Before co-creating another iconic sketch comedy show with Portandia and contributing to the occasionally brilliant Documentary Now! alongside Bill Hader, Fred Armisen was hitting home runs on Saturday Night Live.
His background in music (he would eventually be the bandleader on Late Night with Seth Meyers) provided some SNL highlights. There’s Garth and Kat, a musical duo with Kristin Wiig where incomprehensible tunes are made up on the spot at the Update desk. We have a clever Prince impersonation alongside Maya Rudolph’s Beyoncé.
Other impressions include President Obama, Joy Behar, and a hilariously inappropriate take on former New York Governor David Paterson. Vanessa Bayer and Armisen spun comedic gold into being shy friends with dictators. My personal favorite Armisen creation might be the condescending and sensitive to the touch Regine, who creeped out Jason Sudeikis’s friends at a house gathering. Or my favorite might be his Queen Elizabeth II. There’s a lot to choose from when considering Armisen’s arsenal of material. #18 will be up soon!
Before becoming a SAG and Golden Globe winner for his heralded role on Apple TV’s Ted Lasso, Jason Sudeikis was part of one of SNL’s finest ensembles in the show’s first half century of existence. He earns the 47 spot in my top 50 cast members.
Sudeikis memorably played Mitt Romney and Joe Biden while also channeling The Devil in Update bits and appearing alongside Kristin Wiig as one half of the A-Holes. Sudeikis was occasionally overshadowed by costars who will appear higher on this list, but he was a glue guy in a top SNL era. #46 will be up soon!
Universal and Illumination Entertainment have posted great results through five pictures in the Despicable Me franchise and they look to extend their luck with part 4 on July 3rd. The animated comedy is directed by Chris Renaud with Steve Carell, Kristin Wiig, Pierre Coffin, Joey King, Miranda Cosgrove, Stephen Colbert, Steve Coogan, Sofia Vergara, Chloe Fineman, and Will Ferrell providing voiceover work.
This has been a highly durable series in its nearly decade and a half of existence. Despicable Me debuted with $56 million in July of 2010 with an eventual $251 million domestic gross. Part 2 arrived on Wednesday, July 3, 2013 and therefore had the same release pattern as this entry. It took in $84 million for the traditional Friday to Sunday three-day with $143 million when factoring in Wednesday and Thursday (the 4th). The final tally was $368 million. Despicable Me 3 came in with $72 million in July 2017 and $264 million overall.
I didn’t forget the Minions. The spin-off tale tallied $115 million out of the gate in July 2015 with $336 million domestically. Two summers ago, sequel Minions: The Rise of Gru banked $107 million en route to $370 million total.
Animation brought summer 2024 out of the doldrums via Inside Out 2 which vastly exceeded expectations. It’ll still be making money over the holiday frame, but Despicable should fall in range with some of its predecessors. I don’t foresee a premiere as high as part 2 (though no one thought Inside Out 2 would amass over $150 million in weekend 1).
A mid to high 70s Friday to Sunday should mean a five-day in the $125 million plus space for another Despicable victory.
Despicable Me 4 opening weekend prediction: $79.4 million (Friday to Sunday); $126.3 million (Wednesday to Sunday)
The fifth entry in the MonsterVerse series stomps into theaters this weekend with Godzilla x Kong: The New Empire. It is the sole wide release newcomer over the Easter frame and you can peruse my detailed prediction post on it here:
The latest battle royale between iconic creatures should easily top the charts. Predecessor Godzilla vs. Kong still faced COVID challenges in 2021 and I think Empire should have no trouble surpassing its low 30s start. My estimate puts this just ahead of 2019’s premiere for Godzilla: King of the Monsters.
After an opening right in line with expectations (more on that below), Ghostbusters: Frozen Empire should slide to second (big weekend for sequels ending in the word empire by the way). How far it dips is worth monitoring. 2016’s Ghostbusters reboot fell 54% after mediocre word-of-mouth in its sophomore outing. 2021’s Ghostbusters: Afterlife eased 45%, but it had the advantage of weekend #2 taking place over the Thanksgiving holiday. I’m basically splitting the difference with Empire experiencing a decline approaching 50%.
