My first Oscar predictions for the 99th Academy Awards are underway!
We are not even a month removed from the 98th ceremony so let us begin some ridiculously early speculation. These are my opening glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take in the supporting fields and lead actor and they can be found here:
That brings us to Best Actress. When I presented my first picks in April of 2025, it produced the most eventual nominees among the quartet of acting races. At this impossibly early stage, I correctly had the eventual winner Jessie Buckley (Hamnet) and Renate Reinsve (Sentimental Value) in the quintet. Rose Byrne (If I Had Legs I’d Kick You) and Emma Stone (Bugonia) were listed in Other Possibilities. Only Kate Hudson (Song Sung Blue) was not mentioned.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actresses listed here could end up being campaigned in supporting. And there will be movies we are not even anticipating that will rise up with performances currently not on the radar.
This inaugural post has Renate Reinsve getting a second nod in a row for Cristian Mungiu’s Fjord and Julianne Moore (No One Cares) contending for the first time since her victory in 2014’s Still Alice. As for Mikey Madison, I’m projecting 2024’s victor in the category for Anora will be up again for The Social Reckoning. Then there’s Sandra Hüller. She’s a threat to get in for Fatherland or Rose (for which she’s already won a prize at the Berlin Film Festival). At press time, I’ve got her making the cut for the latter. That’s in addition to my forecast that Hüller nabs a Supporting Actress nomination for Digger.
Here’s the first snapshot with Best Director up next!
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTRESS AT THE 99TH ACADEMY AWARDS
After months of pontificating and countless posts on what might happen, the 98th Academy Awards are in the rearview with one movie being the clear winner. That’s One Battle After Another from Paul Thomas Anderson. PTA, with three decades of giving us great movies, went into the evening 0 for 11 in previous ceremonies. He is now a three-time Oscar recipient with Battle collecting six of its thirteen nominations.
Overall I went 16 for 21 in my picks. It was a night of no major upsets. For the six categories I got wrong, my runner-up emerged victorious. And, yes, I whiffed on the big one. I thought Ryan Coogler’s Sinners might squeak by with a slightly surprising victory. That Best Picture honor went to the favored Battle.
I correctly forecasted PTA’s latest for Director, Supporting Actor (a no-show Sean Penn becoming just the eighth thespian to nab 3 acting gold statues), and Adapted Screenplay. Yet Battle‘s gains were losses for Sinners elsewhere in my projections. I had Sinners taking Film Editing and Casting but it was Battle.
In Cinematography, I went with Battle and the Academy rolled with Sinners. This provided some history with Autumn Durald Arkapaw becoming the first female to win that prize. Sinners would take home three more awards which I predicted – Michael B. Jordan in Best Actor in a contest where Timothée Chalamet (Marty Supreme) was the frontrunner until the past couple of weeks, Original Screenplay, and Original Score. There’s little doubt that Sinners was #2 in ballots for BP.
Here’s where I else I got it right and we’ll start with the obvious. Jessie Buckley (Hamnet) made it clean sweep for Best Actress. Sentimental Value is your International Feature Film with KPop Demon Hunters grabbing Animated Feature and Original Song (“Golden”).
Frankenstein was successful in its trio of tech races (Costume Design, Makeup and Hairstyling, Production Design). F1 placed first in Sound with Avatar: Fire and Ash making it three in a row for James Cameron’s franchise in Visual Effects.
Where I got it wrong is my Sinners coattails caused me to predict Wunmi Mosaku, but it was Critics Choice and SAG Actor winner Amy Madigan (Weapons) in Supporting Actress. Her podium trip comes 40 years after her first nomination for Twice in a Lifetime. BAFTA documentary winner Mr. Nobody Against Putin is now the top Oscar doc over The Perfect Neighbor.
Fun fact regarding precursors: the Golden Globes only matched this year’s Oscars in the acting races at a 1 for 4 margin (Jessie Buckley only). SAG Actor? 4 for 4.
