My final predictions for nominees at the 97th Academy Awards arrives TOMORROW prior to the announcement on Thursday, January 23rd (pushed back due to the California wildfires). Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The last post in this series is Best Picture. If you missed my write-ups for the acting derbies and director, you can access them here:
As I’ve mentioned several times lately, I believe there’s an octet of movies that have punched their ticket to the BP show. Let’s call them the easy 8. If any of these pictures miss the Best Picture cut at this point, it would be a major surprise. Four of them (Anora, A Complete Unknown, Conclave, Emilia Pérez) have shown up in five of the key precursors: Golden Globes, BAFTA, PGA, Critics Choice and SAG.
Two more (The Brutalist, Wicked) managed four.
Two more (Dune: Part Two, The Substance) were nominated in three. No other 2024 motion pictures had three or more mentions.
Now we have to consider the final two slots and that’s where it gets tricky. Before we do, let’s take a moment to recognize some efforts that won’t make the ultimate dance. Some of them could show up in tech races or see some of their actors nominated. Others didn’t cut the mustard with critics and audiences. A lot of these titles were, at some juncture, listed in my top 25 possibilities as I forecasted the race throughout the year. They won’t be seen tomorrow in my BP list. We’re talking about Joker: Folie à Deux and Gladiator II and Furiosa: A Mad Max Saga. Yes, I once saw Megalopolis as a viable candidate. There’s The Piano Lesson, The Apprentice, The Room Next Door, Saturday Night, Civil War, Kinds of Kindness, Maria, and The End.
That leaves me with 8 pictures to ponder for 2 spots. Unlike my previous posts on Best Director and the actors, I won’t be ranking these possibilities. After all, I gotta leave a little suspense for my final picks tomorrow, right? Nevertheless let’s walk through them one by one with some commentary.
All We Imagine as Light would be a threat to win Best International Feature Film had India submitted it as its contender. It was not to be and the Academy could make up for it in BP. Yet it hasn’t shown up in any of the 5 aforementioned precursors.
Challengers only has a Musical or Comedy nod from the Globes in its favor. A PGA nomination (which I wrongly predicted) didn’t materialize. This is a tough sell.
Nickel Boys has Golden Globe and Critics Choice noms on the resume. Many critics have it at the top of their 2024 best of, but it’s missed other key competitions.
Nosferatu has gotten some “spoiler” ink lately with some saying it could be this year’s Nightmare Alley. That pic from 2021 at least had the Critics Choice nod whereas Nosferatu didn’t show up in the quintet of precursors.
A Real Pain has undoubtedly had an up and down journey on the road to a potential BP nomination. It made the Globe cut and then missed Critics Choice and BAFTA. That left it down and out in the eyes of many and I dropped it from my 10. This week it popped back up at PGA and its fortunes could be stronger.
The Seed of the Sacred Fig should receive an International Feature Film nom. It has not gotten into the precursors for Picture though. Though I didn’t say I’d rank these eight, this is unquestionably at or near the bottom of these hopefuls.
September 5, like A Real Pain, has been buoyed by a PGA spot and it also made the Globes. Yet its exclusions at BAFTA and Critics Choice are noteworthy.
Sing Sing has had a rocky preseason, especially missing SAG and the Globes. While Colman Domingo seems locked in for Best Actor, the Academy will really need to fall for this. Of the five precursors, this only received Critics Choice.
There you have it. My microscope analysis of Best Picture for the 97th Academy Awards. After months of endless speculation, you’ll know my final predictions in about 24 hours!
My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The fifth post in this series is Best Director. If you missed my write-ups for the acting derbies, you can access them here:
Similar to Best Actor, I believe there are four hopefuls represented here that you don’t want to bet against. There is a quartet of filmmakers who have been nominated in the four most significant precursors (DGA, Golden Globes, BAFTA, Critics Choice). They are Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), and Brady Corbet (The Brutalist). Mr. Corbet won the Globe while the other races are TBD. I wouldn’t leave any of them out of your predictions.
So it all comes down to the fifth slot and I will discuss seven possibilities that I feel are viable. Before we get to that, there are the directors who might’ve had a shot before their pictures premiered. The movies either became non-contenders due to poor buzz and reviews or just never properly caught on in the awards chatter. This list includes Francis Ford Coppola (Megalopolis), Todd Phillips (Joker: Folie à Deux), Yorgos Lanthimos (Kinds of Kindness), Ridley Scott (Gladiator II), George Miller (Furiosa: A Mad Max Saga), Joshua Oppenheimer (The End), Pablo Larrain (Maria), Pedro Almodóvar (The Room Next Door) and Steve McQueen (Blitz).
