Steven Soderbergh unveils his second 2025 picture in weeks when Black Bag opens on March 14th. The spy thriller is led by Cate Blanchett and Michael Fassbender with Marisa Abela, Tom Burke, Naomie Harris, Regé-Jean Page, and Pierce Brosnan in support.
The Focus Features flick is generating impressive critical support with 96% on Rotten Tomatoes. That’s some of the best recent reviews in the prolific director’s long career. Bag‘s buzz could mean this over performs. If this reaches $10 million, that would be quite an accomplishment. I don’t think it gets there, but it should certainly outpace the $3.3 million that Soderbergh’s January predecessor Presence earned out of the gate.
Black Bag opening weekend prediction: $7.3 million
Arriving just weeks after his well-reviewed haunted house flick Presence, the prolific Steven Soderbergh helms the spy thriller Black Bag. Out March 14th, David Koepp handles screenplay duties (he also scripted Presence) with eight-time nominee and two-time Academy winner Cate Blanchett and two-time nominee Michael Fassbender starring. The supporting cast includes Marisa Abela, Tom Burke, Naomie Harris, Regé-Jean Page, and Pierce Brosnan.
Critics are digging what they’re finding in Bag. The Rotten Tomatoes score is 95% with Metacritic at 86. Blanchett, Fassbender, and Brosnan (in what’s said to be a small but memorable role) are getting kudos as are the screenplay and cinematography.
That said, Bag probably isn’t an awards play for Focus Features despite the impressive reviews thus far. My Oscar Prediction posts will continue…
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
Let’s begin with Best Actress as it might be the most tricky of all to figure out (though the supporting competitions are up there too). I believe there are three performers whose nominations you can write down in pen.
For months, I’ve had Mikey Madison (Anora) listed in 1st place for her work in Anora. She’s been nominated everywhere she needs to be – Golden Globes, SAG, Critics Choice, the BAFTA long list. The film is definitely in the top 5 of Best Picture hopefuls. In other words, she’s in.
That said, just yesterday, I slid her from 1st to 2nd in favor of Demi Moore in The Substance. That’s mainly because Moore was victorious over Madison at the Golden Globes in the Actress (Musical or Comedy) category. Furthermore, Hollywood loves a comeback story. That is present with Demi. She managed all the aforementioned precursors that Madison has and there’s a win in her favor. I do believe the Oscar could go to either of them, but this seems reminiscent of Best Actor in 2022. Austin Butler (Elvis) was the young upstart like Madison. Brendan Fraser (The Whale) was the once major movie star in a comeback vehicle that also involved heavy makeup work. Fraser got the gold.
I would put Moore and Madison’s chances of making the final five at 100% or at least 99.9999999%. The third “pen” pick is Karla Sofia Gascón in Emilia Pérez. She would make history as the Academy’s first trans nominee. Gascón also made the cut at the key precursors and shared a Cannes victory for Best Actress with her costars. Some prognosticators have started wondering whether she’s a guaranteed nominee. While she’s maybe not a total certainty like our previous actresses, I’d say it’s really close. After all, Emilia Pérez might get the most nominations of any picture this time around. I don’t see that occurring without Emilia Pérez being in contention.
And then… it gets complicated. Before we move to the several performers jockeying for two spots, let’s pour one out for these actresses whose campaigns never got off the ground. In some cases, the films underperformed significantly with critics and audiences. In others, their studios didn’t mount an offensive drive for their inclusion. Some examples are Florence Pugh (We Live in Time), Jodie Comer (The Bikeriders), Ryan Destiny (The Fire Inside), Daisy Ridley (Young Woman and the Sea), Regina King (Shirley), Lily-Rose Depp (Nosferatu), and Marisa Abela (Back to Black). Julianne Moore (The Room Next Door) and June Squibb (Thelma) received a little more attention. However, they failed to show up in any significant other awards lists.
After that lengthy group, there’s a next level. These are actresses who may have shown up in some precursors or long lists, but aren’t expected to materialize in the Oscar quintet. Their chances aren’t completely out of reach like those in the previous paragraph. Yet it’s close. I would put Julianne Moore’s The Room Next Door costar Tilda Swinton in this class. Same with Zendaya (Challengers) and Saoirse Ronan (The Outrun).
This leaves us with eight performances vying for two spots: Amy Adams (Nightbitch), Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Marianne Jean-Baptiste (Hard Truths), Angelina Jolie (Maria), Nicole Kidman (Babygirl), Fernanda Torres (I’m Still Here), and Kate Winslet (Lee). Let’s walk through them one by one, shall we?
Amy Adams has the narrative of being long overdue for an Oscar. Despite six nominations, she’s yet to hear her name called. On paper, this seemed like a strong possibility but so-so reviews for Nightbitch have not helped. Despite a Globe nod and being in the BAFTA long list, I have her 8th of these 8 possibilities.