As for the ceremony itself? Conan O’Brien is a solid host though his material seemed to be stronger last year. The show (no surprise here) was a bit of a slog. The highlight might have been the dignified In Memoriam with tributes to legends lost in the past 12 months including Rob Reiner, Diane Keaton, and Robert Redford.
For those keeping score, here’s the final victory tally:
6 Wins
One Battle After Another
4 Wins
Sinners
3 Wins
Frankenstein
2 Wins
KPop Demon Hunters
1 Win
Avatar: Fire and Ash, F1, Hamnet, Mr. Nobody Against Putin, Sentimental Value, Weapons
The 98th Academy Awards will be known for PTA finally getting one Oscar after another after another. Keep an eye on the blog as speculation will soon begin on the 99th…
It is time to make my final predictions for the 98th Academy Awards airing Sunday evening with Conan O’Brien returning as host. The first word that comes to mind… ugh. This is tough. Not every category. Some are quite easy to forecast as is normally the case.
The ones that aren’t? I would say five of the top six competitions could go in different directions and that’s unique. As readers of my blog know, there are scores of individual write-ups talking about the Oscar chances of various films. There are multiple posts ranking the possibilities of pics, performers, directors, writers, and all kinds of crew members. It’s now time to put pencils down and write down my selections in pen for the 21 (now that Best Casting has joined the lineup) feature-length races.
Let’s get to it as I’ll select a winner and runner-up in each! And you can bet I’ll have a recap up Sunday night with reaction and how I did!
Best Picture
Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, Train Dreams
This is a head vs. gut call. The head says One Battle After Another which has taken PGA, the Golden Globe for Best Musical or Comedy, Critics Choice, and BAFTA. That kind of combo would normally be undeniable in BP. Yet Sinners is more of the gut prediction. Having just won Best Ensemble at SAG Actor, Ryan Coogler’s vampire tale seems to be peaking at the right time as voters finalize ballots. The record haul of 16 noms is an obvious bonus.
I cannot stress enough how much of a coin flip this is. I may look foolish on Sunday by betting against the kind of hardware that Battle has achieved in the precursors. However, for several days, the momentum of Sinners has me leaning in its direction.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
2021 was the last year where there was a BP/Director split with CODA taking the grand prize and Jane Campion (The Power of the Dog) winning Director. Mr. Anderson has swept the precursors including the Directors Guild of America (DGA) which rarely differs from Oscar. A better night for Sinners than even I’m projecting could cause Ryan Coogler to become the first African-American to make this particular podium trip. In this case, my head and gut say PTA.
WINNER: Paul Thomas Anderson, One Battle After Another
Runner-Up: Ryan Coogler, Sinners
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
Someone other than Jessie Buckley had to win Actress in a Musical or Comedy at the Globes. That was Rose Byrne. Therefore she gets runner-up status. Make no mistake. Of the major categories, this is by far the easiest as Buckley has won everything else.
WINNER: Jessie Buckley, Hamnet
Runner-Up: Rose Byrne, If I Had Legs I’d Kick You
Best Actor
Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent)
For a while, Critics Choice and Globe winner Timothée Chalamet was looking almost as certain as Buckley. BAFTA and SAG changed that dynamic and they are the last two precursors heading into Oscar voting. At the British ceremony, the not Academy nominated Robert Aramayo (I Swear) was triumphant. At SAG, it was Michael B. Jordan. There’s also Golden Globe Best Drama in a Drama recipient Wagner Moura. All three are viable. Heck there’s even prognosticators making arguments for DiCaprio and Hawke. This is an example where I’m ultimately buying the Sinners mojo though Chalamet still has a stronger shot than some are giving him credit for.
