AfrAId Box Office Prediction

Sony and Blumhouse are counting on horror fans to show up for AfrAId when it debuts over Labor Day weekend. From director Chris Weitz (whose varied filmography includes About a Boy, The Golden Compass, and The Twilight Saga: New Moon), the cast includes John Cho, Katherine Waterston, Havana Rose Liu, Lukita Maxwell, David Dastmalchian, and Keith Carradine.

At a brisk 84 minutes, the tale of an AI assistant gone rogue is Blumhouse’s latest hope for a genre breakout. They had a banner year in 2023 with M3GAN and Five Nights at Freddy’s. 2024 has been rougher with disappointments Night Swim and Imaginary.

AfrAId is unlikely to bring many real viewers in. For the extended holiday frame, it may struggle to reach double digits. I’ll say it does not.

AfrAId opening weekend prediction: $7.4 million (Friday to Monday projection)

For my Reagan prediction, click here:

Oscar Watch: Over the Moon

Glen Keane is a bit of a Disney legend having served as a character animator for classic titles including The Little Mermaid, Beauty and the Beast, and Aladdin. He’s also no stranger to Academy attention. Three years ago, he won an Oscar alongside collaborator Kobe Bryant for the short film Dear Basketball. On October 23, Netflix debuts his feature length directorial debut Over the Moon. The computer drawn musical features the voices of Phillipa Soo, Ken Jeong, John Cho, and Sandra Oh.

Early reviews are pretty encouraging. That said, Keane’s most notable competition comes from his former employer. Disney/Pixar’s Soul (which just announced a Disney+ streaming bow on Christmas Day) is rumored to be special and it’s been the strong front runner for Animated Feature for some time. That hasn’t changed and the real question is what’s the current runner-up.

Over the Moon could be it, but I’m beginning to believe Wolfwalkers might be in second position based on its fantastic critical reaction. Bottom line: expect Moon to be in the final five for animated fare. A win is far less likely. Also look for its Original Song titled “Rocket to the Moon” to get some attention in that category. My Oscar Watch posts will continue…

The Grudge Box Office Prediction

Blogger’s Note (01/02): On the eve of its premiere, I’m revising my number down to $10.2 million

2020 begins at multiplexes in the same fashion as other recent years with a horror offering. This time around, it’s a remake of the 2004 supernatural pic The Grudge. And that Sarah Michelle Gellar hit was itself an update of a 2002 Japanese title in which Takashi Shimizu directed both. Nicolas Pesce is behind the camera now with a cast including Andrea Riseborough, Demian Bichir, John Cho, Betty Gilpin, Lin Shaye, Frankie Faison, William Sadler, and Jacki Weaver.

As mentioned, this is the genre that has typically kicked off the cinematic calendar lately. In 2019, Escape Room surprised prognosticators with a debut north of $18 million. Two years ago, Insidious: The Last Key unlocked a gross just under $30 million.

The Grudge is not expected to approach those figures, but horror flicks always have the capacity to surprise. Yet this could also fall victim to the unasked for franchise fatigue that has plagued several titles recently. A decent comp could be 2017’s Rings, which was also a reboot of a Japanese series. It opened to $13 million and that sounds about right here (and perhaps a tad under).

The Grudge opening weekend prediction: $10.2 million

Searching Box Office Prediction

Blogger’s Note (08/23/18): Today’s estimated screen count of just 1100 for Searching has caused to revise down from $9.4 million to $7.1 million

Following a buzz worthy premiere earlier this year at the Sundance Film Festival, thriller Searching opens wide next weekend. The pic casts John Cho (Harold from Harold and Kumar, Sulu from the Star Trek franchise) as a father whose daughter goes missing. What makes this unique is that the film takes place almost entirely on a computer screen as he frantically attempts to locate her. Debra Messing, Michelle La, and Sara Sohn costar. Aneesh Chaganty directs.

The film opens in limited release on August 24th in just 9 theaters, with a nationwide expansion over Labor Day weekend. When Searching played at Sundance in January, it did so to solid critical notices and it stands at 85% on Rotten Tomatoes. I could see this having a decent start (considering its low budget) in the high double digits low double digits with the possibility of legging out solidly based on word-of-mouth.

