Tag: Letitia Wright

Black Panther: Wakanda Forever Review

Black Panther: Wakanda Forever does a commendable job in its treatment of Chadwick Boseman’s 2020 passing. What remains in the sequel feels bloated (161 minutes) and is a significant decline from its 2018 predecessor. The MCU in 2022 has been in a relative rut (Doctor Strange in the Multiverse and Thor: Love and Thunder) and Forever extends that.

I will start by accentuating the aforementioned positive. Director and co-writer Ryan Coogler and his team were obviously faced with a sad and unenviable task of handling the title character’s real life death. King T’Challa’s absence is addressed immediately. The departure is the emotional ripple that causes genuine waves of emotion in the beginning and especially the end.

However, we are left to wonder if the filmmakers would’ve been better off recasting the role. Boseman’s presence and the idea of having a central protagonist is missed in the follow-up. The narrative of Wakanda often feels pulled into too many directions. I found myself wishing to untangle it and cut loose ends.

The plot comes into focus one year after T’Challah’s funeral. Sister Shuri (Letitia Wright) is haunted that her tech skills couldn’t save her sibling. Queen Ramonda (Angela Bassett) rules the country with an iron fist. Other nations, including the United States, are jealous of their vibranium hoarding ways. It turns out the precious metal is also present under the surface in the underwater land of Talokan. Their ruler is Namor (Tenoch Huerta) and his legion of Avatar looking subjects are grappling with how to handle their valuable commodity. Namor decides that Wakanda either needs to join him in declaring war on the rest of the world (who want that sweet vibranium) or become a nemesis of the subsurface society.

Namor, as written, is a fairly decent antagonist. Like Michael B. Jordan’s Killmonger in the original, his motives to be “the bad guy” are rather understandable. The Marvel Cinematic Universe has had plenty of forgettable villains. Namor isn’t one, but Huerta also isn’t much of a threatening presence. This is especially true when comparing Namor to Killmonger as there is no comparison.

My biggest gripe is the one item that also hindered the third act of 2018’s adventure. The action sequences are frequently handled in clumsy fashion. They are too dimly lit or the CG happenings are confusing.

There are some welcome returns with Winston Duke as the warrior M’Baku and Danai Gurira as Okoye, leader of Wakanda’s all female fighting force. Lupita Nyong’o is back as Nakia, T’Challah’s love interest. She is summoned back to her native land by Ramonda and Bassett is given a couple of potent monologues as the mourning Queen.

Then there’s Martin Freeman back on duty as CIA agent Everett Ross. This time around, he’s teamed with his boss and ex-wife Val (Julia Louis-Dreyfus) as they are at odds in their views on how to deal with Wakanda. The screenwriters should have dealt them off the page. They could have been eliminated altogether and the only difference would be a thankfully shorter runtime.

For all the working in water happening during Wakanda Forever, the real waterworks occur as Mr. Boseman is honored and those are powerful moments. Too much of the rest doesn’t work at all.

**1/2 (out of four)

Oscar Predictions – Black Panther: Wakanda Forever

Black Panther: Wakanda Forever hopes to land the biggest opening of 2022 when it debuts this weekend. Disney would also love to see the MCU sequel to 2018’s cultural phenomenon achieve the awards love that its predecessor got. It’s not out of the question that it could.

The review embargo is up today and the Rotten Tomatoes meter is an impressive 90% (under part 1’s 96%). Critics are praising the film’s treatment of the loss of its star Chadwick Boseman in 2020. There is some griping about it being overlong. Few reviews are saying it surpasses the original in terms of quality.

The first Panther was nominated for 7 Academy Awards including Best Picture. Still the only superhero pic to make the BP cut, it took 3 of 7 (Score, Production Design, Costume Design). The other nods were Original Song (“All the Stars” from Kendrick Lamar) and Sound Editing and Sound Mixing (these categories have since been combined).

