Tag: Michael Keaton

82nd Golden Globes Awards Nominations Reaction

Nominations for perhaps the most recognizable Oscar precursor show were unveiled this morning. We now know the pictures and personnel contending for the 82nd Golden Globe Awards, airing January 5th with Nikki Glaser hosting.

There are always surprises to be found with unexpected additions and subtractions in the cinematic races and that held true. I went 74 for 92 in my predictions. Of the 15 feature film categories, I went 6/6 in five of them.

As I projected, Jacques Audiard’s Emilia Pérez led the way with 10 nominations followed by The Brutalist‘s seven and Conclave‘s 6. Let’s break down each competition with how I did and some commentary on where I see the races currently.

Best Motion Picture (Drama)

Nominees: The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Nickel Boys, September 5

How I Did: 5/6

September 5 gets in over Sing Sing. Perhaps the biggest shocker of the day is Sing Sing only generating one nomination for its lead Colman Domingo in Actor (Drama). Nickel Boys and September 5‘s noms mark their sole mentions. The Brutalist is probably out front but I wouldn’t sleep on Conclave.

Best Motion Picture (Musical or Comedy)

Nominees: Anora, Challengers, Emilia Pérez, A Real Pain, The Substance, Wicked

How I Did: 6/6

Pérez could emerge here considering the haul this morning though Anora and Wicked (to a slightly lesser degree) are possibilities.

Best Director

Nominees: Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), Payal Kapadia (All We Imagine as Light)

How I Did: 4/6

I did not have Berger (thought he was my runner-up) or Kapadia. Instead, I predicted Jon M. Chu (Wicked) and Denis Villeneuve for Dune: Part Two. The latter is a surprising omission three years after he missed the cut at Oscar. Corbet is the favorite in my estimation even if it doesn’t take Motion Picture (Drama).

Best Performance by an Actress in a Motion Picture (Drama)

Nominees: Pamela Anderson (The Last Showgirl), Angelina Jolie (Maria), Nicole Kidman (Babygirl), Tilda Swinton (The Room Next Door), Fernanda Torres (I’m Still Here), Kate Winslet (Lee)

How I Did: 4/6

Anderson (my runner-up) and Torres are in contention over Marianne Jean-Baptiste in Hard Truths and Saoirse Ronan in The Outrun. Jean-Baptiste is racking up critics awards and her omission is a bit unexpected. If Ronan can’t make it here, her Oscar odds are in serious trouble. This could come down to Jolie vs. Kidman. Fun fact: none of the pictures represented here are up for Best Drama (the only acting category where that is the case).

Best Performance by an Actor in a Motion Picture (Drama)

Nominees: Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)

How I Did: 6/6

No surprises here as Brody, Chalamet, and Fiennes are vying for the statue.

Best Performance by an Actress in a Motion Picture (Musical/Comedy)

Nominees: Amy Adams (Nightbitch), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance), Zendaya (Challengers)

How I Did: 5/6

Runner-up Adams is in over June Squibb (Thelma). Madison has the edge though I wouldn’t discount Erivo, Gascón, or Moore for the upset.

Best Performance by an Actor in a Motion Picture (Musical/Comedy)

Nominees: Jesse Eisenberg (A Real Pain), Hugh Grant (Heretic), Gabriel LaBelle (Saturday Night), Jesse Plemons (Kinds of Kindness), Glen Powell (Hit Man), Sebastian Stan (A Different Man)

How I Did: 4/6

LaBelle and Plemons in with Michael Keaton (Beetlejuice Beetlejuice) and Ryan Reynolds (Deadpool & Wolverine) out. I don’t really think there’s a frontrunner though Eisenberg and Powell are maybe in the lead with Grant as a legit threat.

Best Performance by an Actress in a Supporting Role

Nominees: Selena Gomez (Emilia Pérez), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Margaret Qualley (The Substance), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)

How I Did: 6/6

Frankly I’m a little shocked I went 6 for 6 as there’s lots of contenders in this derby. Danielle Deadwyler (The Piano Lesson) is a snub many are pointing out. As for the winner, this is Grande vs. Saldaña.

Best Performance by an Actor in a Supporting Role

Nominees: Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice), Denzel Washington (Gladiator II)

How I Did: 4/6

Culkin is getting lots of critics prize love while Pearce and Washington are threats. I didn’t have Norton or Strong and instead went with Clarence Maclin (Sing Sing) and Stanley Tucci (Conclave). I still think both of those performers could get into the Oscar dance.

