Tag: Jessica Chastain

2020 Oscar Predictions: September 10th Edition

We have arrived at the third week for my Thursday Oscar predictions in the eight major categories and the biggest change so far can be summed up in four words: One Night in Miami.

The historical drama, which marks the debut feature film from actress Regina King, made waves when it screened this week at the Venice Film Festival. It has vaulted into the following categories for a nomination prediction: Picture, Director, Supporting Actor, and Adapted Screenplay.

As for that supporting race, there are actually four contenders vying for attention. I’m currently giving the nod to Kingsley Ben-Adir for his portrayal of Malcolm X over his costars Leslie Odom, Jr. (Sam Cooke), Eli Goree (Cassius Clay), and Aldis Hodge (Jim Brown). Yet this could be a fluid situation and don’t be surprised if those other performers make their way to the list in future postings.

Speaking of the supporting actor race, there has been some speculation that the late Chadwick Boseman may actually be campaigned for in the lead Actor competition with Ma Rainey’s Black Bottom. As for now, I’m keeping him ranked first in Supporting Actor. We’ll see what transpires in the weeks ahead. If Boseman does go lead, it could open the door for Glynn Turman to get a supporting nod for the picture.

As for the week that was, my Oscar Watch posts focused on Miami, as well as some other titles that debuted as Venice. Most noteworthy is Pieces of a Woman, which has caused some chatter for its lead Vanessa Kirby and her costar Ellen Burstyn. Kirby also costars in The World to Come, which garnered solid reviews but isn’t identified in my current rankings. Other write-ups this week included The Duke (which could catch the attention of the Golden Globes for Jim Broadbent) and the heist comedic drama Kajillionaire. You can read all those detailed posts here:

https://toddmthatcher.com/2020/09/07/oscar-watch-one-night-in-miami/

https://toddmthatcher.com/2020/09/07/oscar-watch-pieces-of-a-woman/

https://toddmthatcher.com/2020/09/07/oscar-watch-the-world-to-come/

https://toddmthatcher.com/2020/09/05/oscar-watch-the-duke/

https://toddmthatcher.com/2020/09/09/oscar-watch-kajillionaire/

With Venice still rolling along and the Toronto Film Festival set to open, this Friday will see the initial screenings of two major contenders – Chloe Zhao’s Nomadland and Francis Lee’s Ammonite. Expect Oscar Watch posts on both hopefuls this weekend.

The loser of the week is Tenet. I’ve taken it out of consideration for Picture, Director, and Original Screenplay. On the flip side, expect to see its name pop up again in October when I begin estimating all feature film races as it will surely nab some tech nods.

As for other developments since last Thursday:

  • My eight predicted Best Picture nominees from the past two weeks remains the same, but now it’s become nine with the addition of One Night in Miami.
  • Regina King’s inclusion in Best Director knocks out Aaron Sorkin for The Trial of the Chicago 7.
  • My five Best Actress predictions remains the same, Both Vanessa Kirby and Jennifer Lawrence (Red, White and Water) join the overall mix with Julianne Moore (The Glorias) and Jessie Buckley (I’m Thinking of Ending Things) falling out.
  • Anthony Hopkins (The Father) takes over the #1 spot over Delroy Lindo (Da 5 Bloods) in Best Actor. There are no changes in the top five. Riz Ahmed (Sound of Metal) makes his first appearance at #14 with Jesse Plemons (I’m Thinking of Ending Things) dropping out of the top 15.
  • Amanda Seyfried (Mank) enters the top 5 in Supporting Actress over Ariana DeBose for West Side Story. Ellen Burstyn enters the fold at #15 with Debra Winger’s work in Kajillionaire exiting the top 15.
  • As mentioned, Kingsley Ben-Adir vaults from 12th to 4th in Supporting Actor and he replaces Lakeith Stanfield in Judas and the Black Messiah. The top 15 marks the first appearances for Brian Tyree Henry (Red, White and Water) and Glynn Turman for Ma Rainey. Dropping out are Lucas Hedges in French Exit and David Alvarez in West Side Story. 
  • In Original Screenplay, Never Sometimes Rarely Always gets its first mention since Tenet travels out of the race.
  • In Adapted Screenplay, One Night in Miami gets in over Dune in the top 5. First Cow makes its inaugural appearance in 14th with The Eyes of Tammy Faye dropping.

You can read the full slate of guesstimates here:

Best Picture

Predicted Nominees:

1. Mank (PR: 1)

2. Nomadland (PR: 2)

3. The Trial of the Chicago 7 (PR: 3)

4. Dune (PR: 4)

5. News of the World (PR: 5)

6. One Night in Miami (PR: 13)

7. Ammonite (PR: 6)

8. Da 5 Bloods (PR: 7)

9. West Side Story (PR: 8)

Other Possibilities:

10. Ma Rainey’s Black Bottom (PR: 9)

11. The Father (PR: 16)

12. Soul (PR: 10)

13. Hillbilly Elegy (PR: 14)

14. Judas and the Black Messiah (PR: 11)

15. The French Dispatch (PR: 12)

16. Minari (PR: 15)

17. Stillwater (PR: 18)

18. Annette (PR: 17)

19. The United States vs. Billie Holiday (PR: 19)

20. Next Goal Wins (PR: 23)

21. Red, White and Water (PR: Not Ranked)

22. Respect (PR: 20)

23. French Exit (PR: 24)

24. Everybody’s Talking About Jamie (PR: Not Ranked)

25. I’m Thinking of Ending Things (PR: 25)

Dropped Out:

Tenet

The Midnight Sky 

Best Director

Predicted Nominees:

1. David Fincher, Mank (PR: 1)

2. Chloe Zhao, Nomadland (PR: 2)

3. Denis Villeneuve, Dune (PR: 3)

4. Paul Greengrass, News of the World (PR: 5)

5. Regina King, One Night in Miami (PR: 10)

Other Possibilities:

