Tag: Judy

Oscar Predictions – Bridget Jones: Mad About the Boy

Captain America: Brave New World isn’t the sole fourth franchise entry seeking viewers over the holiday weekend. Renée Zellweger returns as the title character in Bridget Jones: Mad About the Boy. It premieres on Peacock stateside tomorrow and has international theatrical distribution on Friday. Michael Morris directs with Hugh Grant, Colin Firth, and Emma Thompson reprising their roles from earlier installments. Newcomers to the series are Chiwetel Ejiofor, Leo Woodall, and Isla Fisher.

Reviews are providing mostly solid marks with 86% on Rotten Tomatoes and Metacritic at 71. Back in 2001, Bridget Jones’s Diary earned Zellweger Academy Award and Golden Globes nods in lead Actress (she respectively lost to Halle Berry in Monster’s Ball and Nicole Kidman from Moulin Rouge!). 2004 sequel Bridget Jones: The Edge of Reason saw Zellweger get another nomination at the Globes for Actress in a Musical or Comedy where she fell short to Annette Bening (Being Julia). 2016’s Bridget Jones’s Baby received no significant awards play.

I wouldn’t rule out Zellweger (a two-time Oscar winner for 2003’s Cold Mountain and 2019’s Judy) getting some attention from Globes voters, but that will depend on competition. An Academy nom seems out of reach. My Oscar Prediction posts will continue…

Oscars: The Case of Cynthia Erivo in Wicked

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the BP contenders and they’re readily available for your perusing pleasure. Today is our initial entry in Best Actress and that’s Cynthia Erivo for Jon M. Chu’s Wicked.

Previous Acting Nominations:

Actress (Harriet, 2019) – lost to Renée Zellweger in Judy

The Case for Cynthia Erivo:

As the eventual Wicked Witch of the West, Erivo could achieve rare EGOT status (Emmy, Grammy, Oscar, Tony victories) if she wins her second acting Oscar nom behind 2019’s Harriet. She has run the table with noms at precursors including BAFTA, the Golden Globes, SAG, and Critics Choice. Of the five pics in contention, it is certainly the most popular with audiences at over $700 million worldwide.

The Case Against Cynthia Erivo:

She fell short to Demi Moore (The Substance) at the Globes and Critics Choice. It is thought that her costar Ariana Grande has a better shot to take gold in the supporting field.

The Verdict:

Several days ago, Erivo might’ve been considered fifth out of the five actresses in terms of winning chances. That last place designation now certainly belongs to Karla Sofia Gascón (Emilia Pérez), but that still means Erivo is fourth.

My Case Of posts will continue with the first hopeful in Best Actor and that’s Adrien Brody in The Brutalist…

The NBR Flies With Maverick

The National Board of Review, a group of cinephiles out of New York City, bestows its best of every year in early December. Their selections certainly don’t forecast who and what the Academy will eventually name. They do, like many critics organizations, give us potential hints as to who and what’s hot and not as Oscar voters ready their ballots.

For 2022, the NBR went with the year’s most popular picture in Top Gun: Maverick. Named Best Film, Maverick is expected to land a spot in the Academy’s BP ten. Picking it to win is risky business. Of the last 10 NBR victors, only one went on to win BP at the big dance – 2018’s Green Book (and that was a surprise). The last three recipients were The Irishman, Da 5 Bloods, and Licorice Pizza. On the other hand, one three NBR winning films in the 21st century didn’t score an Oscar BP nomination: 2000’s Quills, 2014’s A Most Violent Year, and the aforementioned Bloods from 2020.

The directing prize went to Steven Spielberg for The Fabelmans. He’s ranked #1 in my Oscar picks and has been for quite some time. If he takes Oscar, he’d be the first NBR victor to do so since 2006 when Martin Scorsese won for The Departed.

The matches don’t improve much in the acting derbies. Michelle Yeoh (Everything Everywhere All at Once) was crowned Best Actress. Three of the past 10 winners achieved Oscar glory: Julianne Moore for Still Alice, Brie Larson in Room, and Renee Zellweger as Judy. On a side note, a Cate Blanchett Tàr prize here would’ve been the easy bet. That picture was ignored by NBR even in their selections for the 10 greatest films not named Top Gun: Maverick (more on that below).