Holdover sequels Dune: Part Two and Kung Fu Panda 4 should populate the three and four slots with mid 40s drops. The five spot should be between Immaculate and Arthur the King.
Here’s how I have the top 6 shaking out:
1. Godzilla x Kong: The New Empire
Predicted Gross: $52.2 million
2. Ghostbusters: Frozen Empire
Predicted Gross: $21.8 million
3. Dune: Part Two
Predicted Gross: $11 million
4. Kung Fu Panda 4
Predicted Gross: $10.6 million
5. Immaculate
Predicted Gross: $3 million
6. Arthur the King
Predicted Gross: $2.8 million
Box Office Results (March 22-24)
The Ghostbusters franchise has been pretty darn consistent over the last near decade. The aforementioned reboot from 2016 with Melissa McCarthy and Kristin Wiig debuted with $46 million. Afterlife kicked off with $44 million. Frozen Empire heated up the charts with $45 million, a bit ahead of my $42.7 million prediction. As mentioned, this is generally where most prognosticators figured this would fall and even at the higher end of that range.
Dune: Part Two was second with $17.6 million, on target with my $17.4 million call. The sci-fi spectacle is up to $233 million after four weeks.
Kung Fu Panda 4 went from 1st to 3rd in its third weekend with $16.5 million, a bit below my $18.2 million call. The animated adventure has amassed $132 million thus far.
Sydney Sweeney’s fright fest Immaculate was fourth with Neon’s highest opening of all time at $5.3 million. I was close at $4.9 million. While this isn’t an overly impressive haul, it does give the studio bragging rights and helps solidify Sweeney’s status as Hollywood’s It Girl of the moment.
Arthur the King rounded out the top five with $4.2 million (I said $3.8 million) for a muted two-week tally of $14 million.
Finally, I didn’t make a projection for the critically acclaimed horror flick Late Night with the Devil. It opened in sixth with $2.8 million on just over 1000 screens and that marks a best ever for IFC Films.
Arriving almost 40 years after the classic original, Ghostbusters: Frozen Empire looks to heat up multiplexes on March 22nd. The fifth feature in the franchise serves as a sequel to 2021’s Ghostbusters: Afterlife with Gil Kenan taking over directorial duties from Jason Reitman (the pair cowrote the script together). Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor, and Logan Kim reprise their roles alongside OG cast members Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton. Newcomers to the series include Kumail Nanjiani and Patton Oswalt.
Originally slated for December of last year, Empire looks to exceed or match the grosses of Afterlife. Nearly two and a half years ago, it started off with $44 million and eventual domestic earnings of $129 million. That is right on pace with 2016’s ballyhooed reboot with Melissa McCarthy and Kristin Wiig which premiered to $46 million and $128 million overall.
2021’s version proved the franchise still has some juice. However, I wouldn’t be surprised if this earns slightly less due to Afterlife‘s middling critical reception and audience reaction that wasn’t totally over the moon. Low 40s sounds about right.
Ghostbusters: Frozen Empire opening weekend prediction: $42.7 million
Let’s begin with this blanket statement… I’m basically flying a bit blind with my predictions for the Golden Globe Awards, which will be revealed tomorrow morning. For those who don’t follow the awards derbies closely like I do, the Hollywood Foreign Press Association has been in some considerable hot water for the last couple of years. So much so that NBC has decided they won’t air the January 9th ceremony due to lack of diversity for its voting membership. There were genuine questions as to whether the HFPA would even hold an event for their 79th awards, but they are pushing forward amidst the controversy.
Then there’s the simply the matter of the Globes being quite unpredictable. We tend to see a shocker nomination at least once a year… remember Kate Hudson’s nod in Actress (Musical/Comedy) for the barely seen and critically reviled Sia directed Music in 2020? Then the voters went ahead and nominated the picture itself!
