And now we arrive at the big one in my early Oscar predictions for this 2021 season: Best Picture. If you missed my previous posts covering Best Director and the acting derbies, they can accessed here:
In the highly fluent and unpredictable field that encompassed 2020, there were 8 eventual nominees for Picture. As you may recall, for the past 12 ceremonies, the BP contenders can fluctuate anywhere from 5-10 titles (the magic number has been 8 or 9). Starting with 2021, the number is set at 10 (thank you Academy).
Last year, my earliest predictions for this race yielded 3 of the 8 hopefuls – winner Nomadland, Mank, and The Trial of the Chicago 7. Three others (The Father, Judas and the Black Messiah, Minari) were mentioned as Other Possibilities. Two (Promising Young Woman and Sound of Metal) were not initially mentioned at all.
So let’s get to it! Here are my first picks for the 10 nominees with 15 Other Possibilities.
EARLY OSCAR PREDICTIONS: BEST PICTURE
Belfast
Dune
A Hero
House of Gucci
Mass
Nightmare Alley
The Power of the Dog
Soggy Bottom
The Tragedy of Macbeth
West Side Story
Other Possibilities:
Annette
Blue Bayou
Canterbury Glass
C’Mon C’Mon
CODA
Cyrano
Don’t Look Up
Flee
The French Dispatch
The Humans
In the Heights
Last Night in Soho
Next Goals Wins
Parallel Mothers
Spencer
Beginning late this week, I will kick off my weekly predictions in these six biggest derbies (as well as both Screenplay races) where the contenders will be ranked. Stay tuned!
The blog’s early look at the 2021 Oscar contenders arrives at Best Director. If you didn’t see the posts outlining my initial picks for the acting derbies, take a look here:
In 2020, my first estimates in the directorial field yielded 2 eventual nominees: winner Chloe Zhao (Nomadland) and David Fincher (Mank). The three others were not even mentioned: Lee Isaac Chung (Minari), Emerald Fennell (Promising Young Woman), and surprise contender Thomas Vinterberg (Another Round).
Here’s the players as I see it at this July juncture:
EARLY OSCAR PREDICTIONS: BEST DIRECTOR
Jane Campion, The Power of the Dog
Joel Coen, The Tragedy of Macbeth
Guillermo del Toro, Nightmare Alley
Asghar Farhadi, A Hero
Denis Villeneuve, Dune
Other Contenders:
Pedro Almodovar, Parallel Mothers
Paul Thomas Anderson, Soggy Bottom
Wes Anderson, The French Dispatch
Kenneth Branagh, Belfast
Leos Carax, Annette
Fran Kranz, Mass
Adam McKay, Don’t Look Up
David O. Russell, Canterbury Glass
Ridley Scott, House of Gucci
Steven Spielberg, West Side Story
That leaves only Best Picture and it will be posted in short order!
My earliest 2021 Oscar predictions continues with Best Supporting Actress! If you missed my first post covering the supporting gentlemen, you can find it here:
In that post, you can find all the caveats about how early we are in the season and so forth. We will have the Venice and Toronto in weeks and that will certainly shape the race.
One season ago, amidst all the pandemic uncertainty, I correctly called 2 of the 5 eventual nominees here (Glenn Close in Hillbilly Elegy and Olivia Colman for The Father). Amanda Seyfried (Mank) was listed in the possibilities section. Eventual winner Youn Yuh-Jung (Minari) and Maria Bakalova (Borat Subsequent Moviefilm) were not mentioned.
Next week I’ll begin the official rankings, but here’s where I have the competition at this early moment:
On this here blog starting right now, my 2021 Oscar predictions officially begin! I seem to start this earlier and earlier in the calendar each year. Why? Well, it’s just about my favorite thing to write about and the Cannes Film Festival and recent announcements for the Venice and Toronto line-ups fueled the flame.
As is tradition, I would like to throw out the annual caveats and a general rundown of how this works. I begin with the early predictions in the six major categories: Picture, Director, and the four acting derbies. For Picture, I will list my ten early forecasted nominees and 15 other possibilities. In the other five races, you will see my five predicted players and 10 other hopefuls. In these initial posts, my nominees will be unranked.
Beginning next week, I’ll have a weekly write-up where I’ll begin ranked predictions in these competitions in addition to Adapted and Original Screenplay.
In late September or early October, my weekly posts will shift to all categories covering feature films. The Picture predictions and possibilities will be whittled down from 25 to 15. All others will be reduced to 10.
Got all that? Good! Now for the caveats. First off, it’s July. So when I say these are early projections – I mean it. Release dates will change. Some movies will be moved out of contention to 2022 (that certainly happened a lot last year due to the pandemic). Some of the actors that appear to be supporting will be moved to lead and vice versa.
You need look no further than the Supporting Actor derby from 2020. In my initial round of early picks, I had Chadwick Boseman (Ma Rainey’s Black Bottom) listed here. He was eventually moved to Best Actor. Conversely, I had Daniel Kaluuya (Judas and the Black Messiah) down for Actor, but he was campaigned for in supporting and won.
