Tag: Mandy

Oscars: The Case of Andrea Riseborough in To Leslie

As a down on her luck lottery winner who blew through the cash, Andrea Riseborough’s much discussed Best Actress nomination for To Leslie is next up in my Case Of posts.

The Case for Andrea Riseborough:

Even a week before Oscar nods came out, Riseborough (known for roles in mainstream and indie fare including Oblivion, Battle of the Sexes, and Mandy) was on no one’s radar screen for this small budget drama. Then a grassroots campaign emerged with shout-outs from fellow competitor Cate Blanchett and others. Most didn’t think she’d manage to get in, but lo and behold it happened. So it that can happen… why not a victory?

The Case Against Andrea Riseborough:

Well, there’s plenty of reasons why there probably won’t be a win. She was mentioned in zero precursors. The unconventional campaign for her to make the quintet – fairly or unfairly – has been criticized. And Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once) appear to be in a two-person race for the gold.

Previous Nominations:

None

The Verdict:

The biggest surprise of the 20 contestants in the four acting derbies, Riseborough’s inclusion could lead to changes in the Academy’s campaign rules or could revolutionize how small distributors mount their campaigns. It’s doubtful the end result of the nomination itself is a win.

My Case Of posts will continue with Brendan Fraser in The Whale!

For my write-ups on Riseborough’s fellow nominees, click here:

Oscars: The Case of Cate Blanchett in Tár
Oscars: The Case of Ana de Armas in Blonde
Oscars: The Case of Michelle Williams in The Fabelmans
Oscars: The Case of Michelle Yeoh in Everything Everywhere All at Once

Oscar Watch: Pig

I know, I know. For followers of my blog – you might be thinking… an Oscar Watch post on the Nicolas Cage pig movie?!?! Well, before you completely turn up your snout on the notion, I will just point out that the actor’s latest effort (opening tomorrow) is garnering some serious acclaim.

Pig marks the directorial debut of Michael Sarnoski and it casts Cage as a truffle hunter whose beloved swine is swiped. So how are the critics responding? How about a 98% Rotten Tomatoes rating and reviewers calling it some of the finest work of the actor’s career.

The last several years of the Oscar winner’s career has been something to behold. Cage is appearing in about four to five pictures a year on average. Most of them are direct to streaming and many are nondescript action thrillers with poor Tomato meters. Yet for every three or four of those, there’s another that gets some props. This includes Mom and Dad, Mandy, and Color Out of Space.

It’s been over 25 years since Cage took home Best Actor for Leaving Las Vegas and nearly 20 years since his last nod for Adaptation. Now let’s get real. It’s highly unlikely that the Academy will nominate him here (though they have shown their love for the title animal before with Babe). Pig is a long shot for any attention at all.

That said, I wouldn’t be the least bit surprised to see a groundswell of Internet support with a campaign to get Cage back into contention. Don’t expect it to come to fruition, but stranger things have happened. That includes the very idea of this post existing before the critics weighed in. My Oscar Watch posts will continue…