Last year in Supporting Actress, Jodie Foster scored a surprise nomination and win for The Mauritanian. The Academy didn’t even bother to nominate her. In Supporting Actor, both Jared Leto (The Little Things) and Bill Murray (On the Rocks) made the cut in Supporting Actor though not at the Oscars. This is why my general rule at the Globes is to fill in bigger names when I’ve got a spot or two left over in an acting race.
The HFPA’s method of dividing Drama and Musical/Comedy always creates category questions and that holds true in 2021. Where’s CODA? Or House of Gucci and C’Mon C’Mon? Or Being the Ricardos. We don’t know. For prediction purposes, I’m putting them in Drama. Obviously, if they’re not, that would alter my estimates and make some of my calls moot.
Let’s take go through the categories one by one and see how this guesswork turns out, shall we? I’ll do a runner-up and second alternate for each race as well.
Best Motion Picture – Drama
Predicted Nominees:
Belfast
Dune
King Richard
Nightmare Alley
The Power of the Dog
Runner-Up: CODA
Second Alternate: The Tragedy of Macbeth
Commentary – At this point, Belfast, Dune, King Richard, and Power of the Dog seem like pretty safe bets. Any one of them missing out would be considered a significant snub. The fifth slot is wide open in my view. The surging CODA (if it’s placed in Drama) could certainly make the cut. Tragedy is a strong possibility and I wouldn’t count out Being the Ricardos, C’Mon C’Mon and House of Gucci (if they’re in Drama), The Last Duel, or Spencer. Despite some critical reservations, I’ll go with Guillermo del Toro’s Nightmare Alley. It’s important to remember that foreign films are relegated to their own category at the Globes. That’s why Parasite didn’t show up here two years ago and it’s why A Hero or Drive My Car won’t contend in this competition.
Best Motion Picture – Musical/Comedy
Predicted Nominees:
Cyrano
Don’t Look Up
Licorice Pizza
Tick Tick… Boom!
West Side Story
Runner-Up: In the Heights
Second Alternate: Cruella
Commentary – The Musical/Comedy derby actually has a bunch of musicals to choose from in 2021 and West Side Story and Tick Tick… Boom! especially seem like surefire additions. Between In the Heights and Cyrano, I’m giving the latter a slight edge (though both could make it). Licorice Pizza should get in though I’m a tad more unsure about Don’t Look Up. I would generally say the top six listed here will be duking it out for five slots (Cruella is kind of a throwaway addition but if Music could get in…)
**Note that pics like CODA, Gucci, or Being the Ricardos could be campaigned for here and not Drama and that could change the dynamic.
Best Director
Predicted Nominees:
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Guillermo del Toro, Nightmare Alley
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Runner-Up: Paul Thomas Anderson, Licorice Pizza
Second Alternate: Reinaldo Marcus Green, King Richard
Commentary – Feeling good about Branagh, Campion, Spielberg, and Villeneuve. The 5 spot is tougher but I’ll give del Toro the nod over Anderson (who, somehow, has never been nominated for a Globe).
Best Performance in a Motion Picture – Drama (Actress)
Predicted Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Lady Gaga, House of Gucci
Jennifer Hudson, Respect
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Runner-Up: Olivia Colman, The Lost Daughter
Second Alternate: Jodie Comer, The Last Duel
Commentary – So here’s when it gets truly complicated as Gaga, Hudson, and Kidman could all theoretically wind up in Musical/Comedy. If not, both Gaga and Kidman seem like likely nominees in Drama. So do Chastain and Stewart. I’m picking Hudson over considerable competition that includes Colman, Comer, Emilia Jones in CODA (if placed here), Frances McDormand (The Tragedy of Macbeth), and Penelope Cruz (Parallel Mothers).
Best Performance in a Motion Picture – Drama (Actor)
Predicted Nominees:
Bradley Cooper, Nightmare Alley
Benedict Cumberbatch, The Power of the Dog
Joaquin Phoenix, C’Mon C’Mon
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Runner-Up: Javier Bardem, Being the Ricardos
Second Alternate: Nicolas Cage, Pig
Commentary – Cumberbatch, Smith, and Washington are obvious choices. The other two slots – not so much. Phoenix could be in Musical/Comedy, but I’ll give the benefit of the doubt and put him here. Same with runner-up Bardem. As much as I’d like to anoint Cage for Pig, I’ll hedge with Cooper in Alley. Super dark horse choice: Clifton Collins, Jr. in Jockey.
