Tag: Keanu Reeves

October 24-26 Box Office Predictions

A trio of new releases are vying for the #1 spot this weekend as musical biopic Springsteen: Deliver Me from Nowhere, romantic drama Regretting You and anime fantasy Chainsaw Man: The Movie – Reze Arc are unveiled. You can peruse my detailed prediction posts on the trio here:

Springsteen: Deliver Me from Nowhere Box Office Prediction
Regretting You Box Office Prediction
Chainsaw Man – The Movie: Reze Arc Box Office Prediction

Potential over or under performances by the newbies make this an uncertain weekend. As mentioned, any of them could place 1st or Black Phone 2 could repeat atop the charts. I’m giving the slight edge to Springsteen with Jeremy Allen White as The Boss though my mid teens estimate means it would fall short of the eventual grosses of recent genre fare like Bohemian Rhapsody, Elvis and A Complete Unknown.

Regretting You has a shot of exceeding expectations since it’s based on source material from Colleen Hoover. The adaptation of her novel It Ends with Us was a smash last year. Yet my low teens take puts it in second as this doesn’t seem to have the buzz of the aforementioned.

As for Chainsaw, anime features (especially the most recent Demon Slayer) have been hot commodities, but this isn’t expected to reach anywhere that pic’s $70 million start. I’m going low double digits though it could surprise.

After a stellar start, Black Phone 2 should lose around its opening weekend audience with Tron: Ares shedding more than that and rounding out the top five.

Here’s how it see it shaking out:

1. Springsteen: Deliver Me from Nowhere

Predicted Gross: $16.1 million

2. Regretting You

Predicted Gross: $14 million

3. Black Phone 2

Predicted Gross: $13.7 million

4. Chainsaw Man: The Movie – Reze Arc

Predicted Gross: $12.8 million

5. Tron: Ares

Predicted Gross: $5 million

Box Office Results (October 17-19)

Black Phone 2 rang up decent business and outdid its 2022 predecessor with $27.3 million. That managed to top my $25.5 million prediction.

Tron: Ares fell 67% for $11.1 million in second, rising slightly ahead of my $10.2 million call. The flop of a threequel stands at $54 million after two weeks and this won’t be reaching nine digits domestically.

Aziz Ansari’s comedy Good Fortune couldn’t find it despite the star power of Seth Rogen and Keanu Reeves. It was third with $6.1 million, a shade below my $7.3 million estimate.

One Battle After Another was fourth with $3.8 million compared to my $4.9 million projection. The four-week total is $61 million.

Roofman took fifth with $3.7 million (I said $4.6 million) and it’s shackled with only $15 million in two weekends of play.

Finally, critically drubbed After the Hunt from Luca Guadagnino and starring Julia Roberts was ninth in wide release with a paltry $1.5 million. I was more generous at $3.5 million.

And that does it for now, folks! Until next time…

October 17-19 Box Office Predictions

Horror sequel Black Phone 2 should easily receive the most multiplex views this weekend as Aziz Ansari’s directorial debut Good Fortune with Seth Rogen and Keanu Reeves hopes to earn its title. We also have the expansion of Luca Guadagnino’s After the Hunt starring Julia Roberts. My detailed prediction posts on the trio can be accessed here:

Black Phone 2 Box Office Prediction
Good Fortune Box Office Prediction
After the Hunt Box Office Prediction

My projection for Phone gives it a couple million more than the 2022 original and grabbing a gross in the mid 20s range. I will note that it has the potential to over perform given that the genre often does. Hopefully something can wake up this sleepy October box office.

The runner-up position could certainly be held by Good Fortune if it manages $10 million plus. However, I’m going under that figure and putting it in third.

As for Hunt, it is slated for around 1200 venues and a lower to mid single digits figure might leave it just outside the top five.

