. Saltburn (PR: 3) (-2)
Other Possibilities:
6. The Holdovers (PR: 6) (E)
7. May December (PR: 5) (-2)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 9) (E)
10. Rustin (PR: 10) (E)
11. Napoleon (PR: 11) (E)
12. The Boy and the Heron (PR: 12) (E)
13. The Book of Clarence (PR: 13) (E)
14. The Iron Claw (PR: 14) (E)
15. A Thousand and One (PR: 15) (E)
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Oppenheimer (PR: 2) (E)
3. Barbie (PR: 3) (E)
4. Poor Things (PR: 6) (+2)
5. The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. The Color Purple (PR: 7) (+1)
7. Spider-Man: Across the Spider-Verse (PR: 10) (+2)
8. One Life (PR: 9) (+1)
9. BlackBerry (PR: 8) (-1)
10. Next Goal Wins (PR: 11) (+1)
11. Origin (PR: Not Ranked)
12. The Nickel Boys (PR: 12) (E)
13. Dumb Money (PR: 13) (E)
14. The Killer (PR: 15) (+1)
15. All of Us Strangers (PR: Not Ranked)
Dropped Out:
Dune: Part Two
The Piano Lesson
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. Anatomy of a Fall (PR: 2) (E)
3. About Dry Grasses (PR: 3) (E)
4. The Taste of Things (PR: 5) (+1)
5. Monster (PR: 4) (-1)
Other Possibilities:
6. Fallen Leaves (PR: 7) (+1)
7. The Boy and the Heron (PR: 6) (-1)
8. Perfect Days (PR: Not Ranked)
9. La Chimera (PR: 10) (+1)
10. Society of the Snow (PR: Not Ranked)
Dropped Out:
El Conde
The Delinquents
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
9. Ernest and Celestine: A Trip to Gibberitia (PR: 9) (E)
10. They Shot the Piano Player (PR: Not Ranked)
Dropped Out:
The Super Mario Bros. Movie
Best Documentary Feature
Predicted Nominees:
1. Beyond Utopia (PR: 1) (E)
2. Still: A Michael J. Fox Movie (PR: 2) (E)
3. 20 Days in Mariupol (PR: 3) (E)
4. Every Body (PR: 5) (+1)
5. The Eternal Memory (PR: 4) (-1)
Other Possibilities:
6. The Mother of All Lies (PR: 6) (E)
7. Orlando, A Political Biography (PR: Not Ranked)
8. Stamped from the Beginning (PR: 7) (-1)
9. Wild Life (PR: 9) (E)
10. The Deepest Breath (PR: 8) (-2)
Dropped Out:
Black Ice
Best Cinematography
Predicted Nominees:
1. Oppenheimer (PR: 2) (+1)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Maestro (PR: 4) (+1)
4. Poor Things (PR: 7) (+3)
5. Napoleon (PR: 5) (E)
Other Possibilities:
6. The Color Purple (PR: 8) (+2)
7. The Zone of Interest (PR: 6) (-1)
8. The Killer (PR: 9) (+1)
9. Ferrari (PR: 10) (+1)
10. Asteroid City (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Best Costume Design
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Poor Things (PR: 3) (+1)
3. Napoleon (PR: 5) (+2)
4. The Color Purple (PR: 4) (E)
5. Chevalier (PR: 8) (+3)
Other Possibilities:
6. Killers of the Flower Moon (PR: 6) (E)
7. Asteroid City (PR: 7) (E)
8. Oppenheimer (PR: 9) (+1)
9. Priscilla (PR: 10) (+1)
10. Wonka (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Best Film Editing
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Maestro (PR: 4) (+1)
4. Air (PR: 5) (+1)
5. Past Lives (PR: 6) (+1)
Other Possibilities:
6. The Zone of Interest (PR: 9) (+3)
7. The Killer (PR: 8) (+1)
8. Anatomy of a Fall (PR: Not Ranked)
9. Ferrari (PR: 7) (-2)
10. The Color Purple (PR: 10) (E)
Dropped Out:
Dune: Part Two
Best Makeup and Hairstyling
Predicted Nominees:
1. Poor Things (PR: 2) (+1)
2. Guardians of the Galaxy Vol. 3 (PR: 3) (+1)
3. Maestro (PR: 4) (+1)
4. Barbie (PR: 6) (+2)
5. Killers of the Flower Moon (PR: 7) (+2)
Other Possibilities:
6. Golda (PR: 8) (+2)
7. Oppenheimer (PR: Not Ranked)
8. Priscilla (PR: 5) (-3)
9. The Color Purple (PR: Not Ranked
10. Beau is Afraid (PR: 9) (-1)
Dropped Out:
Dune: Part Two
Wonka
Best Original Score
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Elemental (PR: 4) (+1)
4. The Killer (PR: 9) (+5)
5. Past Lives (PR: 6) (+1)
