Blogger’s Update (04/23): I am now factoring in the re-release of Star Wars: Episode III – Revenge of the Sith and projecting a third place showing with $20M+. I am also lowering my The Account 2 estimate from $28.6 million to $24.3 million.
The Accountant 2 with Ben Affleck looks to challenge the second weekend of Sinners for box office supremacy while horror pic Until Dawn also debuts. You can peruse my detailed prediction posts on the newcomers here:
Over Easter weekend, I predicted a close race between A Minecraft Movie and Sinners with the former coming out on top. I underestimated Sinners (more on that below) and it toppled Minecraft. This time it could be a photo finish between Sinners and The Accountant 2.
My high 20s projection for Affleck’s action thriller sequel could be enough for #1. However, due to its A Cinemascore grade and sizzling reviews, I’m thinking Sinners only dips in the mid 30s and that could give it north of $30 million for a repeat performance on top.
A mid 40s drop would give Minecraft $20M+ and third place. The battle for fifth could be interesting. While faith-based The King of Kings held even better than I figured over the holiday, the third weekend slide should be heftier in the mid 50s. That could still leave it in fourth as I have little faith in Until Dawn.
Here’s how I have the high six playing out:
1. Sinners
Predicted Gross: $33.1 million
2. The Accountant 2
Predicted Gross: $24.3 million
3. Star Wars: Episode III – Revenge of the Sith re-release
Predicted Gross: $22.6 million
4. A Minecraft Movie
Predicted Gross: $21.4 million
5. The King of Kings
Predicted Gross: $8 million
6. Until Dawn
Predicted Gross: $7.8 million
Box Office Results (April 18-20)
It was a smoking Easter frame for Ryan Coogler’s Sinners with the best debut for an original picture since Jordan Peele’s Us from 2019. As mentioned, glowing reviews helped build buzz to a $48 million start. That tops my $44.8 million forecast and the Michael B. Jordan vampire saga looks to hold up well based on that word-of-mouth (in addition to being a likely awards contender).
After two weeks atop the charts, A Minecraft Movie slipped to second with $40.4 million (not matching my $46.1 million estimate). Nevertheless Warner Bros was able to claim legit bragging rights with Sinners and this each exceeding expectations. The three-week total is $343 million.
The King of Kings eased a scant 9% for third with $17.5 million, rising above my $12.7 million prediction. The ten-day tally is $45 million.
The Amateur was fourth with $7 million and I went a bit higher at $8.6 million. The Rami Malek spy flick stands at $27 million after two weekends.
Finally, Warfare rounded out the top five with $4.8 million (I said $5.4 million) for $17 million total in its second outing.
Sinners, which reunites Michael B. Jordan with his Creed and Black Panther director Ryan Coogler, looks for a strong Easter weekend showing at multiplexes. Seeking to challenge A Minecraft Movie for the top spot, you can peruse my detailed prediction post on the vampire flick here:
It could be a real photo finish for the #1 slot. Sinners is holding at a remarkable 100% on Rotten Tomatoes and that should help build buzz. My mid 40s projection might equal box office supremacy.
Yet I have Minecraft barely managing bragging rights with a low 40s percent ease for a third week in first. The separation is less than $1.5 million between the leaders.
Holdovers in their sophomore frames should populate the rest of the top five via The King of Kings, The Amateur, and Warfare.
Here’s how I have it shaking out:
1. A Minecraft Movie
Predicted Gross: $46.1 million
2. Sinners
Predicted Gross: $44.8 million
3. The King of Kings
Predicted Gross: $12.7 million
4. The Amateur
Predicted Gross: $8.6 million
5. Warfare
Predicted Gross: $5.4 million
Box Office Results (April 11-13)
A Minecraft Movie mastered the charts once again with $78.5 million, on pace with my $77.9 million call. The video game based smash has amassed $278 million in just two weeks of release.
Five newcomers filled the next spots with animated The King of Kings from Angel Studios outpacing its competitors. With an A+ Cinemascore, it was runner-up with $19.3 million. That’s falling shy of my $21.4 million estimate, but it’s still a terrific result.