Tron: Ares got off to an unimpressive start (more on that below) and I suspect a sophomore weekend plummet around 70% could be in store. Holdovers One Battle After Another and Roofman may round out the high 5 and here’s how I see it playing out:

1. Black Phone 2

Predicted Gross: $25.5 million

2. Tron: Ares

Predicted Gross: $10.2 million

3. Good Fortune

Predicted Gross: $7.3 million

4. One Battle After Another

Predicted Gross: $4.9 million

5. Roofman

Predicted Gross: $4.6 million

6. After the Hunt

Predicted Gross: $3.5 million

Box Office Results (October 10-12)

Disney had no trouble getting Tron: Ares to first place, but the Mouse House hardly has bragging rights. The third flick in the franchise that began in 1982 stumbled with $33.2 million compared to my $42.6 million call. That’s a hugely disappointing result considering the reported $180 million budget. Ares fell $10 million under the $43 million that predecessor Tron: Legacy managed 15 years ago and that’s not even adjusted for inflation.

Roofman with Channing Tatum was runner-up with $8.1 million as the dramedy opened in line with general expectations and over my $5.8 million projection. It is still an underwhelming number though it’ll hope to leg out respectably during the month.

One Battle After Another was third with $6.8 million, in line with my $6.4 million prediction. The Oscar hopeful has taken in $54 million after three weeks.

Gabby’s Dollhouse: The Movie was fourth and I incorrectly had it outside the top five. The $3.4 million gross gave it $26 million in three weeks of play.

The Conjuring: Last Rites rounded out the top five at $3.1 million. My guesstimate? $3.1 million! The horror sequel has amassed $172 million in five weeks.

I didn’t do an official prediction for the inspirational biographical drama Soul on Fire. I did speculate it could make around $3 million. It took in $2.8 million for sixth.

The Smashing Machine had a free fall in 8th with $1.7 million. This represents a 69% tumble for the former awards hopeful. I was more generous at $2.6 million and its ten-day tally is a mere $9 million.

Finally, Kiss of the Spider Woman with Jennifer Lopez premiered in lowly 12th place. The $891k figure is well under my $2.2 million take. Like Machine, the bad earnings don’t bode well for any Oscar attention.

And that does it for now, folks! Until next time…

Good Fortune Box Office Prediction

Good Fortune is hoping for just that when the Lionsgate release opens October 17th. The supernatural comedy marks the directorial debut of Aziz Ansasi. He also wrote the script and costars with Seth Rogen, Keke Palmer, Sandra Oh and Keanu Reeves as a guardian angel.

The film premiered at the Toronto Film Festival to mostly satisfied reviews (83% Rotten Tomatoes, 69 Metacritic). Humorous features have seen decreasing wide theatrical releases in recent years. In August, The Naked Gun managed mid teens out of the gate with name brand recognition.

I doubt Fortune is that fortunate. Low teens could be the ceiling and $10M+ is certainly possible, but I’m going lower as this genre struggles at multiplexes.

Good Fortune opening weekend prediction: $7.3 million

For my Black Phone 2 prediction, click here:

Black Phone 2 Box Office Prediction

For my After the Hunt prediction, click here:

After the Hunt Box Office Prediction

Oscar Predictions: Good Fortune

Angelic comedy Good Fortune will hope for just that when it opens on October 17th. Marking the directorial debut of comedian Aziz Ansari, it premiered at the Toronto Film Festival to mostly satisfied reaction. The body swap tale stars Seth Rogen and Ansari with Keanu Reeves as a “budget guardian angel”. The supporting cast includes Keke Palmer and Sandra Oh.

Rotten Tomatoes is at 81% with 66 on Metacritic. Plenty of critics particularly dig the Reeves casting. While the Academy won’t consider this, could Fortune make a play in Musical/Comedy at the Golden Globes? I don’t think the reviews are quite there for it to have a legit shot unless divine intervention is involved. My Oscar Prediction posts will continue…

Oscar Predictions: Ballerina

Ana de Armas headlines the John Wick franchise spinoff Ballerina this weekend with Keanu Reeves appearing in the action thriller from director Len Wiseman. Other costars include Gabriel Byrne, Catalinia Sandino Moreno, Norman Reedus, and Wick fixtures Anjelica Huston, Ian McShane, and the late Lance Reddick.

