Deep Cover is available to stream on Amazon Prime Video today with Tom Kingsley directing and Jurassic World maker Colin Trevorrow among four credited with the script. The co-screenwriter’s dino lead Bryce Dallas Howard stars alongside Orlando Bloom, Nick Mohammed, Paddy Considine, Ian McShane, and Sean Bean.
This is not a remake of the 1992 Laurence Fishburne/Jeff Goldblum crime thriller that featured a banger of a title song from Dr. Dre and Snoop Dogg. Instead this British high concept action comedy is receiving decent marks with 95% on Rotten Tomatoes and a more down-to-earth 68 Metacritic. It won’t get near the Academy’s radar. I do wonder if it could get a push for BAFTA’s Best British Film. That might be a long shot, but not an impossibility. My Oscar Prediction posts will continue…
Based on a 1981 novel by Robert Littell that was turned into a movie starring John Savage and Christopher Plummer, 20th Century Studios releases The Amateur on April 11th. The spy thriller is directed by James Hawes with Bohemian Rhapsody Oscar winner Rami Malek headlining. Costars include Rachel Brosnahan (about to appear in the eagerly anticipated Superman), Caitriona Balfe, Jon Bernthal, Michael Stuhlbarg, Holt McCallany, Julianne Nicholson, Adrian Martinez, and Laurence Fishburne.
Once fashioned as a starring vehicle for Hugh Jackman, The Amateur has less power to capitalize on and seemingly scant buzz. This may struggle to reach $10 million, but I’ll project that it just gets there.
The Amateur opening weekend prediction: $11.9 million
Brave the Dark marks the latest effort from Angel Studios. They hit it big in 2023 with Sound of Freedom and have delivered midsize performers in recent months with Bonhoeffer and Homestead. This 1980s set drama comes from director Damian Harris. He’s the eldest son of legendary actor Richard Harris and (fun fact!) helmed the 1991 Goldie Hawn thriller Deceived and 1995 Ellen Barkin/Laurence Fishburne noir flick Bad Company.
This is a family affair with brothers Jared and Jamie Harris in the cast alongside Nicholas Hamilton. Dark actually first saw light in the fall of 2023 at some film festivals before Angel nabbed distribution rights. The aforementioned Bonhoeffer earned $5.5 million for its start in November while Homestead took in $6 million. That makes mid single digits the safest bet.
Brave the Dark opening weekend prediction: $5.1 million
Financed on his own dime for $120 million, legendary filmmaker Francis Ford Coppola brings his passion project Megalopolis to the big screen on September 27th. The sci-fi epic has a sprawling cast to match its budget including Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Chloe Fineman, and Dustin Hoffman.
This is only Coppola’s fourth feature in the 21st century and his first in 13 years (since the little seen Twixt). Cinephiles should have an interest on that fact alone, but there should be struggles for this to have any sort of mainstream breakthrough. When Megalopolis premiered at Cannes, it did so with mixed to negative reactions (the RT score is 52 and Metacritic is 59). It may not help that Coppola was recently subject to news stories about unprofessional behavior on set.
Lionsgate picked up distribution and they’ve had a string of failures in recent weeks including Borderlands and The Crow. This may turn out to be the biggest bomb of all. Tracking is suggesting only mid single digits and I don’t see it getting beyond that.
Megalopolis opening weekend prediction: $4.7 million
Hasbro’s robotic franchise goes animated for the first time in nearly 40 years when Transformers One debuts next weekend. Chris Hemsworth, Scarlett Johansson, Brian Tyree Henry, Keegan-Michael Key, Steve Buscemi, Laurence Fishburne, and Jon Hamm provide voiceover work. Josh Cooley, who helmed Animated Feature winner Toy Story 4 from 2010, directs.
Critical reaction is mostly on the plus side and that’s more than can be said for some other titles in the group. The RT score is 89% with Metacritic at 62. The Tomatoes meter is on par with Bumblebee‘s 90% and far ahead of any others in the series. It also tops the 62% that 1986’s animated The Transformers: The Movie managed.
That said, I doubt this Transformers entry gets the Academy’s attention. 2007’s Transformers earned 3 nods for Sound Editing, Sound Mixing, and Visual Effects. The 2009 sequel Revenge of the Fallen nabbed a sole Sound Mixing mention. 2011’s Dark of the Moon received the same 3 noms as the ’07 original. 2017’s Transformers: The Last Knight, of course, was that year’s Best Picture. Nearly everything in this paragraph is true.
