Shoulda Been Oscar Contenders: Val Kilmer in Tombstone

1993 was an exceptionally strong year in the Supporting Actor category with five worthy nominees in the mix: Leonardo DiCaprio in What’s Eating Gilbert Grape, Ralph Fiennes for Schindler’s List, Tommy Lee Jones in The Fugitive, John Malkovich for In the Line of Fire, and Pete Postlethwaite for In the Name of the Father. Jones would ultimately walk away with the prize.

However, there are three other performances that come to mind in that particular year and they will be showcased in my next Shoulda Been Contender posts. It starts with Val Kilmer as Doc Holliday in Tombstone. Nearly 30 years later, you may not remember that there were two competing Wyatt Earp pics happening. Lawrence Kasdan’s Wyatt Earp with Kevin Costner and Dennis Quaid was the 1994 summer release that was a potential Oscar contender and blockbuster. It turned out to be neither. Tombstone, released in December 1993, wasn’t so eagerly anticipated.

Yet audiences liked what they saw when it debuted. It was a rock solid action western with Kurt Russell in the commanding lead as Earp. It become a high earner and remains an enduring favorite with moviegoers. As good as the picture is, Kilmer’s work was great with endless quotable lines and character quirks. Having already made a name for himself in Top Gun, Willow, and his uncanny impression of Jim Morrison in The Doors, Kilmer’s Holliday may still stand as his most memorable role. And that deserves mention in a year full of notable supporting turns.

As mentioned, I’m not finished with this category in 1993. Stay tuned…

Solo: A Star Wars Story Box Office Prediction

The second stand-alone feature set in a galaxy far, far away – Solo: A Star Wars Story roars into multiplexes this Memorial Day Weekend. Alden Ehrenreich takes over the role of a young Han Solo in the part made iconic by Harrison Ford. Costars include Woody Harrelson, Emilia Clarke, Donald Glover as Lando, Thandie Newton, Paul Bettany, and, of course, Chewbacca. Ron Howard serves behind the camera in a move that garnered much press attention when he took over from Phil Lord and Christopher Miller. They exited the project after creative differences with Disney after months on the job.

Reviews out today are mostly positive with 73% currently on Rotten Tomatoes. That said, that’s the lowest meter of the four entries since the vaunted franchise came back in 2015. Our first spin-off, 2016’s Rogue One, debuted with $155 million one year after the record-breaking grosses of Star Wars: The Force Awakens. These offshoots are not expected to reach the heights of the traditional “episodes”. Solo does certainly have the added bonus of returning a beloved character, even with the natural speculation and some cynicism about another actor playing him.

One thing seems fairly certain: Solo should have no trouble breaking the current Memorial Day record held by 2007’s Pirates of the Caribbean: At World’s End which made $139.8 million for its start. Given the extra day of grosses, Han and Chewie could exceed that by over $10 million.

Solo: A Star Wars Story opening weekend prediction: $151.3 million (Friday to Monday estimate)

Star Wars: The Force Awakens Movie Review

When the famous line “A long time ago in a galaxy far, far away” appears and the Star Wars emblem rockets across the screen, it evokes a series of emotions that is familiar to any lover of the franchise. It changes from generation to generation but is likely strongest with those old enough to recall the first time seeing it in 1977 when the original premiered. The first Star Wars was a cultural phenomenon from the get go. It solidified what we now know as the modern blockbuster era. Its sequel The Empire Strikes Back improved upon it. Return of the Jedi ended the trilogy on a satisfactory if more uneven note. I was not alive in 1977 and I witnessed the series in a weekend of VHS viewing where I was captivated like legions of film lovers across the globe.

By the time George Lucas got around to making his prequel trilogy, I was age 19 at the time of The Phantom Menace. Like all other fans of what came before it, I anticipated Menace breathlessly and like many others, it was a letdown in many fashions. It didn’t really look like a Star Wars pic. More like a video game. In all honesty, the concept of watching the eventual Darth Vader as a precocious child wasn’t really necessary. Follow ups Attack of the Clones and Revenge of the Sith were improvements in some ways (especially Sith) yet still didn’t come close to matching the magic of the real trilogy (as I refer to it).

Therefore it was with a sense of major excitement mixed with some trepidation that I awaited Star Wars: The Force Awakens, episode VII of the franchise that picks up about 30 years after the events of Return of the Jedi. George Lucas sold the rights to Disney, who have grand Marvel style plans for the series. J.J. Abrams, who successfully reinvigorated the Star Trek flicks, is behind the camera. The beloved trio of Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), and Princess (now General) Leia (Carrie Fisher) would return along with Chewbacca, R2-D2, and C-3PO. A new generation of heroes and villains would emerge. The three year wait is finally over and the question is ready to be answered: does Force have the force to bring Star Wars back in the good graces of those who cherish it? The answer is mostly an unqualified and resounding yes.

Episode VII informs us that Luke Skywalker has vanished and the evil First Order (spawned from Darth Vader’s galactic empire) has restored its dominance despite a resistance led by Leia. The Resistance is desperately attempting to obtain a map containing Luke’s whereabouts that is built into BB-8, a droid that is pretty adorable in a manner in which Jar Jar Binks sure wasn’t. One of the leaders of the movement is pilot Poe Dameron (Oscar Isaac), whose character doesn’t have much impact in these proceedings but likely will in future installments. He teams with Storm Trooper gone good Finn (John Boyega) on the mission to find Skywalker. And that BB-8 droid leads them to Rey (Daisy Ridley), a young girl who has a connection with The Force. Their union soon brings them to Han, Chewie, and the now relic called the Millennium Falcon to fight First Order Commander Kylo Ren (Adam Driver) and Supreme Leader Snoke (Andy Serkis).

As we’d expect, there are some revelations about who some of the characters actually are. I wouldn’t dream of spoiling them here. J.J. Abrams is keenly aware of our nostalgia goggles and he presents a vision that hearkens back to the original in both plot and tone. This is a plus. J.J. and his cowriters Lawrence Kasdan (who penned Empire and Jedi) and Michael Arndt are clearly cognizant of the expectation to start anew while rewarding what we adore about episodes IV-VI. There is much plot to roll out, but Awakens does so at a usually brisk pace throwing in the epic battles that look more like we wish for in any entry since 1983.

The John Williams score and special effects are, of course, top notch. Of the returnees, Mr. Ford is given the most material and provides Solo wisecracks and some emotion. Fisher acquits herself decently even though Leia is primarily relegated to the sidelines. As for Luke, the filmmakers have been careful to reveal nothing and neither will I. When it comes to the newcomers, we sense that Rey, Finn, and Poe will establish the new trio for the next few years. Here it is Rey that jumps out and much of that is due to a fine performance from Miss Ridley. Boyega’s Finn has his moments along with occasionally clunky dialogue. Driver is quite effective as Ren and we have a new villain whose motivations create an intriguing dynamic in this universe.

I would rank The Force Awakens as the third best pic in the series, after the first two (slightly above Jedi). Abrams and company accomplish something Lucas ultimately could not with episodes I-III. We care more about the actions transpiring here than with anything from 1999-2005. This is a franchise awakened in a way we have not seen in over 30 years. For those who might have had a bad feeling about this, fear not.

***1/2 (out of four)