Best Screenplay

Nominees: Anora, The Brutalist, Conclave, Emilia Pérez, A Real Pain, The Substance

How I Did: 5/6

Had Sing Sing instead of A Real Pain as Anora looks to nab this one.

Best Animated Motion Picture

Nominees: Flow, Inside Out 2, Memoir of a Snail, Moana 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot

How I Did: 6/6

This went as planned and The Wild Robot looks to capture this prize with Flow (a critics darling) looking to disrupt that plan.

Best Foreign Language Motion Picture

Nominees: All We Imagine as Light, Emilia Pérez, The Girl with the Needle, I’m Still Here, The Seed of the Sacred Fig, Vermiglio

How I Did: 5/6

Logic says Perez, but Kapadia’s directing nod opens for the door for Light.

Best Cinematic and Box Office Achievement

Nominees: Alien: Romulus, Beetlejuice Beetlejuice, Deadpool & Wolverine, Gladiator II, Inside Out 2, Twisters, Wicked, The Wild Robot

How I Did: 6/8

Went with Despicable Me 4 and Dune: Part Two and not Romulus and The Wild Robot. Dune missing is head scratching. This would be a good place to honor Wicked though Deadpool is the year’s largest grosser.

Best Score

Nominees: The Brutalist, Challengers, Conclave, Dune: Part Two, Emilia Pérez, The Wild Robot

How I Did: 6/6

This looks kinda wide open to me at the moment, but The Brutalist might be the slight favorite.

Best Song

Nominees: “Beautiful That Way” from The Last Showgirl, “Compress/Repress” from Challengers, “El Mal” from Emilia Pérez, “Forbidden Road” from Better Man, “Kiss the Sky” from The Wild Robot, “Mi Camino” from Emilia Pérez

How I Did: 3/6

The blasted Song category represents my worst performance as “Beautiful” and “Compress” and “Forbidden” make the playlist over “Harper and Will Go West” from Will & Harper, “Like a Bird” from Sing Sing, and “Piece by Piece” from the same titled feature. Betting odds favor Pérez and I’d go with “El Mal” though “Sky” is a possibility.

I’ll have winner predictions shortly before the January 5th ceremony and here’s a breakdown of all the features nominated.

10 Nominations

Emilia Pérez

7 Nominations

The Brutalist

6 Nominations

Conclave

5 Nominations

Anora, The Substance

4 Nominations

Challengers, A Real Pain, Wicked, The Wild Robot

3 Nominatons

A Complete Unknown

2 Nominations

All We Imagine as Light, The Apprentice, Dune: Part Two, Gladiator II, I’m Still Here, Inside Out 2, The Last Showgirl

1 Nomination

Alien: Romulus, Babygirl, Beetlejuice Beetlejuice, Better Man, Deadpool & Wolverine, A Different Man, Flow, The Girl with the Needle, Heretic, Hit Man, Kinds of Kindness, Lee, Maria, Memoir of a Snail, Moana 2, Nickel Boys, Nightbitch, Queer, The Room Next Door, Saturday Night, The Seed of the Sacred Fig, September 5, Sing Sing, Twisters, Vermiglio, Wallace & Gromit: Vengeance Most Fowl

82nd Golden Globe Awards Nomination Predictions

The 82nd Golden Globe Awards will come our way in a month on January 5th with Nikki Glaser handling hosting duties. Nominations are out this coming Monday (12/09). Readers of the blog know that I do a whole lotta Oscar speculating. That’s not the case with the GG’s but I’m giving you take on who and what will be nominated.

For the Globes, there are six nominees in each race with the exception of Cinematic and Box Office Achievement where there’s 8. I’ll give my picks along with a runner-up. Some quick notes: the Globes divide their Picture and lead acting derbies into Drama and Musical/Comedy. The designations below are the reported slots where films and performers are contending. Yes, there’s interesting choices with Heretic in comedy. On the flip side, if A Complete Unknown had submitted in Musical/Comedy, Timothée Chalamet might be the easy frontrunner in Best Actor.

Next week I’ll have a recap up with how I did and my early frontrunners for winners!