All 3 races where it won four years ago could pop up this time around. Production Design and Costume Design seem like givens. Sound appears a fairly safe bet. Same with Original Song as Rihanna’s closing credits ballad “Lift Me Up” is a threat to win. Ironically, Mr. Lamar lost in 2018 to Lady Gaga and “Shallow”. Gaga could strike again with “Hold My Hand” from Top Gun: Maverick.

Panther did miss Visual Effects four years back and there were grumbles about the quality. The general consensus is that Wakanda‘s effects are a step up. I don’t think it’s guaranteed to make the VE quintet. However, I do think it has the best shot of the MCU’s 2022 slate (Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder are the others).

As for performances, I could see Angela Bassett nabbing some ink. Ultimately I don’t see a second nom materializing nearly 30 years after her first one for What’s Love Got to Do with It.

Now the major question – can Wakanda Forever get a BP nomination? Short answer is yes. Longer answer is more complicated. With Maverick, there’s already one sequel that looks pretty safe. We still have Avatar: The Way of Water and Glass Onion: A Knives Out Mystery waiting in the wings. I think it’s logical to say we won’t see four sequels in BP. Three seems like a stretch. While I wouldn’t discount Wakanda in the big race, I believe the more feasible scenario is tech nods and possibly 5 to even 7 of them. My Oscar Prediction posts will continue…

Black Panther: Wakanda Forever Box Office Prediction

Blogger’s Note (11/09): I am revising my estimate down from $205.2M to $195.2M. As opposed to the narrative below, that would now give it the #9 opening of all time behind its 2018 predecessor.

On November 11th, Black Panther: Wakanda Forever looks to score the second largest opening of the young decade and add another MCU pic to the top 10 debuts of all time. The sequel to 2018’s phenomenon has Ryan Coogler returning to the director’s chair. Early reactions are very positive saying that part 2 pays touching tribute to Chadwick Boseman, who played the title character in the original and passed away in 2020. Letitia Wright, Lupita Nyong’o, Danai Gurira, Winston Duke, Dominique Thorne, Tenoch Huerta, Martin Freeman, and Angela Bassett are among the large cast.

Wakanda is not expected to approach the $260 million that Spider-Man: No Way Home made out of the gate last December. It should, however, get beyond the $191 million that Doctor Strange in the Multiverse of Madness earned in May. If it does, it would land the #2 opening of the decade and the pandemic era.

In February of 2018, Black Panther rode a wave of sizzling buzz to a $202 million start over the Friday to Sunday portion of President’s Day weekend. For the four-day frame, it topped out at $242 million before eventually grossing $700 million domestically. The three-day premiere still stands at #8 all-time while the overall haul is 6th.

I do believe that all the Wakanda stars are lining up for a Friday to Sunday take that surpasses the original by a small margin. My estimate would give the new Panther the #8 opening while moving its predecessor down to ninth. Time will tell if it eventually approaches the $700 million that the first part amassed.

Black Panther: Wakanda Forever opening weekend prediction: $195.2 million

Oscar Predictions: Death on the Nile

Tomorrow morning, Kenneth Branagh appears poised to land nominations for Best Picture, Director, and Original Screenplay for his passion project Belfast. Before he made that Oscar contender, he shot Death on the Nile. A follow-up to 2017’s Murder on the Orient Express, the pic has faced a turbulent journey to the big screen (it opens Friday).

Originally slated for October 2020, Nile experienced numerous COVID related delays. Then there was the matter of its costar Armie Hammer having a massive public relations fallout due to revelations about his personal life.

Four Oscars ago, I actually predicted Orient would receive a Costume Design nomination and it was certainly in the running for Production Design. It came up empty handed. The review embargo for Nile lapsed today and it currently stands at 71% on Rotten Tomatoes. That’s better than the 60% that its predecessor garnered and many critics are claiming that this is an improvement.

