Springsteen: Deliver Me from Nowhere Box Office Prediction

20th Century Studios hopes that Springsteen: Deliver Me from Nowhere has a glorious first three days at the box office when it drops October 24th. Centered around the making of his 1982 album Nebraska, Jeremy Allen White plays the title character with Jeremy Strong as longtime manager Jon Landau. Scott Cooper directs the musical bio with a supporting cast including Paul Walter Hauser, Stephen Graham, Odessa Young, Gaby Hoffman, Marc Maron and David Krumholtz.

Nowhere was first seen at the Telluride Film Festival where it managed to generate awards chatter, especially for White (who’s won multiple honors for his TV work on The Bear). Overall reviews were somewhat tempered in their praise with 72% on Rotten Tomatoes and a 65 Metacritic.

Last year, A Complete Unknown (from the 20th Century umbrella under Searchlight) struck a chord with viewers to tune of $75 million. That biopic of Bob Dylan with Timothée Chalamet seemed to have more buzz prior to its release. Some estimates have Nowhere reaching $20-25 million, but I’m thinking mid teens is where its ends up.

Springsteen: Deliver Me from Nowhere opening weekend prediction: $16.1 million

For my Regretting You prediction, click here:

For my Chainsaw Man – The Movie: Reze Arc prediction, click here:

Oscar Predictions – Springsteen: Deliver Me from Nowhere

Awards prospects for Springsteen: Deliver Me from Nowhere are no longer a complete unknown now that it has premiered at Telluride prior to its October 24th domestic bow. Chronicling the making of his 1982 album Nebraska during a tumultuous personal period, Jeremy Allen White headlines as the legendary Boss in the Scott Cooper directed effort. Jeremy Strong (as longtime manager Jon Landau), Paul Walter Hauser, Stephen Graham, Odessa Young, Gaby Hoffman, Marc Maron, and David Krumholtz costar.

As reviews trickle in from Colorado, some common themes have emerged. Critics are praising its focus on a particular time in Springsteen’s legendary career and avoiding musical biopic cliches. Word-of-mouth indicates this could fare well with Academy voters like last year’s Bob Dylan centered A Complete Unknown. That includes viability in Best Picture, Adapted Screenplay, and down-the-line races like Casting, Film Editing, Makeup and Hairstyling, and certainly Sound. Cooper probably is a long shot for his direction though it is worth noting that James Mangold was a bit of a surprise nominee for Unknown.

As for the performances, White (a two-time Emmy winner for The Bear) seems poised for his first Oscar recognition. In the supporting derbies, it sounds like Strong is the better bet over Graham. Prognosticators have been wondering who would emerge between the two. If the Succession thespian makes the Supporting Actor quintet, it would be his second nom in a row after last year’s The Apprentice. While Odessa Young is being singled out in some write-ups, I doubt she materializes in Supporting Actress. My Oscar Prediction posts will continue…

Oscar Predictions: The Bad Guys 2

The Bad Guys 2 looks to steal lots of box office loot when it debuts this weekend. Following up on 2022’s heist comedy from DreamWorks Animation, Pierre Perifel returns to direct the adaptation of Aaron Blabey’s kids book series. Contributing voices include Sam Rockwell, Marc Maron, Craig Robinson, Anthony Ramos, Awkwafina, Zazie Beetz, Danielle Brooks, Natasha Lyonne, Maria Bakalova, Alex Borstein, Richard Ayoade, and Lilly Singh.

This franchise has drawn mostly appreciative notices from critics. The 87% Rotten Tomatoes rating and 64 Metacritic are right in line with the original’s scores. Yet that wasn’t enough for these characters to make off with an Animated Feature Academy Award nomination three years ago. I’m skeptical the sequel would either and I didn’t have it listed in my top ten possibilities in my updated predictions last weekend. My Oscar Prediction posts will continue…

The Bad Guys 2 Box Office Prediction

Animated creature caper high jinks continue when The Bad Guys 2 opens August 1st. The follow-up to the 2022 original finds Pierre Perifel back in directorial control with returning voice work from Sam Rockwell, Marc Maron, Craig Robinson, Anthony Ramos, Awkwafina, Zazie Beetz, Richard Ayoade, Lilly Singh, and Alex Borstein. Newcomers to the mix are Danielle Brooks, Maria Bakalova, and Natasha Lyonne.

