December 20-22 Box Office Predictions

Paramount and Disney respectively look to dominate the pre-Yuletide box office chart as Sonic the Hedgehog 3 and Mufasa: The Lion King invade theaters this weekend. The duo should easily lead a family friendly lineup as we enter the bustling holiday season. You can peruse my detailed prediction posts on the newcomers here:

As explained in said posts, Sonic may have the advantage of having a more front loaded start than its Mouse House competitor. My mid to high 70s forecast has the Sega threequel slightly outperforming its 2022 predecessor.

Mufasa is highly unlikely to match the near $200 million opening haul that 2019’s live-action The Lion King roared with. While I have it achieving low to mid 50s out of the gate, this sequel/prequel appears set up to play well throughout the season.

After three weeks atop the charts, Moana 2 will relinquish the crown. It may even fall to fourth as I have it dipping in the 50% range and Wicked sliding in the mid 40s.

I’ll give the five spot to Kraven the Hunter after a DOA arrival (more on that below), but it could be Gladiator II. I have Kraven plummeting in the upper 50s with Gladiator easing in the low 40s.

And with that, here’s my take on the top 6:

1. Sonic the Hedgehog 3

Predicted Gross: $77.6 million

2. Mufasa: The Lion King

Predicted Gross: $51.3 million

3. Wicked

Predicted Gross: $12.7 million

4. Moana 2

Predicted Gross: $12.5 million

5. Kraven the Hunter

Predicted Gross: $4.8 million

6. Gladiator II

Predicted Gross: $4.6 million

Box Office Results (December 13-15)

November leftovers Moana 2 and Wicked continued to entertain kids and their parents. The former was 1st with $26.4 million, in line with my $27.5 million prediction. Disney’s sequel has amassed $337 million since its Thanksgiving bow.

Wicked took the runner-up spot at $22.6 million, in range with my $21.7 million call. The Broadway adaptation stands at $359 million after four weeks.

Another poorly reviewed Spider-Man Universe offering bombed with audiences as Kraven the Hunter was blanked in third with $11 million. I was more generous at $14.8 million. This comes months after Madame Web struggled to find its comic book fans. With a tepid C Cinemascore grade, crowds agreed with critics on its quality.

Gladiator II was fourth with $7.6 million. My estimate? $7.6 million! After four weeks, the tally stands at $145 million.

Finally, anime The Lord of the Rings: The War of the Rohirrim did not pass muster with moviegoers in fifth with a paltry $4.5 million. I gave it more credit at $8 million.

And that does it for now, folks! Until next time…

December 13-15 Box Office Predictions

Kraven the Hunter and anime The Lord of the Rings: The War of the Rohirrim hope to get lucky at the box office this weekend while Moana 2 and Wicked look to maintain the 1-2 spots. You can peruse my detailed prediction posts on the newcomers here:

Kraven arrives after multiple delays amid muted buzz. It will hope for numbers closer to the Venom franchise as opposed to Madame Web, but that could be wishful thinking. My low to mid teens forecast puts in third behind the fourth frame of Wicked.

As for Rings, it could exceed expectations simply due to brand recognition. While some anime fans could turn up in addition to Tolkien aficionados, I have it flopping in fourth barely ahead of Gladiator II.

Moana 2 should manage a third weekend in 1st with a mid 40s decline.

Here’s how I see the high five playing out:

1. Moana 2

Predicted Gross: $27.5 million

2. Wicked

Predicted Gross: $21.7 million

3. Kraven the Hunter

Predicted Gross: $14.8 million

4. The Lord of the Rings: The War of the Rohirrim

Predicted Gross: $8 million

5. Gladiator II

Predicted Gross: $7.6 million

Box Office Results (December 6-8)

The post Thanksgiving holiday weekend saw even bigger declines than I figured with the top four remaining unchanged. Disney’s Moana 2, after its record shattering debut, fell 63% to $51.2 million compared to my $55.1 million prediction. Nevertheless the Mouse Hunt smash sequel has amassed $299 million since its start.

Wicked was second with $36.4 million (down 55%) and I incorrectly had it holding steadier with $48 million. In three weeks, the Golden Globe nominated Best Musical or Comedy has taken off with an astounding $322 million in three weeks.

Gladiator II was third with $12.5 million, again not matching my loftier $14.8 million projection. Ridley Scott’s follow-up brought its three-week tally to $132 million.

Red One held the four spot at $7 million (I said $7.6 million). The holiday offering continues to inch toward nine digits with $85 million in four weeks.