The next level includes makers of movies that didn’t quite reach BP consideration and even some that could make the cut at BP. I’m looking at Tim Fehlbaum (September 5), Greg Kwedar (Sing Sing), Jesse Eisenberg (A Real Pain), Walter Salles (I’m Still Here), Robert Eggers (Nosferatu) and Luca Guadagnino for Challengers and Queer.
Now let’s get to the 7 individuals fighting for the 5th spot, shall we?
Jon M. Chu directed one of the year’s largest blockbusters in Wicked. However, he has only picked up a Critics Choice precursor mention in which there were eight nominees. I’d rank him 6th of these 7 possibilities.
Coralie Fargeat’s behind the camera work for The Substance has yielded her Globe, Critics Choice, and BAFTA noms. The notable omission is DGA, but DGA/Oscar seldom match completely. I have her 1st of these 7 possibilities.
Payal Kapadia (All We Imagine as Light) got in the Globes mix but couldn’t make it anywhere else. She’s 5th of the 7 possibilities.
James Mangold (A Complete Unknown) was the surprise fifth contender at DGA and Unknown has been exceeding expectations at precursors as we arrive at Oscar nominations. Under the same logic seen above with Fargeat, I have Mangold 3rd of the 7 possibilities.
Mohammad Rasoulof’s direction of The Seed of the Sacred Fig was once seen a strong hopeful. Fig has, however, seemingly fallen out of BP contention and Rasoulof has not been nominated at any of the aforementioned shows. He’s 7th of the 7 possibilities.
RaMell Ross (Nickel Boys) made the octet of Critics Choice contestants and has been absent elsewhere. Boys is a question mark for BP inclusion and I have Ross 4th of the 7 possibilities.
Finally, Denis Villeneuve was a shocking snub in 2021 with Dune. For Dune: Part Two, he’s missed DGA and the Globes but was included in Critics Choice and BAFTA. The Academy might seek to rectify their ’21 activity. At the moment, I have him 2nd of the 7 possibilities for the last slot.
OK. There you have it. My microscope analysis of Director for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do final picks. I’ll have that all-important dive into Best Picture up next!
My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The fourth post in this series is Best Actor. If you missed my write-ups for the other three acting derbies, you can access them here:
Truth be told, this is the easiest quintet of the acting categories to forecast. There are five performers who have nabbed nominations in four of the most important precursors – the Golden Globes, SAG, Critics Choice, and the BAFTA long list. They are: Adrien Brody (The Brutalist), Timothee Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), and Ralph Fiennes (Conclave). The safe bet is to predict this group being the Oscar hopefuls and that’s where my head is at currently.
However, Craig in particular could be vulnerable. Queer is not a contender in Best Picture or any other race with the possible exception of Adapted Screenplay (and that’s a long shot).
Before we discuss actors who could replace him, let’s spend a moment remembering those leading men who were once looked at as possibilities. This is before their movies flamed out or their roles just weren’t “baity” enough. It is also due to them not really showing up anywhere in precursors. I’m looking at you, Joaquin Phoenix in Joker: Folie à Deux. And Adam Driver in Megalopolis is in that club. Same goes for Paul Mescal (Gladiator II), Tom Hanks (Here), Kevin Costner (Horizon: An American Saga – Chapter 1), John David Washington (The Piano Lesson), Cillian Murphy (Small Things like These), and Andrew Garfield (We Live in Time).
There’s three gentlemen who made the BAFTA long list who really have no shot at Oscar glory – Kingsley Ben-Adir (Bob Marley: One Love), Jude Law (Firebrand), and Dev Patel (Monkey Man). There are Globe nominees in Actor (Musical or Comedy) that you could say the same about – Gabriel LaBelle (Saturday Night) and Jesse Plemons (Kinds of Kindness).
That leaves 5 performances jockeying for one slot: Jesse Eisenberg (A Real Pain), Hugh Grant (Heretic), Glen Powell (Hit Man), Sebastian Stan (The Apprentice), and Sebastian Stan (A Different Man). I remind you that, as of now, I’d put them all behind Craig. Let’s walk through them one by one, shall we?
Jesse Eisenberg’s fortunes could rise slightly if A Real Pain gets into Best Picture (which I am forecasting it won’t at press time). I suspect voters will only honor his costar Kieran Culkin in supporting and I’d rank him 4th out of these 5 possibilities. Eisenberg has only managed a Globe nod which he did not win.
Hugh Grant also nabbed a Globe nod in the horror pic Heretic and was BAFTA longlisted and is up at Critics Choice. Had he emerged victorious for Actor (Musical or Comedy) at the Globes, he might be a more attractive pick. This is a little tempting since he’s never received Oscar attention, but I have him 2nd out of the 5 possibilities.
Glen Powell has had a great couple of years with massive hits Top Gun: Maverick, Anyone but You, and Twisters. His turn in Richard Linklater’s acclaimed comedy was an early trendy pick for inclusion. Like Eisenberg and Grant, he was up at the Globes and fell short. I have him 5th out of 5 possibilities.