Colin Farrell nabbed another lead Actor honor for The Banshees of Inisherin. Two of the previous 10 NBR gentleman made a podium trip at the Oscars: Casey Affleck in Manchester by the Sea and Will Smith last year for King Richard (remember that?). Farrell is emerging as a major threat as is Austin Butler for Elvis (which received no love from this board). Along with Brendan Fraser in The Whale (who needs some critic groups love awfully soon), they make up a three-way tussle for Best Actor.

Janelle Monae is your Best Supporting Actress as her stock is rising. Yet only two of the past 10 winners match Oscar with Regina King for If Beale Street Could Talk and Youn Yuh-Jung for Minari. Brad Pitt is the only Supporting Actor NBR/Academy match of the last decade for Once Upon a Time in Hollywood. Brendan Gleeson in The Bansees of Inisherin will try and join that small club as he emerged over frontrunner Ke Huy Quan in Everything Everywhere.

Original Screenplay went to Banshees while All Quiet on the Western Front was a surprise recipient in Adapted Screenplay over Women Talking (which is widely favored to catch the Academy’s attention).

Other pics making their mark today were Marcel the Shell with Shoes On for Animated Feature, Close in International Feature Film, and Sr. for Documentary Feature. All are expected to vie for consideration at the Oscars.

Finally, the NBR chooses 10 additional features on their best of list. This year they were Aftersun, Avatar: The Way of Water, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Glass Onion: A Knives Out Mystery, RRR, Till, The Woman King, and Women Talking. In addition to Tár and Elvis – you also won’t find The Whale or Babylon or Triangle of Sadness among the picks. Same with She Said and Guillermo del Toro’s Pinocchio.

From 2019-2021, the winning pictures and ten other NBR picks equated to between 5-7 of the Academy’s BP contenders. Right now, I have six of these 2022 films in my Oscar 10: Maverick, Avatar, Banshees, Everything Everywhere, Fabelmans, and Women Talking. That corresponds to what usually occurs between NBR and Oscar.

All in all, a good day for Maverick and company. That said – if you think it is now cruising to Best Picture, history suggests otherwise.

2022 Oscar Predictions: The State of the Best Actress Race

We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:

2022 Oscar Predictions: The State of the Best Actor Race
2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.

So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.

Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.

While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.

There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.

Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.

Here’s my state of this race!

Best Actress

Predicted Nominees:

1 . Cate Blanchett, Tár (Previous Ranking: 1) (Even)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Danielle Deadwyler, Till (PR: 3) (E)

4. Michelle Williams, The Fabelmans (PR: 4) (E)

5. Margot Robbie, Babylon (PR: 5) (E)

Other Possibilities:

6. Olivia Colman, Empire of Light (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)

8. Viola Davis, The Woman King (PR: 7) (-1)

9. Jennifer Lawrence, Causeway (PR: 9) (E)

10. Rooney Mara, Women Talking (PR: 10) (E)

Best Director is up next!

Oscars 2021: The Case of Jessica Chastain

The first hopeful in a very interesting Best Actress competition is up next in my Case Of posts for the 94th Academy Awards and that’s Jessica Chastain for The Eyes of Tammy Faye. 

The Case for Jessica Chastain:

Of the five nominees in Actress, only Kristen Stewart (Spencer) and Chastain have yet to win an Oscar. Somewhat surprisingly, she’s only been nominated twice and the last time was nine years ago. There could already be a feeling that she’s overdue and Olivia Colman, Penelope Cruz, and Nicole Kidman have already won. Her embodiment of evangelist Tammy Faye Bakker (with its nominated makeup team) drew raves from critics and she received nods at the Golden Globes, SAG Awards, and Critics Choice Awards.

The Case Against Jessica Chastain:

The film itself did not draw raves with a middling 69% Rotten Tomatoes score. Furthermore, it was a bust at the box office with just over $2 million domestically.

Previous Nominations: 2

The Help (2011 – Supporting Actress); Zero Dark Thirty (2012 – Actress)

The Verdict:

Best Actress is wide open at this juncture. So-so reviews for the picture itself didn’t hurt Renee Zellweger in 2019 with Judy and it may not hurt Chastain. She’s a possibility to win, but then again, so are the others.