Finally, epic Indian action fest Pushpa 2: The Rule was fifth with $4.8 million from Friday to Sunday. That didn’t match my $5.9 million expectation though it has made $9.3 million since being unveiled on Wednesday.

And that does it for now, folks! Until next time…

Kraven the Hunter Box Office Prediction

Columbia Pictures hopes audiences are craving new superhero action when Kraven the Hunter hits theaters on December 13th. This is the latest entry in the Sony Spider-Man Universe which has found success with the Venom pics and failure with Morbius and Madame Web. Aaron Taylor-Johnson stars in the title role spawned from the Marvel Comic with Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, and Russell Crowe offering support.

This has had a lengthy road to the multiplex. Hunter is on its fourth release date as it was originally slated for nearly two years ago. The first trailer came out in June 2023. In April of 2022, Morbius rolled out to a $39 million showing before cratering in weekend #2. Madame Web had a six-day rollout over President’s Day weekend and took in only $25 million for that time period.

I don’t think Kraven approaches that Morbius figure and it may fall just below Web‘s $15 million Friday to Sunday from a few months back.

Kraven the Hunter opening weekend prediction: $14.8 million

For my The Lord of the Rings: The War of the Rohirrim prediction, click here:

Oscar Predictions – Venom: The Last Dance

Tom Hardy and his title character alter ego are back for the third and allegedly final time when Venom: The Last Dance hits multiplexes this weekend. The only sub franchise in the Spider-Man Universe doing brisk business and producing sequels (sorry Morbius and Madame Web), Kelly Marcel directs. The supporting cast includes Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Peggy Lu, Alanna Ubach, and Stephen Graham.

Critics haven’t been overly kind to Hardy and company. Part 1 from 2018 managed only 30% on Rotten Tomatoes and a 35 on Metacritic. 2021 follow-up Venom: Let There Be Carnage fared better with 57% on RT and a 49 Metacritic. Dance is currently falling between those numbers with a 41% Tomato meter and 42 on MC.

Even though Hardy gives it his bonkers all in this series, don’t put money down on a Best Actor nomination unless you plan to lose. As I wrote three years ago with Carnage, Visual Effects is really the only awards play. Neither of Dance‘s predecessors nabbed a nod in VE and I wouldn’t expect this one to contend. My Oscar Prediction posts will continue…

Venom: The Last Dance Box Office Prediction

Tom Hardy is back in the dual roles of Eddie Brock and his sadistic otherworldly symbiote on October 25th with Venom: The Last Dance. The third entry in the franchise that began in 2018, Dance marks the directorial debut of Kelly Marcel. She co-wrote the original and solely penned the 2021 sequel Venom: Let There Be Carnage. The supporting cast includes Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Peggy Lu, Alanna Ubach, and Stephen Graham.

Six years back, Venom exceeded expectations with an $80 million opening weekend and $213 million total domestically. Three years later, forecasters assumed Carnage wouldn’t match up due to COVID complications. That turned out to be incorrect as the sequel amassed $90 million out of the gate. Its final stateside gross (rather remarkably) was also $213 million.

Bottom line: don’t underestimate this subsection of the Spider-Man Universe franchise. While Morbius and Madame Web struggled for eyeballs, I envision this premiering similarly to its predecessors. It may not match what came before, but low to mid 60s seems doable.

Venom: The Last Dance opening weekend prediction: $62.3 million

For my Conclave prediction, click here:

Oscar Predictions: Daddio

Christy Hall’s Daddio isn’t out in theaters until June 28th, but festival goers in Telluride and Toronto checked out the two-hander last fall. Dakota Johnson and Sean Penn make up the cast with the latter playing an NYC cabbie and the former as his fare. It marks the debut for the director who also scripted.

Picked up by Sony Pictures Classics, plenty of critics are hailing both performances as well as Hall’s screenplay. The RT score is 83%. I’m just not convinced this will stick with voters come nomination time. Penn, a two-time winner for Mystic River and Milk, and Johnson (yet to be in contention) could get campaigns. I wouldn’t count on them taking a ride to the 97th ceremony (though Johnson has a better shot with this over Madame Web). My Oscar Prediction posts will continue…

March 22-24 Box Office Predictions

Ghostbusters: Frozen Empire hopes to heat up the box office this weekend while Immaculate looks to bring in horror fans. My detailed prediction posts on the two newcomers can be accessed here:

The fifth feature in the franchise, Empire will try to match or exceed the mid 40s earnings that 2016’s Ghostbusters and immediate predecessor Ghostbusters: Afterlife from 2021 achieved in their debuts. I have it a tad under in the low 40s for what will easily be a #1 start.