6. Aaron Sorkin, The Trial of the Chicago 7 (PR: 4)

7. Spike Lee, Da 5 Bloods (PR: 6)

8. Francis Lee, Ammonite (PR: 7)

9. Steven Spielberg, West Side Story (PR: 8)

10. George C. Wolfe, Ma Rainey’s Black Bottom (PR: 11)

11. Florian Zeller, The Father (PR: 14)

12. Ron Howard, Hillbilly Elegy (PR: 12)

13. Shaka King, Judas and the Black Messiah (PR: 13)

14. Wes Anderson, The French Dispatch (PR: 9)

15. Tom McCarthy, Stillwater (PR: Not Ranked)

Dropped Out:

Christopher Nolan, Tenet

Best Actress

Predicted Nominees:

1. Viola Davis, Ma Rainey’s Black Bottom (PR: 1)

2. Frances McDormand, Nomadland (PR: 2)

3. Kate Winslet, Ammonite (PR: 3)

4. Michelle Pfeiffer, French Exit (PR: 4)

5. Jennifer Hudson, Respect (PR: 5)

Other Possibilities:

6. Amy Adams, Hillbilly Elegy (PR: 6)

7. Carey Mulligan, Promising Young Woman (PR: 7)

8. Vanessa Kirby, Pieces of a Woman (PR: Not Ranked)

9. Rachel Zegler, West Side Story (PR: 8)

10. Andra Day, The United States vs. Billie Holiday (PR: 9)

11. Jennifer Lawrence, Red, White and Water (PR: Not Ranked)

12. Marion Cotillard, Annette (PR: 11)

13. Jessica Chastain, The Eyes of Tammy Faye (PR: 10)

14. Sophia Loren, The Life Ahead (PR: 15)

15. Elisabeth Moss, Shirley (PR: 14)

Dropped Out:

Julianne Moore, The Glorias

Jessie Buckley, I’m Thinking of Ending Things

Best Actor

Predicted Nominees:

1. Anthony Hopkins, The Father (PR: 2)

2. Delroy Lindo, Da 5 Bloods (PR: 1)

3. Gary Oldman, Mank (PR: 3)

4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)

5. Tom Hanks, News of the World (PR: 5)

Other Possibilities:

6. Eddie Redmayne, The Trial of the Chicago 7 (PR: 6)

7. Matt Damon, Stillwater (PR: 8)

8. Joaquin Phoenix, C’Mon C’Mon (PR: 7)

9. Adam Driver, Annette (PR: 9)

10. Michael Fassbender, Next Goal Wins (PR: 11)

11. Steven Yeun, Minari (PR: 10)

12. Trevante Rhodes, The United States vs. Billie Holiday (PR: 13)

13. Andrew Garfield, The Eyes of Tammy Faye (PR: 12)

14. Riz Ahmed, Sound of Metal (PR: Not Ranked)

15. Ansel Elgort, West Side Story (PR: 14)

Dropped Out:

Jesse Plemons, I’m Thinking of Ending Things

Best Supporting Actress

Predicted Nominees:

1. Saoirse Ronan, Ammonite (PR: 1)

2. Glenn Close, Hillbilly Elegy (PR: 2)

3. Olivia Colman, The Father (PR: 3)

4. Helena Zengel, News of the World (PR: 4)

5. Amanda Seyfried, Mank (PR: 6)

Other Possibilities:

6. Ariana DeBose, West Side Story (PR: 5)

7. Natasha Lyonne, The United States vs. Billie Holiday (PR: 10)

8. Abigail Breslin, Stillwater (PR: 9)

9. Meryl Streep, The Prom (PR: 7)

10. Audra McDonald, Respect (PR: 11)

11. Toni Collette, I’m Thinking of Ending Things (PR: 8)

12. Jayne Houdyshell, The Humans (PR: 12)

13. Kristin Scott Thomas, Rebecca (PR: 15)

14. Mary J. Blige, Respect (PR: 14)

15. Ellen Burstyn, Pieces of a Woman (PR: Not Ranked)

Dropped Out:

Debra Winger, Kajillionaire 

Best Supporting Actor

Predicted Nominees:

1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 1)

2. David Strathairn, Nomadland (PR: 2)

3. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 3)

4. Kingsley Ben-Adir, One Night in Miami (PR: 12)

5. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 4)

Other Possibilities:

6. Lakeith Stanfield, Judas and the Black Messiah (PR: 5)

7. Jeremy Strong, The Trial of the Chicago 7 (PR: 10)

8. Bill Murray, On the Rocks (PR: 7)

9. Mark Rylance, The Trial of the Chicago 7 (PR: 9)

10. Tom Pelphrey, Mank (PR: 6)

11. Tom Burke, Mank (PR: 8)

12. Richard Jenkins, The Humans (PR: 11)

13. Jonathan Majors, Da 5 Bloods (PR: 14)

14. Brian Tyree Henry, Red, White and Water (PR: Not Ranked)

15. Glynn Turman, Ma Rainey’s Black Bottom (PR: Not Ranked)

Dropped Out:

Lucas Hedges, French Exit

David Alvarez, West Side Story 

Best Original Screenplay

Predicted Nominees:

1. Mank (PR: 1)

2. The Trial of the Chicago 7 (PR: 2)

3. Ammonite (PR: 3)

4. Soul (PR: 5)

5. Da 5 Bloods (PR: 4)

Other Possibilities:

6. The French Dispatch (PR: 6)

7. Minari (PR: 7)

8. Judas and the Black Messiah (PR: 8)

9. Stillwater (PR: 9)

10. Promising Young Woman (PR: 10)

11. C’Mon C’Mon (PR: 12)

12. Red, White and Water (PR: 14)

13. On the Rocks (PR: 13)

14. Annette (PR: 11)

15. Never Rarely Sometimes Always (PR: Not Ranked)

Dropped Out:

Tenet

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland (PR: 1)

2. News of the World (PR: 2)

3. One Night in Miami (PR: 9)

4. Ma Rainey’s Black Bottom (PR: 5)

5. The Father (PR: 4)

Other Possibilities:

6. Dune (PR: 3)

7. Hillbilly Elegy (PR: 6)

8. West Side Story (PR: 8)

9. I’m Thinking of Ending Things (PR: 7)

10. French Exit (PR: 11)

11. Next Goal Wins (PR: 12)

12. The United States vs. Billie Holiday (PR: 10)

13. The Humans (PR: 13)

14. First Cow (PR: Not Ranked)

15. Respect (PR: 15)

Dropped Out:

The Eyes of Tammy Faye 

And that does it for now, folks! I’ll be back at it next Thursday…

2020 Oscar Predictions: September 3rd Edition

We have arrived at Week #2 for my Oscar predictions in the eight major categories. I do so as the Venice Film Festival has kicked off with Telluride and Toronto slated to virtually get underway in the coming days. That means quite a few Oscar Watch posts will be up in short order, including for several of the features predicted below.