Searching opening weekend prediction: $7.1 million (Friday to Monday estimate)

For my Operation Finale prediction, click here:

https://toddmthatcher.com/2018/08/21/operation-finale-box-office-prediction/

For my Kin prediction, click here:

https://toddmthatcher.com/2018/08/21/kin-box-office-prediction/

For my Ya Veremos prediction, click here:

https://toddmthatcher.com/2018/08/27/ya-veremos-box-office-prediction/

For my The Little Stranger prediction, click here:

https://toddmthatcher.com/2018/08/27/the-little-stranger-box-office-prediction/

Star Trek Beyond Movie Review

Now that this latest iteration of the Star Trek film series has reached its third entry, the creative forces behind it are free to just let Beyond be a two-hour episode upon itself. In other words, JJ Abrams was quite successful directing the first two features in 2009 and 2013 and establishing a new cast playing iconic roles. By part III, those objectives have already been met and Abrams leaves his successor Justin Lin the opportunity to make this one an action packed sci-fi spectacle. We also have the hallmarks of the 50-year-old franchise that include celebrating the camaraderie of the Enterprise crew and injecting well-placed humor.

In a way, Star Trek Beyond reminded me of the previous 007 pic, Spectre. How so? Spectre arrived three movies after Daniel Craig had put his stamp on another half century old institution. By the time part 4 rolled around, I was ready for something that needn’t burden itself with continually reshaping itself. Spectre didn’t and was mostly successful. Beyond doesn’t either and is even more satisfying.

We begin in year 3 of the USS Enterprise’s five-year voyage that they embarked on at the conclusion of Star Trek Into Darkness. Not all is well. Captain Kirk (Chris Pine, grown and confident in the role) is struggling with the endless journey. Trusty Spock (Zachary Quinto) is having girl troubles with Uhura (Zoe Saldana) and mourning the reveal that Ambassador Spock (Leonard Nimoy) has passed. This, of course, holds special meaning to the audience due to Nimoy’s passing in between pics.

Everything perks up for the crew when the ship is invaded by Krall (Idris Elba), a ruthless extraterrestrial tracking a relic that Kirk has in his possession. This attack leaves the crew splintered for a decent portion of the running time, allowing many of the members their moments to shine. That includes Karl Urban as McCoy and Simon Pegg’s Scotty, who both continue to provide sturdy comic relief. Sofia Boutella is a fine addition as an alien who joins Team Enterprise. Both Saldana and Anton Yelchin’s Chekov are a bit more relegated to the sideline in terms of the overall story (tragically, Yelchin died just a month before the film’s release). John Cho’s Sulu is given a previously not revealed character development. And when it comes to the main villain, Elba is quite menacing and effective.

Without having to set up anything new, Beyond gets right to the fun stuff and doesn’t let up. Lin is no stranger to elaborate action sequences, having helmed four Fast and Furious flicks. Yet enough time is set aside to explore the strong bonds of the team. It’s about family… to borrow a theme that Fast and Furious characters endlessly beat into our skulls. So while this might be the simplest of the trio of new Star Trek’s we’ve witnessed, it also manages to be the most purely entertaining.

***1/2 (out of four)

Star Trek Beyond Box Office Prediction

The crew of the USS Enterprise returns for the third time in this current iteration as Star Trek Beyond debuts next weekend with a new director and somewhat decreased expectations. Chris Pine’s Captain Kirk and Zachary Quinto’s Spock headline with crew members Zoe Saldana, Karl Urban, Simon Pegg, John Cho, and Anton Yelchin (who tragically passed away last month) back. Main villain duties are handled by Idris Elba.

J.J. Abrams made the first two franchise entries and he’s still on board as executive producer, but as you may know – he departed for another series with the word Star in it. Justin Lin, known for directing parts 3-6 of the Fast and Furious pics, takes over. Abrams was able to reinvigorate Trek world in 2009 when the reboot opened to $75 million with an eventual $257 million domestic tally. The 2013 follow-up, Star Trek Into Darkness, was a bit lower with a $70 million premiere and overall $228 million gross.

It’s my expectation that Beyond will continue the downward trend and it could be more pronounced here. Excitement for this seems muted. In short, the third time may not be the charm in a summer where we’ve seen a number of sequels not match up to their predecessors. My estimate has this opening about 25% below Darkness and the chances of Beyond going beyond $200 million like the first two appears to be out of reach.

Star Trek Beyond opening weekend prediction: $53.4 million

For my Ice Age: Collision Course prediction, click here:

https://toddmthatcher.com/2016/07/14/ice-age-collision-course-box-office-prediction/

For my Lights Out prediction, click here:

https://toddmthatcher.com/2016/07/15/lights-out-box-office-prediction/