We are likely to witness a battle for second between holdovers Kung Fu Panda 4 and Dune: Part Two. I have each dipping in the mid to high 30s with the animated sequel barely edging the sci-fi sequel.

Immaculate is a genuine question mark. Neon’s supernatural fright fest stars Sydney Sweeney, who’s coming off the hot Anyone but You and also the cold Madame Web. It seems to be flying under the radar, but could over perform as the genre often does. My mid single digits take puts it firmly in fourth with the disappointing Arthur the King rounding out the top five.

Here’s how I think it will play out:

1. Ghostbusters: Frozen Empire

Predicted Gross: $42.7 million

2. Kung Fu Panda 4

Predicted Gross: $18.2 million

3. Dune: Part Two

Predicted Gross: $17.4 million

4. Immaculate

Predicted Gross: $4.9 million

5. Arthur the King

Predicted Gross: $3.8 million

Box Office Results (March 15-17)

Kung Fu Panda 4 held the crown for the second weekend in a row with $30.1 million, right on target with my $30.6 million estimate. The two-week tally puts it over the century mark at $107 million as it continues to outpace part 3.

Dune: Part Two, as expected, had a nice hold in weekend #3 with $28.5 million. I was on pace with my $29.4 million forecast as its surpassed the double century mark with $204 million.

Mark Wahlberg’s canine tale Arthur the King failed to bring in audiences with only $7.6 million, well under my $12.5 million call. I’m expecting a sophomore drop over 50% this weekend.

Imaginary held better than I assumed with $5.5 million compared to my $4.4 million projection. The teddy bear themed horror pic stands at $19 million after two outings and that’s nearly double its budget.

Faith-based Cabrini plummeted 61% in weekend #2 with $2.8 million and that’s below my $4.1 million prediction. The total is $13 million.

Finally, Kristen Stewart’s critically acclaimed crime thriller Love Lies Bleeding had a fairly anemic wide rollout in sixth with $2.4 million (I said $3.7 million).

And that does it for now, folks! Until next time…

Immaculate Box Office Prediction

Sydney Sweeney is in Scream Queen mode when Immaculate is delivered to theaters on March 22nd. The fright fest finds the Euphoria, Anyone but You, and Madame Web star as a devout nun uncovering demonic happenings in the Italian countryside. Michael Mohan directs with a supporting cast including Álvaro Morte, Benedetta Porcaroli, Dora Romano, Giorgio Colangeli, and Simona Tabasco.

The Neon distributed effort is generating uneven reviews (it premiered at South by Southwest earlier this week). The RT meter stands at 64%. I haven’t seen a screen count and the marketing campaign seems a bit on the underwhelming side.

Horror can exceed expectations and that might hold true with Immaculate. Yet I wonder if this can manage the $9M+ that The Pope’s Exorcist achieved for its start last year. It might be lucky to earn half of that.

Immaculate opening weekend prediction: $4.9 million

For my Ghostbusters: Frozen Empire prediction, click here:

March 8-10 Box Office Predictions

Kung Fu Panda 4 will attempt to kick Dune: Part Two out of the top spot this weekend and we also have Blumhouse horror flick Imaginary and faith-based biopic Cabrini debuting. You can peruse my detailed prediction posts on the trio of newcomers here:

I am estimating that DreamWorks Animation’s Panda franchise will continue its downward trend with a high 30s start after the longest layoff between entries.

If that occurs, that likely means a 2nd place showing behind the sophomore frame of Dune: Part Two. That hotly anticipated sequel opened right in line with expectations (more on that below) and had an A Cinemascore grade. Some of its business is understandably frontloaded, but its drop could hold up sturdier than other genre fare in the high 40s to low 50s range.

Blumhouse should have another profitable fright fest with Imaginary considering its reported low budget. However, I don’t envision it premiering anywhere near the studio’s biggest earners. A low double digits gross could put it in third.

That’s unless Cabrini overperforms and it’s the weekend wild car in my view. Coming from Angel Studios and the director of last summer’s smash Sound of Freedom, this could surprise if faith-based crowds turn out in force. On the other hand, Angel’s follow-ups like After Death and The Shift have only managed mid single digits out of the gate. I’m splitting the difference and forecasting a fourth place finish.