WINNER: Michael B. Jordan, Sinners
Runner-Up: Timothée Chalamet, Marty Supreme
Best Supporting Actress
Elle Fanning (Sentimental Value), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another)
This one has been all over the place. The Globe went to Teyana Taylor, Amy Madigan took Critics Choice and SAG Actor, and Wunmi Mosaku grabbed BAFTA. Madigan’s performance is so singularly memorable that a win makes plenty of sense. Like Actor, I’m going with where I think the winds are blowing.
WINNER: Wunmi Mosaku, Sinners
Runner-Up: Amy Madigan, Weapons
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Delroy Lindo (Sinners), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
Like Supporting Actress, a head scratcher. Critics Choice went to Jacob Elordi with Stellan Skarsgård getting the Globe. The latter seems more probable and, yes, Sinners love could extend to Lindo. BAFTA and SAG flipped the script by going with Sean Penn who would be picking up the rare third Oscar. This is a case where Battle has the late breaking momentum.
WINNER: Sean Penn, One Battle After Another
Runner-Up: Stellan Skarsgård, Sentimental Value
Best Original Screenplay
Blue Moon, It Was Just an Accident, Marty Supreme, Sentimental Value, Sinners
While most of the races above are tricky, the screenplay ones are not. Value stands the best chance at an upset but Sinners is the easy pick.
WINNER: Sinners
Runner-Up: Sentimental Value
Best Adapted Screenplay
Bugonia, Frankenstein, Hamnet, One Battle After Another, Train Dreams
Repeat everything I said for Original Screenplay and replace Battle for Sinners and Hamnet for Value.
WINNER: One Battle After Another
Runner-Up: Hamnet
Best International Feature Film
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
At one time, Accident was seen as a potential frontrunner. The competition has morphed to a showdown between Value and Agent. This could definitely go either way, but I’ll give the edge to Value achieving something with its nine nominations.
WINNER: Sentimental Value
Runner-Up: The Secret Agent
Best Animated Feature
Arco, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2
Zootopia 2 becoming 2025’s largest grossing blockbuster right as voting was occurring cannot hurt. It’s just hard to ignore the cultural juggernaut that KPop is.
WINNER: KPop Demon Hunters
Runner-Up: Zootopia 2
Best Documentary Feature
The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor
This is a category capable of surprises and I could see Alabama, Good Light, and especially BAFTA winner Putin getting called up. Neighbor got lots of attention via its Netflix release and I’ll say the true crime doc squeaks through.
WINNER: The Perfect Neighbor
Runner-Up: Mr. Nobody Against Putin
Best Casting
Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sinners
The inaugural year of the Casting contest is consists of five BP nominees and I’m going with the one I’m seledting as the winner.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
Train Dreams has notched some precursors and is a real threat and the same logic certainly applies to Battle. Either could win. So could Sinners with that BP momentum. This is one I think Battle could manage to get and I’ll give it a slight edge over my BP selection
WINNER: One Battle After Another
Runner-Up: Sinners
Best Costume Design
Avatar: Fire and Ash, Frankenstein, Hamnet, Marty Supreme, Sinners
While we’re still wondering what Avatar is doing here, this is one of three races that Frankenstein is likely to collect.
WINNER: Frankenstein
Runner-Up: Sinners
Best Film Editing
F1, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
F1 could zoom past the competition and Battle might be the safer bet. I’ll go withmy BP pick for this one.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Makeup and Hairstyling
Frankenstein, Kokuho, Sinners, The Smashing Machine, The Ugly Stepsister
This is the second Frankenstein victory unless Sinners has a truly amazing evening.
WINNER: Frankenstein
Runner-Up: Sinners
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
Sinners is anticipated to emerge here rather easily.
WINNER: Sinners
Runner-Up: One Battle After Another
Best Original Song
“Dear Me” from Diane Warren: Relentless; “Golden” from KPop Demon Hunters; “I Lied to You” from Sinners; “Sweet Dreams of Joy” from Viva Verdi!; “Train Dreams” from Train Dreams
The Sinners tune could score the upset though “Golden” should be just that.
