Tag: Julia Garner

Oscar Predictions: Weapons

In 2022, Zach Cregger impressed critics and horror fans alike with Barbarian. He seems to have repeated that success with Weapons, out Friday. Focused on a mystery surrounding 17 missing children, Josh Brolin and Julia Garner star. The supporting cast includes Cary Christopher, Alden Ehrenreich, Austin Abrams, Benedict Wong, and Amy Madigan.

With 100% on Rotten Tomatoes and a 79 Metacritic (the latter score right in line with Barbarian), Weapons aims to be an August sleeper hit. This is a genre that struggles to generate awards attention. That should hold true here, though I’ll note several reviewers are praising Cregger’s script. Original Screenplay, however, is likely to be too crowded for Weapons to contend. My Oscar Prediction posts will continue…

Weapons Box Office Prediction

After receiving critical kudos and impressive box office numbers for his solo directorial debut Barbarian in 2022, Zach Cregger’s follow-up Weapons is unloaded on August 8th. The horror mystery about a group of kids vanishing into the night stars Josh Brolin and Julia Garner (currently surfing multiplexes in The Fantastic Four: First Steps). Supporting players include Cary Christopher, Alden Ehrenreich, Austin Abrams, Benedict Wong, and Amy Madigan.

Effective trailers, appreciation for Barbarian, and early reviews (100% on RT currently) have caused genre fans to circle Weapons on their viewing calendar. While Cregger’s first scary movie started off with $10 million, his second is expected to double that figure and then some. Some estimates even have this getting to $30M+. I’ll be a bit more conservative and go high 20s.

Weapons opening weekend prediction: $28.8 million

For my Freakier Friday prediction, click here:

Freakier Friday Box Office Prediction

For my Sketch prediction, click here:

Sketch Box Office Prediction

Oscar Predictions – The Fantastic Four: First Steps

The Fantastic Four: First Steps stomps into multiplexes this Friday as the 37th MCU pic’s review embargo lifted today. Directed by Matt Shakman, the fourth Four feature in the 21st century (and second reboot) is easily generating the strongest reviews of the quartet. Vanessa Kirby, Pedro Pascal, Ebon Moss-Bachrach, and Joseph Quinn are the title heroes with Julia Garner, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson providing support.

The Rotten Tomatoes meter is at 86% with a 65 Metacritic. That’s slightly behind its Marvel predecessor Thunderbolts* (88% RT/68 Meta). Yet of the three MCU adventures of 2025 (Captain America: Brave New World being the other), this likely stands the best shot at Oscar attention. That’s in the Visual Effects race which are being widely praised. As we’ve discussed on the blog multiples times, MCU flicks get nominated in VE and don’t win. They are 0 for 14 beginning with 2008’s Iron Man. I don’t expect Steps to be their inaugural victor, especially with Avatar: Fire and Ash on the way.

Another aspect being singled out is Michael Giacchino’s score. Black Panther is the only MCU title that’s been nominated for Original Score (it also won). Giacchino is a two-time nominee for Ratatouille and Up for which he took gold). Fantastic might be a long shot in the musical composition competition though I wouldn’t completely discount it. Same goes for its 1960s production design. The likeliest scenario is a sole VE nod. My Oscar Prediction posts will continue…

The Fantastic Four: First Steps Box Office Prediction

The Fantastic Four: First Steps looks to set the box office ablaze when it opens July 25th. It is the 37th feature in the Marvel Cinematic Universe and fourth overall picture headlined by the superhero family that made their first comic book appearance nearly 65 years ago. Matt Shakman directs with Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach as the title characters. Costars include Julia Garner, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson.

The first FF flick since Disney’s acquisition of Fox, it arrives a decade after the failure of the previous reboot starring Miles Teller and Michael B. Jordan. This is not expected to flop with the MCU brand behind it and solid buzz building. All it needs to be the best Fantastic opening is topping 2007’s Fantastic Four: Rise of the Silver Surfer‘s $58 million. It should double that figure with room to spare.

The benchmark could be Superman‘s $125 million opening from last weekend. When this rolls around, Supes will be in its third weekend and fans could be ready for the next tentpole. Early tracking has this foursome right around the Man of Steel’s first frame. I’ll buy the hype, but say it falls a tad short.

The Fantastic Four: First Steps opening weekend prediction: $122.4 million

Oscar Predictions: Wolf Man

Leigh Whannell follows up his acclaimed horror reboot The Invisible Man from 2020 with another iconic interpretation of a genre classic in Wolf Man this weekend. Christopher Abbott and Julia Garner headline the low-budget Universal/Blumhouse production with Matilda Firth and Sam Jaeger costarring.