Best Motion Picture – Drama

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Nickel Boys

Sing Sing

ALTERNATE – The Room Next Door

Best Motion Picture – Musical or Comedy

Anora

Challengers

Emilia Pérez

A Real Pain

The Substance

Wicked

ALTERNATE – A Different Man

Best Director

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Jon M. Chu, Wicked

Brady Corbet, The Brutalist

Coralie Fargeat, The Substance

Denis Villeneuve, Dune: Part Two

ALTERNATE – Edward Berger, Conclave

Best Actress in a Motion Picture – Drama

Marianne Jean-Baptiste, Hard Truths

Angelina Jolie, Maria

Nicole Kidman, Babygirl

Saoirse Ronan, The Outrun

Tilda Swinton, The Room Next Door

Kate Winslet, Lee

ALTERNATE – Pamela Anderson, The Last Showgirl

Best Actor in a Motion Picture – Drama

Adrien Brody, The Brutalist

Timothée Chalamet, A Complete Unknown

Daniel Craig, Queer

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

ALTERNATE – John David Washington, The Piano Lesson

Best Actress in a Motion Picture – Musical or Comed

Cynthia Erivo, Wicked

Karla Sofia Gascón, Emilia Pérez

Mikey Madison, Anora

Demi Moore, The Substance

June Squibb, Thelma

Zendaya, Challengers

ALTERNATE – Amy Adams, Nightbitch

Best Actor in a Motion Picture – Musical or Comedy

Jesse Eisenberg, A Real Pain

Hugh Grant, Heretic

Michael Keaton, Beetlejuice Beetlejuice

Glen Powell, Hit Man

Ryan Reynolds, Deadpool & Wolverine

Sebastian Stan, A Different Man

ALTERNATE – Gabriel LaBelle, Saturday Night

Best Supporting Actress

Selena Gomez, Emilia Pérez

Ariana Grande, Wicked

Felicity Jones, The Brutalist

Margaret Qualley, The Substance

Isabella Rossellini, Conclave

Zoe Saldaña, Emilia Pérez

ALTERNATE – Danielle Deadwyler, The Piano Lesson

Best Supporting Actor

Yura Borisov, Anora

Kieran Culkin, A Real Pain

Clarence Maclin, Sing Sing

Guy Pearce, The Brutalist

Stanley Tucci, Conclave

Denzel Washington, Gladiator II

ALTERNATE – Jeremy Strong, The Apprentice

Best Screenplay

Anora

The Brutalist

Conclave

Emilia Pérez

Sing Sing

The Substance

ALTERNATE – A Real Pain

Best Animated Feature

Flow

Inside Out 2

Memoir of a Snail

Moana 2

Wallace & Gromit: Vengeance Most Fowl

The Wild Robot

ALTERNATE – Piece by Piece

Best Non-English Language Film

All We Imagine as Light

Emilia Pérez

The Girl with the Needle

I’m Still Here

Kneecap

The Seed of the Sacred Fig

ALTERNATE – Universal Language

Best Cinematic and Box Office Achievement

Beetlejuice Beetlejuice

Deadpool & Wolverine

Despicable Me 4

Dune: Part Two

Gladiator II

Inside Out 2

Twisters

Wicked

ALTERNATE – Moana 2

Best Score

The Brutalist

Challengers

Conclave

Dune: Part Two

Emilia Pérez

The Wild Robot

ALTERNATE – The Room Next Door

Best Song

“El Mal” from Emilia Pérez

“Harper and Will Go West” from Will & Harper

“Kiss the Sky” from The Wild Robot

“Like a Bird” from Sing Sing

“Mi Camino” from Emilia Pérez

“Piece by Piece” from Piece by Piece

ALTERNATE – “Beautiful That Way” from The Last Showgirl

That means I have these movies generating these numbers of nominations:

10 Nominations

Emilia Pérez

7 Nominations

The Brutalist

6 Nominations

Conclave

5 Nominations

Anora, Sing Sing, The Substance, Wicked

4 Nominations

Dune: Part Two

3 Nominations

Challengers, A Real Pain, The Wild Robot

2 Nominations

Beetlejuice Beetlejuice, A Complete Unknown, Deadpool & Wolverine, Gladiator II, Inside Out 2