Part of that category confusion led to yours truly only naming one of the five eventual nominees from 2020 (Sacha Baron Cohen in The Trial of the Chicago 7). I did mention Lakeith Stanfield (Judas) as a possibility. Paul Raci (Sound of Metal) and Leslie Odom, Jr. (One Night in Miami) were not named initially.
Additionally, you will see the titles Canterbury Glass and Soggy Bottom as contenders here and elsewhere in the coming days. These are the next pictures, respectively, from David O. Russell and Paul Thomas Anderson. It is not confirmed yet whether these are working titles or the actual ones, but I prefer a name rather than saying Untitled over and over.
With all that out of the way, let’s get rolling with the speculation that will last for months (and I’ll enjoy every second of it)!
EARLY OSCAR PREDICTIONS: BEST SUPPORTING ACTOR
Bradley Cooper, Soggy Bottom
Richard E. Grant, Everybody’s Talking About Jamie
Idris Elba, The Harder They Fall
Jason Isaacs, Mass
Jesse Plemons, The Power of the Dog
Other Possibilities:
David Alvarez, West Side Story
Reed Birney, Mass
Willem Dafoe, Nightmare Alley
Jamie Dornan, Belfast
Adam Driver, The Last Duel
Andrew Garfield, The Eyes of Tammy Faye
Corey Hawkins, The Tragedy of Macbeth
Richard Jenkins, The Humans
Ben Mendelsohn, Cyrano
John David Washington, Canterbury Glass
And we’re off! I’ll have my inaugural choices for Supporting Actress up shortly…
We have somehow reached the midpoint of 2021 and that means it is time to take stock in the Oscar contenders that have been released or screened so far. In short, we are talking about fairly slim pickings.
That is not rare. The bulk of the Best Picture nominees are typically unveiled between September-December of a given year (or in the case of 2020 – January or February of 2021 as well). For the previous Academy Awards, not one of the 8 BP contenders were distributed in the first half of the year. However, 3 of them (The Father, Sound of Metal, Promising Young Woman) premiered at the Sundance Film Festival in January 2020. Another (Sound of Metal) was screened all the way back in September 2019 during Toronto’s festival.
As a reminder, Oscar rules were altered moving forward starting with next year’s ceremony. There will be a fixed number of 10 BP nominees (thank goodness). As I see it, the 2021 Sundance Fest gave us three potential hopefuls in the big race: Sian Heder’s Coda, Rebecca Hall’s Passing, and Fran Kranz’s Mass.
Coda and Mass, in particular, seem like real possibilities. The former, in addition to a Picture nod, could see itself as a contender for Emilia Jones in Actress and Marlee Matlin in Supporting Actress. The latter sports a quarter of performers (Jason Isaacs, Martha Plimpton, Ann Dowd, Reed Birney) that could find themselves in the mix. Passing, while more of a long shot for BP, features Tessa Thompson and Ruth Negga and they will likely be campaigning.
How about movies that didn’t go the Sundance route? The obvious one is In the Heights from Jon M. Chu. The musical garnered glowing reviews when it premiered in theaters and on HBO Max last month. However, its surprisingly lackluster box office grosses may hinder its chances. Time will tell.
There are already three released animated features that could make the final five: The Mitchells vs. the Machines, Luca, and Raya and the Last Dragon. I think the first two have strong chances while Raya is more of a question mark. Flee, which screened at Sundance, was critically hailed and it could find itself competing here and in Documentary Feature.
As for other docs, keep an eye out for Summer of Saul (which actually releases tomorrow) and Roadrunner: A Film About Anthony Bourdain.
And when we look at below the line categories, there’s Cruella. Costume Design and Makeup and Hairstyling are two derbies where it could not only be nominated, but prevail. I also wouldn’t completely count out Coming 2 America for the same categories. The Sound race is open for A Quiet Place Part II. Godzilla vs. Kong is a hopeful in Visual Effects.
Bottom line: expect nearly all of 2021’s Best Picture players to see their release dates in the next six months. At least two could come from Sundance with Heights hoping its box office fall doesn’t sink its chances.
One of the most buzzed about features that debuted at the Sundance Film Festival is Fran Kranz’s Mass, which tackles the issue of gun violence by placing the parents of a slain child with the parents of the shooter. That quartet of actors is made up of Jason Isaacs, Martha Plimpton, Ann Dowd, and Reed Birney. Writer/director Kranz, who you may know from his role in The Cabin in the Woods, makes his debut behind the camera.
Critics have indicated that it’s an impressive one. The Rotten Tomatoes score stands at 92% with particular praise going to the performers. Mass is seeking distribution and it should have no trouble finding it through a streamer or studio. An awards push is likely and it will be interesting to follow what category placements the actors are put into.
It’s also an open question as to whether this tricky subject matter will translate to possible nominations. Some reviews have pointed out that this is a tough watch, but a worthy one.
Bottom line: Mass, with the right handling, could be a picture we’re discussing a year from now in the 2021 awards season. My Oscar Watch posts will continue…
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