Other Possibilities:
6. Spider-Man: Across the Spider-Verse (PR: 10) (+4)
7. The Zone of Interest (PR: 5) (-2)
8. Napoleon (PR: Not Ranked)
9. Asteroid City (PR: 8) (-1)
10. One Life (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Poor Things
Best Original Song
Predicted Nominees:
1. TBD from The Color Purple (PR: 1) (E)
2. “What Was I Made For?” from Barbie (PR: 2) (E)
3. “The Wish” from Wish (PR: 3) (E)
4. “I’m Just Ken” from Barbie (PR: 5) (+1)
5. “Road to Freedom” from Rustin (PR: Not Ranked)
Other Possibilities:
6. “Quiet Eyes” from Past Lives (PR: 4) (-2)
7. “Gonna Be You” from 80 for Brady (PR: 6) (-1)
8. “Dance the Night” from Barbie (PR: 7) (-1)
9. “Steal the Show” from Elemental (PR: 8) (-1)
10. “Joan Still” from Theater Camp (PR: 10) (E)
Dropped Out:
“Am I Dreaming?” from Spider-Man: Across the Spider-Verse
Best Production Design
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Poor Things (PR: 4) (+2)
3. Barbie (PR: 3) (E)
4. Oppenheimer (PR: 5) (+1)
5. Napoleon (PR: 7) (+2)
Other Possibilities
6. Asteroid City (PR: 6) (E)
7. The Color Purple (PR: 8) (+1)
8. Maestro (PR: 9) (+1)
9. The Zone of Interest (PR: 10) (+1)
10. Saltburn (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Napoleon (PR: 3) (+1)
3. Killers of the Flower Moon (PR: 7) (+4)
4. Spider-Man: Across the Spider-Verse (PR: 5) (+1)
5. The Color Purple (PR: 6) (+1)
Other Possibilities:
6. Ferrari (PR: 4) (-2)
7. Maestro (PR: 8) (+1)
8. The Zone of Interest (PR: Not Ranked)
9. The Killer (PR: 9) (E)
10. The Creator (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Barbie
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 2) (+1)
2. The Creator (PR: 4) (+2)
3. Guardians of the Galaxy Vol. 3 (PR: 3) (E)
4. Rebel Moon (PR: Not Ranked)
5. Napoleon (PR: 5) (E)
Other Possibilities
6. Indiana Jones and the Dial of Destiny (PR: 6) (E)
7. Dungeons & Dragons: Honor Among Thieves (PR: 10) (+3)
8. Barbie (PR: Not Ranked)
9. Wonka (PR: 8) (-1)
10. The Little Mermaid (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Killers of the Flower Moon
Blue Beetle
That means I’m predicting the following numbers of nominations for these pictures:
12 Nominations
Killers of the Flower Moon, Oppenheimer
8 Nominations
Barbie, Maestro
7 Nominations
The Color Purple, Past Lives, Poor Things
5 Nominations
Napoleon
4 Nominations
Air, Anatomy of a Fall, The Zone of Interest
2 Nominations
Elemental, Guardians of the Galaxy Vol. 3, Rustin, Saltburn, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Every Body, The Killer, May December,Monster, Nimona, Rebel Moon, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
It’s looking like Netflix is going all in on Bradley Cooper’s Maestro being their main contender for awards love in 2023. With its first trailer out this week, the biopic is the biggest riser in Best Picture. Additionally, Carey Mulligan joins the Best Actress field with Annette Bening (Nyad) falling out.
Supporting Actress also sees a change as Viola Davis (Air) is back in over Rosamud Pike for Saltburn. It’s not a good update for Emerald Fennell’s sophomore feature as it also drops from BP with Poor Things returning.
In another significant development, Cillian Murphy’s work in Oppenheimer rises to #1 in Best Actor for the first time over Leonardo DiCaprio (Killers of the Flower Moon).
You can expect one more update at month’s end before the Venice, Telluride, and Toronto festivals arrive and dramatically reshape the race. That’s where we’ll catch our first glimpses and see first reactions to many contenders. They include Maestro, Poor Things, Rustin, The Killer, Ferrari, Priscilla, El Conde, Dumb Money, Nyad, Lee, One Life, Next Goal Wins, and more.