WINNER: “Golden” from KPop Demon Hunters
Runner-Up: “I Lied to You” from Sinners
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
Frankenstein Oscar #3 expected with Sinners looming.
WINNER: Frankenstein
Runner-Up: Sinners
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Sirāt
One of the trickiest down the line categories as Sinners could absolutely prevail and a Sirāt upset is feasible. I do think the autotunes of F1 gets it by a nose.
WINNER: F1
Runner-Up: Sinners
Best Visual Effects
Avatar: Fire and Ash, F1, Jurassic World Rebirth, The Lost Bus, Sinners
The first two Avatar flicks nabbed VE as should the third.
WINNER: Avatar: Fire and Ash
Runner-Up: F1
That equates to these movies generating these numbers in terms of victories:
7 Wins
Sinners
4 Wins
One Battle After Another
3 Wins
Frankenstein
2 Wins
KPop Demon Hunters
1 Win
Avatar: Fire and Ash, F1, Hamnet, The Perfect Neighbor, Sentimental Value
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The final director for consideration is Chloé Zhao for Hamnet. If you missed my previous posts on the filmmakers in the mix, you can access them here:
For the tearjerking historical drama, she could make history by becoming the first female to win this twice (only two others have taken the gold). Hamnet is the Golden Globe winner for Best Drama. Zhao was nominated everywhere that matters, however…
The Case Against Chloé Zhao:
Paul Thomas Anderson (One Battle After Another) has taken all notable precursors – Globes, Critics Choice, BAFTA, and the highly predictive DGA. Ryan Coogler (Sinners) has emerged as the competition if Sinners manages a mild BP upset.
The Verdict:
Zhao is not going to achieve filmmaking Oscar #2 though she’s likely to have directed another Best Actress winner via Jessie Buckley with Frances McDormand in Nomadland being the first.
And that concludes for Case Of write-ups for the 98th Academy Awards! FINAL predictions on the winners will be up on the blog in short order…
Two new features vie for audience attention as romantic drama Reminders of Him and low-budget Canadian horror flick Undertone make their way to multiplexes. You can peruse my detailed prediction posts on them here:
It is highly unlikely that either comes close to bouncing Hoppers from a repeat performance in first. Reminders, based on a Colleen Hoover novel, should be second though I have it just topping $10 million for a subpar start.
I’m not expecting much from Undertone, but it could manage a 4th or 5th place showing considering The Bride! should plummet out of the top 5 after a dismal debut (more on that below).
Hoppers, as mentioned, should be #1 assuming a slide in the high 30s or low 40s with Scream 7 and Goat placing third and fourth.
Here’s how I see the top 6 shaking out:
1. Hoppers
Predicted Gross: $27.2 million
2. Reminder of Him
Predicted Gross: $10.4 million
3. Scream 7
Predicted Gross: $6.9 million
4. Undertone
Predicted Gross: $4.9 million
5. Goat
Predicted Gross: $4.3 million
6. The Bride!
Predicted Gross: $2.6 million
Box Office Results (March 6-8)
Disney/Pixar had a commendable opening for an original title as Hoppers earned $45.3 million, slightly topping my $43.6 million prediction. That’s a cut above recent studio originals Elemental and Elio which both failed to reach $30 million in their unveilings.
Scream 7 was runner-up and dropped a severe 73% in weekend #2 to $17 million, under my $19.5 million call. The latest franchise entry is up to $93 million.
The Bride!, Maggie Gyllenhaal’s monster mash with Jessie Buckley and Christian Bale, failed to collect RSVPs with only $7 million in third. I projected more at $10.3 million. With a reported $85 million price tag, this is a costly dud for Warner Bros.
Goat was fourth with $6.4 million (I said $5.8 million) as the animated tale has amassed $83 million in four weeks.
Wuthering Heights rounded out the top five with $3.7 million, in range with my $3.4 million forecast. The period romance, in its fourth week, stands at $78 million.