Best Performance in a Motion Picture – Musical/Comedy (Actress)
Predicted Nominees:
Haley Bennett, Cyrano
Alana Haim, Licorice Pizza
Jennifer Lawrence, Don’t Look Up
Emma Stone, Cruella
Rachel Zegler, West Side Story
Runner-Up: Melissa Barrera, In the Heights
Second Alternate: Renate Reinsve, The Worst Person in the World
Once again – there’s some women I have in Drama that might shift over this way (Gaga, Hudson, Kidman, Jones). That would make this category more interesting as, right now, this is Zegler’s to lose based on my current composition. If serious hopefuls like Gaga and Kidman stay in Drama, this race could be ripe for an out of nowhere pick (I’m thinking either Annie Mumolo or Kristin Wiig in Barb and Star Go to Vista Del Mar).
Best Performance in a Motion Picture – Musical/Comedy (Actor)
Predicted Nominees:
Leonardo DiCaprio, Don’t Look Up
Peter Dinklage, Cyrano
Andrew Garfield, Tick Tick… Boom!
Anthony Ramos, In the Heights
Ryan Reynolds, Free Guy
Runner-Up: Cooper Hoffman, Licorice Pizza
Second Alternate: Simon Rex, Red Rocket
Commentary – The first four seem probable and the safer choice for #5 would be Hoffman (that’s if Joaquin Phoenix or Javier Bardem don’t play here). I gotta pick at least one head scratcher though so let’s throw in Reynolds for the hit Free Guy!
Best Supporting Performance in a Motion Picture (Supporting Actress)
Predicted Nominees:
Caitriona Balfe, Belfast
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Meryl Streep, Don’t Look Up
Runner-Up: Rita Moreno, West Side Story
Second Alternate: Cate Blanchett, Nightmare Alley
Commentary – Balfe, DeBose, Dunst, and Ellis are likely. If any of that quartet miss, it could be Dunst. I’m utilizing my aforementioned big name theory by picking Streep in the five spot. Could be Moreno or Blanchett and the star power could overshadow other possibilities like Ruth Negga (Passing) or Ann Dowd (Mass).
Best Supporting Performance in a Motion Picture (Supporting Actor)
Predicted Nominees:
Bradley Cooper, Licorice Pizza
Jamie Dornan, Belfast
Ciaran Hinds, Belfast
Jared Leto, House of Gucci
Kodi Smit-McPhee, The Power of the Dog
Runner-Up: Mike Faist, West Side Story
Second Alternate: Ben Affleck, The Tender Bar
Commentary – No one can really make heads or tails of Supporting Actor in 2021 so there’s some winging it happening. I’ll say both Belfast boys get in while HFPA recognizes Cooper’s limited screen time in Pizza and Leto’s out there performance in Gucci. Smit-McPhee has been picking up critics awards and that could get him in. Truth be told… anything could happen in this one.
Best Screenplay
Predicted Nominees:
Belfast
Don’t Look Up
Licorice Pizza
The Power of the Dog
West Side Story
Runner-Up: King Richard
Second Alternate: Being the Ricardos
The one I’m uncertain about is Don’t Look Up with its many lackluster reviews, but I’ll go for it over Richard. I also wouldn’t completely dismiss Ricardos due to the Aaron Sorkin factor.
