Roofman Box Office Prediction

Channing Tatum plays a real life robber using unconventional break-in methods in the dramedy Roofman. The Paramount release is out October 10th with Derek Cianfrance (Blue Valentine, The Place Beyond the Pines) directing. Kirsten Dunst costars with a supporting cast including Ben Mendelsohn, LaKeith Stanfield, Juno Temple, Melonie Diaz, Uzo Abuba, Lily Collias, Jimmy O. Yang and Peter Dinklage.

After premiering at the Toronto Film Festival earlier this month, reviews were mostly complimentary with 82% on Rotten Tomatoes and a 65 Metacritic. However, the buzz wasn’t strong enough to get in the awards conversation.

Roofman will rely solely on Tatum’s drawing power, but plenty of viewers may wait until streaming options are available. The ceiling for this could be $10 million (which would be an admirable result). I think mid single digits is where it lands.

Roofman opening weekend prediction: $5.8 million

For my Tron: Ares prediction, click here:

For my Kiss of the Spider Woman prediction, click here:

Oscar Predictions: Roofman

Before it drops in theaters on October 10th, Roofman has played the Toronto Film Festival. While reactions aren’t through the first portion of its title, they’re overwhelmingly positive. Based on the true story of a military man turned thief, Channing Tatum headlines the dramedy with Kirsten Dunst as his love interest. Costars include Ben Mendelsohn, Peter Dinklage, Uzo Abuda, Juno Temple, Emory Cohen, Melonie Diaz, and LaKeith Stanfield.

While this seems like an unconventional choice for Blue Valentine and The Place Beyond the Pines director Derek Cianfrance, critics are mostly thumbing it up. Rotten Tomatoes is at 90% with 74 on Metacritic. Some reviews are saying this is a career best performance from Tatum and complimenting the chemistry with Dunst. They could both be long shots for Academy attention. If Paramount slots this in Musical/Comedy instead of Drama (sounds like both are feasible) and campaigns Dunst in Best Actress as opposed to supporting at the Golden Globes, the odds could be improved for that ceremony. My Oscar Prediction posts will continue…

Oscar Predictions – Venom: The Last Dance

Tom Hardy and his title character alter ego are back for the third and allegedly final time when Venom: The Last Dance hits multiplexes this weekend. The only sub franchise in the Spider-Man Universe doing brisk business and producing sequels (sorry Morbius and Madame Web), Kelly Marcel directs. The supporting cast includes Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Peggy Lu, Alanna Ubach, and Stephen Graham.

Critics haven’t been overly kind to Hardy and company. Part 1 from 2018 managed only 30% on Rotten Tomatoes and a 35 on Metacritic. 2021 follow-up Venom: Let There Be Carnage fared better with 57% on RT and a 49 Metacritic. Dance is currently falling between those numbers with a 41% Tomato meter and 42 on MC.

Even though Hardy gives it his bonkers all in this series, don’t put money down on a Best Actor nomination unless you plan to lose. As I wrote three years ago with Carnage, Visual Effects is really the only awards play. Neither of Dance‘s predecessors nabbed a nod in VE and I wouldn’t expect this one to contend. My Oscar Prediction posts will continue…

Venom: The Last Dance Box Office Prediction

Tom Hardy is back in the dual roles of Eddie Brock and his sadistic otherworldly symbiote on October 25th with Venom: The Last Dance. The third entry in the franchise that began in 2018, Dance marks the directorial debut of Kelly Marcel. She co-wrote the original and solely penned the 2021 sequel Venom: Let There Be Carnage. The supporting cast includes Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Peggy Lu, Alanna Ubach, and Stephen Graham.

Six years back, Venom exceeded expectations with an $80 million opening weekend and $213 million total domestically. Three years later, forecasters assumed Carnage wouldn’t match up due to COVID complications. That turned out to be incorrect as the sequel amassed $90 million out of the gate. Its final stateside gross (rather remarkably) was also $213 million.

Bottom line: don’t underestimate this subsection of the Spider-Man Universe franchise. While Morbius and Madame Web struggled for eyeballs, I envision this premiering similarly to its predecessors. It may not match what came before, but low to mid 60s seems doable.