That said, I don’t envision any nods (even the aforementioned tech races) materializing for this. It will probably be long forgotten in voters minds a year from now. Branagh, on the glass full side, should be pleased with the forthcoming Belfast love. My Oscar Prediction posts will continue…

Death on the Nile Box Office Prediction

Hercule Poirot is back in mystery solving form (quite a while after he was supposed to be) when Death on the Nile sets sail in theaters on February 11th. The follow-up to 2017’s Murder on the Orient Express finds Kenneth Branagh back as the famed Agatha Christie sleuth. As he did with Express, the star directs himself. Tom Bateman reprises his role from the predecessor. The supporting cast includes Annette Bening, Russell Brand, Ali Fazal, Dawn French, Gal Gadot, Armie Hammer (the pic was shot was shot prior to troubling details about his personal life surfaced), Rose Leslie, Emma Mackey, Sophie Okonedo, Jennifer Saunders, and Letitia Wright.

Budgeted at a reported $90 million, Nile was originally slated for multiplexes in December 2020 before numerous COVID delays. In that time, Branagh made Belfast and it’s become one of the favorites to win Best Picture at the Oscars.

Back in 2017, Orient debuted to a better than anticipated $28 million. It stalled a bit in subsequent weekends, but eventually hit just over $100 million domestically. At that time, audiences gave it a B Cinemascore grade – not bad though certainly not impressive.

That calls into question whether moviegoers will be excited for another dose of Poirot and his suspects. Furthermore, Nile will attempt to skew towards a female crowd. Some could be distracted with the release of the Jennifer Lopez rom com Marry Me. There’s also a football game on Sunday that could eat into the grosses.

I deduce that this might make about half of what Express accomplished for its start.

Death on the Nile opening weekend prediction: $14.3 million

For my Marry Me prediction, click here:

Marry Me Box Office Prediction

For my Blacklight prediction, click here:

Blacklight Box Office Prediction

Sing 2 Box Office Prediction

Sing 2 hopes to make a joyful noise in theaters when it debuts December 22nd. Illumination Entertainment’s animated sequel arrives five years after the original scored $270 million domestically. Garth Jennings returns to direct as do the vocal stylings of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Nick Kroll, Taron Egerton, Tori Kelly, and Nick Offerman. New to the proceedings are Bobby Cannavale, Halsey, Pharrell Williams, Letitia Wright, Eric Andre, Chelsea Peretti, and Bono.

So will Universal find what they’re looking for in terms of box office? In 2016, part 1 made a splash with a $55 million haul over its five-day Christmas rollout. That was good for second place behind Rogue One: A Star Wars Story. The best hope here is also a runner-up showing as Spider-Man: No Way Home will most certainly be #1 in its sophomore weekend. However, Sing 2 might place third behind the premiere of The Matrix Resurrections. 

I think it’s going to be a close competition between this and Matrix for the two spot. This animated follow-up is bound to leg out more strongly than Neo and company. I’ll say high 20s to low 30s for the traditional weekend and mid 40s the five-day.

Sing 2 opening weekend prediction: $31.3 million (Friday to Sunday); $46.8 million (Wednesday to Sunday)

For my The Matrix Resurrections prediction, click here:

The Matrix Resurrections Box Office Prediction

For my The King’s Man prediction, click here:

The King’s Man Box Office Prediction

For my American Underdog prediction, click here:

American Underdog Box Office Prediction

For my A Journal for Jordan prediction, click here:

A Journal for Jordan Box Office Prediction

Oscar Predictions: Sing 2

Sing 2 is likely to make loud box office noises when it’s released December 22nd. The sequel to the animated musical comedy arrives five years after the original took in $270 million domestically. From Illumination Entertainment, Garth Jennings returns to direct as do the voices of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Nick Kroll, Taron Egerton, Tori Kelly, and Nick Offerman. Newbies include Bobby Cannavale, Halsey, Pharrell Williams, Letitia Wright, Eric Andre, and Bono.

Despite part one being a smash hit, it did not manage to nab a Best Animated Feature nod. The first Sing achieved a decent 71% Rotten Tomatoes rating. There’s just a handful of reviews out for the follow-up and it’s currently lower at 60%.

