2022: The Year of Hong Chau

My Year Of posts focused on six performers who gave audiences a memorable 2022 culminates with what I’ll consider the Utility Player prize. This goes to a character actor who improves the viewing experience of the projects they’re in. We could coin it the Patricia Clarkson or J.T. Walsh Award.

This year, I’m giving it to Hong Chau. Five years ago, she received Golden Globe and Critics Choice nominations for her supporting part in Alexander Payne’s Downsizing. An Oscar nod was expected to follow, but didn’t materialize.

In the half decade since, she’s been seen more in small screen material. That changed in ’22 with two critically heralded roles in Darren Aronofsky’s The Whale and Mark Mylod’s The Menu. For the former, her Liz (caretaker and confidant to Brendan Fraser’s lead) could mark Chau’s first Academy recognition. For the latter, her Elsa (second in command to the sadistic chef played by Ralph Fiennes) was a highlight in a terrific cast.

At the Cannes Film Festival in May, another Chau performance received acclaim. Kelly Reichardt’s Showing Up features her with Michelle Williams in a dramedy that sports a 95% Rotten Tomatoes score. It’ll be released stateside in 2023. So will Wes Anderson’s Asteroid City where she’ll be part of his typical impressive ensemble that includes Tom Hanks, Tilda Swinton, Margot Robbie, Edward Norton, and many more. Chau is also cast in Yorgos Lanthimos’s And with Emma Stone, Jesse Plemons, Willem Dafoe, and Margaret Qualley.

Among all those well-known filmmakers and stars, Chau stands out and earns a final slot in the Year Of write-ups.

The Menu Box Office Prediction

Searchlight Pictures is hoping moviegoers check out The Menu when it opens November 18th. Mark Mylod, best known for small screens fare like Game of Thrones and Shameless, directs. The black comedy features a large cast of cooks and diners including Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Judith Light, John Leguizamo, Reed Birney, Aimee Carrero, and Arturo Castro.

For the most part, critics like what they were served when this debuted at Toronto. The Rotten Tomatoes score is 88%. That said, The Menu is not generating much awards chatter which could’ve helped in appetizing an older audience.

A debut at or above $10 million would be quite an accomplishment. I don’t think it gets there with $7-9 million being more likely.

The Menu opening weekend prediction: $8.2 million

For my She Said prediction, click here:

Oscar Predictions: The Menu

Mark Mylod’s The Menu is receiving mostly positive orders after premiering in Toronto before its November 18th domestic release. Will awards voters find it appetizing? The black comedy stars Anya Taylor-Joy, Nicholas Hoult, Ralph Fiennes, Hong Chau, Janet McTeer, Judith Light, and John Leguizamo.

The Searchlight Pictures release stands at 89% on Rotten Tomatoes with plenty of critics praising the screenplay. Perhaps the original script from Seth Reiss and Will Tracy could contend. Fiennes, in particular, is being singled out and a Supporting Actor nod is potentially in the mix.

Yet I suspect the Palme d’or winning Ruben Ostlund’s Triangle of Sadness, with its similar subject matter, might achieve Academy attention instead of this. There could be room for both, but I’m uncertain. Where The Menu could make a play is at the Golden Globes in the Musical/Comedy Best Picture derby. That’s also where Taylor-Joy may surface in Best Actress. My Oscar Prediction posts will continue…