Lee Daniels is in horror mode for the first time with The Deliverance, out in limited theatrical release this weekend before an August 30th Netflix streaming bow. The supernatural tale is inspired by real events with a cast led by Andra Day and Glenn Close. Costars include Rob Morgan, Caleb McLaughlin, Aunjanue Ellis-Taylor, Tasha Smith, Omar Epps, and Mo’Nique.
Fifteen years ago, Daniels had an awards breakout when Precious landed six Oscar nods including a Supporting Actress victory for Mo’Nique. 2021’s The United States vs. Billie Holiday saw Day contending for lead Actress. Yet any chatter among this acting troupe in The Deliverance has not centered on them. Same goes for Ellis-Taylor, recently up in supporting for King Richard. Her role here is said to be smaller and she is far likelier to be in the mix with the upcoming Nickel Boys.
This brings us to Glenn Close. The eight-time Academy nominee has infamously come up short eight times. Some early write-ups have said her performance is impressive. However, the 47% Rotten Tomatoes score and its genre should rule out a ninth at bat. My Oscar Prediction posts will continue…
Greg Kwedar’s Sing Sing is already out in limited release and the A24 title is doing pretty impressive business in its four venues before a planned August expansion. Is it doing well enough to warrant a #1 spot in the BP rankings where I’ve had it for weeks?
That is a legit question and one that I’m struggling with in this particular update. With heralded performances from Colman Domingo and Clarence Maclin, it certainly seems like the type of crowdpleaser that could take the top prize. This could be without Kwedar landing a directing nod as I’ve yet to have him in the top five. If that plays out, it would be a similar situation to 2021 and the CODA victory despite Sian Heder missing the directorial quintet.
The bottom line is this: the #1 position in BP for Sing Sing is tenuous. I’ve got it clinging to that number though I considered Steve McQueen’s Blitz, Denis Villeneuve’s Dune: Part Two, and Edward Berger’s Conclave (the first trailer for it dropped this week). Of course, we are only a month and change away from festival season kicking off with Venice, Telluride, and Toronto. Those events always assist in clearing up the picture.
There was speculation that Clint Eastwood’s Juror No. 2 may not make the 2024 calendar for Warner Bros. Even when I thought it was likely to release this fall, I didn’t have it pegged as a BP player. I did have Toni Collette listed as a potential Supporting Actress hopeful along with Nicholas Hoult in Actor and at the bottom of the listed 15 in Original Screenplay. I am dropping Juror for now and would certainly adjust if it does materialize on the schedule.
Speaking of Supporting Actress, we got our first glimpse of The Deliverance from Lee Daniels this week. The supernatural horror flick (out on Netflix in late August) is not your typical awards fare. However, I am listing Glenn Close as a possibility. It is Glenn Close after all and she managed an Oscar nod recently for the critically panned Hillbilly Elegy (where she also was up for a Razzie).
In other news, my constant speculation on category placement continues. Saoirse Ronan is now back to being a double nominee in my view for lead Actress with The Outrun and Supporting Actress for Blitz (I can’t wait until this is cleared up). Ronan’s inclusion back in the supporting derby displaces Conclave‘s Isabella Rossellini. Another unclear item is the screenplay placement for Emilia Pérez. It could be considered Adapted and that’s where I had it a few days ago, but now I’m putting it in Original Screenplay (and just barely missing a nom).
We have two significant alterations in Best Actor. While the top 3 remain the same, I am now elevating Sebastian Stan’s performance in A Different Man over Sebastian Stan’s work in The Apprentice. John David Washington (The Piano Lesson) also enters the high five for the first time. André Holland (The Actor) drops out of the quintet.
In Supporting Actor, Adam Pearson in A Different Man enters the five over Denzel Washington in Gladiator II.
You can read all the movement below for these feature length categories!