Sebastian Stan’s embodiment of a young Donald Trump in The Apprentice was Globe nominated and BAFTA longlisted. The Critics Choice and SAG omissions sting though I’d rank him 1st of these 5 possibilities.
For our double shot of Stan, he did win Actor (Musical or Comedy) for his role in A Different Man at the Golden Globes. Yet none of the six nominated performers in that category are truly seen as viable hopefuls at Oscar. I have this iteration of Stan 3rd of these 5 possibilities.
OK. There you have it. My microscope analysis of Best Actor for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do my final picks. My post for Best Director is up next!
Blumhouse’s horror remake Wolf Man looks to dominate the box office charts this weekend while Keke Palmer and SZA headline the buddy comedy One of Them Days. You can peruse my detailed prediction posts on the newcomers here:
Sporting a meager budget of reportedly $7 million, Wolf Man from The Invisible Man director Leigh Whannell could see a gross close to $20 million (or at least low to mid teens in the worst case scenario). That should mean an easy perch at #1 under either scenario.
As for One of Them Days, it has a shot of exceeding my expectations. However, my mid to single digits take should mean a fourth or fifth place showing depending on the drops of holdovers.
Den of Thieves 2: Pantera was able to snag the top spot this past weekend (more on that below). It may slide to third with a mid 40s decline with Mufasa: The Lion King staying put in second if it drops in the low to mid 30s.
Here’s how I envision the high five shaking out:
1. Wolf Man
Predicted Gross: $16.6 million
2. Mufasa: The Lion King
Predicted Gross: $9.5 million
3. Den of Thieves 2: Pantera
Predicted Gross: $8.2 million
4. One of Them Days
Predicted Gross: $7.8 million
5. Sonic the Hedgehog 3
Predicted Gross: $6.6 million
Box Office Results (January 10-12)
Gerard Butler scored bragging rights as Den of Thieves 2: Pantera managed first position with $15 million. That’s ahead of my $13.3 million forecast and right in line with the $15.2 million that its 2018 predecessor achieved for its start. This is a much needed boost for Lionsgate after a 2024 littered with bombs including Borderlands, The Crow, and Megalopolis.
Mufasa: The Lion King, after two weeks atop the box office mountain, was runner-up with $14.2 million. That’s on pace with my $14.4 million call as the Disney property’s fortunes rose to $189 million after four weeks.
Sonic the Hedgehog 3 was third with $11.3 million, on target with my $10.9 million prediction. The Sega threequel has amassed $204 million during its four-week run.
Nosferatu was fourth with $6.8 million, falling below my $8.6 million estimate. This horror remake stands at $81 million after three weeks.
Finally, Moana 2 rounded out the top five with $6.5 million (I said $6.3 million). The Mouse House sequel has grossed $434 million in seven weeks.
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The second post in this series is Best Supporting Actor. If you missed my write-up for Best Actress, you can access it here:
Unlike some of the other categories… Best Picture for example… I do believe there’s a legit frontrunner in Supporting Actor and that’s Kieran Culkin for A Real Pain. He has received a quartet of significant Oscar precursor nominations thus far: the Golden Globe, the BAFTA long list, SAG, and Critics Choice. That’s in addition to a slew of critics group prizes. Most significantly, he won the Golden Globe last week. The only potential drawback to a victory is that A Real Pain is a question mark for Best Picture inclusion. Since the Academy’s BP nominees expanded to more than five (and now a set 10) starting in 2009, 14 of the 15 Supporting Actor recipients came from films nominated in the biggest race. The only exception is 2011 with Christopher Plummer from Beginners. If A Real Pain gets into the BP derby, it’ll be much simpler to project Culkin as the victor. If not, that makes him more of a soft leader in the contest.
There are two other performers with the aforementioned precursors to their credit – Yura Borisov in Anora and Edward Norton in A Complete Unknown. At this juncture, it would be bold to leave either of them off the ballot. Both come from surefire BP hopefuls.
So does Guy Pearce of The Brutalist. The veteran actor seeks his first nomination. I’ve had him consistently ranked 2nd behind Culkin for weeks. His SAG omission was a surprise, but he still looks relatively safe for inclusion.
That leaves us with one spot left to fill. Before we consider that, let’s remember a time when these gentlemen had shots for the 97th Academy Awards. In some cases, the movies didn’t turn out to be Oscar contenders or their roles weren’t substantial enough to make the cut. I speak of Tom Hardy or Michael Shannon from The Bikeriders, Benedict Cumberbatch in The Book of Clarence, Brendan Gleeson in Joker: Folie à Deux, and Giancarlo Esposito from Megalopolis.