Transformers One could compete in Animated Feature, but I’ve yet to put it near my high five. If last year’s acclaimed Teenage Mutant Ninja Turtles: Mutant Mayhem couldn’t make the cut, I don’t think this does. My Oscar Prediction posts will continue…
The last time the Transformers franchise went fully animated on the big screen, it was in 1986 in The Transformers: The Movie. It was a flop but has since developed a cult following and it awesomely featured the voices of everyone from Eric Idle to Judd Nelson to Leonard Nimoy to Casey Kasem to Orson Welles. Since then, Paramount and Hasbro have earned billions from their live-action robot mayhem movies. The franchise goes back to animation in Transformers One on September 20th. From Toy Story 4 director Josh Cooley, this might not have Casey Kasem or Charles Foster Kane. There are voiceover contributions from Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, Laurence Fishburne, and Jon Hamm.
Early word-of-mouth is encouraging for the sci-fi action tale and that could help post Transformers: Rise of the Beasts. It came out last summer and ended up as the lowest grosser of the series with $157 million domestically. Expectations are not lofty for One and it could end up making less than Beasts. I’m pegging this for a mid 30s beginning.
Transformers One opening weekend prediction: $35.4 million
Sci-fi horror pic AfrAId and political biopic Reagan are two newcomers working hard to attract viewers over Labor Day weekend, but it should be holdovers shining atop the box office hill. My detailed prediction posts on the newcomers can be accessed here:
Over the four-day frame, I don’t believe either fresh flick will manage to hit double digits. As an aside, there are other newbies out like 1992 with Tyrese Gibson and the late Ray Liotta and Slingshot with Casey Affleck and Laurence Fishburne. There’s also the family sports tale You Gotta Believe. I didn’t do individual write-ups on this trio as I have a tough time envisioning any of them approaching the top five (or top 8 for that matter). If any of them have a shot of surprising, maybe Believe does but I wouldn’t count on it.
AfrAId from Blumhouse should be the best performer of the debuts. That still could mean only high single digits for a third place showing at best or fourth or fifth.
How Reagan rolls out is a big question mark. With Dennis Quaid as the 40th POTUS, it might over perform if conservatives come out in force. I’m skeptical and my mid single digits take puts it outside the high five.
The seasonal leftovers usually have small percentage drops over this holiday frame from Friday to Monday. I would anticipate that Deadpool & Wolverine, Alien: Romulus, and It Ends with Us will maintain spots 1-3. Faith-based drama The Forge nabbed an A+ Cinemascore this past weekend and should hold steady (same goes for Blink Twice). That could mean both earn more than Reagan.
Here’s how I have it shaking out and we’ll do a top 8 forecast as the summer season closes out. These are Friday to Monday estimates:
1. Deadpool & Wolverine
Predicted Gross: $18.3 million
2. Alien: Romulus
Predicted Gross: $13.7 million
3. It Ends with Us
Predicted Gross: $10.2 million
4. AfrAId
Predicted Gross: $7.4 million
5. Twisters
Predicted Gross: $6.8 million
6. Blink Twice
Predicted Gross: $6.3 million
7. The Forge
Predicted Gross: $6.2 million
8. Reagan
Predicted Gross: $5.6 million
Box Office Results (August 23-25)
Deadpool & Wolverine clawed its way back to the #1 slot after a week away. The MCU behemoth took in $18.3 million in its fifth week, in range with my $19.2 million prediction. It is up to $577 million total.
Alien: Romulus slid precipitously to second in its sophomore outing. Down 61%, the gross was $16.3 million (a bit under my $17.8 million call) for $72 million thus far.
It Ends with Us stayed in third with $11.6 million, a tad shy of my $13.4 million projection. The three-week haul is $120 million.
A trio of newcomers generally underwhelmed. Blink Twice fared best in fourth at $7.3 million. That doesn’t match my $8.5 million estimate though it’s an OK result considering the reported $20 million price tag.
The Forge was fifth at $6.6 million and that’s on target with my $7.1 million prediction. As mentioned, it should hold well considering the Cinemascore grade.
Finally, The Crow didn’t fly with viewers. The reboot tanked in 8th place with just $4.6 million. I was kinder at $7.4 million.
Instead of saying it’s made with spirit, you can accurately say Megalopolis was made with spirits. As in wine because legendary filmmaker Francis Ford Coppola reportedly sold a hefty portion of that business to finance the $120 million production. This is Coppola’s dream project (in development since the late 1970s) and the sci-fi drama influenced by the fall of the Roman Empire has premiered at Cannes. The large cast includes Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Jason Schwartzman, Talia Shire, Grace VanderWaal, Laurence Fishburne, Kathryn Hunter, Chloe Fineman, and Dustin Hoffman.
Some reaction from the Riviera is heaping praise on the long gestating picture. There’s plenty more calling it a mess (though a wildly ambitious one) and you can see it in the 47% Rotten Tomatoes rating.