Since last Thursday, I’ve written only two Watch entries. Mulan isn’t likely to be a factor in any of the big races, but it could definitely contend for some technical categories. The forthcoming horror pic Antebellum didn’t impress critics and won’t be mentioned again here. If you would like to peruse those posts, you can do so here:

https://toddmthatcher.com/2020/09/03/oscar-watch-mulan/

https://toddmthatcher.com/2020/08/31/oscar-watch-antebellum/

When I wrote my initial guesstimates one week ago, it was on the following day that movie lovers across the globe were hit with tragic news. The loss of Chadwick Boseman to colon cancer has shocked and saddened all of us. Despite his acclaimed performances in 42, Get On Up, and his iconic work as Black Panther, Mr. Boseman has yet to receive a nomination from the Academy. Last Thursday, I already had him listed at #2 in Supporting Actor for the upcoming Ma Rainey’s Black Bottom. He is now listed first as is his costar Viola Davis in Best Actress.

Here are some other developments of note:

  • I am still higher on Spike Lee’s Da 5 Bloods (which also featured Boseman) than some other prognosticators. I have it listed for inclusion in Best Picture, Actor (Delroy Lindo), and Original Screenplay. However, its numbers have fallen a bit and I am taking Spike Lee out of my Director five.
  • My estimated eight Best Picture nominees has remained intact with some shifting in the rankings.
  • Aaron Sorkin (The Trial of the Chicago 7) and Paul Greengrass (News of the World) are in for Director with the aforementioned Spike Lee and Francis Lee (Ammonite) out.
  • The five in Actress has not changed. In Actor, I’ve made the move to take Bill Murray’s performance in On the Rocks and put it in the supporting field. That allows for Tom Hanks (News of the World) to move up. In general, I have soured a bit on Rocks. You’ll see below that its numbers have dropped precipitously.
  • Supporting Actress also includes the same five women and that’s also the case with Supporting Actor.
  • Though I don’t have it in the top five, I’ve corrected French Exit to be listed in Adapted Screenplay as opposed to Original. Soul replaces The French Dispatch in Original for the moment while The Father vaults over West Side Story in Adapted.

As you’ll see, there’s plenty of new faces being mentioned for the first time that didn’t make the list last week and others who have dropped.

Let’s get to it!

Best Picture

Predicted Nominees:

1. Mank (Previous Ranking: 1)

2. Nomadland (PR: 2)

3. The Trial of the Chicago 7 (PR: 4)

4. Dune (PR: 6)

5. News of the World (PR: 7)

6. Ammonite (PR: 5)

7. Da 5 Bloods (PR: 3)

8. West Side Story (PR: 8)

Other Possibilities:

9. Ma Rainey’s Black Bottom (PR: 16)

10. Soul (PR: 14)

11. Judas and the Black Messiah (PR: 12)

12. The French Dispatch (PR: 9)

13. One Night in Miami (PR: Not Ranked)

14. Hillbilly Elegy (PR: 10)

15. Minari (PR: 18)

16. The Father (PR: 17)

17. Annette (PR: 13)

18. Stillwater (PR: 21)

19. The United States vs. Billie Holiday (PR: 22)

20. Respect (PR: Not Ranked)

21. Tenet (PR: 15)

22. The Midnight Sky (PR: Not Ranked)

23. Next Goal Wins (PR: 24)

24. French Exit (PR: 25)

25. I’m Thinking of Ending Things (PR: 20)

Dropped Out:

On the Rocks

C’Mon C’Mon

The Eyes of Tammy Faye 

Best Director

Predicted Nominees:

1. David Fincher, Mank (PR: 1)

2. Chloe Zhao, Nomadland (PR: 2)

3. Denis Villeneuve, Dune (PR: 4)

4. Aaron Sorkin, The Trial of the Chicago 7 (PR: 6)

5. Paul Greengrass, News of the World (PR: 7)

Other Possibilities:

6. Spike Lee, Da 5 Bloods (PR: 3)

7. Francis Lee, Ammonite (PR: 5)

8. Steven Spielberg, West Side Story (PR: 8)

9. Wes Anderson, The French Dispatch (PR: 9)

10. Regina King, One Night in Miami (PR: Not Ranked)

11. George C. Wolfe, Ma Rainey’s Black Bottom

12. Ron Howard, Hillbilly Elegy (PR: 11)

13. Shaka King, Judas and the Black Messiah (PR: 12)

14. Florian Zeller, The Father (PR: Not Ranked)

15. Christopher Nolan, Tenet (PR: 13)

Dropped Out:

Sofia Coppola, On the Rocks

Leos Carax, Annette

Charlie Kaufman, I’m Thinking of Ending Things 

Best Actress

Predicted Nominees:

1. Viola Davis, Ma Rainey’s Black Bottom (PR: 2)

2. Frances McDormand, Nomadland (PR: 1)

3. Kate Winslet, Ammonite (PR: 3)

4. Michelle Pfeiffer, French Exit (PR: 4)

5. Jennifer Hudson, Respect (PR: 5)

Other Possibilities:

6. Amy Adams, Hillbilly Elegy (PR: 6)

7. Carey Mulligan, Promising Young Woman (PR: 14)

8. Rachel Zegler, West Side Story (PR: 7)

9. Andra Day, The United States vs. Billie Holiday (PR: 11)

10. Jessica Chastain, The Eyes of Tammy Faye (PR: 8)

11. Marion Cotillard, Annette

12. Julianne Moore, The Glorias (PR: 9)

13. Elisabeth Moss, Shirley (PR: 15)

14. Jessie Buckley, I’m Thinking of Ending Things (PR: 13)

15. Sophia Loren, The Life Ahead (PR: Not Ranked)

Dropped Out:

Rashida Jones, On the Rocks 

Best Actor

Predicted Nominees:

1. Delroy Lindo, Da 5 Bloods (PR: 1)

2. Anthony Hopkins, The Father (PR: 3)

3. Gary Oldman, Mank (PR: 2)

4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)

5. Tom Hanks, News of the World (PR: 6)

Other Possibilities:

6. Eddie Redmayne, The Trial of the Chicago 7 (PR: Not Ranked)

7. Joaquin Phoenix, C’Mon C’Mon (PR: 7)

8. Matt Damon, Stillwater (PR: 13)

9. Adam Driver, Annette (PR: 8)

10. Steven Yeun, Minari (PR: Not Ranked)

11. Michael Fassbender, Next Goal Wins (PR: 12)

12. Andrew Garfield, The Eyes of Tammy Faye (PR: 10)

13. Trevante Rhodes, The United States vs. Billie Holiday (PR: 14)

14. Ansel Elgort, West Side Story (PR: 9)

15. Jesse Plemons, I’m Thinking of Ending Things (PR: Not Ranked)

Dropped Out:

Bill Murray, On the Rocks (moved to Supporting Actor)

Timothee Chalamet, Dune

Ben Affleck, The Way Back 

Best Supporting Actress

Predicted Nominees:

1. Saoirse Ronan, Ammonite (PR: 1)

2. Glenn Close, Hillbilly Elegy (PR: 2)

3. Olivia Colman, The Father (PR: 3)

4. Helena Zengel, News of the World (PR: 5)

5. Ariana DeBose, West Side Story (PR: 4)

Other Possibilities:

6. Amanda Seyfried, Mank (PR: 7)

7. Meryl Streep, The Prom (PR: 14)

8. Toni Collette, I’m Thinking of Ending Things (PR: 6)

9. Abigail Breslin, Stillwater (PR: 9)

10. Natasha Lyonne, The United States vs. Billie Holiday (PR: Not Ranked)

11. Audra McDonald, Respect (PR: Not Ranked)

12. Jayne Houdyshell, The Humans (PR: Not Ranked)

13. Debra Winger, Kajillionaire (PR: 8)

14. Mary J. Blige, Respect (PR: 11)

15. Kristin Scott Thomas, Rebecca (PR: Not Ranked)

Dropped Out:

Gaby Hoffman, C’Mon C’Mon

Rebecca Ferguson, Dune

Nicole Kidman, The Prom

Elisabeth Moss, Next Goal Wins

Best Supporting Actor

Predicted Nominees:

1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 2)

2. David Strathairn, Nomadland (PR: 1)

3. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 3)

4. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 5)

5. Lakeith Stanfield, Judas and the Black Messiah (PR: 4)

Other Possibilities:

6. Tom Pelphrey, Mank (PR: 7)

7. Bill Murray, On the Rocks (PR: Not Ranked – moved from Best Actor)

8. Tom Burke, Mank (PR: 6)

9, Mark Rylance, The Trial of the Chicago 7 (PR: 12)

10. Jeremy Strong, The Trial of the Chicago 7 (PR: Not Ranked)

11. Richard Jenkins, The Humans (PR: Not Ranked)

12. Kingsley Ben-Adir, One Night in Miami (PR: Not Ranked)

13. Lucas Hedges, French Exit (PR: 9)

14. Jonathan Majors, Da 5 Bloods (PR: 10)

15. David Alvarez, West Side Story (PR: 8)

Dropped Out:

Jesse Plemons, Judas and the Black Messiah

Clarke Peters, Da 5 Bloods

Oscar Isaac, Dune

Forest Whitaker, Respect 

Best Original Screenplay

Predicted Nominees:

1. Mank (PR: 1)

2. The Trial of the Chicago 7 (PR: 2)

3. Ammonite (PR: 4)

4. Da 5 Bloods (PR: 3)

5. Soul (PR: 6)

Other Possibilities:

6. The French Dispatch (PR: 5)

7. Minari (PR: 10)

8. Judas and the Black Messiah (PR: 8)

9. Stillwater (PR: 11)

10. Promising Young Woman (PR: 15)

11. Annette (PR: 13)

12. C’Mon C’Mon (PR: 9)

13. On the Rocks (PR: 7)

14. Red, White, and Water (PR: Not Ranked)

15. Tenet (PR: 14)

Dropped Out:

French Exit (moved to Adapted Screenplay)

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland (PR: 1)

2. News of the World (PR: 3)

3. Dune (PR: 2)

4. The Father (PR: 6)

5. Ma Rainey’s Black Bottom (PR: 5)

Other Possibilities:

6. Hillbilly Elegy (PR: 7)

7. I’m Thinking of Ending Things (PR: 8)

8. West Side Story (PR: 4)

9. One Night in Miami (PR: 13)

10. The United States vs. Billie Holiday (PR: 10)

11. French Exit (PR: Not Ranked – moved from Original Screenplay)

12. Next Goal Wins (PR: 9)

13. The Humans (PR: Not Ranked)

14. The Eyes of Tammy Faye (PR: 11)

15. Respect (PR: 14)

Dropped Out:

The White Tiger

The Midnight Sky 

I’ll be back at it with updated predictions next Thursday!

2020 Oscar Predictions: August 27th Edition

As is tradition on the blog, my weekly Oscar prediction posts (coming to you each Thursday) kick off in the final weekend of August!

So while I’m following up with my normal Academy Awards speculating schedule, I am doing so in a year that is anything but traditional. The COVID-19 pandemic has tremendously altered release schedules for many pictures. This has left many release dates still uncertain.