I might be more inclined to put Anderson in my five if it weren’t for Demi Moore’s comeback narrative. The Baywatch starlet is getting career best notices for this indie drama even if the film itself is drawing more mixed reactions. Her Globe nomination in Actress (Drama) wasn’t a huge surprise. The SAG nod this week was and it does increase her viability. I have her 5th of these 8 possibilities.
Cynthia Erivo is starring in one of the year’s largest blockbusters with Globe, SAG, Critics Choice, and the BAFTA long list preceding a potential Oscar nod. If she were to win, Erivo would achieve EGOT status as she already has an Emmy, Grammy, and Tony on her resume. The only question mark is whether the amount of performers could squeeze her out. I doubt it. Erivo is ranked 1st of these 8 possibilities.
Marianne Jean-Baptiste is receiving plenty of critics prizes for her role in Mike Leigh’s Hard Truths. Critics Choice and the BAFTA long list are in her corner though she notably missed SAG and the Globes. Leigh has a history of getting his actors nominated. Seeing her in the eventual quintet would not surprise, but she’s 4th of my 8 possibilities at press time.
Angelina Jolie’s inclusion for Pablo Larrain’s Maria seemed assured at one point after the picture premiered in Venice. In hindsight, the troubling signs could have been evident immediately. She did not take Best Actress at that festival. Since then, she’s missed SAG and the BAFTA long list while competing for the Globe and being nominated for Critics Choice. Her most notable blow came at the Globes. She was favored to win Best Actress in a Drama but fell short to Fernanda Torres. I still think she could get in though I have her just on the outside looking in and 3rd of my 8 possibilities.
For her performance in Babygirl, Nicole Kidman did win Best Actress at Venice and Globe and BAFTA long list spots followed. The recent snubs at Critics Choice and SAG are hard to ignore. She’s 6th among these 8 possibilities.
Fernanda Torres in I’m Still Here had no major other precursors to her credit besides the Globe. No BAFTA long list. No Critics Choice. And no SAG attention this week. That win at the Globes, though, looms large and it occurred just as Academy voting was underway. That’s why she’s 2nd of these 8 possibilities.
Finally, Kate Winslet as Lee showed up at the Globes and BAFTA long list. Reviews for the project itself aren’t overly impressive. Winslet could get in because, well, she’s Kate Winslet. Nevertheless she’s 7th of these 8 possibilities.
Whew. OK. There you have it. My microscope analysis of Best Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actor up next!
Focus Features hopes audiences don’t say no no no to Back to Black when it arrives stateside on May 17th. Sam Taylor-Johnson, best known for making Fifty Shades of Grey, directs the Amy Winehouse biopic with Marisa Abela as the late crooner. Jack O’Connell, Eddie Marsan, and Lesley Manville costar.
Despite middling reviews (only 38% on RT), Black premiered in the #1 spot in the UK about a month ago. Of course, its earnings should be more impressive across the pond. Stateside audiences might be more ambivalent and the shaky word-of-mouth won’t help.
Rolling out on approximately 2000 screens, this could open similarly to last fall’s Priscilla. It did $5.1 million in its wide release and I’ll forecast that this gets just under that.
Back to Black opening weekend prediction: $4.5 million
Back to Black doesn’t hit domestic venues until May 17th, but the biopic is out this weekend in the U.K. and reviews are available for download. Focused on the life of British crooner Amy Winehouse, Fifty Shades of Grey helmer Sam Taylor-Johnson directs with Marisa Abel as the late singer. Jack O’Connell, Eddie Marsan, and Lesley Manville costar.
Critical reaction is decidedly mixed. Trades like Variety and Hollywood Reporter are mostly positive while plenty of across the pond publications are panning it. The current result is 52% on Rotten Tomatoes.
Like another 2024 musical biopic about a legend gone too soon (Bob Marley: One Love with Kingsley Ben-Adir in the title part), notices for its headliner are stronger than the picture itself. Abel is being praised and she’s at least a slight threat to contend in Best Actress. Like Ben-Adir, it might be a stretch to make the final cut. Perhaps BAFTA is more doable. Don’t expect Black to factor in anywhere else. My Oscar Prediction posts will continue…
My initial projections for the 96th Academy Awards arrives at Best Actress. If you missed my takes on the other three acting derbies, they can be accessed at the bottom of the post.
As I’ve mentioned in the other write-ups, this is simply a super early snapshot of the possibilities. A year ago in my first forecast for the 95th Oscars, none of the five actresses I had pegged in this race ended up being nominated. However, the pictures for two of them (Emma Stone for Poor Things and Regina King in Shirley) were pushed back to this year and you can find their names below yet again. Three of the eventual nominees for 2022 were listed in Other Possibilities: eventual winner Michelle Yeoh (Everything Everywhere All at Once), Cate Blanchett (Tár), and Ana de Armas (Blonde).
I’ll have Director and the big prize Picture posted tomorrow!
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