1 Nomination

All We Imagine as Light, The Apprentice, Babygirl, Despicable Me 4, A Different Man, Flow, The Girl with the Needle, Hard Truths, Heretic, Hit Man, I’m Still Here, Kneecap, Lee, Maria, Memoir of a Snail, Moana 2, Nickel Boys, The Outrun, Piece by Piece, Queer, The Room Next Door, The Seed of the Sacred Fig, Thelma, Twisters, Wallace & Gromit: Vengeance Most Fowl, Will & Harper

Oscar Predictions: Goodrich

Michael Keaton has trouble playing Mr. Mom forty plus years after Mr. Mom in Goodrich, out in limited fashion this weekend. From Hallie Meyers-Shyer, director of the Reese Witherspoon rom com Home Again, Keaton headlines the dramedy dealing with child rearing alongside Mila Kunis, Carmen Ejojo, Michael Urie, Kevin Pollak, and his Multiplicity costar Andie MacDowell.

Reviews are fairly decent with 71% on Rotten Tomatoes with some calling it crowd pleasing enough. Still drawing multiplex crowds, Keaton’s Beetlejuice Beetlejuice could be an awards player in tech races like Makeup & Hairstyling, Production Design, and Visual Effects. Goodrich will not be vying for any prizes during the season. My Oscar Prediction posts will continue…

October 18-20 Box Office Predictions

Smile 2 looks to make horror fans happy this weekend while the Andrew Garfield and Florence Pugh romantic drama We Live in Time debuts. You can peruse my detailed prediction posts on them here:

Smile 2 Box Office Prediction
We Live in Time Box Office Prediction

Likely building upon the goodwill from its predecessor two years ago, Smile 2 should outpace the $22 million that Smile opened wide with. My mid to high 20s estimate puts it easily out front.

Time is hitting just 1000 venues and I’m projecting mid single digits before it expands even wider on October 25th.

Terrifier 3 got off to a terrific start (more on that below). Projecting its sophomore fall is tricky. I would think the unrated horror threequel might be front loaded, but I’m not sure it drops over 60%. It’s actually theaters so it may only decline around 50% and that’s good for a horror flick of this nature. That should put it in third as I foresee The Wild Robot only easing in the mid 20s and staying in second. A similar meager decrease for Beetlejuice Beetlejuice should keep it in the top 5 in its seventh frame. Joker: Folie à Deux may manage fifth place though it should see another calamitous percentage fall. Yet I wouldn’t be surprised if Transformers One manages to rise the five spot.

Here’s how I see the top 6 playing out:

1. Smile 2

Predicted Gross: $27 million

2. The Wild Robot

Predicted Gross: $10.7 million

3. Terrifier 3

Predicted Gross: $9.8 million

4. Beetlejuice Beetlejuice

Predicted Gross: $5.8 million

5. We Live in Time

Predicted Gross: $4.3 million

Box Office Results (October 11-13)

Please note that Joker: Folie à Deux is not listed in my top 5 for its third go-round due to a historically awful sophomore weekend plummet. We’ll get to that in a second, but let’s focus on the other big story for now. Terrifier 3 wowed prognosticators with $18.8 million, ahead of my $14.4 million call. With a reported budget of $5 million, the grisly Art the Clown Christmas bloodbath solidified its franchise bonafides. You can expect a fourth cut in the near future.

The Wild Robot held in second with $14 million and surpassed my $11.7 million prediction. In its three weeks in multiplexes, the DreamWorks Animation adventure has amassed $84 million as it flies to nine digit territory.

Beetlejuice Beetlejuice was third with $7.3 million (I said $6.7 million) for a six-week tally of $275 million as it looks to scare up $300M+ domestically.

Joker: Folie à Deux, after a disastrous enough premiere, was down an embarrassing 81% in fourth with $7 million. I was more generous in thinking it would only go down 75% with $9.5 million. The lambasted sequel has taken in $51 million in ten days and will struggle to reach $75 million stateside. As a reminder, its 2019 predecessor made $335 million in the U.S. and Canada and over one billion worldwide.

A slew of newcomers that didn’t star Art the Clown failed to fill seats. Lego themed Pharrell documentary Piece by Piece was fifth with $3.8 million compared to my $5.4 million projection.

Holdover Transformers One was sixth with $3.7 million for a muted $52 million in four weeks. I did not do an estimate for the animated Hasbro title.