The Academy recently announced a new Achievement in Stunt Design category. However, it won’t begin until the 100th ceremony in 2028. That’s bad news for Ballerina and Mission: Impossible – The Final Reckoning in 2025. Both the Wick and Impossible series likely would’ve racked up multiple noms had that race existed over the past decade plus.

Four previous Wick pics couldn’t get into categories like Sound or Visual Effects and I doubt Ballerina will. My Oscar Predictions posts will continue…

June 6-8 Box Office Predictions

Ballerina, a spinoff of the John Wick franchise, hopes to step into the #1 spot this weekend and Wes Anderson’s latest comedy The Phoenician Scheme expands nationwide. My detailed prediction posts on the newcomers can be accessed here:

Ballerina Box Office Prediction
The Phoenician Scheme Box Office Prediction

Ana de Armas headlines Ballerina (full title: From the World of John Wick: Ballerina) with series regulars appearing including Keanu Reeves. While I don’t have this approaching the heights of the previous two Wick installments, my mid 30s projection should be enough to top the charts.

As for Phoenician, it had an impressive per screen average in six venues this past frame. My high single digits estimate as it increases to around 1500 locations should mean fourth or fifth place with it performing in line with Anderson predecessor Asteroid City.

Lilo & Stitch and Mission: Impossible – The Final Reckoning, the 1-2 finishers for the past two weekends, should each drop a spot with percentage dips in the mid 40s. I expect Karate Kid: Legends to experience a heftier decline in the mid to high 50s during its sophomore outing.

Here’s how I have the top five playing out:

1. Ballerina

Predicted Gross: $36.8 million

2. Lilo & Stitch

Predicted Gross: $31.9 million

3. Mission: Impossible – The Final Reckoning

Predicted Gross: $15 million

4. The Phoenician Scheme

Predicted Gross: $8.7 million

5. Karate Kid: Legends

Predicted Gross: $8.5 million

Box Office Results (May 30-June 1)

Disney’s Lilo & Stitch continued to reign supreme with $61.8 million, a bit under my $66.4 million call. The live-action remake of the 2002 animated feature has collected $278 million in its ten days of release.

Mission: Impossible – The Final Reckoning was runner-up with $27.2 million, on target with my $28.7 million forecast. Ethan Hunt’s final adventure stands at $122 million after two weeks in play.

Karate Kid: Legends debuted in third with $20.3 million which puts it in line with my $21.3 million prediction. The legacy sequel with Ralph Macchio and Jackie Chan premiered on the lower end of its anticipated range.

Final Destination Bloodlines was fourth with $10.9 million, ahead of my $8 million projection for a three-week tally of $111 million.

Finally, acclaimed A24 horror flick Bring Her Back brought in a so-so $7 million for fifth, not matching my $8.5 million call.

And that does it for now, folks! Until next time…

Ballerina Box Office Prediction

Ballerina looks to spin box office gold for Lionsgate when it debuts on June 6th. A spinoff of the John Wick franchise, Ana de Armas joins the world of assassins in this cinematic universe with Len Wiseman directing. Gabriel Byrne, Catalina Sandino Moreno, and Norman Reedus provide support. Lucky for the studio’s marketing department, so do several cast members of Wick installments including Anjelica Huston, Ian McShane, Lance Reddick (in his final feature role), and Mr. Wick himself Keanu Reeves.

Originally slated for last summer, the project was pushed back a full year. It takes place between the events of John Wick: Chapter 3 – Parabellum and John Wick: Chapter 4. Recent TV ads have highlighted Keanu’s involvement with the title styled as From the World of John Wick: Ballerina.

Parabellum debuted to $56 million in 2019 while 2023’s fourth installment kicked off with $73 million, Ballerina is not expected to reach those heights and its start should be more in line with John Wick: Chapter Two‘s $30 million premiere in 2017. $40 million is possible, but I’ll say mid 30s.