With a trio of Disney efforts (Encanto, Luca, Raya and the Last Dragon), two Netflix properties (The Mitchells vs. the Machines, The Summit of the Gods), and acclaimed foreign features Flee and Belle all in the mix, Animated Feature is already crowded. I don’t foresee a sequel to something that couldn’t get in the first time around being viable.

In Best Original Song, a band that Bono started that you might be familiar with (U2) has “Your Song Saved My Life”. This is another category with plenty of high profile contenders (Beyonce and Billie Eilish among them). Bono and his mates probably won’t make the cut. My Oscar Prediction posts for the films of 2021 will continue…

Avengers: Endgame Movie Review

**There’s really no way to write a review of Avengers: Endgame without some minor spoilers. You may wish to read this post viewing…

The word “epic” can be overused by those who review movies like me, but it unquestionably applies to Avengers: Endgame. It’s epic in its running time (none of the other 21 MCU pics run three hours) and epic in the number of well-known thespians reprising their superhero and villain characters. It doesn’t seem feasible that so many characters could manage to coexist in this vast universe without seeming like a gimmick. If you happen to think predecessor Infinity War was overcrowded, you’ll get whiplash here. Truth be told, there are moments when this borders on playing like a greatest hits reel based on what’s preceded it during the last eleven years.

Yet Endgame figures out a rewarding way to stick the landing and honor the dozens of faces that we’ve spent billions of dollars visiting since 2008. At the conclusion of Infinity War, bad guy Thanos (Josh Brolin) had collected his precious Infinity Stones and decimated half the intergalactic population into dramatic looking dust particles. What’s left is mostly the core of the OG Avengers – Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/Hulk (Mark Ruffalo), and Black Widow (Scarlett Johansson). There’s others as Rocket (voice of Bradley Cooper) is the sole surviving Guardian of the Galaxy. And we have the two notable characters that were MIA last summer – Hawkeye (Jeremy Renner) and Ant-Man (Paul Rudd).

One might think this whole saga might be about the original band and some newer friends taking on Thanos. You would be wrong. Endgame has plenty of time bending tricks up its endless story arch sleeves. The first is an unexpected resolution that comes very early. However, that climax is just a set-up to further complications.

This is indeed a time travel movie in which the screenwriters almost sheepishly concede the contrived nature of such a device. The survivors set upon a course of multiple back in time ways to retrieve the Stones and bring back their loved ones. It doesn’t happen overnight and the lengthy nature of the plan coming together provides funny and poignant moments. Tony is off the grid with his beloved Pepper (Gwyneth Paltrow) and a new addition. Bruce is in full Hulk mode, but kindler and gentler. Thor is rounder and drunkenly grappling with his losses. Hawkeye is a full-blown vigilante. When the gang revs up their figurative DeLoreans, it gives us a chance to revisit lots of MCU personnel. And it’s a LOT of former players. Some are genuinely surprising. During this lengthy stretch, the film walks a fine line of not devolving into nostalgic sugar shock amidst the action sequences. By the final act, it rises above it.

We know the battle scenes will be well choreographed and well-directed (with the Russo Brothers handling duties once again). The final one is rather jaw dropping with the mixing of so many known quantities. Thanos is one of the stronger villains in MCU history and he remains so here, though there’s nothing fresh to add about his character. His daughter Nebula (Karen Gillan), on the other hand, continues her evolution as a fine addition to the roster.

The comic relief comes more from Thor as opposed to Ant-Man or Rocket and Hemsworth is up to the task. Captain America and Black Widow are given their emotional moments that we’re invested in from their backstories. To this writer, it’s Tony who’s always been the damaged beating heart of this franchise. The Marvel Cinematic Universe simply wouldn’t exist as it is without Downey Jr.’s brilliant work. That’s never changed. The quality of the movies he’s appeared in has. His performance has always been fantastic. If we’re ranking, I would put Endgame as an overall experience just under the first Avengers in 2012 and Infinity War. I can’t promise that thinking about all the shifting time plot points might raise as many questions as answers. I won’t deny that its emotional payoff is real and we have Downey and an amazing group of technicians bringing these comics to life to thank for it.