Finally, Bob Marley: One Love should round out the top five as it attempts to reach $100 million domestically.

Here’s how I see it playing out:

1. Dune: Part Two

Predicted Gross: $40.7 million

2. Kung Fu Panda 4

Predicted Gross: $38.1 million

3. Imaginary

Predicted Gross: $10.5 million

4. Cabrini

Predicted Gross: $8.9 million

5. Bob Marley: One Love

Predicted Gross: $5.2 million

Box Office Results (March 1-3)

I had Dune: Part Two doubling the debut of its 2021 predecessor and that’s precisely what occurred. The sequel, which landed even better reviews than the heavily Oscar nominated original, took in $82.5 million. That’s in line with my $83.6 million prediction and just over what Oppenheimer premiered with last summer. Christopher Nolan’s biopic (which is about to be crowned Best Picture) experienced only a 43% second weekend decline. As mentioned, Dune‘s should be more, but perhaps not by too much.

After two weeks in first, Bob Marley: One Love was second with $7.4 million and that’s right on target with my $7.5 million call. That biopic now stands at $82 million after three weeks.

Ordinary Angels remained in third with $3.8 million, falling shy of my $4.9 million projection. The faith-based drama with Hilary Swank has $12 million in its coffers after two weeks.

The Chosen Season 4: Episodes 7-8 was fourth with $3.2 million (I said $2.9 million). Since its Leap Day Thursday opening, the total is $4 million.

Finally, superheroine flop Madame Web was fifth with $3.1 million (I said $2.9 million) for a mere $40 million in its three frames of release.

And that does it for now, folks! Until next time…

March 1-3 Box Office Predictions

The month of March blows in some much needed excitement at the box office with Dune: Part Two storming theaters. It looks to dominate the charts with easily the largest debut of 2024 thus far and my detailed prediction post on it can be accessed here:

My low to mid 80s take has it doubling the premiere gross of its 2021 predecessor (which had COVID limitations and debuted simultaneously on Max). Those restrictions are gone and it’s generating stronger reviews than part one, which managed 10 Oscar nominations.

The Chosen Season 4: Episodes 7-8 is available just like the first six shows at multiplexes beginning Thursday. My Friday to Sunday estimate puts it in a battle for fourth place with comic book based dud Madame Web‘s third frame.

Current two-week champ Bob Marley: One Love should slide a spot to 2nd with a mid 40s dip. Ordinary Angels is likely to stay third and with an A+ Cinemascore grade, its decline could be minimal (maybe mid to high teens range).

Demon Slayer: Kimetsu no Yaiba – To the Hashira Training was last weekend’s biggest newcomer and had the largest per theater average of all. Like its predecessor To the Swordsmith Village, it should find itself out of the high five as it’s primarily playing as a one-week engagement.

Here’s how I see the top 5 breaking down:

1. Dune: Part Two

Predicted Gross: $83.6 million

2. Bob Marley: One Love

Predicted Gross: $7.5 million

3. Ordinary Angels

Predicted Gross: $4.9 million

4. Madame Web

Predicted Gross: $2.9 million

5. The Chosen Season 4: Episodes 7-8

Predicted Gross: $2.9 million

Box Office Results (February 23-25)

Biopic Bob Marley: One Love felt the love again in first place with $13.4 million in its sophomore outing. It fell an understandable 53% and didn’t match my rosier $16.2 million projection. The overall tally is a buoyant $71 million.

Demon Slayer: Kimetsu no Yaiba – To the Hashita Training managed to outdo Swordsmith by around a million bucks with $11.5 million for the runner-up spot. That’s also the margin that it outpaced my $10.5 million call.

Ordinary Angels took in $6.1 million for third, falling below my $8 million forecast. The faith-based drama, as mentioned, is garnering praise from audiences and it could experience small declines in the coming weeks.

Madame Web, after a troubling start, dropped 61% for fourth at $5.9 million (just over my $5.6 million prediction). The subpar total since Valentine’s Day is $35 million.

Migration rounded out the top five with $2.8 million (I said $2.9 million) for $120 million in ten weeks.

Argylle was sixth with $2.7 million compared to my $3 million guesstimate as the spy comedy has made $41 million in four weeks.

Wonka was seventh with $2.4 million. I didn’t project a number for it and the holiday confection hit $214 million after 11 weeks.

Finally, Ethan Coen’s road comedy Drive-Away Dolls stalled in eighth with $2.4 million, in line with my $2.6 million prediction.

And that does it for now, folks! Until next time…