81st Golden Globe Awards Nominations Reaction

Nominations for the 81st Golden Globe Awards (airing January 7th) were unveiled this morning. As always, there were some surprises and it was a particularly weak day for one hopeful. That said, a lot of what transpired went according to plan. I went 74 for 92 on my picks (I’ll take it!).

Let’s walk through each race with how I did and my initial take on who or what may emerge victorious.

Best Motion Picture Drama

Nominees: Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, The Zone of Interest

How I Did: 6/6 (!)

Nailed the Drama category as this probably will come down to Oppenheimer vs. Killers.

Best Motion Picture Musical/Comedy

Nominees: Air, American Fiction, Barbie, The Holdovers, May December, Poor Things

How I Did: 5/6

In what might be the most surprising omission of the morning, The Color Purple didn’t make the cut. I (along with everyone else) had it in. I didn’t have Air though it was my alternate. Barbie is the frontrunner though Poor Things is viable.

Best Director

Nominees: Bradley Cooper (Maestro), Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Celine Song (Past Lives)

How I Did: 6/6 (!)

Just as in Motion Picture Drama, Nolan vs. Scorsese might be the showdown with Gerwig as a potential spoiler.

Best Actress Drama

Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Greta Lee (Past Lives), Carey Mulligan (Maestro), Cailee Spaeny (Priscilla)

How I Did: 6/6 (!)

I wouldn’t discount Hüller or Mulligan as slight upset picks, but Gladstone looks to be the favorite.

Best Actor Drama

Nominees: Bradley Cooper (Maestro), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Barry Keoghan (Saltburn), Cillian Murphy (Oppenheimer), Andrew Scott (All of Us Strangers)

How I Did: 6/6 (!)

Like the Oscar race, this could end up as a contest between Cooper vs. Murphy.

Best Actress Musical/Comedy

Nominees: Fantasia Barrino (The Color Purple), Jennifer Lawrence (No Hard Feelings), Natalie Portman (May December), Alma Pöysti (Fallen Leaves), Margot Robbie (Barbie), Emma Stone (Poor Things)

How I Did: 4/6

Pöysti is an out of nowhere selection while Lawrence was my alternate. They get in over Abby Ryder Fortson (Are You There God? It’s Me, Margaret) and Julia Louis-Dreyfus (You Hurt My Feelings). This is either Stone (probably) or Robbie (maybe).

Best Actor Musical/Comedy

Nominee: Nicolas Cage (Dream Scenario), Timothee Chalamet (Wonka), Matt Damon (Air), Paul Giamatti (The Holdovers), Joaquin Phoenix (Beau Is Afraid), Jeffrey Wright (American Fiction)

How I Did: 5/6

Phoenix in over Gael Garcia Bernal for Cassandro. Wright has a shot, but this is Giamatti’s category to lose in my view.

Best Supporting Actress

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Jodie Foster (Nyad), Julianne Moore (May December), Rosamund Pike (Saltburn), Da’Vine Joy Randolph (The Holdovers)

How I Did: 5/6

I would’ve picked Brooks as the likely winner until Purple‘s poor performance today. Now I think this acting race, perhaps more than any other, is wide open. I had Taraji P. Henson (The Color Purple) in instead of Pike.

Best Supporting Actor

Nominees: Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Charles Melton (May December), Mark Ruffalo (Poor Things)

How I Did: 5/6

Had Dominic Sessa (The Holdovers) and not Dafoe. Downey Jr. is the probable selection though I wouldn’t discount Gosling or Melton.

Best Screenplay

Nominees: Anatomy of a Fall, Barbie, Killers of the Flower Moon, Oppenheimer, Past Lives, Poor Things

How I Did: 4/6

I did not have Anatomy or Past Lives. Their inclusion is by no means shocking, but I am genuinely surprised The Holdovers did not make the list (neither did American Fiction). This is another race where the voters could go several directions with Barbie perhaps having an ever so slight edge.