Saturday Night, Jason Reitman’s recounting of the lead-up to SNL’s first episode in 1975, was seventh with a discouraging $3.4 million. I had it pegged in fourth with $7.8 million. SHAMELESS PLUG ALERT: check out the homepage on my blog to see my Top 50 SNL Cast Members of All Time posts. At press time, I’ve written entries for numbers 50-43 and they are being uploaded on a daily(ish) basis.

Manga sequel My Hero Academia: You’re Next was eighth with a meh $3 million, just over half of my $5.9 million prediction.

Finally, The Apprentice stumbled in 10th with $1.6 million (I went with $2.4 million). The story of Donald Trump rising to prominence in the 1980s did not attract curious onlookers.

And that does it for now, folks! Until next time…

October 4-6 Box Office Predictions

Blogger’s Update (10/03): With the announcement that White Bird is only hitting just over 1000 screens, I’m downgrading my prediction from $3.1 million to $1.5 million

Warner Bros hopes Joker: Folie à Deux can approach the gargantuan grosses that its predecessor earned five years ago while Lionsgate has the long delayed Wonder prequel White Bird out this weekend. You can peruse my detailed prediction posts on the newcomers here:

Joker: Folie à Deux Box Office Prediction
White Bird Box Office Prediction

A half decade ago, Joker rode a wave of sizzling buzz to a $96 million debut (the best October start of all time), a $335 eventual domestic gross, and an Oscar statue for Joaquin Phoenix. With Lady Gaga joining the mayhem as Harley Quinn, word-of-mouth is more mixed for part Deux and it likely won’t achieve the hotshot premiere of part un. While my mid 50s forecast easily has it topping the charts, that’s over $40 million less out of the gate.

As for White Bird, I expect it to be another significant under performer for distributor Lionsgate who just saw Megalopolis crash and burn (more on that below). My number for Bird puts it just outside the top five.

As for holdovers, The Wild Robot might see a mid to high 40s decline after its solid beginning while Beetlejuice Beetlejuice and Speak No Evil‘s percentage dips should be smaller. The highest plummet in the top 5 (same as this past frame) should belong to Transformers One.

Here’s how I see it playing out:

1. Joker: Folie à Deux

Predicted Gross: $54.3 million

2. The Wild Robot

Predicted Gross: $19.8 million

3. Beetlejuice Beetlejuice

Predicted Gross: $11.6 million

4. Transformers One

Predicted Gross: $4.4 million

5. Speak No Evil

Predicted Gross: $3.2 million

Box Office Results (September 27-29)

DreamWorks Animation’s The Wild Robot, with fresh reviews and an A Cinemascore grade, performed impressively with $35.7 million. That’s just ahead of my $33.8 million take and it should play well throughout the next few weeks.

Beetlejuice Beetlejuice, after three weeks in 1st, slid to second with $16.2 million. That’s a mere 37% decline and beyond my $14.8 million prediction. The sequel has amassed $250 million in four weeks.

The news was more distressing for Transformers One as it plummeted 63% in its sophomore frame to $9.1 million. I was more generous at $11.5 million as Hasbro’s latest underwhelming franchise entry has taken in $39 million in ten days.

Epic Indian Telugu-language action flick Devara: Part 1 opened in fourth with $5.6 million with the second best per screen average in the top 10. I incorrectly had it outside the high five.

Speak No Evil was fifth with $4.2 million (I said $3.4 million). The thriller sits at $28 million after three weeks.

Finally, Francis Ford Coppola’s self-financed Megalopolis (with a reported $120 million price tag) could not overcome mostly middling reviews and audience ambivalence. It was sixth with $4 million compared to my $4.7 million call. With a D+ Cinemascore, I suspect this falls over 65% in its second weekend. Ouch.

And that does it for now, folks! Until next time…

Beetlejuice Beetlejuice Review

Beetlejuice Beetlejuice, the 36 years in the making sequel to the inventive original, finds ways to capture the spirit of what long ago preceded it. On the other hand, Tim Burton’s follow-up is just 12 minutes longer than the first. Unfortunately it feels about 30 minutes longer as it’s packed with too many characters and storylines. Busier is not better in this paranormal case.