Best Animated Feature Film
Predicted Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Vivo
Runner-Up: Raya and the Last Dragon
Second Alternate: Belle
Best Foreign Language Film
Predicted Nominees:
Drive My Car
Flee
A Hero
Titane
The Worst Person in the World
Runner-Up: Parallel Mothers
Second Alternate: The Hand of God
Best Original Score
Predicted Nominees:
Dune
Nightmare Alley
The Power of the Dog
Spencer
The Tragedy of Macbeth
Runner-Up: The French Dispatch
Second Alternate: Don’t Look Up
Best Original Song
Predicted Nominees:
“Be Alive” from King Richard
“Down to Joy” from Belfast
“Every Letter” from Cyrano
“Just Look Up” from Don’t Look Up
“No Time to Die” from No Time to Die
Runner-Up: “Dos Oruguitas” from Encanto
Second Alternate: “So May We Start” from Annette
My picks equate to the following scorecard in terms of total nominations:
7 Nominations
Belfast, The Power of the Dog
6 Nominations
Don’t Look Up
5 Nominations
West Side Story
4 Nominations
Cyrano, King Richard, Licorice Pizza, Nightmare Alley
3 Nominations
Dune
2 Nominations
Flee, House of Gucci, Spencer, Tick Tick… Boom!, The Tragedy of Macbeth
1 Nomination
Being the Ricardos, C’Mon C’Mon, Cruella, Drive My Car, Encanto, The Eyes of Tammy Faye, Free Guy, A Hero, In the Heights, Luca, The Mitchells vs. the Machines, No Time to Die, Respect, Titane, Vivo, The Worst Person in the World
I’ll have a post up later tomorrow with my results! Critics Choice predictions are next…
It’s in with the old and in with the new as Ghostbusters: Afterlife debuts in theaters November 19th. This was originally scheduled to haunt multiplexes in the summer of 2020 before numerous COVID delays. Jason Reitman directs and there’s some family legacy involved as dad Ivan made parts I and II in 1984 and 1989. Newcomers to the series include Carrie Coon, Finn Wolfhard, Mckenna Grace, Tracy Letts, and Paul Rudd (not to mention Stay Puft Marshmallow Minis according to the trailer). Returnees from the 80s are Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and Sigourney Weaver.
If rebooting this franchise sounds familiar – that’s because it happened five years ago to middling results. The Paul Feig helmed remake led by Melissa McCarthy and Kristin Wiig took in $46 million on its opening weekend but fizzled quickly due to so-so reviews and audience reaction. It also featured the OG Busters making cameos. This new iteration serves as a direct sequel to the first two.
Some estimates have Afterlife beginning at $50 million or above. That’s certainly doable, but I’m not so sure. While it’s obviously a well-known property and the ’84 original is rightly considered a classic, both follow-ups have been letdowns. The 71% Rotten Tomatoes score is OK, but its actually below the 74% that greeted the ballyhooed 2016 pic.
I’m projecting that this makes it to $35-$40 million and doesn’t get to the number we saw just a half decade back.
Ghostbusters: Afterlife opening weekend prediction: $38.1 million
The attendees of New York Comic Con were treated to a surprise this weekend with a screening of Ghostbusters: Afterlife. The fourth film in the franchise that famously began in 1984 serves as a direct continuation to the original and its 1989 follow-up. It’s all about family with Jason Reitman as director (his father Ivan made those first two). Carrie Coon, Finn Wolfhard, Mckenna Grace, Logan Kim, and Paul Rudd join the bustin’ action with series stalwarts Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and Sigourney Weaver making appearances. Afterlife is finally coming to life after numerous COVID delays with a November 19th stateside release.
Early reviews indicate a long gestating sequel has extreme reverence for its past. Some critics claim it might be a bit too nostalgic, but reaction is overwhelmingly pleasing with a current Rotten Tomatoes score of 91% (based on 11 reviews).
The original classic 37 years ago managed 2 Oscar nominations. They’re what you would expect: Best Original Song for that addictive title track by Ray Parker Jr. and Visual Effects (it lost to Indiana Jones and the Temple of Doom). Also as you might expect, Ghostbusters II and the ballyhooed 2016 Paul Feig reboot with Melissa McCarthy and Kristin Wiig achieved zero awards attention. I would anticipate the same for this despite the kudos. Visual Effects is a remote possibility, but there’s a slew of contenders more likely (Dune, The Matrix Resurrections, Eternals to name just some).