At 85, Coppola is rightfully regarded as one of cinema’s most important figures. That said, for every The Godfather, The Conversation, and Apocalypse Now, there’s some flops and flicks that received middling reviews. His 2011 predecessor Twixt, for example, came and went with scant fanfare.
Despite the high profile surroundings with this unveiling, awards prospects are shaky and that might be generous. I suppose tech races like Production Design or Costume Design could happen, but I think it’s entirely possible the Academy ignores this altogether. One might think Visual Effects is doable yet that aspect is receiving its share of disparagement. The large cast should come up empty-handed too. The three Godfather sagas saw 10 performers get nominated. Based on the write-ups I’ve seen, I don’t see any of the thespians here contending. Same goes for Coppola and his movie. My Oscar Prediction posts will continue…
No franchise has seen more actors submit headshots to get their heads shot than this one. Nearly a decade has passed since the puppy of John Wick (Keanu Reeves) was offed by Russian mobsters in the 2014 original. Much less time has expired onscreen as we arrive at Chapter 4. In the features that have followed, the world building continues to grow as the squib games ramp up.
As a quick reminder, Wick was a legendary hitman mourning his wife’s death from natural causes in 2014. When the condemned criminals caused the demise of his very good boy, it triggered a thirst for revenge still not quenched. The storyline also veered into unexpected and violently enjoyable directions. This includes The Continental, stylish hotels across the globe that cater to nefarious types. The Wick world also established its own set of rules for how these characters behave. It’s all set in a cinematic universe where law enforcement is on permanent break and an all-powerful syndicate The High Table calls the shots.
Ultimately it’s an excuse for long take battles where Keanu and his friends and enemies (and in some cases frenemies) find fresh ways to shoot indistinguishable baddies in the head. This can be monotonous but director Chad Stahelski and his team of technicians and stunt persons more often impress with their inventive set-ups.
In 2019’s Chapter 3 – Parabellum, Wick was left for dead by the High Table and rescued by underground crime lord the Bowery King (Laurence Fishburne, still having a ball). Our title character is in heavy revenge mode as the travelogue takes him to Morocco on horseback and then New York City, Japan, and Berlin. His back is always against the wall as the reward for his killing is $20 million and increasing.
The main player tasked with extinguishing Wick is Caine (Donnie Yen), a blind former Table assassin reluctantly returning to employment. His lack of sight causes creative ways for him to accomplish goals. Every time a bell rings around him, a henchman gets his wings (you’ll see). His hirer is the arrogant and ruthless Marquis (Bill Skarsgård), making for a delightfully smarmy addition. Skarsgård nailed the role of Pennywise with his demented sideways glances in the It double feature. Now he has another memorable villainous turn. Ian McShane’s Continental manager Winston (last seen putting a bullet into Wick) is more supportive this time. Shamier Anderson turns up as a skilled bounty hunter waiting for the price to be right before taking Wick out. In keeping with the franchise’s canine connection, he has a dedicated pooch who enacts cruelty to would-be tormentors. The dog’s presence also humorously reveals that even hotels for the underworld must adopt a policy for emotional support animals.
I have a tough time ranking these movies over the others. It sort of feels like one long movie. This one feels a bit longer because it is. Chapter 4 probably doesn’t need to clock in at three hours, but the action sequences continue to wow and this edition has the best adversary. As long as they continue to stay this solid and stylish, my policy will be to support them.
Blogger’s Update (03/20): Wick appears poised for a massive over performance. I am revising from projection from $69.1M to $85.5M.
Each Wick pic has burned brighter at the box office than the previous entry and the trend looks to continue as John Wick: Chapter 4 is unleashed on March 24th. Keanu Reeves is back in the title role with Chad Stahelski returning to direct. The supporting players are a mix of familiar franchise faces and newcomers including Donnie Yen, Bill Skarsgård, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rino Sawayama, Ian McShane, and Laurence Fishburne.
In the fall of 2014, the first Wick was a modest success when it debuted with $14 million and $43 million domestic overall. Those numbers seem meager now, but they were better than anticipated and more fans were gained when it hit the home viewing circuit. The 2017 sequel took in $30 million out of the gate with $92 million total. In 2019, Chapter 3 – Parabellum soared to a $56 million premiere with $171 million in the stateside bank.
At nearly three hours long, Chapter 4 is generating some of the strongest reviews of the series. With 91% on Rotten Tomatoes, critics are particularly praising the choreography of its wild action sequences. That should get plenty of genre fans out to the multiplexes. Like Creed III, look for this to score a series high opening with room to spare. I’m thinking mid 60s to possibly $70 million is achievable.
John Wick: Chapter 4 opening weekend prediction: $85.5 million (REVISED NUMBER)
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