Additionally, I have chosen this late August date because it’s usually right before some high-profile film festivals like Toronto, Venice, and Telluride are set to kick off. Some of these fests are continuing to operate in a much different fashion. We will see some of the titles identified below (including Nomadland, Ammonite and One Night in Miami) screen at these virtual competitions in the coming days.

This week, one significant contender had its unveiling for critics and that’s Christopher Nolan’s Tenet. That reaction leads me to believe that it will certainly contend in a half dozen or so technical races, but that a Picture or Directing nod is a bit of a long shot.

Even in a year without the pandemic related challenges, Oscar speculation this early always comes with numerous caveats. They include the following:

  • Release dates will change and some movies listed here will get pushed back. This sure applies to 2020 and that’s even with the Academy extending eligibility to any features released in January and February of 2021.
  • There will be pics and performances that come out of nowhere and make their way to the release calendar that aren’t identified here.
  • Some performances listed in lead will shift to supporting and vice versa. For titles like David Fincher’s Mank, Aaron Sorkin’s The Trial of the Chicago 7, and Wes Anderson’s The French Dispatch – category placement for their large casts is still a question mark. As an example, there’s lot of potential contenders in The French Dispatch, but it’s impossible to determine who gets the critical shine. For the time being, I’m not listing any of the actors in that particular film.
  • There will be Original Screenplay hopefuls that turn out to be Adapted and vice versa.

Even with all those caveats, I was able to identify the winners in each of the top 8 categories in both 2018 and 2019. Their numeric placement varied widely. In 2018, I had Best Picture victor Green Book all the way down at 21 of my first initial 25 possibilities. Roma director Alfonso Cuaron, on the other hand, was placed at #2. Bohemian Rhapsody‘s Rami Malek was at #12 in Best Actor with Olivia Colman in The Favourite at 9th in Actress. Mahershala Ali (Green Book) was 9th and Regina King (If Beale Street Could Talk) was 2nd in the supporting fields. Adapted Screenplay winner BlacKkKlansman was in fifth with Original Screenplay recipient Green Book at #11.

As for 2019, Best Picture winner Parasite was originally placed in slot #7 while its director Bong Joon-Ho was fifth. In the lead acting companions, Joaquin Phoenix (Joker) was 6th and Renee Zellweger (Judy) was fifth. In Supporting Actor, Brad Pitt (Once Upon a Time in Hollywood) was perched at #1 and that never changed. Supporting Actress Laura Dern (Marriage Story) was #2. Adapted Screenplay Jojo Rabbit was fourth and Original Screenplay Parasite was 5th.

So based on history, you’re likely seeing the eventual 2020 Oscar winners somewhere here on these listings. In 2020, though, who really knows?

Let’s get to it!

Best Picture

Predicted Nominees:

1. Mank

2. Nomadland

3. Da 5 Bloods

4. The Trial of the Chicago 7

5. Ammonite 

6. Dune

7. News of the World

8. West Side Story

Other Possibilities

9. The French Dispatch

10. Hillbilly Elegy

11. On the Rocks

12. Judas and the Black Messiah

13. Annette

14. Soul

15. Tenet

16. Ma Rainey’s Black Bottom

17. The Father

18. Minari

19. C’Mon C’Mon

20. I’m Thinking of Ending Things

21. Stillwater

22. The United States vs. Billie Holiday

23. The Eyes of Tammy Faye

24. Next Goal Wins

25. French Exit

Best Director

Predicted Nominees:

1. David Fincher, Mank

2. Chloe Zhao, Nomadland

3. Spike Lee, Da 5 Bloods

4. Denis Villeneuve, Dune

5. Francis Lee, Ammonite

Other Possibilities:

6. Aaron Sorkin, The Trial of the Chicago 7

7. Paul Greengrass, News of the World

8. Steven Spielberg, West Side Story

9. Wes Anderson, The French Dispatch

10. Sofia Coppola, On the Rocks

11. Ron Howard, Hillbilly Elegy

12. Shaka King, Judas and the Black Messiah

13. Christopher Nolan, Tenet

14. Leos Carax. Annette

15. Charlie Kaufman, I’m Thinking of Ending Things 

Best Actress

Predicted Nominees:

1. Frances McDormand, Nomadland

2. Viola Davis, Ma Rainey’s Black Bottom

3. Kate Winslet, Ammonite

4. Michelle Pfeiffer, French Exit

5. Jennifer Hudson, Respect

Other Possibilities:

6. Amy Adams, Hillbilly Elegy

7. Rachel Zegler, West Side Story

8. Jessica Chastain, The Eyes of Tammy Faye

9. Julianne Moore, The Glorias

10. Marion Cotillard, Annette

11. Andra Day, The United States vs. Billie Holiday

12. Rashida Jones, On the Rocks

13. Jessie Buckley, I’m Thinking of Ending Things

14. Carey Mulligan, Promising Young Woman

15. Elisabeth Moss, Shirley 

Best Actor

Predicted Nominees:

1. Delroy Lindo, Da 5 Bloods

2. Gary Oldman, Mank

3. Anthony Hopkins, The Father

4. Daniel Kaluuya, Judas and the Black Messiah

5. Bill Murray, On the Rocks

Other Possibilities:

6. Tom Hanks, News of the World

7. Joaquin Phoenix, C’Mon C’Mon

8. Adam Driver, Annette

9. Ansel Elgort, West Side Story

10. Andrew Garfield, The Eyes of Tammy Faye

11. Timothee Chalamet, Dune

12. Michael Fassbender, Next Goal Wins

13. Matt Damon, Stillwater

14. Trevante Rhodes, The United States vs. Billie Holiday 

15. Ben Affleck, The Way Back

Best Supporting Actress

Predicted Nominees:

1. Saoirse Ronan, Ammonite

2. Glenn Close, Hillbilly Elegy

3. Olivia Colman, The Father

4. Ariana DeBose, West Side Story

5. Helena Zengel, News of the World

Other Possibilities:

6. Toni Collette, I’m Thinking of Ending Things

7. Amanda Seyfried, Mank

8. Debra Winger, Kajillionaire

9. Abigail Breslin, Stillwater

10. Gaby Hoffman, C’Mon C’Mon

11. Mary J. Blige, Respect

12. Rebecca Ferguson, Dune 

13. Meryl Streep, The Prom

14. Nicole Kidman, The Prom

15. Elisabeth Moss, Next Goal Wins

Best Supporting Actor

Predicted Nominees:

1. David Strathairn, Nomadland

2. Chadwick Boseman, Ma Rainey’s Black Bottom

3. Yahya Abdul-Mateen II, The Trial of the Chicago 7

4. LaKeith Stanfield, Judas and the Black Messiah

5. Sacha Baron Cohen, The Trial of the Chicago 7

Other Possibilities:

6. Tom Burke, Mank

7. Tom Pelphrey, Mank

8. David Alvarez, West Side Story

9. Lucas Hedges, French Exit

10. Jonathan Majors, Da 5 Bloods

11. Jesse Plemons, Judas and the Black Messiah 

12. Mark Rylance, The Trial of the Chicago 7

13. Clarke Peters, Da 5 Bloods

14. Oscar Isaac, Dune

15. Forest Whitaker, Respect

Best Original Screenplay

Predicted Nominees:

1. Mank

2. The Trial of the Chicago 7

3. Da 5 Bloods

4. Ammonite

5. The French Dispatch

Other Possibilities:

6. Soul

7. On the Rocks

8. Judas and the Black Messiah

9. C’Mon C’Mon

10. Minari

11. Stillwater

12. French Exit

13. Annette

14. Tenet

15. Promising Young Woman

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland

2. Dune

3. News of the World

4. West Side Story

5. Ma Rainey’s Black Bottom

Other Possibilities:

6. The Father

7. Hillbilly Elegy

8. I’m Thinking of Ending Things

9. Next Goal Wins

10. The United States vs. Billie Holiday

11. The Eyes of Tammy Faye

12. The White Tiger

13. One Night in Miami 

14. Respect

15. The Midnight Sky 

I’ll be back at it next Thursday, folks! Until then…

Early 2020 Oscar Predictions: Best Actress

My big announcement today is the selection of my first candidates for Best Actress in the 2020 Oscar field! If you happened to miss my predictions for the supporting categories and Best Actor, you can find them right here:

https://toddmthatcher.com/2020/08/10/early-2020-oscar-predictions-best-actor/

https://toddmthatcher.com/2020/08/09/early-2020-oscar-predictions-best-supporting-actress/

https://toddmthatcher.com/2020/08/09/early-2020-oscar-predictions-best-supporting-actor/

Unlike Best Actor, none of my initial top 5 picks here have seen their pictures screened. As discussed in previous posts, 2020 is a mighty speculative year for these early August estimates. The potential contenders are certainly some heavy hitters and it was, frankly, hard to whittle the list to this quintet. 4 of my 5 choices here are past winners. Both Viola Davis and Jennifer Hudson are Supporting Actress victors for 2016’s Fences and 2006’s Dreamgirls respectively. Frances McDormand is a two-time lead Actress winner for 1996’s Fargo and 2017’s Three Billboards Outside, Missouri. Kate Winslet took this prize in 2008 for The Reader. The only non-winner is Michelle Pfeiffer and she’s been nominated three times. If she makes it here, it would mark her first nod in 28 years since 1992’s Love Field. 

This is in addition to acclaimed actresses such as Amy Adams, Jessica Chastain, and Julianne Moore as possibilities and up and comers like Jessie Buckley, Liu Yifei, and Rachel Zegler. On the opposite end of the spectrum, there’s the silver screen return of cinematic legend Sophia Loren. She last won an Oscar for Two Women some 60 years ago. Elisabeth Moss has two already released pics for which she’s received solid reviews. Of the two, Shirley seems more viable than the horror hit The Invisible Man.

In 2019, my original late summer projections yielded a whopping 4 of the 5 eventual nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). In my ten other possibilities, I also identified eventual trophy recipient Renee Zellweger as Judy. 

Lots of intrigue in this race and here’s the first take:

EARLY OSCAR PREDICTIONS: BEST ACTRESS

Viola Davis, Ma Rainey’s Black Bottom

Jennifer Hudson, Respect

Frances McDormand, Nomadland

Michelle Pfeiffer, French Exit

Kate Winslet, Ammonite 

Other Possibilities: 

Amy Adams, Hillbilly Elegy

Jessie Buckley, I’m Thinking of Ending Things

Jessica Chastain, The Eyes of Tammy Faye

Rashida Jones, On the Rocks 

Sophia Loren, The Life Ahead

Julianne Moore, The Glorias

Elisabeth Moss, Shirley

Carey Mulligan, Promising Young Woman

Liu Yifei, Mulan 

Rachel Zegler, West Side Story

That completes the acting portions of the early predictions and Best Director is up next! Until then…

It Chapter Two Movie Review

It bloats. That would be Chapter Two of the saga that was adapted from Stephen King’s novel to monstrous box office results in 2017. A rumination on childhood friendship and fears that happened to feature a demented clown (with a humdinger of a performance by Bill Skarsgard and his creepy eyes as Pennywise), it was easy to see why It cashed in. Set in the 1980s (when the book was released) as opposed to the 1950s, the pic had a retro vibe fitting the Stranger Things and Steven Spielberg mold. Featuring fine performances by its band of teens called The Losers, the scariest parts of It often involved what adults were capable of doing to the group as opposed to Pennywise in clown or other forms.

In Chapter Two, it’s The Losers who are the adults. They come together 27 years after the events of chapter one in the town of Derry, Maine. This was choreographed at the conclusion of It two years back, but the grownup Losers only have scant memories of warding off Pennywise in 1989. We as the audience remember it well, but it takes around an hour of the nearly three hour running time for nearly all of them to recall. And that’s a slog.