There’s a next level up of performances. It might not be totally impossible for them to get in, but there’s been no evidence precursor wise to realistically believe they’re a threat. This list includes Josh O’Connor from Challengers, Peter Sarsgaard and John Magaro from September 5 and Bill Skarsgård and Willem Dafoe in Nosferatu, and Drew Starkey in Queer. Same goes for Brian Tyree Henry (The Fire Inside), Adam Pearson (A Different Man), and Samuel L. Jackson (The Piano Lesson). Chris Hemsworth drew raves for Furiosa: A Mad Max Saga, but he hasn’t shown up anywhere. Same story for Dune: Part Two supporting players Javier Bardem and Austin Butler. And John Lithgow (Conclave) and Mark Eydelshteyn (Anora) are likely to cede the spotlight to their costars.
With one spot remaining, I have five contenders worthy of chatter: Jonathan Bailey (Wicked), Clarence Maclin (Sing Sing), Jeremy Strong (The Apprentice), Stanley Tucci (Conclave), and Denzel Washington (Gladiator II). Let’s walk through them one by one, shall we?
Speaking of costars, it sure seemed like Wicked‘s Jonathan Bailey would be on the outside looking in while his popular cast mates Cynthia Erivo and Ariana Grande would get noms. Yet his unexpected SAG inclusion this week puts him in the mix. Nevertheless I have him 5th out of these 5 possibilities.
Clarence Maclin took his real life experience behind bars and became a critical darling playing himself in Sing Sing. He made the BAFTA long list and Critics Choice ballot but missed SAG and the Globes. Oscar may still remember him, but he’s currently 3rd out of these 5 possibilities.
Jeremy Strong’s work as Roy Cohn in The Apprentice has snagged BAFTA long list, the Globes, and SAG and only missed Critics Choice. An excellent argument can be made for Culkin’s Succession costar. At the moment, I have him 2nd of the 5 possibilities which puts him just outside. I could see that changing when I make final picks on Wednesday.
Stanley Tucci is a dark horse for Conclave. No SAG, Globe, or Critics Choice. Just the BAFTA long list and I don’t have him predicted to make their final five. I could envision a scenario where he comes along for the ride at Oscar if they really love Conclave. He’s 4th out of these 5 possibilities.
Denzel Washington’s turn in Gladiator II was correctly called the sequel’s brightest spot. He has the BAFTA long list, Globe, and Critics Choice locked down. SAG voters, on the other hand, surprisingly ignored him. That makes a 10th acting Oscar nomination questionable. I currently have him 1st out of these 5 possibilities and that gets him in. This is mainly predicated on the fact that he’s Denzel Washington and that has worked before (see his 2017 nomination for Roman J. Israel, Esq.).
There you have it. My microscope analysis of Best Supporting Actor for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actress up next!
Lionsgate, who had a rough run in 2024 (The Crow, Megalopolis), hopes 2025 begins better with Den of Thieves: Pantera on January 10th. Christian Gudegast returns to the director’s seat for this follow-up to 2018’s action drama. Gerard Butler, O’Shea Jackson Jr., and Meadow Williams reprise their roles from seven years ago with Evin Ahmed and Salvatore Esposito joining the cast.
The original was reportedly shot for $30 million and it made half its budget back opening weekend with a $44 million eventual domestic gross and $80 million total globally. Whether that’s enough to warrant a sequel is a good question.
I think this might fall under the $15.3 million that its predecessor took in though the lack of competition could mean it over performs my estimate.
Den of Thieves: Pantera opening weekend prediction: $13.3 million
At the 92nd Academy Awards that occurred in February 2020, Joker led the way with 11 nominations and 2 victories for Joaquin Phoenix in Actor and the Original Score. At the 97th ceremony, the story will be much different. Joker: Folie à Deux debuted yesterday. It currently has matching 32% ratings with critics and audiences and a D Cinemascore grade (the worst of 2024 and lower than Megalopolis).
A couple of months ago, Deux was seen as a repeat possibility in Best Picture and for Phoenix and costar Lady Gaga. Now I think it’s a legitimate question as to whether Joker gets any nominations at all. Even with the poor word-of-mouth and incoming subpar box office numbers, some tech races are still viable. However, I would not surprised if it totally blanks. That’s what I’m projecting at the moment.
We have a change in Best Picture with The Room Next Door back in over Saturday Night. There’s been a consistent 5 in Best Actor for weeks, but that’s interrupted with Sebastian Stan (The Apprentice) sliding in with Daniel Craig (Queer) falling to sixth. In Supporting Actress, Isabella Rossellini (Conclave) rises over Selena Gomez (Emilia Pérez).