Speaking of the paranormal, Lydia Deetz (Winona Ryder) was last seen as the death obsessed teen back in ’88 who was able to see the ghosts of the dearly departed couple who owned the house she moved into. Now she hosts a popular talk show where she helps guests conjure lost loved ones. Lydia has a conniving boyfriend who’s also her producer (a delightfully smarmy Justin Theroux) and an estranged daughter Astrid (Jenna Ortega) at boarding school. She also has visions of the demented “bio-exorcist” squared title character (Michael Keaton) who tried to marry her way back when.

When Lydia’s father Charles (Jeffrey Jones, not in the film but his character cleverly is) passes, Lydia and her unorthodox posse travel back to quaint Winter River, Connecticut for the funeral. That includes oddly artistic stepmom Delia (Catherine O’Hara). Astrid, who doesn’t believe in ghosts despite the Deetz history but shares mom’s downbeat worldview, meets an intriguing outcast and potential love interest Jeremy (Arthur Conti). She is additionally primed for introduction for Mr. Juice if his name is iconically uttered three times.

Beetlejuice has his own familial issues. Ex-wife Delores (Monica Bellucci) is stalking him in the afterlife so he’s desperately looking to join the physical world and wed Lydia after their first ceremony was indefinitely postponed. Willem Dafoe turns up as a detective in the hereafter. His qualifications to be a sleuth? He’s a former B actor who played one on TV!

There’s a lot going on in Beetlejuice Beetlejuice and the first act is a slight slog to establish all the subplots. Once that occurs, I thought one in particular could’ve been jettisoned completely and that’s the ‘Juice/Delores angle. Dafoe is having a ball but his screen time feels superfluous.

Some of what going on is reminiscent of the darkly amusing pleasures that Beetlejuice brought. Ryder and O’Hara (who’s always a joy) slip effortlessly into their characters and Ortega is a fine addition (she’s had her practice on Netflix’s Wednesday which Burton is a creative force behind). There’s plenty of fun PG-13 level gross visual effects and of course Keaton is reliable for some highlights.

So where are Barbara (Geena Davis) and Richard (Alec Baldwin) – the Maitlands from part 1? The sequel cheekily explains their absence in a flippant manner. I kind of appreciated that this backstory isn’t delved into. After all, this film is plenty crowded. That said, the Maitlands were the audience’s conduit to the bizarro world that Burton and company constructed. It’s an aspect that is missing here. Beetlejuice Beetlejuice is on track intermittently even if its soul can feel departed.

**1/2 (out of four)

September 6-8 Box Office Predictions

The autumn cinematic season looks to spook up a massive debut with Beetlejuice Beetlejuice, Tim Burton’s long in the works sequel to his 1988 classic with Michael Keaton reprising his iconic role. My detailed prediction post on it can be accessed here:

Beetlejuice Beetlejuice Box Office Prediction

In order for Beetlejuice to set the all-time domestic September opening record, it would need to eclipse the $123 million achieved by 2017’s It. That could be a tall order but it is achievable. For second place, topping the $91 million earned by It‘s 2019 sequel is the assignment. My forecast gives Burton and company those bragging rights with room to spare.

The rest of the top five will belong to summer holdovers with Deadpool & Wolverine sliding to second. Spots 3-5 should be a close call between Reagan, Twisters, and Alien: Romulus. I have them in that order though the figures are basically interchangeable.

Here’s how I have it shaking out:

1. Beetlejuice Beetlejuice

Predicted Gross: $115.7 million

2. Deadpool & Wolverine

Predicted Gross: $9.8 million

3. Reagan

Predicted Gross: $4.8 million

4. Twisters

Predicted Gross: $4.7 million

5. Alien: Romulus

Predicted Gross: $4.5 million

Box Office Results (August 30-September 2)

A rather dull Labor Day weekend greeted multiplexes as Deadpool & Wolverine, in its sixth frame, stayed in first with $19.5 million. That’s a little more than my $18.3 million prediction as the MCU heavy hitter is up to $603 million.

Alien: Romulus was second with $11.6 million, under my $13.7 million prediction. The franchise’s latest entry is nearing the century mark at $91 million after three weeks.

The bright spot of the holiday for theaters was Ronald Reagan’s reemergence with Dennis Quaid playing him. Biopic Reagan was a solid third with $10.3 million, easily surpassing my meager $5.6 million take.

Fourth place belonged to Twisters with $9.8 million. It blew past my $6.8 million forecast in week 7 to bring its tally to $260 million.