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (E)
2. Oppenheimer (PR: 2) (E)
3. Dune: Part Two (PR: 3) (E)
4. Past Lives (PR: 4) (E)
5. Maestro (PR: 8) (+3)
6. The Color Purple (PR: 5) (-1)
7. The Zone of Interest (PR: 6) (-1)
8. Anatomy of a Fall (PR: 9) (+1)
9. Poor Things (PR: 11) (+2)
10. Barbie (PR: 10) (E)
Other Possibilities:
11. Saltburn (PR: 7) (-4)
12. Air (PR: 12) (E)
13. The Holdovers (PR: 13) (E)
14. Napoleon (PR: 15) (+1)
15. Spider-Man: Across the Spider-Verse (PR: 14) (-1)
16. Ferrari (PR: 18) (+2)
17. The Killer (PR: 16) (-1)
18. Asteroid City (PR: 19) (+1)
19. Next Goal Wins (PR: 20) (+1)
20. May December (PR: 17) (-3)
21. One Life (PR: Not Ranked)
22. The Nickel Boys (PR: 23) (+1)
23. The Piano Lesson (PR: 22) (-1)
24. Rustin (PR: 21) (-3)
25. Dumb Money (PR: Not Ranked)
Dropped Out:
Bob Marley: One Love
Priscilla
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Christopher Nolan, Oppenheimer (PR: 2) (E)
3. Denis Villeneuve, Dune: Part Two (PR: 3) (E)
4. Celine Song, Past Lives (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 7) (+1)
7. Bradley Cooper, Maestro (PR: 10) (+3)
8. Greta Gerwig, Barbie (PR: 8) (E)
9. Yorgos Lanthimos, Poor Things (PR: 11) (+2)
10. Blitz Bazawule, The Color Purple (PR: 6) (-4)
11. Emerald Fennell, Saltburn (PR: 9) (-2)
12. Ridley Scott, Napoleon (PR: 12) (E)
13. Alexander Payne, The Holdovers (PR: 13) (E)
14. David Fincher, The Killer (PR: 14) (E)
15. Michael Mann, Ferrari (PR: Not Ranked)
Dropped Out:
Wes Anderson, Asteroid City
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Sandra Hüller, Anatomy of a Fall (PR: 3) (+1)
3. Greta Lee, Past Lives (PR: 2) (-1)
4. Carey Mulligan, Maestro (PR: 8) (+4)
5. Emma Stone, Poor Things (PR: 4) (-1)
Other Possibilities:
6. Margot Robbie, Barbie (PR: 7) (+1)
7. Natalie Portman, May December (PR: 9) (+2)
8. Annette Bening, Nyad (PR: 5) (-3)
9. Kate Winslet, Lee (PR: 11) (+2)
10. Jessica Lange, Long Day’s Journey Into Night (PR: 6) (-4)
11. Cailee Spaeny, Priscilla (PR: 10) (-1)
12. Regina King, Shirley (PR: 12) (E)
13. Saoirse Ronan, Foe (PR: Not Ranked)
14. Helen Mirren, Golda (PR: 14) (E)
15. Teyana Taylor, A Thousand and One (PR: 15) (E)
Dropped Out:
Emily Blunt, Pain Hustlers
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 2) (+1)
2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 1) (-1)
3. Bradley Cooper, Maestro (PR: 3) (E)
4. Colman Domingo, Rustin (PR: 4) (E)
5. Barry Keoghan, Saltburn (PR: 5) (E)
Other Possibilities:
6. Paul Giamatti, The Holdovers (PR: 6) (E)
7. Kingsley Ben-Adir, Bob Marley: One Love (PR: 9) (+2)
8. Teo Yoo, Past Lives (PR: 7) (-1)
9. Joaquin Phoenix, Napoleon (PR: 8) (-1)
10. Anthony Hopkins, One Life (PR: 10) (E)
11. Michael Fassbender, Next Goal Wins (PR: 12) (+1)
12. Matt Damon, Air (PR: 11) (-1)
13. Adam Driver, Ferrari (PR: 13) (E)
14. Koji Yakusho, Perfect Days (PR: Not Ranked)
15. Anthony Hopkins, Freud’s Last Session (PR: 14) (-1)
Dropped Out:
Ed Harris, Long Day’s Journey Into Night
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Emily Blunt, Oppenheimer (PR: 5) (+1)
5. Viola Davis, Air (PR: 7) (+2)
Other Possibilities:
6. Da’Vine Joy Randolph, The Holdovers (PR: 6) (E)
7. Rosamund Pike, Saltburn (PR: 4) (-3)
8. Julianne Moore, May December (PR: 8) (E)
9. Aunjanue Ellis, The Nickel Boys (PR: 10) (+1)
10. Jodie Foster, Nyad (PR: 9) (-1)
11. Helena Bonham Carter, One Life (PR: 13) (+2)
1.2 Vanessa Kirby, Napoleon (PR: 15) (+3)
13. Danielle Deadwyler, The Piano Lesson (PR: 12 ) (-1)
14. Penelope Cruz, Ferrari (PR: Not Ranked)
15. Lashana Lynch, Bob Marley: One Love (PR: Not Ranked)
Dropped Out:
Audra McDonald, Rustin
