Tag: Kingdom of the Planet of the Apes

June 14-16 Box Office Predictions

Disney/Pixar looks to dominate the box office charts in a way they haven’t for some time with Inside Out 2. The sequel to the 2015 hit is the only newcomer in the marketplace and you can peruse my detailed prediction post on it here:

Inside Out 2 Box Office Prediction

After some fairly underwhelming grosses for the studio, Out could exceed the $90 million premiere achieved by its predecessor nine summers ago. I have it just doing so for what would be the fifth largest Pixar opening in its nearly three decade history.

Bad Boys: Ride or Die got off to a sizzling start (more on that below) and a mid to high 40s decline would have it in the $30 million range for its sophomore outing.

Spots 3 and 4 are likely to be a family friendly zone with The Garfield Movie and IF. Both will probably see slightly heftier declines than this past weekend considering the Mouse Factory competition.

Ishana Night Shyamalan’s horror debut The Watchers failed to attract genre viewers and I suspect its second weekend will see a dip in the 60% region. That could mean Kingdom of the Planet of the Apes stays in fifth with The Watchers in sixth.

Here’s how I see it playing out:

1. Inside Out 2

Predicted Gross: $92.4 million

2. Bad Boys: Ride or Die

Predicted Gross: $29.8 million

3. The Garfield Movie

Predicted Gross: $6.1 million

4. IF

Predicted Gross: $4.9 million

5. Kingdom of the Planet of the Apes

Predicted Gross: $3.1 million

6. The Watchers

Predicted Gross: $2.9 million

Box Office Results (June 7-9)

Will Smith can breathe a sigh of relief as Bad Boys: Ride or Die topped estimates with a boisterous $56.5 million. While that’s under the $62 million that 2020 predecessor Bad Boys for Life achieved, it’s still an impressive number considering this summer of underachievers. I didn’t give it enough credit with a $47.3 million forecast. For Smith, it’s a sign that moviegoers are willing to shell out their bucks after The Slap. Don’t be surprised to see him and Martin Lawrence back for a fifth adventure.

The Garfield Movie was second with a meager 29% slide at $10 million, ahead of my $8.9 million call. The three-week total is $68 million as it hopes to reach $100 million domestically.

IF only fell 25% for third at $7.8 million, in range with my $7.4 million projection. It is approaching nine digits with $93 million after four weeks.

The aforementioned The Watchers couldn’t capitalize on the Shyamalan family name as poor reviews sunk it. The gross was just $7 million for fourth compared to my $10.2 million estimate.

Kingdom of the Planet of the Apes rounded out the top five with $5.4 million (I said $6 million) for five-week earnings of $149 million.

Lastly, Furiosa: A Mad Max Saga plummeted another 61% in sixth with $4.2 million. I was kinder at $5.7 million as the prequel has only hit $58 million after three weeks.

And that does it for now, folks! Until next time…

June 7-9 Box Office Predictions

Sony Pictures and theater owners are desperately looking for Will Smith and Martin Lawrence’s Bad Boys: Ride or Die to inject some life into the box office this weekend. We also have The Watchers, the horror debut from Ishana Night Shyamalan, daughter of M. You can peruse my detailed prediction posts on the newcomers here:

Bad Boys: Ride or Die Box Office Prediction
The Watchers Box Office Prediction

While I don’t have Ride revving up to the same numbers that predecessor Bad Boys for Life managed in January 2020, my mid to high 40s projection puts it in line with its somewhat muted expectations.

As I’ve been mentioning frequently in 2024, scary movies have struggled even managing $10M+ as of late for their starts. I do believe The Watchers gets there, but not by a lot for a so-so second place showing.

After rising to #1 (more on that below), The Garfield Movie should drop to third while IF appears poised for a one spot slide to fourth. That’s because Furiosa: A Mad Max Saga is bound to see a larger percentage decline. It may even fall from second to sixth depending on how Kingdom of the Planet of the Apes holds up.