On the positive side, the casting here is impressive. James McAvoy is de facto leader Bill, now a successful horror author who can’t ever write a satisfactory ending to his works (something King himself is often accused of). In my It review, I speculated that Amy Adams could inhabit the part of Beverly, the lone female of the club who continues to suffer from physical abuse started by her demented father. Jessica Chastain got the role and she’s another obvious choice. The most memorable performances here, however, come from Bill Hader as Richie, now a standup comic and James Ransone as hypochondriac Eddie. They’re responsible for some much needed comic relief and occasional moments that are genuinely funny. And while Jay Ryan might not exactly physically resemble the younger overweight New Kids on the Block loving Ben (who still has a crush on Beverly), the casting club found a performer whose eyes match his youthful counterpart Jeremy Ray Taylor.

Of course, there’s also Skarsgard having a ball as Pennywise. It comes in many forms and in many situations. It comes at night. It comes during daytime. It comes as a creepy old lady who lives in Beverly’s old apartment. It comes as a giant spider. It comes as famous lumberjacks. It comes in ways that display decent CG and dodgy CG. It’s a mixed bag of appearances.

Chapter Two is overstuffed and overlong. It’s as if director Andy Muschietti and screenwriter Gary Dauberman (the team behind the first chapter) wanted to be as faithful as possible to King’s book and leave as little out as possible. A tightening of the screws might have been a wiser course of action. King himself (who cleverly cameos) has stated in interviews that the why of why monsters do what they do is fairly incidental. The time spent linking Pennywise to Native American rituals and the creature’s background feels just that. That Stephen King might be onto something.

The long continuation of this story does certainly feature a couple of spine tingling sequences, fine acting, and amusing bits. Unfortunately it does not represent a hefty portion of its 169 minutes and that’s why this chapter just can’t match the more tightly contained first one.

**1/2 (out of four)

Oscar Watch: It Chapter Two

Two years ago, Andy Muschietti’s adaptation of the Stephen King novel It broke box office records in the horror genre and became an instant audience favorite. Yet it didn’t end up registering with awards voters in any fashion… not even for Pennywise’s creepy makeup job.

This weekend, the eagerly awaited sequel arrives and the review embargo has floated away. Chapter Two holds a decent 79% Rotten Tomatoes score, but that’s beneath the 86% achieved by its predecessor. A consistent theme in much of the critical reaction is that many parts work, but that it’s also overlong and doesn’t quite measure up to chapter one.

If It couldn’t garner Oscar attention, don’t expect this to. I will make make one further prediction. Another common factor in the reviews is praise for Bill Hader’s performance and he’s said to be a scene stealer. Don’t be surprised to see some chatter and wishful thinking for a Supporting Actor nod that will never come to pass. My Oscar Watch posts will continue…

It Chapter Two Box Office Prediction

It Chapter Two will no doubt float to the top of the charts next weekend when it’s unleashed in cinemas. The Stephen King adapted horror epic continues the story of the Losers Club battling demonic clown Pennywise and hopes to rake in similar earnings to its 2017 predecessor. Andy Muschietti returns in the director’s seat with Bill Skarsgard back as Pennywise. Jaeden Martell, Sophia Lillis, Finn Wolfhard, Chosen Jacobs, Jeremy Ray Taylor, Jack Dylan Grazer, and Wyatt Oleff reprise their roles as the youthful Losers Club. Part 2 also flashes forward in time and finds James McAvoy, Jessica Chastain, Bill Hader (said to be a scene stealer), Isaiah Mustafa, Jay Ryan, James Ransone, and Andy Bean portraying their adult versions. This is the only wide release of the weekend as other studios steered clear.

It was a genuine box office phenomenon when it came out during the same post Labor Day frame two years ago. Bursting out of the gate with $123.4 million, it ended its domestic gross at just over $327 million. That made It the largest September opening of all time and highest debuting and overall earning horror feature ever.

Chapter Two stands a real chance at breaking those records. Unlike some sequels in 2019 that followed long after previous entries, chapter one is still fresh in the minds of audiences. There’s a desire to see how it wraps up. That said, I’ll say this falls under what that creepy clown and company accomplished in 2017.

It Chapter Two opening weekend prediction: $109.7 million

Dark Phoenix Box Office Prediction

Closing out the latest chapter of the X-Men Universe that began in 2011, Dark Phoenix rises or falls in theaters next weekend. The fourth official entry in the current franchise iteration is a direct sequel to 2016’s X–Men: Apocalypse. This one is focused more on the Jean Grey character played by Sophie Turner, but it brings back Jennifer Lawrence as Mystique, James McAvoy as Charles Xavier, and Michael Fassbender as Magneto. The familiar cast additionally includes Nicholas Hoult, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, and Evan Peters with Jessica Chastain joining the fray for the first time. Simon Kinberg, responsible for penning three previous X pics, makes his directorial debut.

Phoenix comes at a time where the franchise is going through a major transition. With Disney’s recent acquisition of Fox, it is believed the X-Men characters will be cast anew and melded with the vaunted Marvel Cinematic Universe at some juncture. The series is coming off Apocalypse, which didn’t impress critics and had a $155 million overall domestic gross that ranked well under predecessor Days of Future Past. The next X title (spin-off The New Mutants) is out next spring and has been delayed on numerous occasions.

Anticipation seems muted here. Phoenix has the very real possibility of having the lowest premiere ever in the franchise’s history. That distinction for a non spin-off currently belongs to the 2000 original, which started with $54 million (not adjusted for inflation). Just below that is 2013’s The Wolverine at $53 million.

The opportunity for Disney to reinvigorate the series is coming, but I’ll project this latest entry will mark an overall low in earnings.

Dark Phoenix opening weekend prediction: $45.3 million

For my The Secret Life of Pets 2 prediction, click here:

https://toddmthatcher.com/2019/05/29/the-secret-life-of-pets-2-box-office-prediction/

Oscar History: 2012

It’s been quite some time since I’ve done an Oscar History post (about two and a half years) and I’m at 2012. It was a year in which Seth MacFarlane hosted the show – fresh off his comedy smash Ted. Here’s what transpired in the major categories with some other pictures and performers I might have considered:

The year saw nine nominees for Best Picture in which Ben Affleck’s Argo took the top prize. Other nominees: Amour, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Silver Linings Playbook (my personal favorite of the year), and Zero Dark Thirty. 

