Tag: Matthew Heineman

76th Directors Guild of America Awards Nominations Predictions

The SAG Awards aren’t the only nominations out this Wednesday. We have the Director of Guild of America (DGA) nods coming our way. They are usually an 80% indicator of who the Academy will name for its behind the camera prize.

In the past decade, the DGA quintet has matched the Academy’s on a 4 for 5 level in nine out of the last ten ceremonies. The only outlier is 2018 when it was 3 for 5. Note there is no 5 for 5 correlation.

So where does that leave this year’s DGA mix? For the last several weeks, I have had the following five filmmakers pegged for Oscar inclusion: Greta Gerwig (Barbie), Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), and Martin Scorsese (Killers of the Flower Moon). It’s fair to say this is the consensus group among awards prognosticators.

Let’s assume there’s a 4 for 5 match. I believe Nolan, Scorsese, and Gerwig are safe bets. If anyone from that trio missed DGA, it would be considered a surprising omission.

Then I’d say Lanthimos is a near lock. My slight hesitation comes from him being left out in 2018 for The Favourite. Yet I’ll say he’s in.

That means I’m leaving Glazer on the cutting room floor and that makes some sense. The DGA has a history of omitting makers of foreign titles that the Academy recognizes. Recent examples include Pawel Pawlikowski (Cold War), Thomas Vinterberg (Another Round), and Ryusuke Hamaguchi (Drive My Car).

Don’t get me wrong. Glazer could get in as Zone is being hailed specifically for its directorial choices. I cannot, however, bring myself to match the DGA picks with my current Academy selections.

For the fifth slot, I’m going with Bradley Cooper for Maestro. That’s another title I believe will be appreciated for its directorial work perhaps more than other contenders like Alexander Payne (The Holdovers).

Celine Song (Past Lives) is certainly a threat. However, she’s the frontrunner for the DGA’s Outstanding Achievement in First-Time Feature Film race. She could be a double nominee, but I doubt it.

Here are my picks for all three feature DGA contests with an alternate selection as well.

Feature Film

Predicted Nominees:

Bradley Cooper, Maestro

Greta Gerwig, Barbie

Yorgos Lanthimos, Poor Things

Christopher Nolan, Oppenheimer

Martin Scorsese, Killers of the Flower Moon

Alternate: Alexander Payne, The Holdovers

First-Time Feature Film

Predicted Nominees:

Cord Jefferson, American Fiction

Raine Allen Miller, Rye Lane

A.V. Rockwell, A Thousand and One

Celine Song, Past Lives

Juel Taylor, They Cloned Tyrone

Alternate: Danny and Michael Philippou, Talk to Me

Documentary

Predicted Nominees:

Mstyslav Chernov, 20 Days in Mariupol

Madeleine Gavin, Beyond Utopia

Davis Guggeheim, Still: A Michael J. Fox Movie

Kaouther Ben Hania, Four Daughters

D. Smith, Kokomo City

Alternate: Matthew Heineman, American Symphony

Oscar Predictions: American Symphony

On November 29th, Matthew Heineman’s documentary American Symphony plays on Netflix after being on the festival circuit beginning at Telluride. It recounts a year in the life of Grammy winning musician Jon Batiste and family.

Heineman is no stranger to awards hopefuls in the genre. 2015’s Cartel Land made the quintet of nominees. 2021’s The First Wave and last year’s Retrograde were discussed for attention and was up in other precursors though each failed to make the Academy cut.

Symphony is at 88% on Rotten Tomatoes and scored six Critics Choice nods at their ceremony over the weekend honoring true life works. It won two with Best Music Documentary and Score (losing the main prize to Still: A Michael J. Fox Movie).

Drawing a correlation between Critics Choice and the Academy is risky. As I’ve discussed numerous times, the doc branch of voters at the big ceremony are unpredictable. Symphony stands an excellent shot at making the eventual quintet, but it’s gotta make the shortlist first and surprises seem to occur there every year when revealed. My Oscar Prediction posts will continue…

Oscar Predictions: Retrograde

Documentarian Matthew Heineman is no stranger to tackling hot button issues and awards voters have rewarded his features in the past. 2015’s Cartel Land was an Oscar nominee for Documentary Feature. Additional acclaim was bestowed upon 2017’s City of Ghosts and last year’s The First Wave, which took us into a NYC hospital at the height of the COVID epidemic. Heineman’s lone fictional work was 2018’s A Private War, in which Rosamund Pike nabbed a Golden Globe Best Actress nod in the Drama competition.

His latest is the Nat Geo produced Retrograde, recounting America’s final nine months in the Afghanistan War. It’s out already on an awards qualifying run prior to a December 11th Hulu bow. Initial reviews are typical for the filmmaker at 96% on Rotten Tomatoes.

Both Ghosts and Wave didn’t make the Academy’s cut. If Retrograde can manage to make the shortlist, it could certainly vie for one of the five spots. Based on recent history, I’m not yet comfortable slotting it there. My Oscar Prediction posts will continue…

https://www.youtube.com/watch?v=gaabPkONJ4Q

Oscar Predictions: The First Wave

Out today in limited release is The First Wave from documentarian Matthew Heineman. Distributed by Neon and National Geographic Documentary Films, Wave shows us the first months of the COVID-19 pandemic from a New York City hospital. Its filmmaker has been in the Oscar mix before as his 2015 doc Cartel Land was up for Best Documentary Feature.

There are plenty of high profile contenders for the race in 2021. A potential winner also comes from Nat Geo – The Rescue. That’s in addition to Flee, Summer of Soul, and others.

It’s certainly feasible that this could make the final five and mark Heineman’s second foray into the competition. It’s also possible that some voters may not want to relive the tragic times we’ve gone through.

Bottom line: if The First Wave makes the shortlist next month, a nod is questionable but possible. My Oscar Prediction posts for the films of 2021 will continue…

Oscar Watch: A Private War

In a Best Actress race that is growing crowded, the Toronto Film Festival gave us yet another possibility with Rosamund Pike in A Private War. The film focuses on the true life story of Marie Colvin, a war journalist killed in Syria in 2012. Matthew Heineman directs and he’s best known for his documentaries, including the Oscar nominated Cartel Land and last year’s City of Ghosts. Jamie Dornan and Stanley Tucci costar.

The picture itself is getting mixed to positive reviews, but critics are heaping praise on Pike’s work. Four years ago, she was nominated for Gone Girl. Its distributor will need to mount a serious campaign for Pike to nab her second nod. That could be a tall order with more high-profile projects in the mix.

Bottom line: Pike could find herself in the mix, but it’s a bit of a long shot.

A Private War opens domestically on November 2. My Oscar Watch posts will continue…