Ticket to Paradise Review

The end credit outtakes of Ticket to Paradise give us a glimpse of the fun George Clooney and Julia Roberts had making it. I have no doubt given the gorgeous setting of Bali (though it was made in Australia). They’ve also played exes before in Ocean’s Eleven and Twelve and seemed to have a ball doing it. Ol Parker’s rom com intermittently succeeds at riding the wave of their star power. It’s got the right stars with the right chemistry and too often the wrong script.

David Cotton (Clooney) and Georgia Cotton (Julia Roberts) have, as far they’re concerned, been blissfully divorced for two decades. They rarely interact but will for the one subject they agree on. That’s their love for daughter Lily (Kaitlyn Dever), who’s just finished college. The graduate is ready for some downtime with wild BFF Wren (Billie Lourd) in Bali-stralia. She soon meets Gede (Maxime Bouttier), a seaweed farmer who pulls her heartstrings. Within a month they’re engaged. Given David and Georgia’s history, breaking up the impending nuptials is on their mind and they jet to paradise to execute the plan.

Sitcom level attempts to do so transpire as our leads try to put some bad juju on romantic Balinese traditions. Dropping in to surprise Georgia is younger beau Paul (Lucas Bravo), a pilot who can’t seem to navigate his girlfriend’s signals. His character is an example of the screenplay’s mediocrity. I never bought the relationship they have as anything more than a plot device to reunite our megawatt headliners. I’m not expecting realism in a rom com, but everyone is underwritten or a caricature here (the talented Lourd’s treatment as the boozy travel companion is another case).

Your enjoyment may hinge on how content you are watching Clooney and Roberts do their thing. A drunken night out features 90s jams like “Gonna Make You Sweat (Everybody Dance Now)” and “Jump Around”. That’s the decade when audiences fell for them. In Paradise, they can only coast so far given the material. This is not an example of them saving their best stuff for later.

** (out of four)

Ticket to Paradise Box Office Prediction

There’s a good chance that Ticket to Paradise would’ve been the top grossing romantic comedy of about anywhere from 1998-2004. Its success in the fall of 2022 is less assured but achievable (though not in the range of its potential earnings years ago). George Clooney and Julia Roberts are a divorced couple on a mission to prevent their daughter (Kaitlyn Dever) from tying the knot. Ol Parker, director of Mamma Mia! Here We Go Again, is behind the camera. Costars include Billie Lourd, Maxime Bouttier, and Lucas Bravo.

In a somewhat rare release pattern, Ticket was made available to various other international markets in September. The results have been pleasing with $60 million around the globe. Reviews are mixed/positive with 71% on Rotten Tomatoes.

Rom coms have been challenged at multiplexes lately and a little hard to come by. Many have gone the streaming route instead. Pics like The Lost City have featured an action dynamic that Paradise doesn’t have.

It does have two high wattage leads and a return to Julia’s most beloved genre after two decades. She’s been a stalwart of this material with gigantic blockbusters such as Pretty Woman, My Best Friend’s Wedding, Notting Hill, and Runaway Bride. Having her Ocean’s Eleven ex-hubby along for the ride only helps.

The chance of this over performing its projection of low to highish teens is doable. Yet I suspect this won’t be a runaway huge premiere and instead do respectable business.

Ticket to Paradise opening weekend prediction: $13.9 million

For my Black Adam prediction, click here:

Black Adam Box Office Prediction

Oscar Predictions: Ticket to Paradise

These posts about the awards viability of many pictures might be called “Oscar Predictions”. Sometimes it’s more of a Golden Globe predictions centered type of thing. That’s the case with Ticket to Paradise. The rom com has heavy star wattage with George Clooney and Julia Roberts as a divorced couple trying to prevent the pending nuptials of their daughter (Kaitlyn Dever). Ol Parker, who last made Mamma Mia! Here We Go Again, directs. Costars include Maxime Bouttier, Billie Lourd, and Lucas Bravo.

Paradise is out in many parts of Europe next week before its October 21st domestic booking. Many reviews are out and the Rotten Tomatoes meter is at 67%. Academy attention is a non-starter. However, I do wonder if The Hollywood Foreign Press Association (HFPA) will take a look at Clooney or Roberts in the lead races in Musical/Comedy at the Globes. It remains to be seen how competitive those competitions are for 2022.

If the Globes want some big celebs in the mix as they return to the airwaves next year, you could do a lot worse. It’s just as possible that won’t happen, but I wouldn’t count it out. My Oscar (or Globe) Prediction posts will continue…