Best Cinematic and Box Office Achievement

Nominees: Barbie, Guardians of the Galaxy Vol. 3, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning: Part One, Oppenheimer, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Taylor Swift: The Eras Tour

How I Did: 7/8

This new category can correctly be called the “Barbenheimer” award or the “Let’s Get Taylor Swift To The Ceremony Trophy”. I didn’t have Reckoning and instead had Elemental. Hard to imagine this not going to Barbie.

Best Non-English Motion Picture

Nominees: Anatomy of a Fall, Fallen Leaves, Io Capitano, Past Lives, Society of the Snow, The Zone of Interest

How I Did: 3/6

Here’s where I screwed up. Didn’t have Leaves, Capitano, or Past Lives (which is considered non-English for some reason here). Instead I had Perfect Days, The Taste of Things, and The Teachers’ Lounge. This should come down to Anatomy vs. Zone and I’m currently expecting the former to emerge.

Best Animated Motion Picture

Nominees: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Suzume, Wish

How I Did: 4/6

Suzume and Wish get in over Chicken Run: Dawn of the Nugget and Nimona. Some others were blindsided that Teenage Mutant Ninja Turtles: Mutant Mayhem didn’t make it. Boy vs. Spidey is the showdown.

Best Original Score

Nominees: The Boy and the Heron, Killers of the Flower Moon, Oppenheimer, Poor Things, Spider-Man: Across the Spider-Verse, The Zone of Interest

How I Did: 5/6

Zone makes the derby instead of Nyad. This should be Oppenheimer.

Best Original Song

Nominees: “Addicted to Romance” from She Came to Me, “Dance the Night” from Barbie, “I’m Just Ken” from Barbie, “Peaches” from The Super Mario Bros. Movie, “Road to Freedom” from Rustin, “What Was I Made For?” from Barbie

How I Did: 3/6

Well, I got half and those were the Barbie tracks. “The Fire Inside” from Flamin’ Hot, “Keep It Movin” from The Color Purple, and “A World of Your Own” from Wonka were my picks instead of “Addicted to Romance” (which could mean Bruce Springsteen shows up), “Peaches”, and “Road to Freedom”. I’d say “What Was I Made For?” or “I’m Just Ken” win.

And there you have it. I’ll have final predictions for the Globes up shortly before airtime. Keep an eye on the blog for all things Oscar!

81st Golden Globe Awards Nominations Predictions

Prior to its January 7th airing on CBS and Paramount+, nominations for the 81st Golden Globe Awards are out Monday, December 11th. After years of airing on NBC, the ceremony has found a new home after the controversies of the last few years involving the Hollywood Foreign Press Association.

That’s not the only change with the program. The categories we are used to have expanded from five to six nominees. And a new competition – Cinematic and Box Office Achievement – comes with eight contenders. We could safely coin this the “Barbenheimer” race unless Taylor Swift has something to say about that.

As always, there’s some controversy in the differentiation between Drama and Musical/Comedy placements. Netflix decided to campaign Todd Haynes’s May December in the latter even though Drama seems more appropriate. It could help it get more noms.

Here we go with my picks in each cinematic derby and I’ll give you an alternate with each.

Motion Picture (Drama)

Anatomy of a Fall

Killers of the Flower Moon

Maestro

Oppenheimer

Past Lives

The Zone of Interest

Alternate: Saltburn

Motion Picture (Musical/Comedy)

American Fiction

Barbie

The Color Purple

The Holdovers

May December

Poor Things

Alternate: Air

Film Director

Bradley Cooper, Maestro

Greta Gerwig, Barbie

Yorgos Lanthimos, Poor Things

Christopher Nolan, Oppenheimer

Martin Scorsese, Killers of the Flower Moon

Celine Song, Past Lives

Alternate: Alexander Payne, The Holdovers

Actress (Film Drama)