***1/2 (out of four)

Oscar Watch – Avengers: Endgame

Last year, Marvel’s Black Panther became the first comic book pic to score a Best Picture nomination. While it didn’t win, it took home three gold trophies from its seven nods. This weekend, box office records are highly likely to break with the release of Avengers: Endgame. The 22nd MCU title had its review embargo lift hours ago… try to your best to avoid spoilers.

The verdict? A 98% Rotten Tomatoes score thus far. Some critics are going as far as saying it’s the best overall entry in the massive franchise. Others write ups, while positive, don’t go that far. One thing seems certain as Endgame is classified as an epic experience.

Could lightning strike two years in a row for Marvel with Academy voters? Here’s the advantage: this fourth Avengers saga is seen as the culmination of not just its three predecessors, but also the many other pictures MCU blockbusters over the past 11 years. That lifts its chances for recognition as Oscar could see this as an “atta boy” for the whole series.

That said, I’m doubtful. The first three Avengers flicks garnered a grand total of two nominations. The 2012 original and last year’s Infinity War both received Visual Effects nods. Neither won. The middle child (2015’s Age of Ultron) got no love. Last year, Disney was undoubtedly more focused on getting Black Panther recognition and they succeeded. In 2019, they could put together a more robust campaign for Endgame.

A third calling in Visual Effects is probably inevitable, but anything else from the Academy is questionable and maybe even doubtful. Yet I wouldn’t totally count out some Disney marketing campaign magic. My Oscar Watch posts will continue…

Avengers: Endgame Box Office Prediction

This current massively successful phase of the Marvel Cinematic Universe draws to a close next weekend with the release of Avengers: Endgame. There’s an excellent chance that it achieves the largest opening weekend gross of all time with the grand finale. Endgame follows up directly with last summer’s Avengers: Infinity War, which is the current record holder with $257 million.

Anthony and Joe Russo return in the directors chairs with a core group of familiar heroes battling Josh Brolin’s Thanos. They include Robert Downey Jr.’s Iron Man, Chris Evans as Captain America, Chris Hemsworth’s Thor, Scarlett Johansson’s Black Widow, Brie Larson as Captain Marvel, Mark Ruffalo’s Hulk, Paul Rudd’s Ant-Man, and Jeremy Renner’s Hawkeye. That’s just scratching the surface, by the way. The events (spoiler alert if you’ve been in a year-long coma) of Infinity War dissolved numerous other beloved characters into dust including Chadwick Boseman’s Black Panther, Tom Holland’s Spider-Man, Benedict Cumberbatch’s Doctor Strange and the majority of the Guardians of the Galaxy (Chris Pratt, Zoe Saldana, Dave Bautista) save for Bradley Cooper voicing Rocket. It’s quite likely you’ll see them again. And also in the roles we’ve seen them in before… there’s Gwyneth Paltrow, Karen Gillan, Danai Gurira, Tessa Thompson, Don Cheadle, Jon Favreau, Anthony Mackie, Elizabeth Olsen, Paul Bettany, and Evangeline Lilly. Oh… and Letitia Wright and Sebastian Stan and Tom Hiddleston.

Whew. Back to the numbers crunching. When early tickets went on sale a couple of weeks ago, Endgame smashed every record in sight. Its YouTube trailer views are off the charts. Audiences know this is the culmination of what we’ve paid billions of dollars for over the past decade plus. Yes, there’s a three-hour runtime which is unprecedented for the MCU.

I have a feeling that won’t matter when it comes to reaching a premiere level we’ve yet to witness. No other movie is daring to compete against it and most holdovers will be earning $10 million and less. In other words, multiplexes will clear a ton of real estate for this.

Initial estimates put Endgame around $250 million, but the buzz has this inching upwards. I believe that’s a correct assumption. While I don’t believe this will hit $300 million (as the rosiest projections suggest), a gross just north of $285 million seems feasible. If it achieves that mark, the endgame here will indeed set records.

Avengers: Endgame opening weekend prediction: $289.6 million