My Case of posts will continue with our first Best Actor nominee – Javier Bardem in Being the Ricardos…

Oscar Predictions: Eyes on Jessica Chastain

When I wrote my Oscar Predictions post for The Eyes of Tammy Faye back in September and talked about Jessica Chastain’s viability in Best Actress, I penned the following passage:

Bottom line: a couple of weeks back, I boldly declared that you could write Kristen Stewart’s Best Actress inclusion in pen. Here we go again for the second pronouncement… I think you can do the same with Chastain.

Two months later, I still feel the same about Kristen Stewart in Spencer. She remains the frontrunner for a nomination and a potential victory. And a solid argument can still be made that Chastain’s performance as Tammy Faye Bakker sits in the runner-up position for inclusion for the five actresses who will be up for consideration. That said, I’m not as declarative as I once was. Given a redo, I might say a sharpened pencil over a pen.

Why? The Best Actress race is stacked in 2021 and more realistic competitors continue to pop up. Just this week, there were three pictures screened that increased or helped solidify the chances for their leading ladies: Lady Gaga (House of Gucci), Nicole Kidman (Being the Ricardos), and Alana Haim (Licorice Pizza). That’s in addition to Olivia Colman (The Lost Daughter), Penelope Cruz (Parallel Mothers), and Frances McDormand (The Tragedy of Macbeth). They’ve been in the mix since festival season early this autumn.

That’s eight performances thus far. We can add others to the already released fold: Jodie Comer (The Last Duel), Jennifer Hudson (Respect), Renate Reinsve (The Worst Person in the World), and Tessa Thompson (Passing). 12. I can think of four more from the unscreened column: Sandra Bullock (The Unforgivable), Jennifer Lawrence (Don’t Look Up), Rooney Mara (Nightmare Alley) and Rachel Zegler (West Side Story). 16. I’m not really feeling a Bullock nod, but any of the others could bubble up.

Add to that the off chance that a surprise nominee could materialize of those I’ve basically written off: Halle Berry (Bruised), Marion Cotillard (Annette), Emilia Jones (CODA), or Charlotte Rampling (Benedetta).

20 possibilities (though some admittedly are far fetched). Still – there’s several realistic hopefuls and that’s reason enough to doubt anyone but Stewart making the eventual quintet.

Chastain faces other challenges for her third nomination (the previous two were supporting for 2011’s The Help and lead the following year in Zero Dark Thirty). Despite widespread acclaim for her acting, audiences completely tuned out to Tammy. It earned a tiny $2.4 million at the box office. Reviews for the pic itself were just so-so (66% on Rotten Tomatoes). I’ve heard comparisons made to Renee Zellweger’s victory in 2019 for Judy as far as poor box office and critical reaction. It’s not a totally unfair comp but Zellweger’s winning work garnered 82% on RT and made $24 million domestically.

When Tammy screened up north, the idea of Chastain and her costar Andrew Garfield (in Supporting Actor) both being up seemed feasible. I don’t feel Garfield has much of a shot now (though he definitely does in lead for Tick, Tick… Boom!).

Bottom line: I still have Chastain in my five, but with considerably less assuredness than before.

2021 Oscar Predictions: The State of the Best Actress Race

The Oscar race for Best Actress takes center stage in my latest rundown of where the major competitions stand in early November. If you missed my posts covering lead actor and the supporting categories, they can accessed right here:

2021 Oscar Predictions: The State of the Best Actor Race

2021 Oscar Predictions: The State of the Supporting Actress Race

2021 Oscar Predictions: The State of the Supporting Actor Race

As I have with the others, let’s start with my track record during the same time period from 2019 and 2020. Two years ago, I somehow had all five nominated actresses forecasted correctly with two months to go: winner Renee Zellweger as Judy in addition to Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For 2020, it was three: gold recipient Frances McDormand for Nomadland and Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Both Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were listed in Other Possibilities.

In 2021, we already have a strong frontrunner and that’s Kristin Stewart in Spencer. Playing the high profile role of Princess Diana, Ms. Stewart is practically guaranteed to nab her first nod after plenty of critically appreciated post Twilight turns. She’s a serious threat to win and Stewart has been atop my chart ever since the picture screened back in September at the Venice Film Festival.

Her biggest competition could come from an as yet unseen performance – Lady Gaga in House of Gucci. Judging from the trailers alone, her part seems like the kind of bait that would cause Academy voters to bite. If so, the pop superstar would receive her second nomination three years after her breakout cinematic role with A Star Is Born. 