It Ends with Us rounded out the top five with $9.3 million (I went with $10.2 million) for a pleasing four-week gross of $135 million.

Faith-based drama The Forge was sixth with $6.5 million (I said $7.2 million) for $16 million after two weeks.

Also in its sophomore frame, Blink Twice grossed $6.1 million for seventh. That’s in range with my $6.3 million projection and it has $16 million in its coffers.

Finally, Blumhouse horror flick AfrAId was DOA in ninth with just $4.4 million. I was kinder at $7.4 million.

And that does it for now, folks! Until next time…

Beetlejuice Beetlejuice Box Office Prediction

Over three and a half decades after the original made a killing at the box office, Beetlejuice Beetlejuice appears in theaters on September 6th. Tim Burton returns to direct the macabre comedy with Michael Keaton reprising his title role as the demented bio-exorcist. Winona Ryder and Catherine O’Hara are back as Lydia and Delia Deetz with Jenna Ortega (hot off Netflix’s Wednesday from exec producer Burton) joining as third gen Deetz. Other newcomers to the franchise are Justin Theroux, Monica Bellucci, and Willem Dafoe.

The long-in-development sequel received a high-profile slot kicking off the Venice Film Festival this week. Reviews are mostly fresh with many critics saying it’s a return to form for its filmmaker. In 1988, Beetlejuice grossed $74 million domestically and was the 10th highest earner of the year. Since then, its reputation has grown as a classic genre mixup of humor and genial horror.

This should succeed in bringing in 36 years worth of fans and it doesn’t hurt that Ortega is present. Tracking continues to tick up from $65-75 million as it’s now expected to rise above well above that and maybe even in nine figures. The domestic September opening weekend records are held by 2017’s It ($123 million) and its 2019 sequel It Chapter Two with $91 million. Third place belongs to the MCU’s Shang-Chi and the Legend of the Ten Rings at $75 million.

Beetlejuice Beetlejuice should face no trouble achieving second place and it could absolutely come in first. The momentum appears real and I’ll say it gets beyond the century mark.

Beetlejuice Beetlejuice opening weekend prediction: $115.7 million

Oscar Predictions: Beetlejuice Beetlejuice

It was surprising when the Venice organizers announced that Beetlejuice Beetlejuice (out September 6th) would open their film festival which kicked off today. The long-in-development sequel (as in 36 years) brings Tim Burton back in the director’s chair with Michael Keaton reprising his iconic role as the ghost with the most. Winona Ryder and Catherine O’Hara return with Jenna Ortega (who stars in Netflix’s Wednesday from Burton), Justin Theroux, Monica Bellucci, and Willem Dafoe entering the macabre universe.

Projections have Beetlejuice squared circling big numbers at the box office. The Italian premiere announcement has prognosticators pondering the awards viability. The 1988 original earned a sole Oscar nod and it won Best Makeup (before it was Makeup and Hairstyling), beating out a worthy competitor in Coming to America.

Most of the reviews for the follow-up are in the plus column with 21 out of the current 27 sporting red on Rotten Tomatoes. Many are saying it’s a welcome return to form for Burton. It could certainly land another Makeup mention though defeating Dune: Part Two won’t be an easy chore. I wouldn’t totally rule out Production Design or Visual Effects as possibilities.

Anything beyond that is unlikely as the same probably holds true for its Golden Globes chances in Musical/Comedy. My Oscar Prediction posts will continue with frequency now that Venice is underway…

Oscar Predictions: Knox Goes Away

On Sunday, Michael Keaton took part in a humorous bit with Arnold Schwarzenegger and Danny DeVito during the 96th Academy Awards. It was related to the fact that the Twins stars were both Batman villains. In the history of the Oscars, Keaton’s sole nod is for 2014’s Birdman. He stars in his second directorial feature Knox Goes Away, which hits theaters in limited fashion Friday.

Playing a hitman diagnosed with dementia, the thriller premiered last fall at the Toronto Film Festival. Costars include James Marsden, Al Pacino (who had his own viral moment at the Oscars three days ago), Marcia Gay Harden, and Suzy Nakamura. The jury’s verdict from Canada months ago and in recent days is split to negative with 50% on RT. It’s safe to assume this won’t mark Keaton’s second nomination in front of the camera or behind it. My Oscar Prediction posts will continue…