Based on Aaron Blabey’s series of children’s books, part one exceeded expectations over three years ago with a $24 million premiere and $97 million overall domestic total. With plenty of time for kiddos to stream the predecessor, it stands to reason that the Universal release could build upon that gross. I think it’ll do so in the high 20s range.

The Bad Guys 2 opening weekend prediction: $28.1 million

For my The Naked Gun prediction, click here:

For my Together prediction, click here:

Oscar Predictions: The Order

Justin Kurzel’s 1980s set true crime thriller The Order casts Jude Law as an FBI agent infiltrating a group of white supremacists. It’s received a Venice Film Festival bow prior to the planned December 6th theatrical release. Nicholas Hoult, Tye Sheridan, Jurnee Smollett, and Marc Maron costar.

Two-time nominee Law (for The Talented Mr. Ripley and Cold Mountain) hasn’t been in the awards conversation for over two decades. He’s getting some fine notices for his work here as is the film itself. However, the 78% RT score certainly contains some so-so reviews. I wouldn’t expect this to enter the chat for prognosticators. My Oscar Prediction posts will continue…

Oscar Predictions: DC League of Super-Pets

The Warner Animation Group kicked off nearly a decade ago with 2014’s The Lego Movie. This Friday, their 10th effort under the production banner is DC League of Super-Pets. It comes from director Jared Stern (who wrote The Lego Batman Movie and The Lego Ninjago Movie) and features the voices of Kevin Hart and Dwayne Johnson as Batman and Superman’s respective canine pals.

While some of their titles have performed pleasingly at the box office, none of the pics have caught the attention of awards voters. Super-Pets currently sits at a decent 80% on Rotten Tomatoes. Yet if Lego and its spin-offs and sequels didn’t block space on the Best Animated Feature final five, the competition from Disney and others will likely freeze this out too. My Oscar Prediction posts will continue…

DC League of Super-Pets Box Office Prediction

Blogger’s Note (07/27): I am revising my estimate down considerably- from $42.6M to $33.6M

Dwayne Johnson and Kevin Hart already share a successful cinematic history via Central Intelligence and the Jumanji franchise. On July 29th, they reunite to respectively provide the voices of Superman and Batman’s canine companions in the animated DC League of Super-Pets. The Warner Animation Group superhero tale (or rather… tail?) is directed by Jared Stern, who did work on the studio’s The Lego Batman Movie and The Lego Ninjago Movie. John Krasinski voices the Man of Steel while Keanu Reeves does so for the Caped Crusader. Other familiar names contributing vocal work are Kate McKinnon, Vanessa Bayer, Natasha Lyonne, Diego Luna, Thomas Middleditch, Ben Schwartz, Marc Maron, and Olivia Wilde.

The Legion of Super-Pets from the DC Comics dates all the way to 1962 and their connection to their iconic masters could get plenty of kids to the multiplexes. It might even get their parents slightly interested. The summer of 2022 has been unpredictable when it comes to animated features. Lightyear was a rare disappointment for Disney/Pixar and Paws of Fury: The Legend of Hank outright bombed last weekend. On the other hand, Minions: The Rise of Gru was a massive hit that’s currently rising to a $300 million plus domestic haul. The Bad Guys was also a solid performer in the spring.

So what league will this premiere in? Estimates have it in the $40-50 million range. I see no reason why it would greatly exceed or fall short of expectations. I’m thinking it starts in the low to mid 40s though getting above $50 million is certainly doable.