And with that, my top 6 take on the frame ahead:

1. Bad Boys: Ride or Die

Predicted Gross: $47.3 million

2. The Watchers

Predicted Gross: $10.2 million

3. The Garfield Movie

Predicted Gross: $8.9 million

4. IF

Predicted Gross: $7.4 million

5. Kingdom of the Planet of the Apes

Predicted Gross: $6 million

6. Furiosa: A Mad Max Saga

Predicted Gross: $5.7 million

Box Office Results (May 31-June 2)

The woes continued at multiplexes with no major new releases even sniffing $5 million. It’s a bit of a cinematic litter box right now and The Garfield Movie elevated to first with $14 million. That’s ahead of my $12 million projection for its sophomore outing as it’s up to $51 million.

Furiosa: A Mad Max Saga plummeted 59%, as I figured, to second with $10.7 million. That’s on target with my $11.3 million take as the prequel has amassed a mere $49 million in its two weeks.

IF held up nicely in third with $10.5 million (I said $10.1 million) for a three-week gross of $80 million.

Kingdom of the Planet of the Apes was fourth with $8.9 million, in range with my $8.5 million call. After four weeks, the sequel is perched at $140 million.

I incorrectly didn’t have estimates for The Fall Guy or The Strangers: Chapter 1. The former was fifth with $4.1 million for $80 million after five frames while the latter took in $3.7 million in sixth for $28 million after three weeks.

That’s because I had Japan’s animated Haiyku!! The Dumpster Battle in fifth place, but it was seventh with $3.6 million. I was darn close for the forecast with $3.9 million.

And that does it for now, folks! Until next time…

May 31-June 2 Box Office Predictions

The closeout of May and dawn of June at the box office will be even rougher than the Memorial Day weekend… and that weekend was rough at multiplexes (more on that below). The anime sports pic Haiyku!! The Dumpster Battle is the only significant new release as it aims for a top five showing where the #1 pic could struggle to top double digits. My detailed prediction post on the newcomer can be accessed here:

Haikyu!! The Dumpster Battle Box Office Prediction

With my mid single digits projection (it could go higher), I have Dumpster placing fifth.

There could be a photo finish for #1 after a frame in which the new holiday pictures bombed. I have Furiosa: A Mad Max Saga falling in the high 50s after its poor performance and The Garfield Movie dipping over 50%. That might give the tabby cat the (not exactly) bragging rights in 1st.

IF should hold in third with a smaller decline than the sophomore weekend competitors. Heck, it could contend for the top spot if Furiosa and Garfield go downhill even more. Kingdom of the Planet of the Apes is likely to hold in fourth and here’s how I have it all playing out:

1. The Garfield Movie

Predicted Gross: $12 million

2. Furiosa: A Mad Max Saga

Predicted Gross: $11.3 million

3. IF

Predicted Gross: $10.1 million

4. Kingdom of the Planet of the Apes

Predicted Gross: $8.5 million

5. Haiyku!! The Dumpster Battle

Predicted Gross: $3.9 million

Box Office Results (May 24-27)

And now to the dumpster fire that just happened. Furiosa: A Mad Max Saga managed to be first with $32.3 million over the Friday to Monday four-day expanded frame. That’s well below what predecessor Fury Road achieved some nine years ago and way under my $47.2 million prediction. **Please note that my percentage drops listed above are for the three-day Friday to Sunday portion of the weekend where this earned just $26.3 million.

The Garfield Movie also debuted on the lowest end of its anticipated range in second with $31.2 million compared to my $41.5 million take. Its B+ Cinemascore grade is subpar for a family feature (IF got an A) and I’m skeptical its legs will be sturdy.

IF fell to third in weekend #2 with $22.3 million, a tad ahead of my $20.6 million call. The two-week tally is $64 million.

Kingdom of the Planet of the Apes was fourth with $17.6 million (I said $18 million) as it inched up to $127 million. This is really the only significant success story of the summer thus far… or at least it’s generally performing in line with expectations.

The Fall Guy rounded out the top five with $7.9 million. I went lower at $5.8 million, but it’s only up to $74 million after four weeks.

The Strangers: Chapter 1 was sixth with $7 million (I said $5.6 million) as the low budget horror sequel is at $22 million.