Venom: The Last Dance opening weekend prediction: $62.3 million

For my Conclave prediction, click here:

Oscar Watch: Palmer

I’m sad to report that Palmer starring Justin Timberlake does not feature the pop superstar playing 1980s “Addicted to Love” crooner Robert Palmer (that would be pretty sweet). Instead the drama (streaming on Apple TV this Friday) casts JT as a former felon caring for a young boy. Fisher Stevens directs with a supporting cast featuring Juno Temple, Ryder Allen, Alisha Wainwright, and June Squibb.

As of late, Timberlake has mostly focused on his music efforts. His acting credits in recent years has primarily consisted of voice work in the Trolls franchise. Some critics have praised his performance here, but the 56% Rotten Tomatoes score indicates this won’t be an awards contender.

Bottom line: Palmer doesn’t have the look of a late breaking Academy hopeful and it should be easy for voters to simply resist it. My Oscar Watch posts will continue…

Maleficent: Mistress of Evil Box Office Prediction

The cavalcade of 2019 Disney live-action reimaginings continues next weekend with Maleficent: Mistress of Evil. The fantasy adventure is the sequel to 2014’s Maleficent, which focused on the villainous title character from Sleeping Beauty. Angelina Jolie returns along with Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple, and Lesley Manville. Newcomers to the fold include Chiwetel Ejiofor, Ed Skrein, and Michelle Pfeiffer. Joachim Rønning (who recently co-directed the Mouse Factory’s Pirates of the Caribbean: Dead Men Tell No Tales) takes over for Robert Stromberg.

When it comes to comps for how Mistress might perform, that’s a tricky calculation. Since the release of part 1 five summers ago, there’s been eight Disney updates of their classic animated material. The last two from this summer (Aladdin and The Lion King) were massive blockbusters based on beloved 1990s pics. This spring’s Dumbo, on the other hand, premiered with a so-so $45 million.

What about Maleficent itself? It opened just under $70 million with a $241 million eventual domestic haul. Yet five years is a fairly long break between sequels and some of the kiddos who attended could take a pass here. That brings up the example of Alice in Wonderland and Alice Through the Looking Glass. In 2010, Wonderland was the first significant reimagining in several years. It debuted to $116 million. Six years later, Looking Glass was a huge flop and earned in the mid 20s for its start. For a non Disney example, Snow White and the Huntsman kicked off with a robust $56 million in 2012. Four years, its follow-up The Huntsman: Winter’s War sputtered with a meager $19.4 million.

While I don’t anticipate the drop-off here will be quite as dramatic as the last two scenarios, I do feel Evil will come in markedly lower than its predecessor. I’ll predict low to mid 30s could be the range and that means around half of the bounty from half a decade ago.

Maleficent: Mistress of Evil opening weekend prediction: $32.3 million

For my Zombieland: Double Tap prediction, click here:

Zombieland: Double Tap Box Office Prediction

Unsane Movie Review

In Steven Soderbergh’s cinematic world, the mental health and pharmaceutical industries come with even more side effects than the lengthy list we hear following commercials. They come with frequent plot twists, relationships ending in blood spattered bursts, and the stylistic flourishes we’ve come to expect from the director. This was explored first in 2013’s Side Effects and it’s continued now with Unsane.

This is a nasty little low-budget psychological thriller that saves much of its venom toward the cure for wellness empire and insurance game that benefits from it. It’s also a traditional stalker tale unless that aspect is all in our lead’s head. Part of the mystery is finding that out, for a bit.

Claire Foy is Sawyer, a banker who left Boston in fear of a man she obtained a restraining order against. We briefly see her day-to-day activities in which she can’t escape his shadow and can’t seem to have normal interactions with dates or coworkers. Her issues bring her to Highland Creek Behavioral Center where she believes she’s had a healthy conversation with a counselor. Yet that brief errand on her way to work turns into another situation she can’t escape from.

Held at the facility against her will, the audience is left to decide whether she truly belongs there or if there’s truth or delusion to her surroundings. Sawyer maintains that her stalker is orderly David (Joshua Leonard) and that he’s tracked her down in an elaborate scheme to be with her. No one bothers to really listen to her with the exception of her mother (Amy Irving) and a fellow patient (Jay Pharoah) with access to a cell phone.