After that, there’s a lengthy list of hopefuls for the three remaining slots. When The Eyes of Tammy Faye premiered on the festival circuit, it was a given that Jessica Chastain would make the cut. I still think she will, but the pic’s barely existent box office numbers are reason for some uncertainty.

Screenings were also kind to Olivia Colman in The Lost Daughter and that momentum could result in her third inclusion in the last four years after a 2018 Actress victory for The Favourite and a supporting nod for last year’s The Father. 

Colman isn’t the only actress from a Netflix offering eyeing the prize. There’s Tessa Thompson in Passing, Jennifer Lawrence in Don’t Look Up, Sandra Bullock for The Unforgivable, and Halle Berry with Bruised. All could factor in. Other than Thompson (her costar Ruth Negga stands a greater chance in supporting), the three others have yet to be unveiled. The streamer may have to pick and choose whose campaigns they go all in with.

There’s other possibilities in the unseen column where the buzz will shortly materialize: Cate Blanchett for Nightmare Alley, Alana Haim in Licorice Pizza, Nicole Kidman as Lucille Ball with Being the Ricardos, and Rachel Zegler (West Side Story). At press time, I only have Kidman in the top ten but that could change as soon as reviews start posting.

As for pictures that have been available for awhile, I feel Marlee Matlin and Troy Kotsur’s supporting parts in CODA are more likely to be recognized than lead Emilia Jones. Renate Reinsve will have her share of supporters for The Worst Person in the World, but its best chance lies with an International Feature Film nomination. Bad financial returns could negatively impact Jodie Comer for The Last Duel, though I will note that a number of prognosticators have her in.

For the fifth spot, I currently see three performances with roughly equal chances. Frances McDormand took the prize last year and that might make the Academy think twice about putting her up again for The Tragedy of Macbeth. Penelope Cruz is just on the outside looking in for Parallel Mothers. That leaves me with Jennifer Hudson as Aretha Franklin in Respect. Even though the film received mixed reviews and so-so box office, praise for the Supporting Actress winner in 2006’s Dreamgirls was universal. Voters may have to think all the way back to summer to include her but I do believe it’s feasible.

And with that, here’s my standings:

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (Previous Ranking: 1)

2. Lady Gaga, House of Gucci (PR: 3)

3. Jessica Chastain, The Eyes of Tammy Faye (PR: 2)

4. Olivia Colman, The Lost Daughter (PR: 4)

5. Jennifer Hudson, Respect (PR: 5)

Other Possibilities:

6. Penelope Cruz, Parallel Mothers (PR: 7)

7. Frances McDormand, The Tragedy of Macbeth (PR: 6)

8. Jodie Comer, The Last Duel (PR: 8)

9. Nicole Kidman, Being the Ricardos (PR: 10)

10. Tessa Thompson, Passing (PR: Not Ranked)

Dropped Out:

Rachel Zegler, West Side Story

Now that the acting derbies are wrapped, I’ll have Best Director up next!

Oscar Watch: Respect

When I did my first ranked Oscar predictions in the Best Actress race on August 27, 2020 – I had Jennifer Hudson’s portrayal of Aretha Franklin in Respect ranked fifth. The biopic ended up getting delayed due to COVID. Now it’s out on Friday (August 13). My initial two weeks of Academy rankings for 2021 has had Hudson pegged in fourth while not including the film itself in the 25 possibilities for Best Picture.

The review embargo lifted this evening and… well, I might be onto something. The prevalent theory has been that Respect could be a one race player in the major categories. This is similar to what we saw two years ago when Renee Zellweger took Best Actress as Judy Garland in Judy and last year when Andra Day was nominated for The United States vs. Billie Holiday. 

Early critical reaction is mixed though Hudson is being widely praised. It was 15 years ago that the former American Idol singer won gold in Supporting Actress for her show stopping work in Dreamgirls. She hasn’t been on the Academy’s radar since. Respect, as anticipated, could easily change that. Nothing in the write-ups indicates this will a Picture hopeful. Same goes for the supporting cast. I have had Audra McDonald in the lower rungs of possibilities in supporting for the past two weeks. Don’t expect to see her name when I update my forecast on Thursday.