The Amateur with Rami Malek was third with $14.8 million. That’s at the top of the anticipated range for the spy thriller and outdoes my $11.9 million prediction.
Warfare from Alex Garland and Iraq War vet Ray Mendoza managed fourth with $8.3 million, on target with my $8.5 million projection.
Blumhouse thriller Drop was fifth with a meh $7.3 million. I was close at $7.6 million. The B Cinemascore is decent for its genre though I’d look for this to fade quickly.
Finally, The Chosen: Last Supper – Part 3 took sixth with $6 million, I was a tad lower at $5.5 million.
Warner Bros appears to have a hit rising on their hands this Easter weekend via Sinners. The 1930s set vampire tale casts Michael B. Jordan as twin brothers returning to New Orleans to face blood sucking nemeses. Hailee Steinfeld, Miles Caton, Jack O’Connell, Wunmi Mosaku, Jayme Lawson, Omar Benson Miller, Li Jun Li, and Delroy Lindo costar.
This is Jordan’s latest collaboration with his Creed and Black Panther director Ryan Coogler. Many critics are saying this is the filmmaker’s most accomplished work. That’s evidence by its rare 100% rating on Rotten Tomatoes (after 45 reviews) and 83 on Metacritic.
Sinners is not the type of genre exercise that typically generates awards attention. Yet it might be hard for voters to ignore the praise (and likely incoming box office bounty). For down-the-line attention, Ludwig Göransson’s score is being singled out and he’s already a two-time Academy victor for Black Panther and Oppenheimer. He could certainly be nominated again for his composing. I wouldn’t discount nods in Sound and maybe even Production Design.
So could Sinners score above-the-line mentions? I think it’s possible, but I wouldn’t predict it at the moment. Best Picture, Director, and Original Screenplay could materialize depending on how competition shakes out in the months ahead. My Oscar Prediction posts will continue…
Michael B. Jordan reunites with his Creed and Black Panther director Ryan Coogler on April 18th with Sinners. The vampire tale with an original script from the auteur casts Jordan in dual roles with Hailee Steinfeld, Miles Caton, Jack O’Connell, Wunmi Mosako, Jayme Lawson, Omar Benson Miller, Li Jun Li, and Delroy Lindo providing support.
Reviews are impressive with 100% on Rotten Tomatoes and an 83 Metacritic. With an Easter release, the forecast is that Sinners takes in $35-40 million for its start. The R rating might slightly limit its potential though that could be negligible. Given the high profile re-teaming of star and filmmaker and buzz that should build considering the critical reaction, I think it might exceed expectations.
This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.
Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.
Let the countdown begin!
10. The Great Gatsby
Domestic Gross: $144 million
Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.
9. We’re the Millers
Domestic Gross: $150 million
Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.
8. The Heat
Domestic Gross: $159 million
Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.
7. World War Z
Domestic Gross: $202 million
Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.
6. Star Trek Into Darkness
Domestic Gross: $228 million
JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.
5. Fast & Furious 6
Domestic Gross: $238 million
Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.
4. Monsters University
Domestic Gross: $268 million
The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.
3. Man of Steel
Domestic Gross: $291 million
The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.
2. Despicable Me 2
Domestic Gross: $368 million
Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.
1. Iron Man 3
Domestic Gross: $409 million
Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.
Now for some others worthy of discussion:
The Conjuring
Domestic Gross: $137 million
It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.
Now You See Me
Domestic Gross: $117 million
The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.
The Butler
Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.
Pacific Rim
Domestic Gross: $101 million
Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.
This Is the End
Domestic Gross: $101 million
This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.
The Purge
Domestic Gross: $64 million
This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.
Blue Jasmine
Predicted Gross: $33 million
That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.
Fruitvale Station
Domestic Gross: $16 million
Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.
There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.
The Hangover Part III
Domestic Gross: $112 million
Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.
Elysium
Domestic Gross: $93 million
Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.
The Lone Ranger
Domestic Gross: $89 million
I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.
White House Down
Predicted Gross: $73 million
Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).
After Earth
Predicted Gross: $60 million
Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.
The Internship
Domestic Gross: $44 million
Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.
R.I.P.D.
Predicted Gross: $33 million
It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.
