The Fabulous Four Box Office Prediction

Out July 26th, The Fabulous Four is the latest entry in the growing number of comedies centered on senior women. The actresses making up the title quartet are Susan Sarandon, Bette Midler, Sheryl Lee Ralph, and Megan Mullaly. Jocelyn Moorhouse directs with a supporting cast including Bruce Greenwood, Timothy V. Murphy, and Michael Bolton (!).

From Book Club and its recent sequel to Queen Bees and 80 for Brady, this sub genre continues to expand. The first Club and Brady both managed to exceed expectations at the box office, but Four faces a significant challenge. Distributor Bleecker Street is not known for opening their pictures to impressive grosses.

I have yet to see a screen count for this, but recent Bleecker releases like What Happens Later with Meg Ryan and Ezra with Robert De Niro rolled out between 1300-1500 venues. Their respective starts were $1.5 million and $1.2 million. Assuming Four hits about the same number, I’ll project similar results. In fact, I’ll give it exactly what Later managed.

The Fabulous Four opening weekend prediction: $1.5 million

For my Deadpool & Wolverine prediction, click here:

Popstar: Never Stop Never Stopping Movie Review

In the humorously titled Popstar: Never Stop Never Stopping, there’s a gag involving the terrific Will Arnett that only takes up maybe three minutes of screen time. He plays the host of “CMZ” (think TMZ) as he hilariously chats with his staff of gossip reporters and furiously downs big gulps and other assorted beverages. It struck my funny bone so much that I found myself wondering how good a movie would be if it were just about them. Then I remembered that taking memorable three minute bits and stretching them into feature length comedies usually doesn’t work.

There are other moments in Popstar that work. Yet it didn’t quite change my theory above. Fans of “Saturday Night Live” are familiar with The Lonely Island, Andy Samberg’s music group responsible for several YouTube friendly videos packed with catchy lyrics and musical icon cameos. Here, Samberg and his colleagues Akiva Schaffer and Jorma Taccone (that pair share directing duties) make up The Style Boyz – a hip hop pop trio that hit it big. Yet it’s Kid Connor (Samberg) that was the Justin Timberlake (who cameos), Beyoncé or Method Man of the group and branches out on the solo tip. Taccone’s Kid Contact becomes his DJ and Schaffer’s Kid Brain leaves the business to become a farmer in Colorado (wonder where that development will lead to??).

We pick up as solo act Connor4Real is set to debut his sophomore album, which is a disaster looming. Along the way, Popstar parodies the extreme narcissism of its industry while throwing in plenty of ridiculous songs. None of them really hold a candle to the brilliance displayed in the granddaddy of music doc spoofs, This is Spinal Tap.  As mentioned, there’s just not enough solid material to totally justify the 90 minutes here.

One mistake is that the Lonely team who wrote the screenplay seem to believe that cameos count as jokes. There are tons and tons of cameos. Admittedly some work (Seal’s bit is a trip and Timberlake gets to flex his comedic chops), but many others leave no impression. For the performers not playing themselves, a little of Samberg’s Connor goes a long way. Sarah Silverman and Tim Meadows are mostly background players as his publicist and manager. And the versatile Joan Cusack pops up so briefly as Connor’s hard partying mom that I can only think her part was left on the cutting room floor.

While there are laughs to be had here, you’re probably better off looking up the trio’s SNL work. They’re shorter and more consistently funny. See if you can find Arnett’s scenes too…

**1/2 (out of four)