My Oscar Prediction posts for the films of 2021 will continue…
We have arrived at part III of my recaps of the summer seasons that came 30, 20, and 10 years ago. That means 2011 is upon us. If you missed my sizzling throwbacks to 1991 and 2001, you can find them here:
As is tradition, I will recount the top 10 hits as well as other notable features and some flops in a season where moviegoers bid a fond farewell to their iconic wizard:
Let’s get to it, yes?
10. Bridesmaids
Domestic Gross: $169 million
Kristin Wiig made one of the most successful jumps from SNL to movie stardom in this critically hailed pic that also earned Melissa McCarthy her silver screen breakout and even an Oscar nomination. It might not be the highest grossing comedy on here, but it’s definitely still the most talked about.
9. The Help
Domestic Gross: $169 million
Based on Kathryn Stockett’s bestseller, the 1960s set period piece from Tate Taylor brought the book’s readers and many others to the multiplex. Four Oscar nods followed including Best Picture and a Supporting Actress victory for Octavia Spencer.
8. Captain America: The First Avenger
Domestic Gross: $176 million
The Marvel Cinematic Universe’s first big branch out occurred during this summer where we would get our first glimpse at this OG avenger in the form of Chris Evans and another one who sits at the throne of spot #6. The sequels actually improved on what we see here, but the Captain gets rolling with this.
7. Rise of the Planet of the Apes
Domestic Gross: $176 million
Rupert Wyatt’s reboot of the franchise is deservedly better regarded than Tim Burton’s re-imagining that transpired in 2001. Debuting the fantastic motion capture work of Andy Serkis, this would spawn two follow-ups that also pleased audiences and critics and did considerable monkey business.
6. Thor
Domestic Gross: $181 million
Chris Hemsworth’s Asgardian heartthrob hammered into the public consciousness alongside Natalie Portman and Anthony Hopkins and managed $5 million more box office bucks than the Captain. The third sequel is currently in production.
5. Cars 2
Domestic Gross: $191 million
Despite grossing nearly $200 million, this Pixar sequel is not one of the studio’s most fondly remembered vehicles with just a 40% Rotten Tomatoes rating. A third Cars did zoom into theaters six years later.
4. Pirates of the Caribbean: On Stranger Tides
Domestic Gross: $241 million
With a reported budget of $379 million, Johnny Depp’s fourth headlining of the franchise still sports the largest price tag of all time. The actor’s final participation in the series would come in 2017 with Disney still looking to reboot it without their signature player.
3. The Hangover Part II
Domestic Gross: $254 million
Crowds were still clamoring for the drunken exploits of Bradley Copper, Ed Helms, and Zach Galifianakis. Critics weren’t near as kind to part II, but audiences didn’t begin to tire of the hijinks until part III two years later.
2. Transformers: Dark of the Moon
Domestic Gross: $352 million
Michael Bay’s third saga of the Autobots and Decepticons marks Shia LaBeouf’s last appearance in the franchise and includes drop-ins from acting heavyweights John Malkovich and Frances McDormand. Mark Wahlberg would take over starring duties three years later.
1. Harry Potter and the Deathly Hallows – Part 2
Domestic Gross: $381 million
After nearly a decade of enchanting kids and their parents alike, the franchise stemming from J.K. Rowling’s beloved novels received a fittingly massive send-off with this billion dollar plus worldwide earner.
Now for other noteworthy titles from the summer:
X-Men: First Class
Domestic Gross: $146 million
Bryan Singer’s handed over directorial reigns to Matthew Vaughn for this reinvigorating reboot of the series that introduced the younger versions of Charles Xavier, Magneto, and Mystique in the bodies of James McAvoy, Michael Fassbender, and Jennifer Lawrence. Numerous sequels of varying quality followed.
The Smurfs
Domestic Gross: $142 million
Sony Pictures wasn’t blue about the financial returns for this half live-action/half animated adaptation of the popular comics and animated series. A sequel came in 2013.