Best Picture
Predicted Nominees:
1. Sing Sing (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Conclave (PR: 4) (E)
5. Emilia Pérez (PR: 6) (+1)
6. Anora (PR: 5) (-1)
7. The Piano Lesson (PR: 8) (+1)
8. Queer (PR: 7) (-1)
9. Nickel Boys (PR: 9) (E)
10. The Seed of the Sacred Fig (PR: 10) (E)
Other Possibilities:
11. Gladiator II (PR: 12) (+1)
12. Nightbitch (PR: 11) (-1)
13. Joker: Folie à Deux (PR: 13) (E)
14. Nosferatu (PR: 20) (+6)
15. A Real Pain (PR: 19) (+4)
16. The Apprentice (PR: 14) (-2)
17. The Room Next Door (PR: 17) (E)
18. Maria (PR: 16) (-2)
19. The End (PR: 15) (-4)
20. The Fire Inside (PR: 22) (+2)
21. ADifferent Man (PR: Not Ranked)
22. Hard Truths (PR: 21) (-1)
23. Dídi (PR: 25) (+2)
24. Wicked (PR: Not Ranked)
25. His Three Daughters (PR: 23) (-2)
Dropped Out:
All We Imagine as Light
Here
Best Director
Predicted Nominees:
1. Denis Villeneuve, Dune: Part Two (PR: 2) (+1)
2. Steve McQueen, Blitz (PR: 1) (-2)
3. Edward Berger, Conclave (PR: 3) (E)
4. Jacques Audiard, Emilia Pérez (PR: 4) (E)
5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 7) (+2)
Other Possibilities:
6. Sean Baker, Anora (PR: 5) (-1)
7. Greg Kwedar, Sing Sing (PR: 6) (-1)
8. Luca Guadagnino, Queer (PR: 8) (E)
9. Ridley Scott, Gladiator II (PR: 10) (+1)
10. Marielle Heller, Nightbitch (PR: 9) (-1)
11. Robert Eggers, Nosferatu (PR: Not Ranked)
12. Malcolm Washington, The Piano Lesson (PR: 11) (-1)
13. RaMell Ross, Nickel Boys (PR: 12) (-1)
14. Todd Phillips, Joker: Folie à Deux (PR: 14) (E)
15. Payal Kapadia, All We Imagine as Light (PR: 13) (-2)
Dropped Out:
Joshua Oppenheimer, The End
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Mikey Madison, Anora (PR: 3) (E)
4. Saoirse Ronan, The Outrun (PR: 6) (+2)
5. Karla Sofia Gascón, Emilia Pérez (PR: 4) (-1)
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 7) (+1)
7. Marianne Jean-Baptiste, Hard Truths (PR: 8) (+1)
8. Tilda Swinton, The Room Next Door (PR: 9) (+1)
9. Carrie Coon, His Three Daughters (PR: 10) (+1)
10. June Squibb, Thelma (PR: 11) (+1)
11. Ryan Destiny, The Fire Inside (PR: 12) (+1)
12. Demi Moore, The Substance (PR: Not Ranked)
13. Pamela Anderson, The Last Showgirl (PR: Not Ranked)
14. Florence Pugh, We Live in Time (PR: 14) (E)
15. Cynthia Erivo, Wicked (PR: Not Ranked)
Dropped Out:
Saoirse Ronan, Blitz (moved to Supporting Actress)
Zendaya, Challengers
Jessica Lange, Long Day’s Journey Into Night
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. John David Washington, The Piano Lesson (PR: 7) (+3)
5. Sebastian Stan, A Different Man (PR: 9) (+4)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 5) (-1)
7. André Holland, The Actor (PR: 4) (-3)
8. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (-2)
9. Glen Powell, Hit Man (PR: 10) (+1)
10. Jesse Plemons, Kinds of Kindness (PR: 12) (+2)
11. Paul Bettany, The Collaboration (PR: 8) (-3)
12. Paul Mescal, Gladiator II (PR: 11) (-1)
13. Ethan Herisse, Nickel Boys (PR: 13) (E)
14. Jesse Eisenberg, A Real Pain (PR: Not Ranked)
15. Andrew Garfield, We Live in Time (PR: 14) (-1)
Dropped Out:
Nicholas Hoult, Juror No. 2
Best Supporting Actress
Predicted Nominees:
1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 1) (E)
2. Danielle Deadwyler, The Piano Lesson (PR: 3) (+1)
3. Zoe Saldaña, Emilia Pérez (PR: 2) (-1)
4. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from Actress
5. Natasha Lyonne, His Three Daughters (PR: 4) (-1)
Other Possibilities:
6. Isabella Rossellini, Conclave (PR: 5) (-1)
7. Julianne Moore, The Room Next Door (PR: 7) (E)
8. Selena Gomez, Emilia Pérez (PR: 10) (+2)
9. Joan Chen, Dídi (PR: 6) (-3)
10. Lesley Manville, Queer (PR: 12) (+2)
11. Elizabeth Olsen, His Three Daughters (PR: 9) (-2)
12. Kathy Burke, Blitz (PR: 8) (-4)
13. Glenn Close, The Deliverance (PR: Not Ranked)
14. Valeria Golino, Maria (PR: 14) (E)
15. Erin Kellyman, Blitz (PR: 11) (-4)
Dropped Out:
Toni Collette, Juror No. 2
Emily Watson, Small Things like These
Best Supporting Actor
Predicted Nominees:
1. Samuel L. Jackson, The Piano Lesson (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Stanley Tucci, Conclave (PR: 4) (+1)
4. Kieran Culkin, A Real Pain (PR: 3) (-1)
5. Adam Pearson, A Different Man (PR: 9) (+4)
Other Possibilities:
6. Denzel Washington, Gladiator II (PR: 5) (-1)