And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…
Michael B. Jordan and screenwriters Keenan Coogler and Zach Baylin are tasked with mounting a Rocky without Rocky in Creed III. We could feel a slight tectonic shift in the franchise when Donnie (Jordan) had more story on his plate than Sylvester Stallone in part II. This completes the movement and it’s a mostly competent entry that tops its predecessor while certainly not matching the 2015 original. It also proves Jordan, directing for the first time, is capable of admirable stylistic flourishes.
There’s some symmetry in how Creed III starts compared to Rocky III forty years before it. Adonis, like his former trainer, is living large and content. Unlike Mr. Balboa in his third go-round, Creed is retired and a happy hubby to music producer wife Bianca (Tessa Thompson) and girl dad to Amara (Mila Davis-Kent). We’re left to assume Rocky is also good to go and reunited with his son in Canada.
A prologue from 2002 informs us of Donnie’s childhood friend Damian Anderson. A Golden Gloves phenom with a bright ring future, the ropes close after a run-in the law. 20 years later, he’s out of prison with Jonathan Majors as the grown-up “Diamond Dame”. Reconnecting with Donnie, the true history of their friendship and fallout is shared slowly. We know it will culminate in a squared circle face-off.
Where Creed III shines is the casting of Majors and the continued potent work from Jordan. If Creed II‘s foe (Ivan Drago’s son from Rocky IV) felt gimmicky (and it basically did), the screenplay assists Dame’s character in having more dimension. It’s the intense performance from Majors that sells it. As an aside, Florian Munteanu pops up rather unnecessarily as Viktor Drago once again.
Some of the family drama involving Phylicia Rashad as Donnie’s beloved adoptive mom and her healthy problems and Bianca’s melodic issues are filler. The pace is a little off as it takes about 40 minutes to get warmed up and then feels rushed when we hit the third act.
In that last act, thankfully, Jordan’s skills behind the camera come into focus. The final bout looks and sounds different than what we’ve paid for in the eight previous pics when Rocky, Creed, and his dad (and Uncle Paulie and that robot) were sparring. The hype for Donnie and Dame pays off and that’s where the admission feels earned. So while this eighth round isn’t always smooth, it’s less rocky than some others in the series.
**Blogger’s Update (03/16): My Shazam! estimate continues to fall as I’m taking it down from $32.9M to $27.9M. Also bumping Scream VI from $16.6 to $17.6M and Creed III from $15.4M to $16.5M
Shazam! Fury of the Gods will keep the run of sequels in first place going at the box office, but it could deliver a so-so start. The DCEU follow-up to 2019’s original is the only wide release of the weekend and you can peruse my detailed prediction post on it here:
Zachary Levi’s superhero hopes to top the $53 million earned by its predecessor four years ago. I have it falling about $10 million shy of that mark in the low 40s which would be considered a letdown. This is especially true considering the recent franchise best starts for the Creed and Scream series. ***Blogger’s Update (03/15): Two days before its premiere, I have significantly lowered my estimate from $42.9M to $32.9M
Speaking of, it could be a close race for #2 between Scream VI and Creed III. The former slashed it way to a terrific debut (more on that below). Given its genre, a hefty sophomore decline is likely while Creed III may not suffer a steep drop.
A ginormous fall will probably greet 65 after the premiere. Adam Driver’s battle with dinosaurs managed only a C+ Cinemascore grade which means word-of-mouth may cause a second weekend percentage plummet close to its title number. It should be in a tight battle with Ant-Man and the Wasp: Quantumania for fourth position.
Here’s how I envision that top 5 looking:
1. Shazam! Fury of the Gods
Predicted Gross: $27.9 million
2. Scream VI
Predicted Gross: $17.6 million
3. Creed III
Predicted Gross: $16.5 million
4. 65
Predicted Gross: $4.8 million
5. Ant-Man and the Wasp: Quantumania
Predicted Gross: $4.3 million
Box Office Results (March 10-12)
Scream VI needed to pass the $34 million earned by Scream 3 in 2000 to achieve the franchise’s high mark. It did so easily with $44.4 million, just edging my $42.6 million call. With a B+ Cinemascore (same as last year’s Scream which was Scream 5 and just not called that), audiences are liking what they’re seeing. As mentioned, it should still see a dip in the high 50s to low 60s range.