America Ferrera, Barbie
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Robert De Niro, Killers of the Flower Moon (PR: 2) (E)
3. Ryan Gosling, Barbie (PR: 3) (E)
4. John Magaro, Past Lives (PR: 4) (E)
5. Willem Dafoe, Poor Things (PR: 5) (E)
Other Possibilities:
6. Colman Domingo, The Color Purple (PR: 6) (E)
7. Samuel L. Jackson, The Piano Lesson (PR: 7) (E)
8. Charles Melton, May December (PR: 8) (E)
9. Glenn Howerton, BlackBerry (PR: 11) (+2)
10. Dominic Sessa, The Holdovers (PR: 10) (E)
11. Jesse Plemons, Killers of the Flower Moon (PR: 9) (-2)
12. Matt Damon, Oppenheimer (PR: 13) (+1)
13. Matt Bomer, Maestro (PR: Not Ranked)
14. Ben Affleck, Air (PR: 15) (+1)
15. Mark Ruffalo, Poor Things (PR: 12) (-3)
Dropped Out:
Glynn Turman, Rustin
Best Original Screenplay
Predicted Nominees:
1. Past Lives (PR: 1) (E)
2. Anatomy of a Fall (PR: 3) (+1)
3. Saltburn (PR: 2) (-1)
4. Maestro (PR: 7) (+3)
5. May December (PR: 5) (E)
Other Possibilities:
6. The Holdovers (PR: 6) (E)
7. Air (PR: 4) (-3)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 13) (+4)
10. Rustin (PR: 10 (E)
11. Napoleon (PR: 9) (-2)
12. The Boy and the Heron (PR: 15) (+3)
13. The Book of Clarence (PR: 11) (-2)
14. The Iron Claw (PR: 14) (E)
15. A Thousand and One (PR: Not Ranked)
Dropped Out:
Bob Marley: One Love
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Oppenheimer (PR: 2) (E)
3. Barbie (PR: 4) (+1)
4. Dune: Part Two (PR: 5) (+1)
5. The Zone of Interest (PR: 7) (+2)
Other Possibilities:
6. Poor Things (PR: 3) (-3)
7. The Color Purple (PR: 6) (-1)
8. BlackBerry (PR: 10) (+2)
9. One Life (PR: 14) (+5)
10. Spider-Man: Across the Spider-Verse (PR: 8) (-2)
11. Next Goal Wins (PR: 9) (-2)
12. The Nickel Boys (PR: 11) (-1)
13. Dumb Money (PR: Not Ranked)
14. The Piano Lesson (PR: 12) (-2)
15. The Killer (PR: 13) (-2)
Dropped Out:
Ferrari
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. Anatomy of a Fall (PR: 2) (E)
3. About Dry Grasses (PR: 3) (E)
4. Monster (PR: 4) (E)
5.The Taste of Things (formerly The Pot-Au-Feu) (PR: 5) (E)
Other Possibilities:
6. The Boy and the Heron (PR: 6) (E)
7. Fallen Leaves (PR: 8) (+1)
8. El Conde (PR: 7) (-1)
9. The Delinquents (PR: 9) (E)
10. La Chimera (PR: 10) (E)
Best Animated Feature Film
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
9. Ernest and Celestine: A Trip to Gibberitia (PR: Not Ranked)
10. The Super Mario Bros. Movie (PR: 9) (-1)
Dropped Out:
Ruby Gillman, Teenage Kraken
Best Documentary Feature
Predicted Nominees:
1. Beyond Utopia (PR: 1) (E)
2. Still: A Michael J. Fox Movie (PR: 2) (E)
3. 20 Days in Mariupol (PR: 3) (E)
4. The Eternal Memory (PR: 7) (+3)
5. Every Body (PR: 6) (+1)
Other Possibilities:
6. The Mother of All Lies (PR: 4) (-2)
7. Stamped from the Beginning (PR: 5) (-2)
8. The Deepest Breath (PR: Not Ranked)
9. Wild Life (PR: 8) (-1)
10. Black Ice (PR: 10) (E)
Dropped Out:
Kokomo City
Best Cinematography
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Oppenheimer (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Maestro (PR: 10) (+6)
5. Napoleon (PR: 4) (-1)
Other Possibilities:
6. The Zone of Interest (PR: 5) (-1)
7. Poor Things (PR: 8) (+1)
8. The Color Purple (PR: 6) (-2)
9. The Killer (PR: 7) (-2)
10. Ferrari (PR: 9) (-1)
Best Costume Design
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. The Color Purple (PR: 4) (E)
5. Napoleon (PR: 5) (E)
Other Possibilities:
6. Killers of the Flower Moon (PR: 6) (E)
7. Asteroid City (PR: Not Ranked)
8. Chevalier (PR: 7) (-1)
9. Oppenheimer (PR: 9) (E)
10. Priscilla (PR: 10) (E)
Dropped Out:
Wonka
Best Film Editing
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Maestro (PR: 8) (+4)