Super 8
Domestic Gross: $127 million
In between Star Trek pics and before rebooting Star Wars, J.J. Abrams helmed this sci-fi original which paid tribute to the Spielberg efforts of the 1980s. Critics gave it their stamp of approval and it’s notable for one heckuva train crash sequence.
Horrible Bosses
Domestic Gross: $117 million
This raunchy comedy about workers exacting revenge on their wretched superiors showed us a whole different side to Jennifer Aniston and spawned a 2014 sequel.
Crazy, Stupid, Love
Domestic Gross: $84 million
Before their collaboration on La La Land earned lots of Oscar nods five years later, Emma Stone and Ryan Gosling teamed up for this rom com with Steve Carell and Julianne Moore that exceeded expectations with audiences and many critics.
Midnight in Paris
Domestic Gross: $56 million
It was a different time 10 years ago for Woody Allen, who scored his last big hit with this fantastical comedy starring Owen Wilson. Woody would win the Oscar for Original Screenplay and it landed three additional nominations including Picture and Director.
The Tree of Life
Domestic Gross: $13 million
Terrence Malick’s epic philosophical drama won the Palme d’Or at the Cannes Film Festival and was nominated for Best Picture, Director, and Cinematography at the Academy Awards. Not your typical summer fare, but it certainly had reviews on its side.
And now for some titles that didn’t meet expectations commercially, critically, or both:
Green Lantern
Domestic Gross: $116 million
Five years before he entered the comic book flick pantheon with Deadpool, Ryan Reynolds didn’t have as much luck with this critically drubbed flop. Even the star himself has taken to calling it a waste of time for viewers.
Cowboys & Aliens
Domestic Gross: $100 million
Coming off the huge Iron Man pics, Jon Favreau cast James Bond (Daniel Craig) and Indiana Jones (Harrison Ford) in this space western that didn’t impress crowds or critics and earned considerably less than its budget domestically.
Mr. Popper’s Penguins
Domestic Gross: $68 million
Audiences were mostly cool to Jim Carrey’s treatment of the popular late 30s children’s book though it did manage to top its $55 million budget. It probably would have made far more during the star’s box office heyday.
Spy Kids 4-D: All the Time in the World
Domestic Gross: $38 million
A decade after Robert Rodriguez kicked the kiddie franchise off to great results, part 4 marked a low mark for the series.
Larry Crowne
Domestic Gross: $35 million
The star power of Tom Hanks (who also directed) and Julia Roberts couldn’t elevate this rom com from a subpar showing (critics weren’t kind either). This is largely a forgotten entity on both actor’s filmographies.
Conan the Barbarian
Domestic Gross: $21 million
Before becoming known to the masses as Aquaman, Jason Momoa couldn’t fill the shoes of Arnold Schwarzenegger in this bomb that couldn’t swim close to its $90 million budget.
And that does it, folks! I’ll have recaps of the summers of 1992, 2002, and 2012 up for your enjoyment next season!
As SNL just wrapped its 46th season last night, today seemed like a good opportunity to showcase an alumni deserving of awards consideration from a decade ago. In the summer of 2011, Paul Feig’s Bridesmaids became the comedy smash of the season. It was noticed by the Academy. Melissa McCarthy landed a nod in Supporting Actress while Kristin Wiig and Annie Mumolo were nominated for their Original Screenplay.
I would contend that Wiig should have been a double nominee in lead actress, especially considering that 2011 was a rather weak year in that race. Meryl Streep took the gold for The Iron Lady in what’s widely thought of as one of her least impressive victories. She triumphed over Glenn Close (Albert Nobbs), Viola Davis (The Help), Rooney Mara (The Girl with the Dragon Tattoo), and Michelle Williams (My Week with Marilyn).
Bridesmaids is perhaps the most impressive SNL cast member starring debut in history (an argument could also be made for Eddie Murphy in 48 Hrs.). Wiig’s drunken scene on an airplane headed to Vegas alone is worthy of awards attention and her work would have marked a fine occasion for the Academy to throw a rare bone to the comedic genre.
All My Life... I Wanted To Be A Blogster 