Creed III fell a respectable 53% to second with $27.2 million, punching past my $25 million take. The threequel from director and star Michael B. Jordan has amassed $101 million in ten days on its way to becoming the largest earner of the trilogy.
65 was third with $12.3 million. While that beats my $10.7 million prediction, that’s a meager beginning considering its reported large budget. Per above, expect this to become extinct quickly.
Ant-Man and the Wasp: Quantumania was fourth with $7.1 million compared to my $6.5 million estimate. The MCU adventure is approaching the double century club at $198 million. It might barely outpace its predecessor from 2018.
Cocaine Bear rounded out the top five with $6.2 million. My prediction? $6.2 million! The three-week total is $51 million.
Sports comedy Champions with Woody Harrelson kicked off in sixth with a blah $5.1 million. I said it would make… $5.1 million! The good news is its A Cinemascore and it will hope for small percentage losses in the frames ahead.
Finally, Jesus Revolution was seventh with $5.1 million and I said… (you guessed it!) $5.1 million. The three-week gross is $39 million.
Ghostface terrorizes NYC in Scream VI, Adam Driver fights dinosaurs in 65, and Woody Harrelson is ordered to coach a basketball team with intellectual disabilities in Champions. They are the newcomers hitting screens this Friday and my detailed prediction posts on the trio can be accessed here:
Just as Creed III smashed its franchise best record this past weekend (more on that below), Scream VI could be poised for the same. To do so, it would need to slash past the $34 million achieved by Scream 3 in 2000. I’m projecting it will do so with room to spare.
Creed III should fall to second in round 2. A mid to high 50s decline could give it a clean $25 million after its fantastic start.
65 appears likely for a third place start. Yet I’ve got the dino action pic barely topping $10 million. Considering its reported $90 million price tag, that would be a troubling premiere for the Sony property.
I’m not anticipating much out of Champions and my estimate ties it with the third frame of Jesus Revolution. That would mean holdovers Ant-Man and the Wasp: Quantumania and Cocaine Bear would be in a close contest for the four and five spots.
Here’s how I envision it looking:
1. Scream VI
Predicted Gross: $42.6 million
2. Creed III
Predicted Gross: $25 million
3. 65
Predicted Gross: $10.7 million
4. Ant-Man and the Wasp: Quantumania
Predicted Gross: $6.5 million
5. Cocaine Bear
Predicted Gross: $6.2 million
6. Jesus Revolution
Predicted Gross: $5.1 million
7. Champions
Predicted Gross: $5.1 million
Box Office Results (March 3-5)
The month of March began with a potent punch at multiplexes as Creed III amassed $58.3 million. I way lowballed it at $39.2 million. Marking the directorial debut of its star Michael B. Jordan, it easily outpaced its predecessors. For context – Creed II, over the five-day Thanksgiving frame in 2018, made $55 million. In a month filled with potential blockbusters, the return of Adonis a promising pace.
Ant-Man and the Wasp: Quantumania fell to second after two weeks on top with $12.8 million. I was more generous at $14.6 million. The 60% drop was another troubling development for the threequel. Its total is $187 million.
Cocaine Bear was third with $11.1 million in its sophomore outing compared to my $13.2 million take. The 52% decline isn’t too shabby for its genre as the ten-day tally is $41 million.
Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village started in line with expectations in fourth with $10.1 million. I was close with $9.8 million. Expect a hefty dip in the range of 70% or more coming up.
Jesus Revolution rounded out the top five in weekend #2 with $8.4 million. I had it raised higher at $11.3 million. The $30 million two-week gross remains rock solid.
Finally, Operation Fortune: Ruse de Guerre re-teaming Guy Ritchie and Jason Statham meekly rolled out in seventh with $3.1 million (I said $4 million).