5. Air (PR: 6) (+1)
Other Possibilities:
6. Past Lives (PR: 4) (-2)
7. Ferrari (PR: 5) (-2)
8. The Killer (PR: 10) (+2)
9. The Zone of Interest (PR: Not Ranked)
10. The Color Purple (PR: 9) (E)
Dropped Out:
Saltburn
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Guardians of the Glaxy Vol. 3 (PR: 4) (+1)
4. Maestro (PR: 3) (-1)
5. Priscilla (PR: 7) (+2)
Other Possibilities:
6. Barbie (PR: 5) (-1)
7. Killers of the Flower Moon (PR: 6) (-1)
8. Golda (PR: 8) (E)
9. Beau is Afraid (PR: 10) (+1)
10. Wonka (PR: Not Ranked)
Dropped Out:
The Color Purple
Best Original Score
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Elemental (PR: 4) (E)
5. The Zone of Interest (PR: 7) (+2)
Other Possibilities:
6. Past Lives (PR: 5) (-1)
7. Poor Things (PR: Not Ranked)
8. Asteroid City (PR: 10) (+2)
9. The Killer (PR: 8) (-1)
10. Spider-Man: Across the Spider-Verse (PR: 6) (-4)
Dropped Out:
Napoleon
Best Original Song
Predicted Nominees:
1. TBD from The Color Purple (PR: 1) (E)
2. “What Was I Made For?” from Barbie (PR: 2) (E)
3. “The Wish” from Wish (PR: 3) (E)
4. “Quiet Eyes” from Past Lives (PR: 9) (+5)
5. “I’m Just Ken” from Barbie (PR: 4) (-1)
Other Possibilities:
6. “Gonna Be You” from 80 for Brady (PR: 6) (E)
7. “Dance the Night” from Barbie (PR: 8) (+1)
8. “Steal the Show” from Elemental (PR: 7) (-1)
9. “Am I Dreaming?” from Spider-Man: Across the Spider-Verse (PR: Not Ranked)
10. “Joan Still” from Theater Camp (PR: 10) (E)
Dropped Out:
TBD from The Hunger Games: The Ballad of Songbirds and Snakes
Best Production Design
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Barbie (PR: 3) (E)
4. Poor Things (PR: 5) (+1)
5. Oppenheimer (PR: 4) (-1)
Other Possibilities:
6. Asteroid City (PR: 6) (E)
7. Napoleon (PR: 8) (+1)
8. The Color Purple (PR: 7) (-1)
9. Maestro (PR: 10) (+1)
10. The Zone of Interest (PR: 9) (-1)
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Napoleon (PR: 4) (+1)
4. Ferrari (PR: 10) (+6)
5. Spider-Man: Across the Spider-Verse (PR: 5) (E)
Other Possibilities:
6. The Color Purple (PR: 3) (-3)
7. Killers of the Flower Moon (PR: 6) (-1)
8. Maestro (PR: 7) (-1)
9. The Killer (PR: Not Ranked)
10. Barbie (PR: 8) (-2)
Dropped Out:
The Zone of Interest
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Oppenheimer (PR: 2) (E)
3. Guardians of the Galaxy Vol. 3 (PR: 3) (E)
4. The Creator (PR: 5) (+1)
5. Napoleon (PR: 4) (-1)
Other Possibilities:
6. Indiana Jones and the Dial of Destiny (PR: 6) (E)
7. Killers of the Flower Moon (PR: 7) (E)
8. Wonka (PR: 8) (E)
9. Blue Beetle (PR: Not Ranked)
10. Dungeons & Dragons: Honor Among Thieves (PR: 9) (-1)
Dropped Out:
Barbie
That means I’m projecting these numbers of nominations for these films:
12 Nominations
Oppenheimer
11 Nominations
Dune: Part Two
10 Nominations
Killers of the Flower Moon
7 Nominations
Barbie, Maestro
6 Nominations
The Color Purple, Past Lives, Poor Things
5 Nominations
The Zone of Interest
4 Nominations
Anatomy of a Fall, Napoleon
2 Nominations
Air, Elemental, Guardians of the Galaxy Vol. 3, Saltburn, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
20 Days in Mariupol, About Dry Grasses, Beyond Utopia, The Boy and the Heron, The Creator, The Eternal Memory, Every Body, Ferrari, May December, Monster, Priscilla, Rustin, Still: A Michael J. Fox Movie, The Taste of Things, Teenage Mutant Ninja Turtles: Mutant Mayhem
When it comes to picking up hardware at awards shows for her acting, Regina King has been killing it lately. She’s won three Emmys for two different TV shows in the past half decade and may well win a fourth in a couple of weeks for HBO’s Watchmen. In 2019, King took Supporting Actress at the Oscars for If Beale Street Could Talk.