7. Jeremy Strong, The Apprentice (PR: 6) (-1)
8. Harris Dickinson, Blitz (PR: 6) (-1)
9. Drew Starkey, Queer (PR: 8) (-1)
10. John Lithgow, Conclave (PR: 10) (E)
11. Brian Tyree Henry, The Fire Inside (PR: 11) (E)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Mark Eidelstein, Anora (PR: 13) (E)
14. Elliot Heffernan, Blitz (PR: 12) (-2)
15. Scoot McNairy, Nightbitch (PR: 15) (E)
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. A Real Pain (PR: 3) (E)
4. The Seed of the Sacred Fig (PR: 4) (E)
5. Hard Truths (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: Not Ranked) – moved from Adapted
7. The Room Next Door (PR: 6) (-1)
8. His Three Daughters (PR: 7) (-1)
9. Dídi (PR: 9) (E)
10. Kinds of Kindness (PR: 10) (E)
11. The End (PR: 8) (-3)
12. All We Imagine as Light (PR: 13) (+1)
13. The Apprentice (PR: 11) (-2)
14. A Different Man (PR: Not Ranked)
15. Challengers (PR: 12) (-3)
Dropped Out:
I Saw the TV Glow
Juror No. 2
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 1) (E)
2. Conclave (PR: 2) (E)
3. Queer (PR: 5) (+2)
4. Nickel Boys (PR: 3) (-1)
5. Nightbitch (PR: 8) (+3)
Other Possibilities:
6. The Piano Lesson (PR: 4) (-2)
7. Dune: Part Two (PR: 7) (E)
8. Hit Man (PR: 9) (+1)
9. Gladiator II (PR: 12) (+3)
10. Inside Out 2 (PR: 10) (E)
11. The Collaboration (PR: 14) (+3)
12. Joker: Folie à Deux (PR: 11) (-1)
13. The Fire Inside (PR: 13) (E)
14. Nosferatu (PR: Not Ranked)
15. Here (PR: 15) (E)
Dropped Out:
Emilia Pérez – moved to Original
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. I’m Still Here (PR: 2) (E)
3. The Count of Monte Cristo (PR: 3) (E)
4. All We Imagine as Light (PR: Not Ranked)
5. Grand Tour (PR: 5) (E)
Other Possibilities:
6. Uprising (PR: 4) (-2)
7. Evil Does Not Exist (PR: 7) (E)
8. Kneecap (PR: 9) (+1)
9. Emmanuelle (PR: 8) (-1)
10. Simon of the Mountain (PR: 6) (-4)
Dropped Out:
The Girl with the Needle
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 4) (+1)
4. Memoir of a Snail (PR: 5) (+1)
5. Wallace & Gromit: Vengeance Most Fowl (PR: 3) (-2)
Other Possibilities:
6. Moana 2 (PR: 6) (E)
7. Savages (PR: 7) (E)
8. Orion and the Dark (PR: 10) (+2)
9. The Most Precious of Cargoes (PR: 8) (-1)
10. The Lord of the Rings: The War of the Rohirrim (PR: 9) (-1)
Best Documentary Feature
Predicted Nominees:
1. Black Box Diaries (PR: 1) (E)
2. Daughters (PR: 2) (E)
3. Sugarcane (PR: 3) (E)
4. Soundtrack to a Coup D’Etat (PR: 7) (+3)
5. Will & Harper (PR: 5) (E)
Other Possibilities:
6. Super/Man: A Christopher Reeve Story (PR: 6) (E)
7. No Other Land (PR: 4) (-3)
8. Gaucho Gaucho (PR: 8) (E)
9. Union (PR: 9) (E)
10. Frida (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Nosferatu (PR: 3) (E)
4. Conclave (PR: 7) (+3)
5. Anora (PR: 4) (-1)
Other Possibilities:
6. Gladiator II (PR: 5) (-1)
7. Emilia Pérez (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 8) (E)
9. Queer (PR: 9) (E)
10. Maria (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 2) (+1)
2. Wicked (PR: 1) (-1)
3. Gladiator II (PR: 3) (E)
4. Nosferatu (PR: 4) (E)
5. Maria (PR: 7) (+2)
Other Possibilities:
6. Joker: Folie à Deux (PR: Not Ranked)
7. Blitz (PR: 5) (-2)
8. Furiosa: A Mad Max Story (PR: 6) (-2)
9. Beetlejuice Beetlejuice (PR: 10) (+1)
10. Megalopolis (PR: 8) (-2)
Dropped Out:
Conclave
Best Film Editing
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Sing Sing (PR: 3) (E)
4. Anora (PR: 4) (E)
5. Conclave (PR: 6) (+1)
Other Possibilities:
6. Emilia Pérez (PR: 5) (-1)
7. Gladiator II (PR: 8) (+1)
8. Challengers (PR: 9) (+1)
9. Furiosa: A Mad Max Story (PR: 7) (-2)
10. Joker: Folie à Deux (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. Furiosa: A Mad Max Saga (PR: 4) (+1)
4. A Different Man (PR: 3) (-1)
5. Wicked (PR: Not Ranked)
Other Possibilities:
6. Joker: Folie à Deux (PR: 7) (+1)
7. Beetlejuice Beetlejuice (PR: 6) (-1)
8. Maria (PR: 5) (-3)
9. Sasquatch Sunset (PR: 8) (-1)
10. Gladiator II (PR: Not Ranked)
Dropped Out:
Longlegs
Nightbitch
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Emilia Pérez (PR: 5) (+3)
3. Gladiator II (PR: 7) (+4)
4. Sing Sing (PR: 3) (-1)
5. Joker: Folie à Deux (PR: 2) (-3)
Other Possibilities:
6. Conclave (PR: Not Ranked)
7. Queer (PR: 4) (-3)
8. Challengers (PR: 10) (+2)
9. Blitz (PR: 6) (-3)
10. Here (PR: Not Ranked)
Dropped Out:
Nickel Boys
