Based on the popular Netflix kids show that began in 2021, Gabby’s Dollhouse: The Movie hopes to welcome family audiences beginning September 26th. The fantasy comedy mix of live-action and animation is directed by Ryan Crego with Laila Lockhart Kraner reprising her leading role from the series. Costars include Gloria Estefan, Ego Nwodim, Kyle Mooney, Melissa Villaseñor, Fortune Feimster, and Kristen Wiig (lots of SNL alum). Thomas Lennon and Jason Mantzoukas provide voice work contributions.
Dollhouse could benefit by catering to a young female audience and the lack of competition from kid centric features. The rosiest of projections have this approaching $30 million and that could put it in contention for 1st place over One Battle After Another. I doubt it gets that high and I’ll say high teens low 20s is the likelier scenario.
Gabby’s Dollhouse: The Movie opening weekend prediction: $20.3 million
For my One Battle After Another prediction, click here:
Kristen Wiig’s tenure on SNL was so fruitful that she got a most epic sendoff when she departed in 2012. It included getting serenaded by host Mick Jagger and a slow dance with creator Lorne Michaels. The Groundlings alumni’s seven seasons featured some wonderful impressions, but the volume of hilarious original characters is what made her stand out.
A lot of them were bizarre in a glorious way. The Target Lady and the constantly bitter Aunt Linda. Her Kat to Fred Amisen’s Garth, always inventing songs at the Weekend Update desk. Old-time screen siren Mindy Grayson and her inappropriate appearances on Secret Password. The sexy until she’s not Shana and Sue, who can’t help but ruin any event when a surprise is occurring.
Then there’s practically indescribable creations like Gilly and especially Dooneese along with her sisters on The Lawrence Welk Show. I could go on and on (her celebrity reporter alongside Bill Hader or The Californians) and it’s a sign of how impactful Wiig’s time was. And, yes, there are impersonations that were fantastic like Kathie Lee Gifford, Greta Van Susteren, Suze Orman, Ann-Margret and Liza Minnelli. #2 will be up soon!
The Despicable Me/Minions has been a financial force over the past decade and a half, but not so much with awards voters. Despicable Me 4 is out this Wednesday from director Chris Renaud. Vocal work is provided by Steve Carell, Kristen Wiig, Pierre Coffin, Joey King, Miranda Cosgrove, Stephen Colbert, Steve Coogan, Sofia Vergara, Chloe Fineman, and Will Ferrell.
The three direct predecessors and the two spinoff Minions titles have eaxg grossed $250 million or higher domestically since 2010. Only Despicable Me 2 generated any Oscar nods. Those were in Animated Feature and Original Song (the Pharrell smash “Happy”) and Frozen beat it out in both races (the latter with its signature tune “Let It Go”).
Part 4 of the franchise has a 63% RT rating. That’s lower than part 1 (80%) and 2 (75%) and Minions:The Rise of Gru (70%) while slightly above part 3 (58%) and Minions (56%). In short, this does appear primed to enter the series back in the Oscar mix. Lucky for it, the dollars should continue to flow. My Oscar Prediction posts will continue…
Watching the recipients of the 81st Golden Globe Awards try to make their way to the stage through a tricky seating chart generated humorous moments of suspense this evening. As far as the winner themselves, there were less surprises. The show, however, wasn’t completely devoid of unexpected victors in the cinematic races. I’ll also add that Will Ferrell and Kristen Wiig’s musical related bit before they presented was easily the comedic highlight in a rather dull show (with some weak hosting from Jo Koy).
I went 12 for 15 in my picks as it turned out not to be the Barbenheimer show. The latter portion of that fresh word in the lexicon was correct as Christopher Nolan’s Oppenheimer was the most celebrated picture with five Globes: Best Film (Drama), Director (Nolan), Actor in a Drama (Cillian Murphy), Supporting Actor (Robert Downey Jr.), and Original Score. I correctly picked all of those (as I did all the acting derbies I might add). There’s certainly no reason to think anything has changed with my longtime feeling that Oppenheimer is #1 in the Oscar BP rankings where it has been perched for months.
Four other movies posted two wins. Anatomy of a Fall was responsible for one of my misses as it won Best Screenplay over my Barbie call. That was genuinely unanticipated while its victory for Non-English Language Film was not. This is a nice show for the French mystery as it’s considered a question mark for the Academy’s BP race (tonight helps).
Poor Things took Best Film (Musical/Comedy) in another race where I selected Barbie. As anticipated, Emma Stone was the Musical/Comedy actress winner.