Speaking of Pérez, there’s uncertainty whether it will contend for Original or Adapted Screenplay. I’ve had it in the former and it now moves to the latter.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Brutalist (Previous Ranking: 1) (Even)
2. Blitz (PR: 2) (E)
3. Anora (PR: 3) (E)
4. Dune: Part Two (PR: 4) (E)
5. Emilia Pérez (PR: 6) (+1)
6. Sing Sing (PR: 5) (-1)
7. Conclave (PR: 7) (E)
8. Nickel Boys (PR: 9) (+1)
9. The Room Next Door (PR: 11) (+2)
10. A Real Pain (PR: 10) (E)
Other Possibilities:
11. Saturday Night (PR: 8) (-3)
12. September 5 (PR: 14) (+2)
13. A Complete Unknown (PR: 13) (E)
14. The Seed of the Sacred Fig (PR: 12) (-2)
15. The Substance (PR: Not Ranked)
Dropped Out:
Nosferatu
Best Director
Predicted Nominees:
1. Brady Corbet, The Brutalist (PR: 1) (E)
2. Steve McQueen, Blitz (PR: 2) (E)
3. Denis Villeneuve, Dune: Part Two (PR: 3) (E)
4. Sean Baker, Anora (PR: 4) (E)
5. Jacques Audiard, Emilia Pérez (PR: 5) (E)
Other Possibilities:
6. RaMell Ross, Nickel Boys (PR: 8) (+2)
7. Edward Berger, Conclave (PR: 7 (E)
8. Mohammad Rasolouf, The Seed of the Sacred Fig (PR: 6) (-2)
9. Greg Kwedar, Sing Sing (PR: 9) (E)
10. Coralie Fargeat, The Substance (PR: Not Ranked)
Dropped Out:
Jason Reitman, Saturday Night
Best Actress
Predicted Nominees:
1. Mikey Madison, Anora (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Karla Sofia Gascón, Emilia Pérez (PR: 3) (E)
4. Saoirse Ronan, The Outrun (PR: 4) (E)
5. Amy Adams, Nightbitch (PR: 5) (E)
Other Possibilities:
6. Nicole Kidman, Babygirl (PR: 6) (E)
7. Tilda Swinton, The Room Next Door (PR: 7) (E)
8. Demi Moore, The Substance (PR: 9) (+1)
9. Marianne Jean-Baptiste, Hard Truths (PR: 8) (-1)
10. Fernanda Torres, I’m Still Here (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Adrien Brody, The Brutalist (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 3) (+1)
3. Colman Domingo, Sing Sing (PR: 2) (-1)
4. Timothée Chalamet, A Complete Unknown (PR: 4) (E)
5. Sebastian Stan, The Apprentice (PR: 6) (+1)
Other Possibilities:
6. Daniel Craig, Queer (PR: 5) (-1)
7. Glen Powell, Hit Man (PR: 7) (E)
8. John David Washington, The Piano Lesson (PR: Not Ranked)
9. Sebastian Stan, A Different Man (PR: 8) (-1)
10. Nicholas Hoult, Juror No. 2 (PR: Not Ranked)
Dropped Out:
Jesse Plemons, Kinds of Kindness
Joaquin Phoenix, Joker: Folie à Deux
Best Supporting Actress
Predicted Nominees:
1. Zoe Saldaña, Emilia Pérez (PR: 1) (E)
2. Saoirse Ronan, Blitz (PR: 2) (E)
3. Danielle Deadwyler, The Piano Lesson (PR: 3) (E)
4. Felicity Jones, The Brutalist (PR: 4) (E)
5. Isabella Rossellini, Conclave (PR: 6) (+1)
Other Possibilities:
6. Selena Gomez, Emilia Pérez (PR: 5) (-1)
7. Aunjanue Ellis-Taylor, Nickel Boys (PR: 8) (+1)
8. Natasha Lyonne, His Three Daughters (PR: 9) (+1)
9. Joan Chen, Dídi (PR: 10) (+1)
10. Toni Collette, Juror No. 2 (PR: Not Ranked)
Dropped Out:
Lady Gaga, Joker: Folie à Deux
Best Supporting Actor
Predicted Nominees:
1. Guy Pearce, The Brutalist (PR: 2) (+1)
2. Clarence Maclin, Sing Sing (PR: 1) (-1)
3. Kieran Culkin, A Real Pain (PR: 3) (E)
4. Stanley Tucci, Conclave (PR: 4) (E)
5. Jeremy Strong, The Apprentice (PR: 5) (E)
Other Possibilities:
6. Denzel Washington, Gladiator II (PR: 6) (E)
7. Adam Pearson, A Different Man (PR: 7) (E)
8. Edward Norton, A Complete Unknown (PR: 8) (E)
9. Ray Fisher, The Piano Lesson (PR: Not Ranked)
10. John Magaro, September 5 (PR: 9) (-1)
Dropped Out:
Drew Starkey, Queer
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. The Brutalist (PR: 3) (+1)
3. A Real Pain (PR: 2) (-1)
4. Blitz (PR: 5) (+1)
5. Saturday Night (PR: 4) (-1)
Other Possibilities:
6. September 5 (PR: 9) (+3)
7. Hard Truths (PR: 8) (+1)
8. The Seed of the Sacred Fig (PR: 7) (-1)
9. His Three Daughters (PR: Not Ranked)
10. Dídi (PR: Not Ranked)
Dropped Out:
Emilia Pérez – moved to Adapted Screenplay
The Substance
Best Adapted Screenplay
Predicted Nominees:
1. Conclave (PR: 1) (E)
2. Sing Sing (PR: 2) (E)
3. Nickel Boys (PR: 3) (E)
4. The Room Next Door (PR: 4) (E)
5. Emilia Pérez (PR: Not Ranked) – moved from Original Screenplay
Other Possibilities:
6. Dune: Part Two (PR: 5) (-1)
7. Hit Man (PR: 7) (E)
8. I’m Still Here (PR: 10) (+2)
9. Queer (PR: 6) (-3)
10. A Complete Unknown (PR: 8) (-2)
Dropped Out:
The Piano Lesson
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. The Seed of the Sacred Fig (PR: 2) (E)
3. I’m Still Here (PR: 3) (E)
4. Universal Language (PR: 6) (+2)
5. Vermiglio (PR: 5) (E)
Other Possibilities:
6. Grand Tour (PR: 4) (-2)
7. The Girl with the Needle (PR: 7) (E)
8. Kneecap (PR: 8) (E)
9. Cloud (PR: Not Ranked)
10. Flow (PR: Not Ranked)
Dropped Out:
Dahomey
Caught by the Tides
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 3) (E)
3. Memoir of a Snail (PR: 4) (+1)
4. Flow (PR: 3) (-1)
5. Wallace & Gromit: Vengeance Most Fowl (PR: 5 (E)
Other Possibilities:
6. Orion and the Dark (PR: 8) (+2)
7. Moana 2 (PR: 7) (E)
8. Savages (PR: 9) (+1)
9. Piece by Piece (PR: 6) (-3)
10. The Lord of the Rings: The War of the Rohirrim (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. No Other Land (PR: 1) (E)
2. Will & Harper (PR: 3) (+1)
3. Black Box Diaries (PR: 4) (+1)
4. Daughters (PR: 2) (-2)
5. Sugarcane (PR: 6) (+1)
Other Possibilities:
6. Union (PR: 8) (+2)
7. Soundtrack to a Coup d’Etat (PR: 7) (E)
8. Dahomey (PR: 5) (-3)
9. Gaucho Gaucho (PR: Not Ranked)
10. Apocalypse in the Tropics (PR: 10) (E)
Dropped Out:
Separated
Best Cinematography
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Dune: Part Two (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Anora (PR: 9) (+5)
5. Maria (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: 6) (E)
7. Gladiator II (PR: 7) (E)
8. Nosferatu (PR: 4) (-4)
9. Conclave (PR: Not Ranked)
10. Nickel Boys (PR: 10) (E)
Dropped Out:
Joker: Folie à Deux
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Wicked (PR: 5) (+3)
3. Blitz (PR: 4) (+1)
4. Nosferatu (PR: 3) (-1)
5. Maria (PR: 7) (+2)
Other Possibilities:
6. The Brutalist (PR: 6) (E)
7. Gladiator II (PR: 2) (-5)
8. Beetlejuice Beetlejuice (PR: Not Ranked)
9. Furiosa: A Mad Max Saga (PR: 10) (+1)
10. Joker: Folie à Deux (PR: 8) (-2)
Dropped Out:
Saturday Night
Best Film Editing
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Anora (PR: 3) (E)
4. The Brutalist (PR: 6) (+1)
5. Emilia Pérez (PR: 4) (-1)
Other Possibilities:
6. Sing Sing (PR: 7) (+!)
7. Conclave (PR: 8) (+1)
8. Saturday Night (PR: 5) (-3)
9. Challengers (PR: 10) (+1)
10. September 5 (PR: Not Ranked)
Dropped Out:
Gladiator II
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. A Different Man (PR: 3) (E)
4. Wicked (PR: 4) (E)
5. The Substance (PR: 6) (+1)
Other Possibilities:
6. Beetlejuice Beetlejuice (PR: 5) (-1)
7. Furiosa: A Mad Max Saga (PR: 10) (+3)
8. Sasquatch Sunset (PR: 9) (+1)
9. Maria (PR: 7) (-2)
10. Joker: Folie à Deux (PR: 8) (-2)
Best Original Score
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Emilia Pérez (PR: 8) (+5)
4. Conclave (PR: 5) (+1)
5. Sing Sing (PR: 4) (-1)
Other Possibilities:
6. The Wild Robot (PR: 6) (E)
7. Gladiator II (PR: 3) (-4)
8. Challengers (PR: 9) (+1)
9. Blitz (PR: 10) (+1)
10. The Room Next Door (PR: Not Ranked)
Dropped Out:
Joker: Folie à Deux
Best Original Song
Predicted Nominees:
1. “Mi Camino” from Emilia Pérez (PR: 1) (E)
2. “Like a Bird” from Sing Sing (PR: 2) (E)
3. “Harper and Will Go West” from Will & Harper (PR: 4) (+1)
4. “Forbidden Road” from Better Man (PR: 10) (+6)
5. “Kiss the Sky” from The Wild Robot (PR: 7) (+2)
Other Possibilities:
6. “The Journey” from The Six Triple Eight (PR: 8) (+2)
7. “Piece by Piece” from Piece by Piece (PR: 6) (-1)
8. “Better Way to Live” from Kneecap (PR: 5) (-3)
9. “El Mal” from Emilia Pérez (PR: 9) (E)
10. “Folie à Deux” from Joker: Folie à Deux (PR: Not Ranked)
Dropped Out:
“Harley and Joker Waltz” from Joker: Folie à Deux
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. The Brutalist (PR: 5) (+1)
5. Nosferatu (PR: 4) (-1)
Other Possibilities:
6. Wicked (PR: 8) (+2)
7. Conclave (PR: 6) (-1)
8. Maria (PR: 10) (+2)
9. Furiosa: A Mad Max Saga (PR: 7) (-2)
10. Saturday Night (PR: Not Ranked)
Dropped Out:
Joker: Folie à Deux
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Emilia Pérez (PR: 4) (+1)
4. Gladiator II (PR: 3) (-1)
5. The Brutalist (PR: 8) (+3)
Other Possibilities:
6. Wicked (PR: 7) (+1)
7. Conclave (PR: Not Ranked)
8. Furiosa: A Mad Max Saga (PR: 9) (+1)
9. A Complete Unknown (PR: Not Ranked)
10. joker: Folie à Deux (PR: 5) (-5)
Dropped Out:
Nosferatu
Twisters
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Here (PR: 4) (E)
5. Furiosa: A Mad Max Saga (PR: 8) (+3)
Other Possibilities:
6. Blitz (PR: 5) (-1)
7. Twisters (PR: 6) (-1)
8. Better Man (PR: 9) (+1)
9. Deadpool & Wolverine (PR: 10) (+1)
10. Wicked (PR: 7) (-3)
That equates to these movies generating these numbers of nominations:
11 Nominations
The Brutalist
10 Nominations
Dune: Part Two, Emilia Pérez
9 Nominations
Blitz
6 Nominations
Anora, Conclave, Sing Sing
3 Nominations
Gladiator II, Maria, Nosferatu, A Real Pain
2 Nominations
The Apprentice, Nickel Boys, The Room Next Door, Wicked, The Wild Robot, Will & Harper
1 Nomination
Better Man, Black Box Diaries, A Complete Unknown, Daughters, A Different Man, Flow, Furiosa: A Mad Max Saga, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Memoir of a Snail, Nightbitch, No Other Land, The Outrun, The Piano Lesson, Saturday Night, The Seed of the Sacred Fig, The Substance, Sugarcane, Universal Language, Vermiglio, Wallace & Gromit: Vengeance Most Fowl
Blogger’s Update (10/03): With the announcement that White Bird is only hitting just over 1000 screens, I’m downgrading my prediction from $3.1 million to $1.5 million
Warner Bros hopes Joker: Folie à Deux can approach the gargantuan grosses that its predecessor earned five years ago while Lionsgate has the long delayed Wonder prequel White Bird out this weekend. You can peruse my detailed prediction posts on the newcomers here:
A half decade ago, Joker rode a wave of sizzling buzz to a $96 million debut (the best October start of all time), a $335 eventual domestic gross, and an Oscar statue for Joaquin Phoenix. With Lady Gaga joining the mayhem as Harley Quinn, word-of-mouth is more mixed for part Deux and it likely won’t achieve the hotshot premiere of part un. While my mid 50s forecast easily has it topping the charts, that’s over $40 million less out of the gate.
As for White Bird, I expect it to be another significant under performer for distributor Lionsgate who just saw Megalopolis crash and burn (more on that below). My number for Bird puts it just outside the top five.
As for holdovers, The Wild Robot might see a mid to high 40s decline after its solid beginning while Beetlejuice Beetlejuice and Speak No Evil‘s percentage dips should be smaller. The highest plummet in the top 5 (same as this past frame) should belong to Transformers One.