Finally, Sight from Angel Studios struggled for eyeballs with $3.7 million in seventh. I thought it might get more with $5.3 million.

And that does it for now, folks! Until next time…

May 24-27 Box Office Predictions

After an iffy start to the summer cinematic season, the industry hopes business heats up over Memorial Day weekend. We have George Miller’s franchise prequel Furiosa: A Mad Max Saga looking to lead the way with the animated The Garfield Movie angling to post a strong second place showing. There’s also the faith-based biopic Sight from Angel Studios. You can peruse my detailed prediction posts on the trio here:

Furiosa: A Mad Max Saga Box Office Prediction
The Garfield Movie Box Office Prediction
Sight Box Office Prediction

With mostly laudatory reviews (though not on the level of predecessor Mad Max: Fury Road), I’m estimating that Furiosa gets just under $50 million over the extended Friday to Monday frame. That would put in right in line with expectations.

Same goes for Chris Pratt’s vocal work as that orange tabby cat in The Garfield Movie. My low 40s forecast gives it a runner-up debut as this hopes to bring family audiences in for the next few weeks.

Speaking of families, they turned out on the lower end of the anticipated range for IF (more on that below). It was still a rather decent opening, but the competition from Garfield could sting a little. I still think manages a tad over $20 million for the holiday.

Kingdom of the Planet of the Apes should slide from 2nd to 4th in the mid teens to high teens region while slots 5-7 could be awfully close between The Fall Guy, Sight, and The Strangers: Chapter 1.

Here’s how I see it playing out and remember that these figures are for Friday through Monday:

1. Furiosa: A Mad Max Saga

Predicted Gross: $47.2 million

2. The Garfield Movie

Predicted Gross: $41.5 million

3. IF

Predicted Gross: $20.6 million

4. Kingdom of the Planet of the Apes

Predicted Gross: $18 million

5. The Fall Guy

Predicted Gross: $5.8 million

6. The Strangers: Chapter 1

Predicted Gross: $5.6 million

7. Sight

Predicted Gross: $5.3 million

Box Office Results (May 17-19)

As mentioned, John Krasinski’s IF with Ryan Reynolds certainly didn’t over perform and came in with a fine but unremarkable $33.7 million. I thought it would get a bit more with $38.3 million. The A Cinemascore grade could mean its legs will be sturdy. That said, competition will be fierce.

Kingdom of the Planet of the Apes was second after a muscular opening last weekend with $25.4 million, just outdoing my $23.6 million prediction. The two-week total is $100 million.

The Strangers: Chapter 1 managed (barely) the largest horror unveiling of 2024 with a better than expected $11.8 million estimate. Considering its reported teensy budget, that’s a solid number and ahead of my $9.1 million call.

The Fall Guy fell to fourth with $8.3 million, in line with my $8 million projection. The three-week gross is $62 million.

Challengers rounded out the top five in weekend #4 and I incorrectly had it on the outside looking in. It has made $43 million overall.

They tried to make the Amy Winehouse biopic Back to Black a hit, but audiences said no (no no). It flopped in sixth with a mere $2.8 million compared to my more hopeful $4.5 million prediction.

And that does it for now, folks! Until next time…

May 17-19 Box Office Predictions

John Krasinski’s fantastical family flick IF looks to top the box office charts while horror prequel The Strangers: Chapter 1 and the Amy Winehouse biopic Back to Black also debut. You can peruse my detailed prediction posts on the newcomers here:

IF Box Office Prediction
The Strangers: Chapter 1 Box Office Prediction
Back to Black Box Office Prediction

IF is a tricky one to call. It has star power in the form of Ryan Reynolds and plenty of familiar faces voicing the various imaginary friends in the cast. On the other hand, this is original IP and it could struggle to break out with more franchise friendly titles for the fam coming our way this season (The Garfield Movie, Inside Out 2, Despicable Me 4). I’m giving it a mid to high 30s start as it will hope to leg out well over the next several weeks.