The Holdovers was recognized in Musical/Comedy for Actor (Paul Giamatti) and Supporting Actress (Da’Vine Joy Randolph). For the latter, this could be the start of several podium trips.
Barbie also took a pair of prizes. Yet it didn’t emerge in its highest profile categories. Instead it took Best Song and the newly (and oddly) coined Best Cinematic and Box Office Achievement. In short, it was not an overly successful evening for Greta Gerwig’s phenomenon.
Lily Gladstone is your Best Actress (Drama) for Killers of the Flower Moon and you can expect future awards shows will be a showdown between her and Emma Stone.
Finally, my other miss was The Boy and the Heron being named Animated Feature over the favored Spider-Man: Across the Spider-Verse. I still think Spidey is out front for the Oscar, but it could be a real competition.
All in all: a great evening for “enheimer” and Ferrell/Wiig dance moves. Not as much for “Barb”.
Director Ridley Scott knows a thing or two about making science fiction movies and this Friday, The Martian is his latest. The lost in space pic is riding a wave of solid buzz (93% on Rotten Tomatoes) and its all star cast includes Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Pena, Kate Mara, Sean Bean, and Chiwetel Ejiofor.
With a reported $108 million budget, 20th Century Fox is hoping for robust results. It should have no issue opening atop the charts, but how high it goes is an open question. For comparison sake, Alfonso Cuaron’s Gravity debuted to $55 million on the same weekend two years ago. Last year’s similarly themed Interstellar took in $47 million out of the gate. Scott’s last sci fi effort Prometheus made $51 million in the summer of 2012 for its start. Damon’s previous genre pic Elysium premiered to $29 million in August 2013.
That’s a rather wide range of grosses for The Martian to open in. I’m skeptical that it tops $50 million, though its positive reviews don’t hurt. I also don’t believe it’ll gross as low as Elysium did as that film’s buzz was far less solid. Add it all up and I believe the most probable scenario is a premier in the high 30s to low 40s.
The Martian opening weekend prediction: $40.3 million
Ridley Scott’s sci fi pic The Martian premiered at the Toronto Film Festival over the weekend prior to its October 2 domestic release and the results are quite promising. With an all star cast including Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Pena, Kate Mara, Sean Bean and Chiwetel Ejiofor, The Martian has struck the fancy of critics to the tune of a 95% Rotten Tomatoes rating.
How will this translate to Oscar attention? Hard to say. Reviews have noted that this is a crowd pleaser and the more box office success it achieves, the better that bodes for a Best Picture nod. I’d still say it’s likely on the outside looking in, but that could certainly change if some future autumn releases don’t meet expectations. I could actually envision a somewhat long shot scenario of Scott receiving a directing nomination with the film itself left out.
As for actors, Damon has gotten strong notices and could find himself in contention, though I wouldn’t include him yet. Chastain has been singled out as well, but competition in Supporting Actress could leave her out. The Martian’s greatest chance at Academy focus is probably tech races like Cinematography, Visual Effects and Sound categories. As far as the bigger ticket races, Toronto did prove that this is something worth keeping in mind as the months roll on.
With a surprisingly serious dearth of animated features for the kiddos this summer, DreamWorks Animation’s How to Train Your Dragon 2 appears poised to breathe some fire into the box office when it opens Friday. Opening ultra-wide on approximately 4,100 screens, Dragon 2 is the sequel to the 2010 original that grossed $43.7 million in its March debut on its way to a $217 million domestic haul. The numbers for the sequel are expected to be quite higher and its premiere could easily double the first weekend of its predecessor.
Featuring the voices of Jay Baruchel, America Ferrera, Jonah Hill, Christopher Mintz-Plasse, Kristen Wiig and Cate Blanchett – Dragon so far stands at 100% on Rotten Tomatoes and it’ll surely be a candidate for Best Animated Feature come Oscar time. While summer 2013 saw a slew of animated features vying for attention, this season is different. How to Train Your Dragon 2 is really the only game in town with just Planes: Fire&Rescue coming in mid July. With a lack of the usual genre fare for family audiences, their demographic should flock to this.
A legit question is whether this could challenge Captain America: The Winter Soldier‘s $95 million debut which still stands as 2014’s highest. I don’t think it’ll quite get there, but it certainly wouldn’t shock me. I’ll predict it gets just past double what the first did out of the gate and it should have healthy legs in subsequent weekends.
How to Train Your Dragon 2 opening weekend prediction: $88.7 million
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