Originally planned as a vehicle for director Derek Cianfrance to star Ryan Gosling, Wolf is not generating the same acclaim as its replacement filmmaker’s previous venture. Invisible topped out at 92% on Rotten Tomatoes and 72 for Metacritic. Wolf currently sports a 60% Tomato meter with Metacritic at 49.

The only race where Wolf stands a shot at awards attention is Makeup & Hairstyling (for the latter designation of that category). 2010’s The Wolfman with Benicio del Toro and Emily Blunt actually won the Oscar for Makeup (before the Academy apparently cared about hair). A safe assumption is that voters won’t have this picture fresh in their minds a year from now to nominate it, but let’s see how competition stacks up. My Oscar Prediction posts will continue…

Wolf Man Box Office Prediction

Universal and Blumhouse are looking for their Wolf Man reboot to tantalize audiences when it opens January 17th. Leigh Whannell, who wrote Saw and directed 2020’s successful The Invisible Man, helms with Christopher Abbott and Julia Garner headlining. Costars include Matilda Firth and Sam Jaeger.

A decade ago, this project was intended to be part of the Dark Universe franchise that started and ended with 2017’s The Mummy starring Tom Cruise. The box office for that feature stalled future installments and this pic has gone through various contributors before the final 2025 version.

Unlike The Mummy, there’s little question that this will be a profitable venture. The budget is reportedly $25 million. This could make close to $20 million out of the gate and maybe even top that figure under the best case scenario. Yet I’ll say mid to high teens is likelier.

Wolf Man opening weekend prediction: $16.6 million

For my One of Them Days prediction, click here:

One of Them Days Box Office Prediction

Oscar Predictions: The Royal Hotel

Four years after their collaboration The Assistant attracted plenty of critical acclaim, director Kitty Green and Julia Garner reunite for the Aussie outback set thriller The Royal Hotel (out Friday in limited fashion). Jessica Henwick, Toby Wallace, and Hugo Weaving also star in the Neon production that premiered at Telluride.

Hotel scored with critics on the fest circuit and the Rotten Tomatoes is 95% (just above the 93% achieved by The Assistant). Inspired by a 2016 documentary, it’s unlikely this will attract the attention of awards voters just as Green’s predecessor couldn’t despite the positive ink. My Oscar Prediction posts will continue…

The Assistant Movie Review

On Netflix’s popular series Ozark, the words of Julia Garner’s Ruth often speak louder than her actions. Her boisterous character serves as a de facto assistant to Jason Bateman’s beleaguered money launderer and the performance has earned her Emmys. The Assistant, written and directed by Kitty Green, finds Garner in a much different occupation in terms of duties and with her overall demeanor.

Jane works as a film production assistant to a mostly unseen and unheard big shot. She works long hours steeped in tedium as she cleans up the literal and figurative messes of her boss and his minions. From travel arrangements from their New York office to L.A. to making excuses to the whereabouts of her superior to his wife, this is not the dream job that Jane envisioned. Even her hopes that this is leading to something bigger and better seem to be diminishing.

The camera rarely leaves Jane on the Monday that the proceedings occur. Aspiring actresses flow in and a mysterious and very young new assistant is flown in from Idaho and put up in a fancy hotel. Sitting with her fellow junior staffers (Jon Orsini and Noah Robbins), they develop a strained if well-meaning support system.

Yet our title character knows she’s in a hostile work environment. When Jane approaches the company’s HR head (Matthew MacFayden), it’s made chillingly clear that her complaints are falling on deaf ears. We get the idea that if she just keeps quiet, her mundane existence in this drab office will improve. At what cost? Her words and actions don’t matter.

Like that office, The Assistant is not flashy. The Weinstein type figure feet away from Jane’s desk is left to our imagination. All we have to see is her weary but expressive face to know that he’s dangerous. It is Garner’s performance, wildly different from her Ozark persona, that kept my attention. This is essentially a horror film where the scary incidents are usually hinted at or, more sadly, joked about. They develop over Jane’s long day where it seems the next day will be just as long and with no resolution in sight. That’s pretty frightening.

*** (out of four)

Oscar Watch: The Assistant

Julia Garner has already turned into an Emmy darling based on her supporting work as Ruth Langmore in Netflix’s Ozark. Last fall at the Telluride Film Festival, The Assistant was screened which features the actress in a tale of workplace harassment.

Directed by Kitty Green, the buzz for the film and Garner’s performance has grown steadily in the past few months. Now available for streaming, the Rotten Tomatoes score stands at an impressive 91%.

Will Oscar potentially notice Garner? The odds seem long at this point. While many release dates are uncertain, there’s plenty of actresses with awards bait roles lined up over the next several months. Yet I wouldn’t be surprised to see critics pushing for a surprise nod for The Assistant lead. It likely won’t materialize, but it’s at least possible. My Oscar Watch posts will continue…