The runner-up spot should go to current champ Kingdom of the Planet of the Apes (barring a massive underperformance from IF). The tenth feature overall in the long-running series premiered at highest end of its anticipated range (more on that below). Its sophomore dip could be substantial. While 2014’s Dawn of the Planet of the Apes fell only 50%, follow-up War for the Planet of the Apes in 2017 tumbled 63%. It didn’t help that War faced direct competition from Dunkirk in its first outing. Then there’s the surprising B Cinemascore grade for Kingdom and that’s low for a blockbuster. Word-of-mouth could be an issue. I have it sliding in the high 50s or low 60s for a low to mid 20s second frame.

The Strangers: Chapter 1 could face the same genre hurdles that other recent titles have including Abigail and The First Omen. My estimate just north of $10 million puts it in third for a muted third place beginning.

The Fall Guy should continue its underwhelming run in fourth with a low to mid 40s ease in weekend #3.

With mostly poor reviews, a mid single digits start for Back to Black would have it rounding out the high five.

Here’s how I see it playing out:

1. IF

Predicted Gross: $38.3 million

2. Kingdom of the Planet of the Apes

Predicted Gross: $23.6 million

3. The Strangers: Chapter 1

Predicted Gross: $9.1 million

4. The Fall Guy

Predicted Gross: $8 million

5. Back to Black

Predicted Gross: $4.5 million

Box Office Results (May 10-12)

It was a wonderful weekend for 20th Century Studios as Kingdom of the Planet of the Apes proved the franchise is in good working order. Arriving seven years after predecessor War, it topped that film’s gross with $58.4 million. That’s third in the series only to 2014’s Dawn and Tim Burton’s 2001 re-imagining and ahead of my $55.2 million call.

The Fall Guy fell to second with $13.6 million, on target with my $13.2 million prediction. The total sits at a ho-hum $49 million after ten days as the summer’s first flop will likely not reach nine figures domestically.

Challengers was third with $4.3 million (I said $4.7 million) as its three-week tally is $37 million.

I did not correctly identify the fourth and fifth place finishers. Why? Well… the re-release of Star Wars: Episode 1 – The Phantom Menace was down a gargantuan 84% to $1.4 million (to bring its take to $486 million since 1999). I was far more generous and thought it would do $4 million. Oops.

That’s nothing compared to my overestimate of the Tyler Perry filmography spoof Not Another Church Movie. I had it in third place with $4.9 million. Instead it was 13th with a whopping…. $391k. Apparently filmgoers will go to Perry’s pics and do not want to see them made fun of.

Fourth place went to Tarot in its second go-round with $3.4 million. That’s actually a fine hold for horror as it has reached $11.9 million.

Godzilla x Kong: The New Empire rounded out the top five with $2.6 million to bring its numbers to $191 million after seven weeks.

And that does it for now, folks! Until next time…

Kingdom of the Planet of the Apes Review

Kingdom of the Planet of the Apes, for starters, gets its name right. Arriving seven years after War for the Planet of the Apes, a common criticism (not an especially important one) of the preceding trilogy was that their titles were a bit misleading. 2011’s Rise of the Planet of the Apes should’ve been Dawn of the Planet of the Apes. Yet that one came three years later and a more appropriate moniker for it would be War for the Planet of the Apes. However, War was in 2017 even though Rise of the Planet of the Apes would’ve fit better. Apes are indeed ruling the planet in the fourth entry of this Apes run and the tenth overall in the franchise. Climb of the Planet of the Apes might’ve stuck as well since the plot needs the creatures to use their upward mobility to get them out of jams.

Ultimately Kingdom gets more right than its name. A brief prologue reminds us where we left off in War. In its climax, simian leader Caesar (played iconically by Andy Serkis in probably the greatest motion capture performance ever) stopped being an Earthbound dweller and belonged to the ages. “Many generation later” (like 200-300 years), there are groups who study and honor Caesar’s work. Others are agnostic. Young ape Noa (Owen Teague) is in the latter bunch. His clan is more preoccupied with their birding activities which involve coming-of-age rituals that Noa is primed for. This is interrupted by human contact in the form of Freya Allan’s character Mae. All members of that race have been rendered speechless (as we started to witness in War). By Kingdom‘s coming, they’re also undomesticated and homeless and rare to come across.