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our final performer in Best Actress is Emma Stone for Bugonia. If you missed my posts covering the others, you can find them here:
2014 (Supporting Actress) – Birdman – lost to Patricia Arquette in Boyhood; 2016 (Actress) – La La Land (WON); 2018 (Supporting Actress) – The Favourite – lost to Regina King in If Beale Street Could Talk; 2023 (Actress) – Poor Things (WON)
The Case for Emma Stone:
She’s won the other two times she was up in the lead competition and her collaborations with Yorgos Lanthimos have attracted lots of Oscar attention. For her work in Bugonia, she was nominated at key precursors SAG Actor, BAFTA, the Golden Globes, and Critics Choice.
The Case Against Emma Stone:
Best Actress is the one acting category where a sweep is expected to occur thanks to Jessie Buckley in Hamnet. Her performance has won everywhere and the Academy could certainly feel that Stone has been well-rewarded in recent years. Her costar Jesse Plemons couldn’t manage a nod.
The Verdict:
Stone will not be making a third trip to the stage.
My Case Of posts will continue the last Best Actor contender – Wagner Moura in The Secret Agent…
Maggie Gyllenhaal’s The Bride! is out Friday and her loose rendering of The Bride of Frankenstein is drawing plenty of differing reactions. Jessie Buckley, who appears poised to win Best Actress next weekend for Hamnet, is in the title role with Christian Bale as The Monster. Costars include Peter Sarsgaard, Annette Bening, Jake Gyllenhaal, and Penélope Cruz.
Reviews are mixed with 60% on Rotten Tomatoes and a 55 Metacritic. Whereas Guillermo del Toro’s Frankenstein landed five nominations at next Sunday’s 98th Academy Awards including Best Picture, The Bride!‘s chances are more limited.
It is entirely realistic that Gyllenhaal’s treatment of Mary Shelley’s 200-year-old plus novel will receive no awards attention. Production Design is a remote possibility with Makeup and Hairstyling (a race where Frankenstein is a near certainty to emerge victorious) is the strongest possibility. That’s a different story than the filmmaker’s debut feature The Lost Daughter which was up in Actress (Olivia Colman), Supporting Actor (Buckley’s first nom), and Adapted Screenplay. My Oscar Prediction posts will continue…
Disney/Pixar looks to jump to the top of the box office charts with Hoppers while Warner Bros hopes moviegoers RSVP for The Bride!, Maggie Gyllenhaal’s take on The Bride of Frankenstein starring Jessie Buckley and Christian Bale. You can peruse my detailed prediction posts on the newcomers here:
Recent original Pixar titles (Elemental, Elio) have struggled out of the gate with openings below $30 million. With encouraging reviews, I suspect that won’t be the case with Hoppers and I’m going with a start in the mid 40s.
As for The Bride!, I am forecasting a subpar premiere barely topping $10 million. As I mentioned in my post, the second weekend of Scream 7 and especially similar subject matter being covered in Guillermo del Toro’s Frankenstein on Netflix could hinder this.
Speaking of Scream 7, it had a terrific debut (more on that below) that easily set a franchise record. The horror genre usually sees substantial declines in their second frames and I envision a mid to high 60s plummet for the latest adventures of Ghostface. Goat and Wuthering Heights should round out the top five.
Here’s I how I envision it shaking out:
1. Hoppers
Predicted Gross: $43.6 million
2. Scream 7
Predicted Gross: $19.5 million
3. The Bride!
Predicted Gross: $10.3 million
4. Goat
Predicted Gross: $5.8 million
5. Wuthering Heights
Predicted Gross: $3.4 million
Box Office Results (February 27-March 1)
As mentioned, Scream 7 had no trouble making loud noises at multiplexes with a series best $63.6 million, trouncing the $44 million that 2023 predecessor Scream VI pulled in. It also eclipsed my meager $47.6 million prediction for the best start yet in 2026.
Goat dropped to second with $12 million, down only 29% for a three-week tally of $73 million. I went a little lower at $10.8 million.