Unsane doesn’t keep the plot’s central mystery going for long. Approximately halfway through, we know what’s up. Soderbergh and screenwriters Jonathan Bernstein and James Greer are then tasked with holding our attention. They mostly succeed partly to, ahem, a committed performance from Foy and the director’s undeniable glee in shooting this gory B-movie (on an iPhone by the way).

Soderbegh, who’s made great pictures, is known for these occasional side excursions into genre fare. This one is mostly minor with its own side indictments of big business. Had those issues been explored with more focus, Unsane could have been more than its rather trivial (if skillfully made) vibe. The aforementioned Side Effects is a stronger example of Soderbergh working in this realm, but that pic had some third act letdowns itself. There’s some fun to be had in the first half, but Unsane is more of a curiosity than anything else.

**1/2 (out of four)

Unsane Box Office Prediction

Shot in secret last year, psychological thriller Unsane arrives on screens next weekend. It comes from Oscar-winning director Steven Soderbergh and premiered at the Berlin Film Festival recently. Claire Foy of “The Crown” fame stars alongside an eclectic supporting cast that includes Joshua Leonard, Juno Temple, SNL alum Jay Pharoah, Amy Irving, and paralympic athlete Aimee Mullins.

Reviews have been mostly positive as it currently sits at 74% on Rotten Tomatoes. The low-budget enterprise was shot entirely on an iPhone 7 Plus and continues Soderbergh’s experimentation with the cinematic medium. The secrecy surrounding the project may contribute to a unawareness among the general public of its very existence.

Unsane will likely struggle to find an audience in theaters and hope for more eyeballs when it reaches the On Demand circuit.

Unsane opening weekend prediction: $3.9 million

For my Pacific Rim Uprising prediction, click here:

https://toddmthatcher.com/2018/03/13/pacific-rim-uprising-box-office-prediction/

For my Sherlock Gnomes prediction, click here:

https://toddmthatcher.com/2018/03/13/sherlock-gnomes-box-office-prediction/

For my Paul, Apostle of Christ prediction, click here:

https://toddmthatcher.com/2018/03/14/paul-apostle-of-christ-box-office-prediction/

For my Midnight Sun prediction, click here:

https://toddmthatcher.com/2018/03/16/midnight-sun-box-office-prediction/

Todd’s 2017 Weekly Oscar Predictions: October 19th Edition

My weekly round of Thursday Oscar predictions in the eight major categories brings a couple of updates from the past week:

Woody Allen’s Wonder Wheel premiered at the New York Film Festival and the mixed reaction has caused it to roll all the way out of the top 25 possibilities for Best Picture. Kate Winslet still stands a decent shot at Best Actress in a very crowded race, but her nomination seems a bit less assured to me now. The film also takes a hit in the Original Screenplay derby.

It’s looking like The Leisure Seeker with Donald Sutherland will not be released until 2018. I’ve had the actor on the lower rungs of possibility for Best Actor, but until I see confirmation of an awards qualifying end of year release date, he’s out for now.

And with that, let’s get to it!

Best Picture

Predicted Nominees:

1. Dunkirk (Previous Ranking: 1)

2. The Post (PR: 2)

3. The Shape of Water (PR: 3)

4. Call Me by Your Name (PR: 6)

5. Darkest Hour (PR: 4)

6. Three Billboards Outside Ebbing, Missouri (PR: 5)

7. Mudbound (PR: 7)

8. Blade Runner 2049 (PR: 10)

9. The Florida Project (PR: 9)

Other Possibilities:

10. Detroit (PR: 12)

11. Last Flag Flying (PR: 11)

12. Phantom Thread (PR: 15)

13. The 15:17 to Paris (PR: 14)

14. Battle of the Sexes (PR: 13)

15. I, Tonya (PR: 17)

16. Downsizing (PR: 18)

17. The Greatest Showman (PR: 16)

18. Lady Bird (PR: 22)

19. All the Money in the World (PR: 20)

20. Get Out (PR: 19)

21. Wonderstruck (PR: 21)

22. The Big Sick (PR: 23)

23. Star Wars: The Last Jedi (PR: 25)

24. Wind River (PR: 24)

25. Molly’s Game (PR: Not Ranked)

Dropped Out:

Wonder Wheel 

https://m.youtube.com/watch?v=6uefZOL41x4

Best Director

Predicted Nominees:

1. Christopher Nolan, Dunkirk (PR: 1)

2. Steven Spielberg, The Post (PR: 2)

3. Guillermo del Toro, The Shape of Water (PR: 3)

4. Luca Guadagnino, Call Me by Your Name (PR: 6)

5. Joe Wright, Darkest Hour (PR: 4)

Other Possibilities:

6. Denis Villeneuve, Blade Runner 2049 (PR: 7)

7. Dee Rees, Mudbound (PR: 5)

8. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 8)

9. Sean Baker, The Florida Project (PR: 10)

10. Kathryn Bigelow, Detroit (PR: 11)

11. Clint Eastwood, The 15:17 to Paris (PR: 12)

12. Richard Linklater, Last Flag Flying (PR: 14)

13. Paul Thomas Anderson, Phantom Thread (PR: 13)

14. Ridley Scott, All the Money in the World (PR: Not Ranked)

15. Greta Gerwig, Lady Bird (PR: Not Ranked)

Dropped Out:

Woody Allen, Wonder Wheel

Jordan Peele, Get Out

Best Actor

Predicted Nominees:

1. Gary Oldman, Darkest Hour (PR: 1)

2. Daniel Day-Lewis, Phantom Thread (PR: 2)

3. Timothee Chalamet, Call Me by Your Name (PR: 5)

4. Hugh Jackman, The Greatest Showman (PR: 3)

5. Tom Hanks, The Post (PR: 4)

Other Possibilities:

6. Jake Gyllenhaal, Stronger (PR: 6)

7. Steve Carell, Last Flag Flying (PR: 7)

8. Andrew Garfield, Breathe (PR: 9)

9. Denzel Washington, Roman J. Israel, Esq. (PR: 8)

10. James Franco, The Disaster Artist (PR: 10)

11. Jeremy Renner, Wind River (PR: 11)

12. Matt Damon, Downsizing (PR: Not Ranked)

13. Christian Bale, Hostiles (PR: 13)

14. Jason Clarke, Chappaquiddick (PR: 15)

15. Algee Smith, Detroit (PR: 14)

Dropped Out:

Donald Sutherland, The Leisure Seeker 

Best Actress

Predicted Nominees:

1. Meryl Streep, The Post (PR: 1)

2. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 2)

3. Margot Robbie, I, Tonya (PR: 3)

4. Emma Stone, Battle of the Sexes (PR: 5)

5. Sally Hawkins, The Shape of Water (PR: 6)

Other Possibilities:

6. Kate Winslet, Wonder Wheel (PR: 4)

7. Jessica Chastain, Molly’s Game (PR: 7)

8. Judi Dench, Victoria and Abdul (PR: 8)

9. Saoirse Ronan, Lady Bird (PR: 9)

10. Brooklyn Prince, The Florida Project (PR: 11)

11. Daniela Vega, A Fantastic Woman (PR: 10)

12. Annette Bening, Film Stars Don’t Die in Liverpool (PR: 12)

13. Michelle Williams, All the Money in the World (PR: 15)

14. Diane Kruger, In the Fade (PR: 13)

15. Jennifer Lawrence, mother! (PR: Not Ranked)

Dropped Out:

Carey Mulligan, Mudbound

Best Supporting Actor

Predicted Nominees:

1. Willem Dafoe, The Florida Project (PR: 1)

2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)

3. Armie Hammer, Call Me by Your Name (PR: 3)

4. Mark Rylance, Dunkirk (PR: 5)

5. Michael Shannon, The Shape of Water (PR: 8)

Other Possibilities:

6. Michael Stuhlbarg, Call Me by Your Name (PR: 4)

7. Ben Mendelsohn, Darkest Hour (PR: 7)

8. Jason Mitchell, Mudbound (PR: 6)

9. Kevin Spacey, All the Money in the World (PR: 10)

10. Will Poulter, Detroit (PR: 9)

11. Christoph Waltz, Downsizing (PR: 11)

12. Richard Jenkins, The Shape of Water (PR: 12)

13. Bryan Cranston, Last Flag Flying (PR: Not Ranked)

14. Patrick Stewart, Logan (PR: 13)

15. Garrett Hedlund, Mudbound (PR: Not Ranked)

Dropped Out:

Colin Farrell, The Beguiled

Jim Belushi, Wonder Wheel

https://m.youtube.com/watch?v=B_8S5Ze8q48

Best Supporting Actress

Predicted Nominees:

1. Allison Janney, I, Tonya (PR: 1)

2. Melissa Leo, Novitiate (PR: 3)

3. Laurie Metcalf, Lady Bird (PR: 2)

4. Hong Chau, Downsizing (PR: 4)

5. Kristin Scott Thomas, Darkest Hour (PR: 6)

Other Possibilities:

6. Octavia Spencer, The Shape of Water (PR: 8)

7. Holly Hunter, The Big Sick (PR: 5)

8. Mary J. Blige, Mudbound (PR: 7)

9. Claire Foy, Breathe (PR: 10)

10. Julianne Moore, Wonderstruck (PR: 11)

11. Kirsten Dunst, The Beguiled (PR: 9)

12. Tatiana Maslany, Stronger (PR: 13)

13. Millicent Simmonds, Wonderstruck (PR: 12)

14. Sarah Paulson, The Post (PR: 15)

15. Michelle Pfeiffer, mother! (PR: Not Ranked)

Dropped Out:

Juno Temple, Wonder Wheel

Best Adapted Screenplay

Predicted Nominees:

1. Call Me by Your Name (PR: 1)

2. Mudbound (PR: 2)

3. Last Flag Flying (PR: 4)

4. Molly’s Game (PR: 3)

5. Wonderstruck (PR: 5)

Other Possibilities:

6. Victoria and Abdul (PR: 7)

7. Blade Runner 2049 (PR: 8)

8. The 15:17 to Paris (PR: 9)

9. The Beguiled (PR: 6)

10. All the Money in the World (PR: 10)

11. Stronger (PR: 12)

12. The Disaster Artist (PR: 11)

13. The Death of Stalin (PR: 13)

14. Wonder (PR: 15)

15. First, They Killed My Father (PR: Not Ranked)

Dropped Out:

Thank You for Your Service

Best Original Screenplay

Predicted Nominees:

1. Three Billboards Outside Ebbing, Missouri (PR: 1)

2. The Shape of Water (PR: 3)

3. The Post (PR: 2)

4. The Florida Project (PR: 6)

5. The Big Sick (PR: 7)

Other Possibilities:

6. Darkest Hour (PR: 5)

7. Dunkirk (PR: 10)

8. Get Out (PR: 8)

9. Lady Bird (PR: 9)

10. I, Tonya (PR: 11)

11. Downsizing (PR: 12)

12. Phantom Thread (PR: 13)

13. Wind River (PR: 14)

14. Detroit (PR: 15)

15. Wonder Wheel (PR: 4)

I’ll be back next Thursday with a fresh round of predictions!

Oscar Watch: Wonder Wheel

As the New York Film Festival draws to its close, another piece of the Oscar puzzle has revealed itself with Woody Allen’s Wonder Wheel. Early critical reaction is a bit mixed yet there seems to be general consensus that Kate Winslet’s lead performance is wonderful.

As has been discussed numerous times already on the blog, Best Actress looks packed with this year. There’s already acclaimed performances from Frances McDormand in Three Billboards Outside Ebbing, Missouri, Margot Robbie in I, Tonya, Emma Stone in Battle of the Sexes, Sally Hawkins in The Shape of Water, Judi Dench in Victoria and Abdul, and Jessica Chastain in Molly’s Game, among others. That’s in addition to Meryl Streep’s unseen but likely contending work in The Post. Even with all that significant competition, Winslet could well be in line for her 8th nomination, having won once in 2008 for The Reader.

The cinematography for Wheel has also received praise and that’s certainly a race where a nod is doable. However, I am now thinking Woody’s latest is a long shot to nab a Best Picture nomination and Original Screenplay seems less assured now (that’s another crowded category). Juno Temple has received some decent ink today, but a Supporting Actress nomination could be a stretch. Male costars Justin Timberlake and Jim Belushi appear to be non-factors.

Bottom line: Winslet keeps her name in the mix, but other categories seem less likely now than they did yesterday.

My Oscar Watch posts will continue…