This interaction inadvertently brings harm to Noa’s loved ones and sets the young ape on a course of discovery and retrieval of kidnapped family members. The abductor is Proximus Caesar (Kevin Durand’s superb and complex villain), whose mission involves bringing all clans together where he can rule with an iron paw. While that ape bends the teachings of Caesar to his own twisted ideology, others succeed in extolling the virtues. This includes orangutan Raka (Peter Macon) who joins Noa on the journey and first exposes him to the dominant force in Rise, Dawn, and War (or more appropriately… Dawn, War, and Rise but’s let not get hung up on it).

Raka is maybe my favorite character in a screenplay (by Avatar: The Way of Water scribe Josh Friedman) filled with promising new ones. I say promising because Kingdom is clearly world building to more installments. In that sense, comparisons to Rise of the Planet of the Apes from 2011 are apt. That tale explained Caesar’s childhood upbringing and eventual imprisonment that created the wide divide between apes and human. The movie itself was lean and efficient with a short runtime compared to Dawn, War, and this. Parts of Kingdom could’ve used a shave and tighter edit. The end result, though, is similar to 2011’s reboot in that I look forward to what’s coming while valuing what I just saw. Wes Ball takes over directorial responsibilities from Matt Reeves, who excelled at making the darker Dawn and War. Ball’s contribution may not be quite as distinctive, but it’s well-executed in reintroducing the audience to its visual landscapes and consistent tug-of-war between species coexisting in them.

This is smarter summer blockbuster sci-fi than any other franchise going and the series has been pulling that off for nearly 60 years. There’s been dips in quality (hi Tim Burton and various portions of the 1970s sequels). These past four Apes sagas have climbed to the top in terms of overall quality.

***1/2 (out of four)

Oscar Predictions: Kingdom of the Planet of the Apes

20th Century Studios is back in the monkey business this weekend with Kingdom of the Planet of the Apes. Wes Ball takes over the directorial reins for the 56-year-old franchise with Owen Teague, Freya Allan, Kevin Durand, Peter Macon, and William H. Macy among the cast.

This is the 10th feature in the series and the previous nine entries netted six total Academy nominations. Three of them went to the 1968 original with nods for its Score and Costume Design as well as an honorary Oscar for its revolutionary makeup artist John Chambers.

Following that, there was a long break between awards mentions. None of the four sequels to Planet (Beneath the Planet of the Planet, Escape from the Planet of the Apes, Conquest of the Planet of the Apes, Battle for the Planet of the Apes) contended in any races. Neither did Tim Burton’s 2001 re-imagining of part 1.

It took Rise of the Planet of the Apes in 2011 and sequels Dawn of the Planet of the Apes (2014) and War for the Planet of the Apes (2017) to get back in the Oscar mix. All 3 were up for their fantastic Visual Effects. The win tally was 0 for 3 as they respectively lost to Hugo, Interstellar, and Blade Runner 2049. Despite high praise for Michael Giacchino’s score and Andy Serkis’s lauded motion capture work as Caesar in that trilogy, VE was the only derby that the Apes ran in.

Kingdom (set many years after the events of War) is perched at 86% on Rotten Tomatoes. That’s just ahead of Rise‘s 82% while a bit behind War‘s 94% and Dawn‘s 91%. Some reviews say its visuals don’t quite match what we witnessed in the previous decade. Yet this seems poised for a fourth nomination in a row in that competition. Like its predecessors, a victory seems unlikely as Dune: Part Two may already have it wrapped up. My Oscar Prediction posts will continue…

May 10-12 Box Office Predictions

Kingdom of the Planet of the Apes is poised to rule over the box office charts as it looks for a similar opening to its predecessors. We also have Not Another Church Movie, spoofing the Tyler Perry assembly line of features out. You can peruse my detailed prediction posts on the newcomers here:

Kingdom of the Planet of the Apes Box Office Prediction
Not Another Church Movie Box Office Prediction

I have Kingdom premiering similarly to 2011’s Rise of the Planet of the Apes and 2017’s War for the Planet of the Apes and even a smidge higher. I don’t foresee it reaching the heights of 2014’s Dawn of the Planet of the Apes at $72 million.