And now the Venice Film Festival has opened up real possibilities for her feature film directorial debut. One Night in Miami is based on the 2013 stage play by Kemp Powers, who adapted his own work here. It tells the fictionalized story of a real historical meeting involving Cassius Clay (before the name change to Ali) on the night he defeated Sonny Liston for the heavyweight title. The champ met with some other familiar names – Malcolm X, football star Jim Brown, and soul crooner Sam Cooke.
Reviews are out based on the Venice screening and Miami will be traveling to the Toronto Film Festival later this week. The verdict is strong so far with a 100% Rotten Tomatoes rating. Simply put, this feels like a legitimate contender for Oscar attention.
The acting placements will be interesting to watch. Of the four leading characters, conventional wisdom is that all four will contend in Supporting Actor. They are Kingsley Ben-Adir as Malcom X, Eli Goree as Clay, Aldis Hodge as Brown, and Leslie Odom, Jr. as Cooke. The whole quartet is receiving raves, but I’d give it a slight edge for Ben-Adir to emerge out of the pack. If he does so, he would be the second performer nominated for playing X behind Denzel Washington for Spike Lee’s Malcolm X. If Goree were to emerge, he would also be the second actor recognized for playing Ali after Will Smith portrayed him in Michael Mann’s Ali.
Furthermore, a directing nod for King would make its own history as she would be the first African-American female to make the final cut (only five women have been nominated total in the Academy’s history). Powers could in the mix for his Adapted Screenplay and a Best Picture nod seems possible. Also of note: Odom performs a closing credits song titled “Speak Now” which is being mentioned as a probable contender in Original Song.
Bottom line: one night in Venice has upped the visibility for One Night in Miami to be a player on the circuit. My Oscar Watch posts will continue…
There are the types of characters we have met before in Martin Scorsese’s gangster genre works, but never quite like this. There are characters we never really meet here, but we’re introduced to the way they die. There are characters that never speak, but we’re aware of their thought process. And it’s that time consuming process that the filmmaker goes through here that makes The Irishman feel both invigorating and melancholy.
The thought of reuniting this director, Robert De Niro, Joe Pesci, and anything involving the Mob is enough to get many running to the theater or, in this case for most, Netflix. Add Al Pacino to the mix (working with Scorsese somehow for the first time) and there’s more incentive. Yet this is far from a rehash of previous material. It’s an often stunning work that stands on its own merits. There is no coasting happening with De Niro or Pacino and that’s something they can rightfully be accused of in the past quarter century or so. The pair (who shared just a couple of scenes in Michael Mann’s masterful Heat and greater screen time in the unfortunate Righteous Kill) contribute some of their finest work in years. For Pesci, he hasn’t worked in years and his return finds him playing a Mafia boss but in a way you won’t expect.
The unexpected is key here and welcome. Just as GoodFellas gave audiences a final act kinetically viewed from Ray Liotta’s coked out perspective, the last segment of The Irishman is made from a considerably lower dosage. As De Niro’s character enters his final act, we witness him finally pause to consider his existence. And it’s not of a glorified nature.