Nosferatu
Best Original Song
Predicted Nominees:
1. TBD from Emilia Pérez (PR: 1) (E)
2. TBD from Sing Sing (PR: 2) (E)
3. TBD from Joker: Folie à Deux (PR: 6) (+3)
4. “Relentless” from Diane Warren: Relentless (PR: 4) (E)
5. TBD from Wicked (PR: Not Ranked)
Other Possibilities:
6. “Harper and Will Go West” from Will & Harper (PR: 7) (+1)
7. TBD from Mufasa: The Lion King (PR: 3) (-4)
8. TBD from Moana 2 (PR: 5) (-3)
9. “Ain’t No Love in Oklahoma” from Twisters (PR: Not Ranked)
10. “Compress/Repress” from Challengers (PR: 8) (-2)
Dropped Out:
“Claw Machine” from I Saw the TV Glow
“Release” from Trap
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Gladiator II (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Nosferatu (PR: 4) (E)
5. Wicked (PR: 5) (E)
Other Possibilities:
6. Furiosa: A Mad Max Saga (PR: 6) (E)
7. Joker: Folie à Deux (PR: 7) (E)
8. Conclave (PR: 8) (E)
9. Maria (PR: Not Ranked)
10. Beetlejuice Beetlejuice (PR: 9) (-1)
Dropped Out:
Queer
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 4) (+2)
3. Gladiator II (PR: 2) (-1)
4. Furiosa: A Mad Max Saga (PR: 3) (-1)
5. Emilia Pérez (PR: 5) (E)
Other Possibilities:
6. Twisters (PR: 6) (E)
7. Wicked (PR: 7) (E)
8. Joker: Folie à Deux (PR: Not Ranked)
9. Sing Sing (PR: Not Ranked)
10. Civil War (PR: 9) (-1)
Dropped Out:
A Quiet Place: Day One
Nosferatu
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 3) (+1)
3. Gladiator II (PR: 2) (-1)
4. Furiosa: A Mad Max Saga (PR: 6) (+2)
5. Here (PR: 5) (E)
Other Possibilities:
6. Twisters (PR: 8) (+2)
7. Mufasa: The Lion King (PR: 4) (-3)
8. Blitz (PR: 7) (-1)
9. Deadpool & Wolverine (PR: Not Ranked)
10. Godzilla x Kong: The New Empire (PR: 10) (E)
Dropped Out:
Nosferatu
And that adds up to these movies generating these numbers in terms of nods:
10 Nominations
Dune: Part Two
8 Nominations
Blitz, Emilia Pérez
7 Nominations
Conclave, Sing Sing
5 Nominations
Anora, Gladiator II
4 Nominations
Nosferatu, The Piano Lesson, Wicked
3 Nominations
A Different Man, Furiosa: A Mad Max Story, Nickel Boys, Queer, The Seed of the Sacred Fig
2 Nominations
Joker: Folie à Deux, Maria, Nightbitch, A Real Pain
1 Nomination
All We Imagine as Light, Black Box Diaries, The Count of Monte Cristo, Daughters, Diane Warren: Relentless, Flow, Grand Tour, Hard Truths, Here, His Three Daughters, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Memoir of a Snail, The Outrun, Soundtrack to a Coup D’Etat, Sugarcane, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Will & Harper
This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.
Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.
Let the countdown begin!
10. The Great Gatsby
Domestic Gross: $144 million
Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.
9. We’re the Millers
Domestic Gross: $150 million
Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.
8. The Heat
Domestic Gross: $159 million
Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.
7. World War Z
Domestic Gross: $202 million
Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.
6. Star Trek Into Darkness
Domestic Gross: $228 million
JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.
5. Fast & Furious 6
Domestic Gross: $238 million
Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.
4. Monsters University
Domestic Gross: $268 million
The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.
3. Man of Steel
Domestic Gross: $291 million
The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.
2. Despicable Me 2
Domestic Gross: $368 million
Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.
1. Iron Man 3
Domestic Gross: $409 million
Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.
Now for some others worthy of discussion:
The Conjuring
Domestic Gross: $137 million
It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.
Now You See Me
Domestic Gross: $117 million
The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.
The Butler
Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.
Pacific Rim
Domestic Gross: $101 million
Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.
This Is the End
Domestic Gross: $101 million
This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.
The Purge
Domestic Gross: $64 million
This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.