Annette Bening, Nyad

Lily Gladstone, Killers of the Flower Moon

Sandra Hüller, Anatomy of a Fall

Greta Lee, Past Lives

Carey Mulligan, Maestro

Cailee Spaney, Priscilla

Alternate: Teyana Taylor, A Thousand and One

Actor (Film Drama)

Bradley Cooper, Maestro

Leonardo DiCaprio, Killers of the Flower Moon

Colman Domingo, Rustin

Barry Keoghan, Saltburn

Cillian Murphy, Oppenheimer

Andrew Scott, All of Us Strangers

Alternate: Zac Efron, The Iron Claw

Actress (Musical/Comedy)

Fantasia Barrino, The Color Purple

Abby Ryder Fortson, Are You There God? It’s Me, Margaret

Julia Louis-Dreyfus, You Hurt My Feelings

Natalie Portman, May December

Margot Robbie, Barbie

Emma Stone, Poor Things

Alternate: Jennifer Lawrence, No Hard Feelings

Actor (Musical/Comedy)

Gael Garcia Bernal, Cassandro

Nicolas Cage, Dream Scenario

Timothee Chalamet, Wonka

Matt Damon, Air

Paul Giamatti, The Holdovers

Jeffrey Wright, American Fiction

Alternate: Jamie Foxx, The Burial

Supporting Actress

Emily Blunt, Oppenheimer

Danielle Brooks, The Color Purple

Jodie Foster, Nyad

Taraji P. Henson, The Color Purple

Julianne Moore, May December

Da’Vine Joy Randolph, The Holdovers

Alternate: Rachel McAdams, Are You There God? It’s Me, Margaret

Supporting Actor

Robert De Niro, Killers of the Flower Moon

Robert Downey Jr., Oppenheimer

Ryan Gosling, Barbie

Charles Melton, May December

Mark Ruffalo, Poor Things

Dominic Sessa, The Holdovers

Alternate: Willem Dafoe, Poor Things

Best Screenplay

American Fiction

Barbie

The Holdovers

Killers of the Flower Moon

Oppenheimer

Poor Things

Alternate: May December

Cinematic and Box Office Achievment

Barbie

Elemental

Guardians of the Galaxy Vol. 3

John Wick: Chapter 4

Oppenheimer

Spider-Man: Across the Spider-Verse

The Super Mario Bros. Movie

Taylor Swift: The Eras Tour

Alternate: The Little Mermaid

Motion Picture (Non-English Language)

Anatomy of a Fall

Perfect Days

Society of the Snow

The Taste of Things

The Teachers’ Lounge

The Zone of Interest

Alternate: The Promised Land

Motion Picture (Animated)

The Boy and the Heron

Chicken Run: Dawn of the Nugget

Elemental

Nimona

Spider-Man: Across the Spider-Verse

The Super Mario Bros. Movie

Alternate: Wish

Original Score

The Boy and the Heron

Killers of the Flower Moon

Nyad

Oppenheimer

Poor Things

Spider-Man: Across the Spider-Verse

Alternate: Elemental

Original Song

“Dance the Night” from Barbie

“I’m Just Ken” from Barbie

“What Was I Made For?” from Barbie

“Keep It Movin” from The Color Purple

“The Fire Inside” from Flamin’ Hot

“A World of Your Own” from Wonka

Alternate: “Peaches” from The Super Mario Bros. Movie

That equates to these movies generating these numbers of nominations:

9 Nominations

Barbie

8 Nominations

Oppenheimer

7 Nominations

Killers of the Flower Moon

6 Nominations

Poor Things

5 Nominations

The Color Purple, The Holdovers

4 Nominations

Maestro, May December

3 Nominations

American Fiction, Nyad, Past Lives, Spider-Man: Across the Spider-Verse

2 Nominations

The Boy and the Heron, Elemental, The Super Mario Bros. Movie, Wonka, The Zone of Interest