In this tale based on certain truths and possible myths, De Niro is Frank Sheeran. He’s a World War II vet and truck driver residing in Philadelphia. Frank saw plenty of combat overseas and he’s willing to have a career of killing back stateside. His employer becomes Russell Bufalino (Pesci), the area crime boss and confidante of labor leader Jimmy Hoffa (Pacino). Frank soon becomes Hoffa’s body man, enforcer, and trusted friend. Whether on assignment from Bufalino or Jimmy, Frank’s speciality is to “paint houses” (code for taking out whomever he’s ordered to). He’s skilled at it and the screenplay from Steven Zaillian gets into the occasional minutia and necessary strategy of carrying out such tasks.
Hoffa’s bigger than life personality (something Pacino is perfect to portray) often conflicts with the more buttoned down approach of Bufalino (something Pesci is more surprisingly adept at). This frequently leaves Frank in the position of mediator of murder or no murder. There’s plenty of it here, but The Irishman is noticeably less bloody than GoodFellas or Casino.
De Niro has by far the most screen time and his work is perhaps the most impressive in a picture loaded with two other heavyweights in excellent form. It’s ultimately his film to carry and he does so with an ability he hasn’t shown in a long while. There’s plenty of other familiar faces from Harvey Keitel as another boss to Ray Romano as the group’s very busy attorney. Frank’s family is given the short shrift, but that’s no accident as he doesn’t have much time for them. His relationship with one daughter played by Anna Paquin is a constant thread and it’s a quiet and powerful one.
The Irishman transpires over several decades and Scorsese made the choice not to use younger actors to play the main roles in their 30s and beyond. This is done through de-aging visual effects that, while certainly not perfect, are the best I’ve seen yet. Most importantly, I didn’t find it as a distraction after a couple of minutes.
Just as Hoffa is obsessed with punctuality, The Irishman is about time. In this world of criminals and betrayal and violence, time moves fast. The film itself doesn’t at three and a half hours. That didn’t feel overly padded to me. This is good company. However, as this draws to a close, time slows down for some characters as well. And as Scorsese and three legendary actors expertly show for 209 minutes, some doors for reflection are slammed shut with a bang. Others are left slightly open for it.
Today we continue with my recaps of the movie summers from 30, 20, and 10 years ago. I’ve already covered 1989 and 1999 and if you missed them, you can find them right here:
Looking over the 2009 list, it’s a reminder of how one thing in particular has changed in just a decade. In the summer of 2008, IronMan came out and kickstarted the Marvel Cinematic Universe. Two seasons later, IronMan2 followed. In every summer since, there’s been a massive MCU title often ruling the charts. 2009 is the last year not to feature one.
Instead, one of the most indelible images from 10 years past is Mike Tyson belting out a Phil Collins classic.
As I’ve done with previous entries, I’ll recount the top ten hits along with some other notable pics and flops. Let’s get to it!
10. G.I.Joe: TheRiseofCobra
Domestic Gross: $150 million
Hasbro was kind of the MCU of this summer by bookending the top 10. Based on their popular set of action figures, Cobra spawned a sequel and introduced many moviegoers to Channing Tatum.
9. TheProposal
Domestic Gross: $163 million
What a year for Sandra Bullock. First she has this huge rom com with Ryan Reynolds and months later gets her Oscar winning turn in TheBlindSide. Not to mention Betty White is in this!
8. NightattheMuseum: BattleoftheSmithsonian
Domestic Gross: $177 million
While it couldn’t match the $250 million earned by its 2006 predecessor, the Ben Stiller led family adventure sequel still did enough for a part 3 to eventually follow.
7. X–MenOrigins: Wolverine
Domestic Gross: $179 million
The first of three spinoffs for Hugh Jackman’s iconic clawed character, this is generally considered the worst of them. It still made a pretty penny and gave us a first glimpse at Ryan Reynolds as Wade Wilson, aka Deadpool.
6. IceAge: DawnoftheDinosaurs
Domestic Gross: $196 million
The third of these five animated tales, Dinosaurs stands at the largest grosser by a mere $1 million over 2006 predecessor IceAge: TheMeltdown.
5. StarTrek
Domestic Gross: $257 million
J.J. Abrams was able to bring this long running film and TV milestone to the next generation in a critically acclaimed way. His reboot remains the highest grossing entry in the canon of Trek. Two sequels so far have followed.