Costume Design is another possibility, but don’t be surprised at all to see Hudson as the lone representation here. And that’s far from guaranteed. There’s a lot of leading performances yet to be seen that could contend: Jessica Chastain (The Eyes of Tammy Faye), Jodie Comer (The Last Duel), Penelope Cruz (Parallel Mothers), Kirsten Dunst (The Power of the Dog), Lady Gaga (House of Gucci), Nicole Kidman (Being the Ricardos), Frances McDormand (The Tragedy of Macbeth), Kristen Stewart (Spencer), and Rachel Zegler (West Side Story) are just some. Emilia Jones (CODA) and Renate Reinsve (The Worst Person in the World) represent two turns already seen that could find themselves in the mix.

Bottom line: Hudson is absolutely more than just a little bit of a factor in this race, but we have to see what transpires over festival season and the rest of the year. My Oscar Watch posts will continue…

Oscars 2020: The Case of Andra Day

My Case Of posts for Best Actress reaches its second nominee with Andra Day in The United States vs. Billie Holiday. If you missed my first entry on Viola Davis in Ma Rainey’s Black Bottom, you can find it here:

Oscars 2020: The Case of Viola Davis

The Case for Andra Day

Awards prognosticators (including this guy) were stunned when Day beat out favorites Carey Mulligan (Promising Young Woman) and Frances McDormand (Nomadland) at the Golden Globes in the drama category. This upset immediately vaulted Day from will she be nominated? to can she win? While the film has garnered mixed reviews, critics have consistently praised Day’s work as the troubled singer. Just last year the Academy honored another performer (Renee Zellweger) in this race playing a legendary songstress in Judy.

The Case Against Andra Day

As mentioned, the picture itself only managed 53% on Rotten Tomatoes. Yet the biggest case against lies with Day not receiving a SAG nod. Of the previous 26 winners there, not one winning actress missed SAG recognition. Despite the shocking Globes trophy, Mulligan and McDormand remain the frontrunners. Furthermore, Holiday‘s sole nomination came here as it missed other possibilities like Makeup and Hairstyling, Costume Design, and Original Song.

The Verdict

History is not on Day’s side and she ranks third (at best) in this competition.

My Case Of posts will continue with Chadwick Boseman in Ma Rainey’s Black Bottom…

Oscar Watch: French Exit

French Exit closed the New York Film Festival last night ahead of its planned February 2021 debut and that keeps it in line for awards consideration in this altered Oscar season. The eccentric comedy from Azazel Jacobs is based on the 2018 novel by Patrick deWitt, who adapts his own work (he’s also responsible for the source material for 2018’s The Sisters Brothers).

To say Exit is experiencing mixed reviews and social media reaction is an understatement. The focus of most Academy chatter is whether or not Michelle Pfeiffer will land her fourth nomination and her first in nearly 30 years. The star garnered nods for 1988’s Dangerous Liaisons for Supporting Actress and lead for 1989’s The Fabulous Baker Boys and 1992’s Love Field. 

First things first: the wildly divergent critical notices probably keep this out of contention for anything and anyone other than Pfeiffer. That leaves her costars Lucas Hedges, Tracy Letts, Danielle Macdonald, and Imogen Poots out of the conversation. Yet even some of the negative reviews point to sterling work from Pfeiffer as a down on her luck socialite widow who relocates to Paris. Variety called it the “role she’ll be remembered for” in a likely bit of hyperbole. Several other publications were far less kind, but kinder to its lead.

Best Actress currently looks more crowded than Best Actor. Already screened performances like Frances McDormand in Nomadland and Vanessa Kirby in Pieces of a Woman appear headed for the final five (with McDormand as a near shoo-in). There are major hopefuls waiting in the wings including Viola Davis (Ma Rainey’s Black Bottom), Amy Adams (Hillbilly Elegy), and Jennifer Hudson (Respect) among others.

I have had Pfeiffer listed in fifth place for some time in my weekly estimates (ahead of Adams and Hudson). Whether that changes with my update on Thursday is something I’ll need to ponder. I believe she could absolutely still make the cut, but I don’t think this weekend’s showing guarantees her a spot. Some soft reviews could be a detriment, but that didn’t prevent Renee Zellweger from taking gold last year as Judy. Bottom line: Pfeiffer may need to play the waiting game as the verdict comes down for other possible nominees. My Oscar Watch posts will continue…