Wuthering Heights was third with $6.7 million (I said $6.9 million) and its three-week total is $72 million. The Margot Robbie-Jacob Elordi romance should fall a bit short of nine digits.
I did not have the rest of the high five being populated with music docs, but that was the result. Twenty One Pilots: More Than We Ever Imagined was fourth with $3.7 million. The King was fifth as EPiC: Elvis Presley in Concert made $3.5 million to bring its earnings to nearly $8 million. Crime 101 was sixth with $3.7 million. I didn’t do a prediction for it and it’s made $30 million after three weeks.
I Can Only Imagine 2 fell a sharp 59% after a disappointing debut to $3.1 million in seventh. I forecasted a bit more at $4 million. The faith-based sequel stands at $13 million after ten days.
Send Help was eighth with $2.8 million (I went with $2.6 million) for a five-week gross of $59 million.
Some Oscar categories may have become more solidified (Supporting Actor) while others remain unsettled (Actor and Supporting Actor and perhaps Best Picture) courtesy of tonight’s 32nd Actor Awards. Formerly known as SAG, Kristen Bell returned to host the Netflix aired ceremony where Sinners remained a viable alternative to One Battle After Another for Best Picture in two weeks.
It was the only film to take 2 prizes as I correctly called it for Best Ensemble. Ryan Coogler’s vampire tale did take an acting honor, but not the one I forecasted. In Best Actor, Michael B. Jordan is the winner over Timothée Chalamet (Marty Supreme) and this opens up the real possibility of him grabbing the Oscar. After Robert Aramayo (I Swear) took BAFTA, Chalamet is looking truly vulnerable.
On a night where I went 4 for 6, the other miss was projecting BAFTA victor Wunmi Mosaku’s work in Sinners for Supporting Actress. Instead the Screen Actors Guild went with Critics Choice winner Amy Madigan in Weapons. That race is legit looking like an open contest between Madigan (who now has 2 key precursors) and Mosaku and Teyana Taylor (One Battle After Another).
Battle‘s Sean Penn is your Supporting Actor honoree and he’s grabbed 2 trophies in a row (BAFTA). I wouldn’t want to bet against him on Oscar night for what would be a third gold statue.
Jessie Buckley’s sweep continued in Best Actress for Hamnet. With all preceding ceremonies going her way, she is unquestionably the easiest acting derby to predict for the Academy.
In the Stunt Ensemble race, the voters predictably went with Mission: Impossible – The Final Reckoning.
From a pure precursor standpoint, Battle has won top honors at the Globes, Critics Choice, BAFTA, and PGA. That mix is hard to deny. Yet late breaking momentum certainly makes Sinners the easy runner-up and a threat to be the Academy’s BP.
Stay tuned to the blog for final Oscar predictions in a few days!
Warner Bros is counting on moviegoers to walk down multiplex aisles when The Bride! opens March 6th. Maggie Gyllenhaal directs the gothic thriller based on The Bride of Frankenstein. Jessie Buckley and Christian Bale headline the odd romance. Costars include Peter Sarsgaard (Maggie’s husband), Annette Bening, Jake Gyllenhaal (Maggie’s brother), and Penélope Cruz.
With a reported $80 million budget, the studio is seeking lots of RSVPs. Buckley is likely on the precipice of an Oscar win for Hamnet with Bale as the monstrous “Frank”. I’m not convinced their star power equals an impressive gross. The Bride! faces challenges. Scream 7 will be in its sophomore weekend and still posting solid figures. I question the mainstream appeal of this based on trailers and TV spots. Most importantly, plenty of potential viewers might feel like they got their Frankenstein fix via Guillermo del Toro’s Best Picture nominated Netflix version just four months ago.
Familiarity with the source material could still propel this to a premiere in the low to mid teen. My gut says to take the under and that means a disappointing result just over $10 million.
The Bride! opening weekend prediction: $10.3 million
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