4. TheHangover
Domestic Gross: $277 million
The breakout comedy of the summer made stars out of Bradley Cooper and Zach Galifianakis in particular and had the aforementioned Mike Tyson musical moment of glory. Two lesser regarded sequels followed.
3. Up
Domestic Gross: $293 million
Pixar had another smash hit with this tale of aging and wonder that contains my personal favorite sequence of any of their titles. The opening montage of a couple’s journey through life is simultaneously beautiful and devastating.
2. HarryPotterandtheHalf–BloodPrince
Domestic Gross: $301 million
This sixth Potter pic set up the two part franchise finale and it stands at the third biggest grosser behind the eighth and final entry and the first film in 2001.
1. Transformers: RevengeoftheFallen
Domestic Gross: $402 million
The follow-up to the 2007 original, Michael Bay’s metallic action extravaganza is the high point in terms of box office dollars overall and largest opening, even though critics mercilessly crucified it.
And now for some other notable flicks from the summer that was 10 years ago:
Angels&Demons
Domestic Gross: $133 million
The sequel to TheDaVinciCode, the return of Tom Hanks as Robert Langdon performed decently, but nowhere near the $217 million achieved by its predecessor. The next sequel Inferno bombed.
InglouriousBasterds
Domestic Gross: $120 million
Quentin Tarantino’s revisionist World War II saga become his best earning pic at the time and earned a slew of Oscar nods, including a win for scene stealer Christoph Waltz.
District9
Domestic Gross: $115 million
Made for a mere $30 million, Neill Blomkamp announced himself a serious force of sci-fi nature with heralded work that nabbed a Best Picture nod.
PublicEnemies
Domestic Gross: $97 million
This gangster tale from Michael Mann was headlined by Johnny Depp and Christian Bale as they took a break between their respective pirate and bat franchises. It was a slight box office disappointment as it couldn’t quite match its $100 million budget back domestically.
Julie&Julia
Domestic Gross: $94 million
Meryl Streep got her umpteenth Oscar nod playing famed chef Julia Child in this Nora Ephron dramedy that proved to be a nice August hit.
Bruno
Domestic Gross: $60 million
There was enough goodwill left over from Sacha Baron Cohen’s smash Borat to propel this satire about a fashion journalist to a $30 million opening weekend. It fell off quickly after that impressive start.
DragMetoHell
Domestic Gross: $42 million
Following on the heels of his Spider–Man trilogy, this horror comedy brought Sam Raimi back to his EvilDead roots. Box office dollars were just ok, but critics appreciated it.
(500) DaysofSummer
Domestic Gross: $32 million
Made for a tiny $7.5 million, Joseph Gordon-Levitt and Zooey Deschanel charmed audiences with this rom com from Marc Webb. He would take over the Spidey franchise from Raimi shortly thereafter.
TheHurtLocker
Domestic Gross: $17 million
Kathryn Bigelow’s intense tale of bomb technicians in Iraq made a name for Jeremy Renner. While its box office earnings weren’t that potent, the real reward came later when it won the Oscar for Best Picture and Bigelow became the first female to be awarded Best Director.
We move to pictures that failed to meet expectations or were outright flops.
TerminatorSalvation
Domestic Gross: $125 million
The Governor of California sat this one out and this McG directed franchise entry couldn’t match the opening of part 3 from six years prior. Today it’s perhaps best known for a secretly recorded onset argument between McG and star Christian Bale.
TheTakingofPelham123
Domestic Gross: $65 million
A remake of a 1974 Walter Matthau action flick about hijacked subway cars, Tony Scott’s collaboration starring Denzel Washington and John Travolta fell short of anticipated blockbuster status.
FunnyPeople
Domestic Gross: $51 million
Judd Apatow had made two huge comedies with The40YearOldVirgin and KnockedUp. This one centered on the world of stand-up with Adam Sandler and Seth Rogen. It was more personal and divided critics and crowds alike.
LandoftheLost
Domestic Gross: $49 million
Based on a loopy 1970s TV series, Will Ferrell had a rare bomb with this critically derided prehistoric pic. It didn’t earn half of its $100 million price tag back stateside.
YearOne
Domestic Gross: $43 million
Yet another prehistoric comedic failure, the talents of director Harold Ramis and Jack Black and Michael Cena couldn’t get reviewers or audiences on its side.
ImagineThat
Domestic Gross: $16 million
Families ignored this particular Eddie Murphy headliner that stands as one of his lowest grossing efforts.
And that does it for my seasonal summer recaps! A year from now… look for 1990, 2000, and 2010 coming your way.
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