Creed III looks to KO all competitors as the Japanese animated episodic effort Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village and Guy Ritchie’s action comedy Operation Fortune: Ruse de Guerre also debut. You can peruse my detailed prediction posts on the trio here:
Michael B. Jordan makes his directorial debut in the third feature in the Creed franchise and ninth in the Rocky cinematic universe. It is the first not to feature Rocky himself Sylvester Stallone. However, reviews are strong and I see no reason why this wouldn’t continue the muscular grosses. The first two Creed flicks opened over long Thanksgiving frames. Part III could manage the highest three-day start at just under $40 million.
Swordsmith is a head scratcher. In 2021, Demon Slayer – Kimetsu No Yaiba the Movie: Mugen Train astonished forecasters with $21 million in its first weekend. Swordsmith is not a sequel. Instead it combines episodes from a TV show related to the franchise. I’ve yet to see a theater count so that could alter my take. If it manages close to half of what Train accomplished, it would place in the top five.
Operation Fortune: Ruse de Guerre, the latest collaboration between Ritchie and Jason Statham, seems like it is being dumped into multiplexes and my meager $4 million projection leaves it in sixth.
As for holdovers, Ant-Man and the Wasp: Quantumania experienced a massive second weekend dip (more on that below). The third frame drop-off shouldn’t be as disastrous (perhaps a bit over 50%). Cocaine Bear and Jesus Revolution both over performed in their premieres. The Revolution sophomore decline may only be in the high 20s with Cocaine being cut in the low to mid 40s.
Here’s how I envision the top six looking:
1. Creed III
Predicted Gross: $39.2 million
2. Ant-Man and the Wasp: Quantumania
Predicted Gross: $14.6 million
3. Cocaine Bear
Predicted Gross: $13.2 million
4. Jesus Revolution
Predicted Gross: $11.3 million
5. Demon Slayer: Kimetsu No Yaiba– To the Swordsmith Village
Predicted Gross: $9.8 million
6. Operation Fortune: Ruse de Guerre
Predicted Gross: $4 million
Box Office Results (February 24-26)
The #1 spot came without bragging rights as Ant-Man and the Wasp: Quantumania suffered the largest second frame fall of all the 31 MCU entries. At 70%, the Paul Rudd threequel made $31.9 million. I was slightly more generous at $34.2 million. The ten-day tally is $167 million and it will be the best earner of the Ant-Man trilogy. It still scored a record that Disney/MCU can’t be thrilled about.
Universal, on the other hand, can celebrate their marketing campaign for Cocaine Bear as it paid off with $23.2 million for second place. That’s well above the rosiest predictions and considerably beyond my call of $14.3 million.
Faith-based drama Jesus Revolution continued over performances for the genre at $15.8 million in third. I was more skeptical with only $8.7 million. With an A+ Cinemascore, this could be blessed with smallish declines in the coming weeks.
Avatar: The Way of Water was fourth with $4.8 million (I said $5.4 million) to bring the eleven week gross to $665 million.
Puss in Boots: The Last Wish rounded out the top five with $4.1 million. I went with $4.6 million and the animated sequel has amassed $173 million.
Creed III enters the theatrical ring on March 3rd and some early reviews indicate it’s an improvement over its predecessor. Michael B. Jordan, returning in the title role, makes his directorial debut in the threequel that costars Tessa Thompson, Jonathan Majors, Wood Harris, Florian Munteanu, and Phylicia Rashad. One notable name not seen is Sylvester Stallone as the ninth feature in this cinematic universe is the first not to include Rocky.
In 1976, Rocky landed 10 Oscar nominations and won 3 including Picture and Director. In 1982, Rocky III nabbed an Original Song nod with “Eye of the Tiger” by Survivor. When Jordan’s character entered the mix in 2015, Stallone’s seventh appearance as Mr. Balboa was up for Supporting Actor (where he surprisingly lost to Mark Rylance from Bridge of Spies). Creed II (2018) received no nominations.
II also has a lower Rotten Tomatoes rating than part III. While the original Creed had 95%, the sequel was 83%. Based on nearly 60 reviews thus far, III is at 89%. Yet unlike the third franchise entry for Rocky, this doesn’t have an inspiring theme song about the optical determination of large striped cats. In other words, I’m not really sure where Creed III would enter the awards conversation despite the solid reactions. My Oscar Prediction posts will continue…
All My Life... I Wanted To Be A Blogster 