Tag: Maude Apatow

Oscar Predictions: One of Them Days

I did not anticipate doing an Oscar Predictions post on One of Them Days, a buddy flick out today starring Keke Palmer and singer SZA. Lawrence Lamont directs the L.A. set pic that some critics are saying is a welcome throwback to smaller budget African-American centered comedies of the 1990s. Vanessa Bell Calloway, Keyla Monterroso Meija, Maude Apatow and Katt Williams costar.

And truth be told, Days is highly unlikely to contend anywhere for the 98th Academy Awards as we await nominations for the 97th. Nevertheless it is worth noting that this stands at an unanticipated 96% on Rotten Tomatoes with 73 on Metacritic.

As I point out occasionally, Oscar won’t bite. Yet I wouldn’t completely discount Golden Globe voters looking at Palmer for Best Actress in a Musical or Comedy. The chances are slim, but she could get some social media ink for inclusion months down the road. My Oscar Prediction posts will continue…

One of Them Days Box Office Prediction

Sony Pictures is looking for One of Them Days to have several good days at the box office come January 17th. The buddy comedy stars Keke Palmer and singer SZA in her cinematic debut. Lawrence Lamont directs with a supporting cast including Vanessa Bell Calloway, Keyla Monterroso Meija, Maude Apatow, and Katt Williams.

The studio is looking for a significant African-American and female turnout, but I’m not sure the leads are enough of a draw to get this into double digits. I’ll project that the Friday to Sunday gross is in the mid to high single digits.

One of Them Days opening weekend prediction: $7.8 million

For my Wolf Man prediction, click here:

Wolf Man Box Office Prediction

The King of Staten Island Movie Review

Pete Davidson is not your average Saturday Night Live cast member. He is less known for characters he plays and is more known for essentially portraying himself on Weekend Update sketches. That includes warts and all with his much publicized romantic life, struggles with mental health and drug issues, and tragic family history. It is no surprise that Judd Apatow is the director to bring his semi autobiographical story to the big screen in The King of State Island. And the Apatow treatment comes with the high points of his previous efforts. It also comes with the warts and all of his pics that includes an unnecessarily lengthy running time and subplots that don’t really pan out.

The big screen treatment ended up being a misnomer since Island went the Video on Demand route due to the COVID-19 pandemic. Davidson is Scott Carlin, an aimless 24 year old living with his mom Margie (Marisa Tomei) in the borough where it is joked that New Jersey looks down upon. His little sister (Maude Apatow) is an achiever who is moving along to college. Scott’s longtime friend and sort of girlfriend Kelsey (Bel Powley) is a glass half full type in contrast with his constantly half empty outlook. The similarities between Davidson and his character are hard to miss. Scott’s father was a firefighter who died in the line of duty and so did Davidson’s on 9/11. Substance abuse and effects of ADD are prevalent with Scott and, as mentioned, the actor hasn’t been shy about addressing those matters.

One key difference: Davidson has been a pop culture fixture on the famous sketch comedy show for a few years. The man he is playing isn’t accomplishing much of anything. His idea to open a tattoo parlor/restaurant is met with understandable skepticism. Scott’s arrested development is dealt a setback when Margie finds romance after 17 years of being a widow with fireman Ray (Bill Burr). Their courtship elevates his anxieties to a new level.

Apatow, over the past decade and half, has elevated numerous comedic performers to new heights. These include Steve Carell in The 40 Year Old Virgin, Seth Rogen in Knocked Up, and Amy Schumer in Trainwreck. The similarities here are most in line with the latter as Davidson’s known persona is put through the cinematic lens. As an avid SNL watcher, I have found his bits occasionally inspired and frequently a little grating. It is a credit to Apatow and Davidson that Island finds a balance that is primarily satisfying. However, that’s not to say there aren’t issues. Island is too long. A subplot regarding Scott and his buddies and a pharmaceutical heist could have easily been left on the cutting room floor. While it often deftly switches between humorous and serious segments, the tone shifts are not always consistent.

On the bright side, some scenes are quite well done. This includes a night out with Scott, Ray, and some fellow firefighters where his late dad’s angelic legacy is tarnished to his son’s delight. Every time romantic interest Kelsey (with a terrific performance by Powley) is around, it works. I actually found myself wishing Scott had more interest in her because she deserves more screen time.

Ultimately The King of Staten Island is vintage Apatow and that includes the glass being measured in both ways. Thankfully it is full for the most part.

*** (out of four)