Ballerina opening weekend prediction: $36.8 million

For my The Phoenician Scheme prediction, click here:

The Phoenician Scheme Box Office Prediction

Sonic the Hedgehog 3 Box Office Prediction

Paramount seeks mega millions at the multiplex as Sonic the Hedgehog 3 arrives December 20th. Based on the hugely successful video games series from Sega, Jeff Fowler is in the director’s chair just as he was for the first two. Ben Schwartz returns to voice the title character with Jim Carrey back as the live-action main antagonist. Other faces behind the mic include Colleen O’Shaughnessey, Idris Elba, and Keanu Reeves while James Marsden, Tika Sumpter, Krysten Ritter, Natasha Rothwell, and Shemar Moore are among the in front of camera participants.

Over President’s Day weekend in 2020, the first Sonic took in $70 million over the four-day holiday. It ended up with $149 million as its earnings were disrupted by the pandemic that followed shortly after. In April of 2022, the sequel made $72 million for its start and $190 million stateside.

Early word-of-mouth is encouraging suggesting this is the strongest of the trio. Despite direct competition from Mufasa: The Lion King, this should be crowned box office ruler of the pre-Christmas frame. I believe this continues the upward trajectory of the franchise with a high 70s sprint to the number one spot.

Sonic the Hedgehog 3 opening weekend prediction: $77.6 million

For my Mufasa: The Lion King prediction, click here:

Mufasa: The Lion King Box Office Prediction

John Wick: Chapter 4 Review

No franchise has seen more actors submit headshots to get their heads shot than this one. Nearly a decade has passed since the puppy of John Wick (Keanu Reeves) was offed by Russian mobsters in the 2014 original. Much less time has expired onscreen as we arrive at Chapter 4. In the features that have followed, the world building continues to grow as the squib games ramp up.

As a quick reminder, Wick was a legendary hitman mourning his wife’s death from natural causes in 2014. When the condemned criminals caused the demise of his very good boy, it triggered a thirst for revenge still not quenched. The storyline also veered into unexpected and violently enjoyable directions. This includes The Continental, stylish hotels across the globe that cater to nefarious types. The Wick world also established its own set of rules for how these characters behave. It’s all set in a cinematic universe where law enforcement is on permanent break and an all-powerful syndicate The High Table calls the shots.

Ultimately it’s an excuse for long take battles where Keanu and his friends and enemies (and in some cases frenemies) find fresh ways to shoot indistinguishable baddies in the head. This can be monotonous but director Chad Stahelski and his team of technicians and stunt persons more often impress with their inventive set-ups.

In 2019’s Chapter 3 – Parabellum, Wick was left for dead by the High Table and rescued by underground crime lord the Bowery King (Laurence Fishburne, still having a ball). Our title character is in heavy revenge mode as the travelogue takes him to Morocco on horseback and then New York City, Japan, and Berlin. His back is always against the wall as the reward for his killing is $20 million and increasing.

The main player tasked with extinguishing Wick is Caine (Donnie Yen), a blind former Table assassin reluctantly returning to employment. His lack of sight causes creative ways for him to accomplish goals. Every time a bell rings around him, a henchman gets his wings (you’ll see). His hirer is the arrogant and ruthless Marquis (Bill Skarsgård), making for a delightfully smarmy addition. Skarsgård nailed the role of Pennywise with his demented sideways glances in the It double feature. Now he has another memorable villainous turn. Ian McShane’s Continental manager Winston (last seen putting a bullet into Wick) is more supportive this time. Shamier Anderson turns up as a skilled bounty hunter waiting for the price to be right before taking Wick out. In keeping with the franchise’s canine connection, he has a dedicated pooch who enacts cruelty to would-be tormentors. The dog’s presence also humorously reveals that even hotels for the underworld must adopt a policy for emotional support animals.

