After performing well in limited release, dark comedy Friendship hopes to expand impressively over Memorial Day weekend. Andrew DeYoung’s directorial debut first rolled out last fall at the Toronto Film Festival. Tim Robinson (from Netflix’s acclaimed I Think You Should Leave with Tim Robinson) and Paul Rudd headline with Kata Mara, Jack Dylan Grazer, Josh Segarra, and Billy Bryk in support.
Friendship was seventh at the box office this past weekend on only 60 screens with $1.4 million for a $23k per venue average. That brings it total to $2 million overall. The nationwide expansion could see those figures doubled and a four-day holiday take in the $5 million range.
Friendship opening (wide) weekend prediction: $4.2 million (Friday to Sunday); $5.1 million (Friday to Monday)
Tim Robinson’s Netflix sketch series I Think You Should Leave with Tim Robinson has generated significant critical praise. His pic Friendship is following suit prior to its limited release on Friday and national expansion on Memorial Day weekend. Written and directed by Andrew DeYoung in his directorial debut, this was initially seen at the Toronto Film Festival last September. Robinson and Paul Rudd headline with Kate Mara, Jack Dylan Grazer, Josh Segarra, and Billy Bryk providing support.
Judging from the trailer, this looks like a comedy by way of A24 which picked up distribution following the Canadian premiere. The Rotten Tomatoes score is 93% with Metacritic at 77. Advertised as a more demented version of I Love You, Man, I don’t see this as an awards play. Despite the kudos, that notion likely extends to the Golden Globes in their Musical/Comedy races unless A24 goes all in with a campaign for Robinson. My Oscar Prediction posts will continue…
There’s more than one way to clean a knife after piercing a victim’s skin in the Scream flicks. The filmmakers appear determined to give this series nine lives or more as the sixth installment finds new terrorizers to fill the Ghostface mask. Let’s quickly go through the strange name game as 2022’s Scream was really Scream V. Termed as a requel, Urban Dictionary considers that a “sequel to a movie that functions somewhere between a sequel, a reboot, and a remake”. Unfortunately Scream (’22 version) didn’t function that well at all. With directors Matt Bettinelli and Tyler Gillett taking over directorial duties from the late Wes Craven, they showed lots of appreciation for the original from 1996. Like the other follow-ups, it couldn’t compare to the fresh satiric edge that part 1 had. In fact, despite a well-executed slashing or two, I’d rank it fifth of the lot.
Now I’d rank it sixth because Scream VI is a minor improvement. It picks up a year after the events of the fifth. We’re not in Woodsboro anymore as Sam Carpenter (Melissa Barrera), daughter of the OG Ghostface Billy Loomis, has relocated to the Big Apple. She’s there mostly to keep watch over little sister Tara (Jenna Ortega), now a college freshman along with sister and brother Mindy (Jasmin Savoy Brown) and Chad (Mason Gooding). They call themselves the Core 4 since they managed to survive the havoc wreaked by Sam’s ex-bf Richie in the last go-round.
The dwindling legacy characters returning are Gail Weathers (Courtney Cox), the reporter who’s always looking for a way to make a buck from the mayhem. There’s also Kirby Reed (Hayden Panettiere), who played an integral role in Scream 4. She was the best friend to the eventual Ghostface in that one. And while part four was one of the better sequels, I would understand if you forgot her character. Now Kirby is an FBI agent who shows up to help (which obviously makes her a quick suspect). I wonder if her appearance might be due to Sidney (Neve Campbell) not being present. Word is they didn’t want to show her the money to appear.
While the predecessor often paid homage to Scream ’96 (released the same month when Mason Gooding’s dad Cuba was screaming “Show me the money!” to Tom Cruise in Jerry Maguire), this has its winks to Scream 2 from 1997 by being set in the higher ed world. Some of the brutal sequences are well-constructed. The opening with Samara Weaving as a college professor on a blind date is a clever way to start.
Part of the fun in the Scream pics is figuring out the slayers and it’s usually more than one. There’s a few to consider with Sam’s neighbor and secret lover (Josh Segarra), the detective father (Dermot Mulroney) of her roommate Quinn (Liana Liberato), and Chad’s roommate Ethan (Jack Champion). And who knows? Maybe Papa Billy’s demonic genes are infecting Sam.
As we’ve seen before in this franchise, there’s a scene where a character explains that the “rules have changed!”. And nothing is as it seems. The NYC locale change is welcome (Ghostface brandishing a shotgun in a bodega is fresh new territory). Scream VI gets by for a while in the new setting and with its furious piercings. Sadly it is not faster. The 122 minute runtime is a series record and when we reach the third act, the rules haven’t changed much with the unmasking reveals. That portion is the biggest letdown. There’s only so many ways to inject life into these deaths, but they’ll find ways as long as we continue to show them the money.