Blue Jasmine
Predicted Gross: $33 million
That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.
Fruitvale Station
Domestic Gross: $16 million
Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.
There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.
The Hangover Part III
Domestic Gross: $112 million
Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.
Elysium
Domestic Gross: $93 million
Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.
The Lone Ranger
Domestic Gross: $89 million
I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.
White House Down
Predicted Gross: $73 million
Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).
After Earth
Predicted Gross: $60 million
Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.
The Internship
Domestic Gross: $44 million
Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.
R.I.P.D.
Predicted Gross: $33 million
It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.
And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…
And now for a new category on my blog that will update itself yearly after 13 initial posts covering 2009-21. It’s a simple concept. In 2009 – the Academy shifted their rules from a set amount of five Best Picture nominees to 10. That lasted for 2 years. In 2011, the number could fluctuate anywhere from 5-10. In most years, the magic number was 8 or 9 (it was never less than 8). Last year, the big race reverted back to a definite 10.
So… what if it hadn’t? What if 5 nominees was never altered? Well, Oscar speculators like yours truly would have to write posts predicting what would’ve been the final five. So that’s what this is all about.
Naturally it begins with 2009. Before that, something from 2008 might’ve contributed to the shift when The Dark Knight famously missed BP even though it was a critical darling and box office smash. A shift to 10 allowed popcorn favorites and smaller titles to make the cut. And they did.
When it comes to whittling down from 10 (or later 8 or 9) to five, there’s plenty of factors in play. What else did the movie get nominated for or win? Some races are more important than others like Director and Editing or the Screenplay derbies.
Yet it’s far from an exact science. This is educated guesswork based on Oscar history. I’ll walk through each title and give an ultimate Yes or No on whether it makes the five. The first is automatic and that’s whatever won. In 2009 that honor belonged to…
The Hurt Locker
Does It Make the Final Five?
Yes because it won Best Picture.
The other 9? That’s where it gets interesting. Let’s take them alphabetically, shall we?
Avatar
When Oscar nominations rolled out near the beginning of 2010, James Cameron’s 3D sensation was basking in the glow of becoming the biggest movie ever. That meant he was breaking his own record from 13 years earlier with Titanic. Cameron was nominated for Director – losing to ex-wife Kathryn Bigelow for Locker. The film also didn’t manage a Screenplay nod though Cameron is known more for his technical prowess than writing skills. On the tech side it managed 7 nods and won three (Art Direction, Cinematography, Visual Effects). So…
Does It Make the Final Five?
Yes. Though it lost a number of its nods to Locker, the gargantuan grosses would’ve been enough for it to advance.
The Blind Side
Sandra Bullock’s crowd pleasing football drama made her an Oscar winner. Yet those are the only two nominations it received as it couldn’t make the Adapted Screenplay shortlist. In fact, Avatar and this are the only two BP nominees not to see their scripts mentioned.
Does It Make the Final Five?
No. This is a perfect example of a blockbuster getting in due to the expansion that wouldn’t have with just five.
District 9
Neill Blomkamp’s acclaimed sci-fi tale was a surprise summer hit and he’s yet to replicate its mix of audience and critical appreciation. It was nominated in three other races – Adapted Screenplay, Visual Effects, and Film Editing. No wins.
Does It Make the Final Five?
This one is actually close for me. The screenplay and editing nods certainly make it doable. If it had landed Director, I’d probably say yes. A bit of a coin flip, but I’ll land on No.
An Education
The coming-of-age pic scored Carey Mulligan an Actress nod as well as Adapted Screenplay.
Does It Make the Final Five?
It’s not totally out of the realm of possibility that it could’ve snuck in, but gotta go No. It missed a Golden Globe nod for example and a lot of the focus was on Mulligan’s work.
Inglourious Basterds
Quentin Tarantino’s WWII opus was his return to significant awards attention 15 years following Pulp Fiction. In addition to the Pic nod, he was nominated for his direction and screenplay (losing both to Locker). Other nominations: Sound Editing, Sound Mixing, Cinematography, Film Editing, and a Supporting Actor victory for Christoph Waltz.
Does It Make the Final Five?
Yes. The 8 nominations are enough to indicate as much.
Precious
The breakthrough drama from Lee Daniels scored five other mentions for Directing, Gabourey Sidibe in Actress, Mo’Nique in Supporting Actress (a victory), Adapted Screenplay (another win), and Editing.
Does It Make the Final Five?
Yes. The screenplay win puts it over the top.
A Serious Man
The Coen Brothers dark comedy received just one other nod for their screenplay with acclaimed lead Michael Stuhlbarg missing the Best Actor cut.
Does It Make the Final Five?
Even with the love for its brotherly makers – No.
Up
As far as I’m concerned, the Pixar masterpiece’s first few minutes should win Best Picture every year. The tearjerker was a rare animated Best Picture contender and it contended for four others. It obviously won Animated Feature as well as Original Score in addition to mentions in Original Screenplay and Sound Editing.
Does It Make the Final Five?