Many Wes Anderson fans would contend that Moonrise Kingdom should have made the cut. And I could certainly argue that The Avengers (perhaps the greatest comic book flick and the year’s biggest grosser) was worth a nod.

The nominations in Best Director were a huge surprise at the time. While Argo won the top prize of all, Affleck was not nominated for his behind the camera efforts. It was the first time since Driving Miss Daisy‘s Bruce Beresford where an Oscar-winning Picture didn’t see its filmmaker nominated.

Instead it was Ang Lee who was victorious for Life of Pi over Michael Haneke (Amour), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), and Benh Zeitlin (Beasts of the Southern Wild).

In addition to Affleck, it was surprising that Kathryn Bigelow (Zero Dark Thirty) was not included. And I certainly would have put in Tarantino for Django.

The race for Best Actor seemed over when the casting of Daniel Day-Lewis as Abraham Lincoln was announced. And that’s exactly how it played out as he won his third Oscar over a strong slate of Bradley Cooper (Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).

The exclusion of John Hawkes in The Sessions could have been welcomed, but I’ll admit that’s a solid group.

Jennifer Lawrence won Best Actress for Silver Linings over Jessica Chastain (Zero Dark), Emmanuelle Riva (Amour), Quvenzhane Wallis (Beasts), and Naomi Watts (The Impossible).

Again, no major qualms here. I did enjoy the work of Helen Mirren in Hitchcock (for which she did get a Golden Globe nod).

Supporting Actor was competitive as Christoph Waltz won his second statue for Django (three years after Inglourious Basterds). He was a bit of a surprise winner over Tommy Lee Jones in Lincoln. Other nominees: Alan Arkin (Argo), Robert De Niro (Playbook), and Philip Seymour Hoffman (The Master).

Here’s a year where there’s a lot of others I thought of. Waltz won, but I think the work of Leonardo DiCaprio and Samuel L. Jackson in Django was equally impressive. There’s Javier Bardem as one of the greatest Bond villains ever in Skyfall. Or John Goodman’s showy role in Flight. As for some other blockbusters that year, how about Tom Hiddleston in The Avengers or Matthew McConaughey in Magic Mike? And my favorite comedic scene of that year was due to Giovanni Ribisi in Ted…

In Supporting Actress, Anne Hathaway was a front-runner for Les Miserables and there was no upset. Other nominees: Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), and Jacki Weaver (Playbook).

Judi Dench had more heft to her part as M in Skyfall that year and I’ll also give a shout-out to Salma Hayek’s performance in Oliver Stone’s Savages.

And there’s your Oscar history for 2012! I’ll have 2013 up… hopefully in less than two and a half years!

Molly’s Game Movie Review

At its best, Aaron Sorkin’s dialogue is cinematic music. Like many distinctive screenwriters icluding Mamet and Tarantino, he has an unmistakable style. There’s a zippy and often whip smart quality present. We heard that melody in The Social Network and on “The West Wing” and large parts of A Few Good Men, The American President, Charlie Wilson’s War, Moneyball, and Steve Jobs. On occasion, there are heavy-handed and slightly preachy notes in his wordy tunes.

We know what we’re getting in a Sorkin screenplay. An unknown until now is how he performs behind the lens and Molly’s Game answers it. The frequent highs and more infrequent lows of his writing are present here. And he pleasingly proves he’s got some style in the director’s chair, too.

The film is based on the real life story of Molly Bloom (Jessica Chastain), who went from a wannabe Olympic skier sidelined by freak injury to underground poker syndicate magnate. It’s an improbable yarn where truth is indeed stranger than fiction. Following her slopes related incident, Molly travels to L.A. and soon finds herself as assistant to a rich on paper and sleazy real estate developer (Jeremy Strong). He seems far more concerned with his high stakes poker game that involves celebrities and the West Coast wealthy – all male. Molly starts out basically holding their money. That doesn’t last long as her intellect soon has her running the show.

This puts her in constant contact with an unnamed movie star played by Michael Cera. A quick look at the facts of Bloom’s true events would put Tobey Maguire as the actual actor. Sorkin’s screenplay doesn’t dwell on the famous names that real Molly came in contact with, as apparently the subject’s book this is based on didn’t either. I will say this. If half the stuff about Maguire (err Cera’s character) is accurate, he’s not exactly your friendly neighborhood Spider-Man.

It also puts her in proximity with far worse types than bratty leading men. There’s the Mob, in Italian and Russian form. And that’s where it all gets truly dangerous. These individuals provide a risk to her personal safety, as do the drug fueled measures she takes on her own to keep the business rolling in celebrity, Mafia, and trust fund kid cash.

Molly’s Game is told in flashback as our central figure’s legal troubles mount. Idris Elba is her skilled and sympathetic lawyer. Kevin Costner is her hard charging dad – a therapist who is always seeking perfection from his daughter. It’s their dynamic that turns out to be the key one here and provides a window into Molly’s behavior. In some ways, it’s a relationship we’ve seen countless times onscreen before and this doesn’t add much freshness.

That said, when Sorkin’s writing is at its best, it’s an entertaining sound. Molly’s Game gives us plenty of long exchanges between particularly Chastain and Elba that qualify. We’ve seen the world of closed-door poker (in the solid Rounders for example) before, but not often. The writer/director frequently excels at displaying this fast-paced universe that just a minor segment of the ultra rich are privy to.

Chastain is present in nearly every frame and she provides another electric performance as a strong female getting it done in a male dominated universe. Elba offers sturdy support. Even though Costner’s subplot is the most routine, he adds some depth in the third act as the complicated dad.

Those familiar with Sorkin’s word games will find plenty to enjoy here. It doesn’t rise to the level of The Social Network, mind you. It does comfortably give me confidence that his dialogue works just fine with him also wearing the director’s hat.

*** (out of four)