DC League of Super-Pets opening weekend prediction: $33.6 million

 

Oscar Predictions: The Bad Guys

We’re not yet a third of the way into 2022 and it’s at least feasible that three of the five eventual Best Animated Feature nominees will have been released. DreamWorks Animation’s The Bad Guys opens this Friday and with a 92% Rotten Tomatoes score, it shouldn’t be counted out for inclusion.

It joins the already out Turning Red (Disney) and Apollo 10 1/2 (Netflix) as viable contenders for the prize. None are shoo-in nominees, but all three had their chances assisted today with the announcement that Spider-Man: Across the Spider-Verse has been pushed to 2023.

Bottom line: there’s two-thirds of the year left for other hopefuls to emerge, but The Bad Guys has a fighting shot to make the cut. My Oscar Predictions posts will continue…

The Bad Guys Box Office Prediction

Having already premiered to decent grosses overseas, DreamWorks Animation is hoping for good returns for The Bad Guys when it debuts domestically on April 22nd. From first-time director Pierre Perifel, the crime comedy features the voices of Sam Rockwell, Marc Maron, Anthony Ramos, Craig Robinson, Awkwafina, Richard Ayoade, and Zazie Beetz.

Based on a series of children’s graphic novels, Guys arrives during an April with other high-profile family offerings. Sonic the Hedgehog 2 will be in its third weekend with Fantastic Beasts: The Secrets of Dumbledore in its sophomore frame.

That should dilute the money that this brings in. Impressive reviews (94% currently on Rotten Tomatoes), however, could help this open or perhaps exceed its expected $10-15 million range. I’ll give it the slight benefit of the doubt.

The Bad Guys opening weekend prediction: $16.7 million

For my The Northman prediction, click here:

The Northman Box Office Prediction

For my The Unbearable Weight of Massive Talent prediction, click here:

The Unbearable Weight of Massive Talent Box Office Prediction

Oscar Watch: Respect

When I did my first ranked Oscar predictions in the Best Actress race on August 27, 2020 – I had Jennifer Hudson’s portrayal of Aretha Franklin in Respect ranked fifth. The biopic ended up getting delayed due to COVID. Now it’s out on Friday (August 13). My initial two weeks of Academy rankings for 2021 has had Hudson pegged in fourth while not including the film itself in the 25 possibilities for Best Picture.

The review embargo lifted this evening and… well, I might be onto something. The prevalent theory has been that Respect could be a one race player in the major categories. This is similar to what we saw two years ago when Renee Zellweger took Best Actress as Judy Garland in Judy and last year when Andra Day was nominated for The United States vs. Billie Holiday. 

Early critical reaction is mixed though Hudson is being widely praised. It was 15 years ago that the former American Idol singer won gold in Supporting Actress for her show stopping work in Dreamgirls. She hasn’t been on the Academy’s radar since. Respect, as anticipated, could easily change that. Nothing in the write-ups indicates this will a Picture hopeful. Same goes for the supporting cast. I have had Audra McDonald in the lower rungs of possibilities in supporting for the past two weeks. Don’t expect to see her name when I update my forecast on Thursday.

Costume Design is another possibility, but don’t be surprised at all to see Hudson as the lone representation here. And that’s far from guaranteed. There’s a lot of leading performances yet to be seen that could contend: Jessica Chastain (The Eyes of Tammy Faye), Jodie Comer (The Last Duel), Penelope Cruz (Parallel Mothers), Kirsten Dunst (The Power of the Dog), Lady Gaga (House of Gucci), Nicole Kidman (Being the Ricardos), Frances McDormand (The Tragedy of Macbeth), Kristen Stewart (Spencer), and Rachel Zegler (West Side Story) are just some. Emilia Jones (CODA) and Renate Reinsve (The Worst Person in the World) represent two turns already seen that could find themselves in the mix.

Bottom line: Hudson is absolutely more than just a little bit of a factor in this race, but we have to see what transpires over festival season and the rest of the year. My Oscar Watch posts will continue…