As for Church, I’m forecasting its number of parishioners gives it a mid single digits start and that should mean a third place showing. I do believe it has a shot at over performance, per my individual write-up. It could also flame out in the low single digits (this is a tough one).

There’s no question that The Fall Guy did not exceed expectations. In fact, the action comedy with Ryan Gosling and Emily Blunt came in at the lowest end of its anticipated range (more on that below). An A- Cinemascore could mean the sophomore drop won’t be too damaging, but I suspect high 40s to low 50s is where the dip will be.

Holdovers Challengers and the re-release of Star Wars: Episode 1 – The Phantom Menace should round out the top five. The latter’s first weekend back in theaters is probably front loaded. Therefore I see Phantom sliding from 2nd to 5th and Challengers only down one spot in fourth.

Here’s how I see it shaking out:

1. Kingdom of the Planet of the Apes

Predicted Gross: $55.2 million

2. The Fall Guy

Predicted Gross: $13.3 million

3. Not Another Church Movie

Predicted Gross: $4.9 million

4. Challengers

Predicted Gross: $4.7 million

5. Star Wars: Episode 1 – The Phantom Menance

Predicted Gross: $4 million

Box Office Results (May 3-5)

Despite the Barbenheimer pedigree (the pics that ruled summer 2023), The Fall Guy‘s performance was stunted at just $27.7 million. That’s well under my $38.3 million prediction and a letdown considering the reported $150 million price tag. For the past decade and a half, the MCU/Disney has owned the first weekend of May that marks the official start of cinematic summer. With that franchise sitting it out, audiences responded with indifference to the Gosling and Blunt show.

The Mouse Factory did bank some more cash for its Star Wars franchise. Marking its 25th anniversary and despite its checkered reputation, the re-release of The Phantom Menace took in $8.7 million for second place. It certainly didn’t hurt that Saturday fell on May 4th (a sacred date for many fans). That tops my $6.8 million forecast as the first episode is now at $483 million stateside in the last quarter century.

Challengers was third with $7.5 million, on target with my $7.9 million call. Zendaya’s sports drama eased an expected 49% to bring its two-week total to $29 million.

Poorly reviewed horror flick Tarot had a fourth place debut in the cards with $6.5 million, a bit over my $5.6 million projection. Look for this to fade fast as have other recent genre offerings.

Godzilla x Kong: The New Empire rounded out the top five with $4.5 million (I said $4.7 million) to bring its haul to $188 million after six weeks.

Finally, faith-based drama Unsung Hero fell considerably further in weekend #2 than I figured. In seventh place, its $2.9 million gross was well under my estimate of $5.4 million. The total is $13 million.

And that does it for now, folks! Until next time…

Kingdom of the Planet of the Apes Box Office Prediction

Kingdom of the Planet of the Apes marks the tenth franchise feature overall that began in 1968 and as a follow-up to the acclaimed and profitable trilogy from 2011-17. Out May 11th, Wes Ball (best known for The Maze Runner pics) takes over directorial duties from Matt Reeves. Set 300 years after the events of War for the Planet of the Apes, the cast includes Owen Teague, Freya Allan, Kevin Durand, Peter Macon, and William H. Macy.

Originally set for Memorial Day weekend, it was pushed up mainly to avoid a head to head with Furiosa: A Mad Max Saga. As mentioned, the last three Apes adventures were a success story for 20th Century Studios. Thirteen summers ago, Rise of the Planet of the Apes exceeded expectations with a $54 million start and $176 million overall domestically. 2014’s Dawn of the Planet of the Apes reaches a series apex with a $72 million premiere and $208 million eventual haul. 2017’s War was a slight letdown compared to its predecessor with a $56 million debut and $146 million stateside tally.

We have seen a recent example of a creature centric surpassing guesstimates in Godzilla x Kong: The New Empire. The seven year break could hurt Kingdom, but I suspect this will manage a beginning very similar to Rise and War and not Dawn.

Kingdom of the Planet of the Apes opening weekend prediction: $55.2 million

For my Not Another Church Movie prediction, click here:

Not Another Church Movie Box Office Prediction