I have a tough time ranking these movies over the others. It sort of feels like one long movie. This one feels a bit longer because it is. Chapter 4 probably doesn’t need to clock in at three hours, but the action sequences continue to wow and this edition has the best adversary. As long as they continue to stay this solid and stylish, my policy will be to support them.

*** (out of four)

April 28-30 Box Office Predictions

Blogger’s Update (04/26): I am revising my Big George Foreman estimate down from $8.5M to $5.7M

The Super Mario Bros. Movie should have a fourth and final weekend atop the charts before Guardians of the Galaxy Vol. 3 kicks off May and the summer cinematic season. Coming-of-age dramedy Are You There God? It’s Me, Margaret and boxing biopic Big George Foreman also the newbies entering the ring. You can peruse my detailed prediction posts on them here:

Are You There God? It’s Me, Margaret Box Office Prediction
Big George Foreman Box Office Prediction

The revolving door at #2 should belong to Margaret, based on the 1970 Judy Blume bestseller. While a gross approaching $20 million is feasible, I’ll say mid teens is where it lands. It will bank on strong holds in its subsequent frames.

As for Big George Foreman, it might find itself in a close race with the second weekend of Evil Dead Rise for third position. I have Rise falling in the low to mid 60s (similar to the 2013 predecessor Evil Dead). If that occurs, it might win a close decision vs. Foreman.

Mario should have no trouble dominating once again and a mid 30s dip would give it just under $40 million in that fourth outing.

Finally, I have holdover John Wick: Chapter 4 in fifth. That slot could go to Guy Ritchie’s The Covenant or Air, though I have Keanu and company experiencing the smallest decline.

Here’s how I envision the top 5 shaking out:

1. The Super Mario Bros. Movie

Predicted Gross: $39.4 million

2. Are You There God? It’s Me, Margaret

Predicted Gross: $15.3 million

3. Evil Dead Rise

Predicted Gross: $8.8 million

4. Big George Foreman

Predicted Gross: $5.7 million

5. John Wick: Chapter 4

Predicted Gross: $4.1 million

Box Office Results (April 21-23)

As anticipated, it was a three-peat for The Super Mario Bros. Movie as it collected another $59.9 million in coinage. Blasting beyond my $54.8 million prediction, Illumination’s animated juggernaut has amassed $436 million domestically.

Evil Dead Rise proved there’s no horror fatigue for audiences following recent efforts Scream VI, The Pope’s Exorcist, and Renfield. The fifth pic in the franchise opened with an impressive $24.5 million, elevating past my $16.7 million take. That’s just a shade behind what 2013’s Dead ($25.7 million) kicked off with.

Afghanistan War drama Guy Ritchie’s The Covenant with Jake Gyllenhaal couldn’t fill its theaters with a middling $6.3 million. It did premiere a tad ahead of my $5.6 million forecast, but that’s still an unimpressive result.

John Wick: Chapter 4 was fourth with $5.8 million compared to my $4.7 million projection with $168 million in the coffers.

Fifth place belonged to Dungeons & Dragons: Honor Among Thieves with $5.5 million (I said $4.3 million) as the franchise hopeful is straining to reach nine digits at $82 million.

Air was sixth with $5.4 million in the third weekend – in line with my $4.6 million guesstimate. Total is $41 million.

Plummeting from 2nd to 7th is The Pope’s Exorcist, falling victim to the power of Evil Dead . Down 62% in its sophomore frame with $3.4 million, I was more generous at $4.6 million. The ten-day tally is $15 million.

The story is similar for Renfield, down 59% in weekend #2 with $3.2 million (I went with $3.9 million). The tepid two-week total is $13 million.

Finally, Beau Is Afraid with Joaquin Phoenix (generating wildly divergent reactions) played well in very limited NY/LA showings last weekend. Yet it stumbled in wider release. The multi-genre odyssey made $2.7 million on just under 1000 screens. I was higher at $4.4 million.

And that does it for now, folks! Until next time…

And in the meantime, listen to my box office thoughts on your favorite podcast platform by searching Movies at the Speed of Speculation!