I’m saying No, but I’m not sure of that. I’d probably put it sixth.
Up in the Air
Our other Up contender is Jason Reitman’s workplace dramedy which received six nods. The others were Director, Actor (George Clooney), Supporting Actress (both Vera Farmiga and Anna Kendrick), and Adapted Screenplay.
Does It Make the Final Five?
Yes. While it retrieved no statues, I think it would’ve just edged other hopefuls such as Up or District 9.
So that means if 2009 had just five Best Picture nominees, I believe they would’ve been:
The Hurt Locker (winner)
Avatar
Inglourious Basterds
Precious
Up in the Air
An important note – the movies here match the five Best Director nominees. That’s rare and that will be rare in subsequent postings on years that follow. From 2000-2008 that only occurred twice (2005 and 2008). So don’t get used to it.
I shall return soon with my rumblings and final five for 2010!
As the latecomers for awards consideration are getting their industry screenings, the Oscar picture is becoming a bit more clear for several contenders. In the case of The United States vs. Billie Holiday (hitting Hulu on February 26), the verdict is not encouraging. The biopic of singer Billie Holiday has yet to have its official review embargo lifted, but word of mouth indicates many think this is a misfire.
The pic comes from director Lee Daniels, whose 2009 effort Precious picked up six Academy nominations and victories in Supporting Actress for Mo’Nique and its Adapted Screenplay. Based on early buzz, the only performer with any shot of recognition is Andra Day in the title role for Best Actress. The supporting cast that includes Natasha Lyonne, Trevante Rhodes, Garrett Hedlund, and Da’Vine Joy Randolph appear to be non-factors.
As I have discussed on the blog previously, Best Actress is a crowded field with four likely slots filled: Viola Davis (Ma Rainey’s Black Bottom), Vanessa Kirby (Pieces of a Woman), Frances McDormand (Nomadland), and Carey Mulligan (Promising Young Woman). The fifth spot does appear up for grabs and some pundits have lauded Day’s work as a bright spot in an otherwise disappointing experience. However, I find it more plausible that the Academy could go for anyone from Zendaya (Malcolm & Marie) to Michelle Pfeiffer (French Exit) to Sophia Loren (The Life Ahead), to name just three. Last week, I had Day in the mix at #5. Expect her to drop when I release my new estimates this Thursday.
Down the line races such as Production and Costume Design (and perhaps Makeup and Hairstyling) could be possibilities here, but I have a hunch Holiday could also be blanked come nomination morning. My Oscar Watch posts will continue…
Unique and formulaic are two terms mentioned in the descriptions for Concrete Cowboy, which has screened at the Toronto Film Festival. The drama marks the directorial debut of Ricky Staub. It casts Caleb McLaughlin of Stranger Things fame as a troubled teen sent to live with his father (Idris Elba), who’s part of a group of urban cowboys outside of Philadelphia. This is based on the Greg Neri novel Ghetto Cowboy. Costars include Lorraine Toussaint (who’s said to be a highlight), Jharrel Jerome (Emmy winner for HBO’s lauded When They See Us), and Method Man.
Some early reviews are very positive while others say it’s a familiar tale in an unfamiliar setting. Concrete is seeking U.S. distribution at the festival and it should have no trouble finding it. Finding awards chatter is another story as this doesn’t immediately jump out as a major contender. Stranger things have happened, but I don’t foresee it being much of a factor with Academy voters. My Oscar Watch posts will continue…
It’s been a little while, but this evening on the blog – we continue with my ongoing series of Oscar History posts and we’ve arrived at 2009. That year’s Academy Awards are notable for a couple of reasons. First, this was the year where the decision was made to expand the list of Best Picture nominees from five to ten. It’s likely not an accident that this occurred just one year after 2008’s commercial and critical smash The Dark Knight failed to make the five pic cut. This was the Academy’s way of including more commercially successful ventures. After all, there’s a direct correlation between hit pictures being nominated and the ratings of the telecast itself. Secondly, the real battle of nominated entries came down between the efforts of a couple that was married and divorced – James Cameron for his smash hit Avatar (which demolished all box office records) and ex wife Kathryn Bigelow for her war drama The Hurt Locker.
It would be Bigelow who would come out on top as The Hurt Locker would take Best Picture over her ex-husband’s blockbuster. The other eight nominated features: The Blind Side, District 9, An Education, Inglourious Basterds, Precious, A Serious Man, Up, and Up in the Air. The success of Hurt Locker would relegate Avatar to winning only the tech categories.
Up would mark the first animated flick nomination (and first and only Pixar one) since 1991’s Beauty and the Beast and it hasn’t happened since. Basterds would mark Quentin Tarantino’s second pic nod after Pulp Fiction fifteen years prior.
As for movies that might have made my personal cut, I advocate for Steven Soderbergh’s underrated and hilarious The Informant! And if the Academy wanted to include high profile pictures, why not consider the acclaimed Star Trek reboot or comedy smash of the year The Hangover? I’m also a big fan of Zack Snyder’s graphic novel adaptation of Watchmen.