Here’s how I see it playing out:
1. Joker: Folie à Deux
Predicted Gross: $54.3 million
2. The Wild Robot
Predicted Gross: $19.8 million
3. Beetlejuice Beetlejuice
Predicted Gross: $11.6 million
4. Transformers One
Predicted Gross: $4.4 million
5. Speak No Evil
Predicted Gross: $3.2 million
Box Office Results (September 27-29)
DreamWorks Animation’s The Wild Robot, with fresh reviews and an A Cinemascore grade, performed impressively with $35.7 million. That’s just ahead of my $33.8 million take and it should play well throughout the next few weeks.
Beetlejuice Beetlejuice, after three weeks in 1st, slid to second with $16.2 million. That’s a mere 37% decline and beyond my $14.8 million prediction. The sequel has amassed $250 million in four weeks.
The news was more distressing for Transformers One as it plummeted 63% in its sophomore frame to $9.1 million. I was more generous at $11.5 million as Hasbro’s latest underwhelming franchise entry has taken in $39 million in ten days.
Epic Indian Telugu-language action flick Devara: Part 1 opened in fourth with $5.6 million with the second best per screen average in the top 10. I incorrectly had it outside the high five.
Speak No Evil was fifth with $4.2 million (I said $3.4 million). The thriller sits at $28 million after three weeks.
Finally, Francis Ford Coppola’s self-financed Megalopolis (with a reported $120 million price tag) could not overcome mostly middling reviews and audience ambivalence. It was sixth with $4 million compared to my $4.7 million call. With a D+ Cinemascore, I suspect this falls over 65% in its second weekend. Ouch.
Blogger’s Update (10/03): With the announcement that White Bird is only hitting just over 1000 screens, I’m downgrading my prediction from $3.1 million to $1.5 million
White Bird at last flies into theaters after significant delays on October 4th. The period drama is a prequel to 2017’sblockbuster Wonder. Like that hit, it’s based on source material from R.J. Palacio. Marc Forster directs and the cast includes Ariella Glaser, Orlando Schwerdt, Bryce Gheisar, Gillian Anderson, and Helen Mirren.
Lionsgate originally was slated to release Bird in September 2022 and then in summer 2023 before finally landing on this date. The distributor has seemingly been conducting a yard sale of flops over the past several weeks such as Borderlands, The Crow, The Killer’s Game, Never Let Go, and Megalopolis.
I don’t see White Bird reversing the trend. Wonder was seven years ago, but a bigger problem might be that audiences aren’t aware of the prequel’s existence. Like the aforementioned features, hitting $5 million out of the gate might be a challenge.
White Bird opening weekend prediction: $1.5 million
For my Joker: Folie à Deux prediction, click here:
While Hasbro’s Transformers One fell short of expectations this past weekend, DreamWorks Animation looks to bring families out in force with The Wild Robot this Friday. We also have Francis Ford Coppola’s long in the works sci-fi epic Megalopolis premiering. You can peruse my detailed prediction posts on the newcomers here:
I projected a mid 30s start for Transformers and came to regret it (more on that below). I’m estimating the same for The Wild Robot which is generating stronger reviews and comes from a studio whose animated works usually perform well.
As for Megalopolis, it might be a megaflop. Coppola’s passion project premiered at Cannes to plenty of negative reaction. This might do decent business on the coasts, but I don’t expect much interest in between. A mid single digits gross could mean fourth place.
Beetlejuice Beetlejuice will drop to second after three weeks on top with a percentage dip in the low to mid 40s. Despite an A Cinemascore grade, Transformers will likely suffer with a low to mid 50s decline due to the Robot competition. Speak No Evil should round out the top five.
Here’s how I see it playing out:
1. The Wild Robot
Predicted Gross: $33.8 million
2. Beetlejuice Beetlejuice
Predicted Gross: $14.8 million
3. Transformers One
Predicted Gross: $11.5 million
4. Megalopolis
Predicted Gross: $4.7 million
5. Speak No Evil
Predicted Gross: $3.4 million
Box Office Results (September 20-22)
In an upset, moviegoers made Tim Burton’s sequel the champion three times in a row as Beetlejuice Beetlejuice took in $25.9 million. That’s right on target with my $26.7 million forecast as its total has reached $226 million.
Transformers One couldn’t catch on in the runner-up position with $24.6 million. That’s well under my $35.4 million take and it’s another underwhelming result for the franchise behind last year’s Transformers: Rise of the Beasts.
Speak No Evil was third at $5.7 million, a bit shy of my $6.5 million call. The thriller has grossed $21 million after two weeks in multiplexes.
Halle Berry’s survival thriller was another yawner for Lionsgate in fourth with $4.4 million, on pace with my $4.7 million prediction.
Deadpool & Wolverine rounded out the top five with $3.8 million (I said $3.9 million). In nine outings, 2024’s second largest domestic earner has amassed $627 million.
Finally, I didn’t do a projection for Demi Moore’s critically hailed The Substance. It opened in sixth with a fairly respectable $3.2 million.
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