Bigelow would go onto make history by becoming the first female Best Director winner in Oscar history over Cameron, Lee Daniels (Precious), Jason Reitman (Up in the Air), and Tarantino. I may have found room for Neill Blomkamp’s impressive work in District 9.
Beloved actor Jeff Bridges would score his first Best Actor win for Crazy Heart, beating out George Clooney (Up in the Air), Colin Firth (A Single Man), Morgan Freeman (Invictus), and Jeremy Renner (Hurt Locker). Firth would go onto win the prize the following year for The King’s Speech. Once again, my Informant! love would have meant an inclusion for Matt Damon’s terrific work in it.
Sandra Bullock would receive her first ever nomination and a win for her hit football drama The Blind Side. Other nominees: Helen Mirren (The Last Station), Carey Mulligan (An Education), Gabourey Sidibe (Precious), and Meryl Streep (Julie & Julia). Two names I would’ve considered: Alison Lohman’s great scared crapless work in Sam Raimi’s horror tale Drag Me to Hell and Zooey Deschanel in the rom com (500) Days of Summer.
Quentin Tarantino’s knack of finding the perfect actor in the perfect role landed an at the time unknown Christoph Waltz a win in Supporting Actor for Inglourious Basterds. Other nominees were Matt Damon for Invictus, Woody Harrelson for The Messenger, Christopher Plummer in The Last Station, and Stanley Tucci for The Lovely Bones. As I’ve mentioned in these posts before, the Academy usually ignores comedies and this race would have given them an excellent opportunity to nominate Zach Galifianakis in The Hangover. Also, I may have included Jackie Earle Haley for his work in Watchmen.
Mo’Nique would win Supporting Actress in Precious over previous year’s winner Penelope Cruz (Nine), Vera Farmiga and Anna Kendrick (both nominated for Up in the Air), and Maggie Gyllenhaal (Crazy Heart). I would have given consideration to either Melanie Laurent or Diane Kruger for their roles in Basterds.
And that’s 2009 for you, my friends! I’ll get to 2010 at same point in the future…
Lee Daniels’ The Butler has moments of genuine power and insight dealing with our nation’s civil rights history over the past near century. Spanning over 80 years in time, The Butler takes us from the picture’s central character working in the cotton fields of Georgia as a young boy to sitting in the White House as an old man waiting to meet with the first African-American President of the United States. In between those times, Cecil Gaines (Forest Whitaker) becomes quite familiar with 1600 Pennsylvania Avenue, working as a butler from the Eisenhower administration through the Reagan administration.
The film is loosely based on true events and The Butler shifts its time between Cecil’s work experience and family life. For the work portion, we get a journey through several decades of political history from desegregation to the Civil Rights Act of 1964 to Vietnam to the South African apartheid movement. In many cases, these events coincide with Cecil’s family as his oldest son Louis (David Oyelowo) gets very politically involved in civil rights issues. The irony is not lost on the audience – his father works in the center of the U.S. government but has an occupation where being seen and not heard is the rule. Oprah Winfrey is Cecil’s wife Gloria, a well-rounded character full of imperfections but also an enduring devotion to her husband.
The Butler is really centralized on the complicated relationship between Cecil and David. It is their dynamic that provide the picture’s best moments, as well as several between Cecil and Gloria. When screenwriter Danny Strong focuses his concentration on their storylines, the film is effective and often emotionally satisfying.
It’s the scenes in the White House that often fall far short of satisfying. For starters, director Daniels’ decision to cast recognizable actors as the Presidents backfires. Much of this is due to casting. We have Robin Williams as Eisenhower, James Marsden as JFK, Live Schrieber as LBJ, John Cusack as Nixon, and Alan Rickman as Reagan. None of them make much of an impression and most aren’t given enough screen time to make one anyway. Their casting serves as a distraction more than anything else and we feel like we’re watching the actor, not the POTUS character they’re playing. The same cannot be said for Winfrey, who is outstanding. She reminds us that she probably would’ve had a great movie career over the last couple of decades if not for that whole building a billion dollar multimedia empire thing.
Even with casting quibbles set aside, where The Butler sometimes fails is in its journey through history that could often be described as “cliffs notes”. There simply isn’t the proper time to give these important political issues any real fleshing out. Some of these scenes showing the struggle of the civil rights movement, especially those involving Louis, are powerful. And we do get involved with the characters of Gaines family and we can thank some excellent acting from Whitaker, Winfrey, and Oyelowo a lot for that.
The Butler‘s finest moments are mixed with a lot of disappointing ones, including some unfortunate casting choices and its uneven and too episodic screenplay. It’s the writing of the Gaines family in several scenes and the first-rate performances of the actors playing them that helps out a lot.
And we’re off with my next to last round of Oscar predictions before they’re announced on Thursday, January 16th. The plan is to do my final predictions, most likely either on Sunday the 12th or Monday the 13th. These new picks reflect changes in four of the six top categories. Let’s get to it shall we?
BEST PICTURE
I’ve stayed consistent with predicting that nine movies will get nominated. The change here is that I’m including Dallas Buyer’s Club for the first time as I believe it’s gotten enough precursor momentum to get in. That means I had to take something out and Saving Mr. Banks has been dropped. As I see it, the race is still a battle between 12 Years a Slave and Gravity for the win with American Hustle as a possible spoiler.
Predictions:
American Hustle
Captain Phillips
Dallas Buyer’s Club
Gravity
Her
Inside Llewyn Davis
Nebraska
12 Years a Slave
The Wolf of Wall Street
BEST DIRECTOR
One change here: I believe the polarizing reaction to The Wolf of Wall Street might leave Martin Scorsese out in this competitive category. So he’s out and Spike Jonze, riding a wave of momentum for Her, is in. Like Picture, this race should come down to Slave‘s Steve McQueen and Gravity‘s Alfonso Cuaron for the victory with yet again Hustle‘s Russell as possible spoiler.
Predictions:
Alfonso Cuaron, Gravity
Spike Jonze, Her
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle
BEST ACTOR
This is seriously such a loaded category. In any other year, I’d be predicting Christian Bale in American Hustle, Forest Whitaker in Lee Daniels’ The Butler or Joaquin Phoenix in Her. None of them make the cut. Conventional wisdom is that this is a six man race and only five make the cut. Last round of predictions, I had Tom Hanks’ work in Captain Phillips left out, but now he’s back in. This came down to a decision between whether to leave out Leonardo DiCaprio in Wolf of Wall Street or Robert Redford in All is Lost. For the first time in my predictions, it’s Redford that I’ve got drawing the short straw. I believe Chiwetel Ejiofor, Bruce Dern, or Matthew McConaughey could win.
Predictions:
Bruce Dern, Nebraska
Leonardo DiCaprio, The Wolf of Wall Street
Chiwetel Ejiofor, 12 Years a Slave
Tom Hanks, Captain Phillips
Matthew McConaughey, Dallas Buyer’s Club
BEST ACTRESS
Prediction wise, this category has remained the most stable and I have no changes this round either. As for who will win, Cate Blanchett is emerging as the clear favorite though Sandra Bullock has a shot.
Predictions:
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Meryl Streep, August: Osage County
Emma Thompson, Saving Mr. Banks
BEST SUPPORTING ACTOR
This is likely the most unpredictable category that is capable of producing a surprise and my new picks reflect that. Jared Leto is the frontrunner to win and Michael Fassbender appears a lock for nomination. After that, all bets are off. I’m taking out Jonah Hill for The Wolf of Wall Street and Tom Hanks for Saving Mr. Banks. I’m keeping in my Bradley Cooper for American Hustle prediction. Additions to my list: Daniel Bruhl, who’s picked up momentum for his role in Rush. As for the fifth slot, it could have been Hanks, Hill, the late James Gandolfini in Enough Said, Barkhad Abdi in Captain Phillips, or Harrison Ford in 42. Like I said, I believe a real surprise nomination could surface here and that’s why I’m picking former SNL alum Will Forte in Nebraska.
Predictions:
Daniel Bruhl, Rush
Bradley Cooper, American Hustle
Michael Fassbender, 12 Years a Slave
Will Forte, Nebraska
Jared Leto, Dallas Buyer’s Club
BEST SUPPORTING ACTRESS
Like the lead actress race, I’ve got no changes to report here either. This should still come down to Lupita Nyong’o and Jennifer Lawrence for the win.
Predictions:
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska
Oprah Winfrey, Lee Daniels’ The Butler
I’ll be back with last round of nomination picks soon enough!
On this day in Movie History, otherwise known as Christmas Eve – Tom Cruise and Nicole Kidman tied the knot 23 years ago in 1990. Their union resulted in three motion pictures where the couple worked with the late Tony Scott (Days of Thunder), Ron Howard (Far and Away), and, of course, Stanley Kubrick (Eyes Wide Shut). The marriage would last until 2001. Cruise would go onto other high-profile relationships and Kidman would marry Keith Urban and win an Oscar for 2002’s The Hours (something her ex-husband has yet to do).
43 years ago today marked the debut of Disney’s animated The Aristocats, which is notable for being the last studio pic that Mr. Disney approved himself, prior to his 1966 death.
As for celebrity birthdays, we have Stephanie Meyer, author of the “Twilight” series that turned into a highly successful film franchise that ended just last year. We also have director Lee Daniels, who broke out of the gate with 2009’s Oscar nominated Precious and had a hit this year with Lee Daniels’ The Butler.
As for the daily Six Degrees of Separation between birthday folks –
Stephanie Meyer wrote the Twilight series starring Kristen Stewart
Kristen Stewart was with Forest Whitaker in Panic Room
Forest Whitaker was the star of Lee Daniels’ The Butler
And there you have it – Christmas Eve in Movie History!
All My Life... I Wanted To Be A Blogster 