1 Nomination

Air, All of Us Strangers, Are You There God? It’s Me, Margaret, Cassandro, Chicken Run: Dawn of the Nugget, Dream Scenario, Flamin’ Hot, Guardians of the Galaxy Vol. 3, John Wick: Chapter 4, Nimona, Perfect Days, Priscilla, Rustin, Saltburn, Society of the Snow, The Taste of Things, Taylor Swift: The Eras Tour, The Teachers’ Lounge, You Hurt My Feelings

Oscar Predictions – The Hunger Games: The Ballad of Songbirds & Snakes

The Hunger Games: The Ballad of Songbirds & Snakes is out November 17th with the review embargo having lifted this week. The prequel brings back Francis Lawrence, director of parts II-IV of the massive Jennifer Lawrence franchise. Tom Blyth (as the younger version of Donald Sutherland’s Snow) and Rachel Zegler lead the cast.

The film is nearly certain to have the lowest opening of the five features in the series. It would need to break $100 million not to and it might be fortunate to take in half of that out of the gate. Snakes currently has the lowest Rotten Tomatoes meter in the quintet at 67%, just under the 70% earned by both editions of Mockingjay.

Despite lauded production design and some decent original songs, Oscar voters completely ignored all previous Games. The best and probably only shot that Ballad has is a ballad from Olivia Rodrigo titled “Can’t Catch Me Now”. My guess is the Academy will still show no appetite for Hunger. My Oscar Prediction posts will continue…

The Hunger Games: The Ballad of Songbirds & Snakes Box Office Prediction

Serving as a prequel to the four films that generated nearly $3 billion worldwide, The Hunger Games: The Ballad of Songbirds & Snakes is out November 17th. The dystopian adventure returns Francis Lawrence (who made the second through fourth editions) to the director’s seat. Tom Blyth (as a younger version of Donald Sutherland’s Snow), Rachel Zegler, Peter Dinklage, Hunter Schafer, Josh Andrés Rivera, Jason Schwartzman, and Viola Davis lead the cast.

Arriving eight years after Jennifer Lawrence’s Katniss concluded her boffo business, Snakes is expected to have the lowest start of the Games… by a wide margin. Based on the 2020 novel from Suzanne Collins, this series may not be the phenomenon that it was onscreen from 2012-15. That quartet of titles all made over $100 million during their opening weekends with 2013’s Catching Fire setting the high mark at $158 million.

Early word-of-mouth is pretty decent, but this may earn about half of what 2015’s Mockingjay: Part 2 accomplished out of the gate ($102 million). If you’re setting the over/under at $50 million (which is reasonable), I’d suggest the under (if not by much).

The Hunger Games: The Ballad of Songbirds & Snakes opening weekend prediction: $48.3 million

For my Trolls Band Together prediction, click here:

Trolls Band Together Box Office Prediction

For my Thanksgiving prediction, click here:

Thanksgiving Box Office Prediction

For my Next Goal Wins prediction, click here:

Next Goal Wins Box Office Prediction

July 7-9 Box Office Predictions

After a subpar start, Harrison Ford’s fifth go-round as the iconic fedora clad archaeologist hopes to repeat at #1. The fifth edition of a horror franchise could disrupt that as Insidious: The Red Door swings in. We also have the critically acclaimed raunchy comedy Joy Ride and action pic Sound of Freedom from upstart Angel Studios. You can peruse my detailed prediction posts on the newcomers here:

Insidious: The Red Door Box Office Prediction

Joy Ride Box Office Prediction

Sound of Freedom Box Office Prediction

After a lackluster haul (more on that below), Dr. Jones and company might see a sophomore drop in the low 50s. While the B+ Cinemascore grade exceeds the B that crowds gave predecessor Indiana Jones and the Crystal Skull, it still indicates middling enthusiasm moving forward. My high 20s take does mean a repeat performance atop the charts.

That’s because I have Insidious: The Red Door in the mid 20s. While that’s under the $29 million that The Last Key opened with in 2018, it is still a fine result for the 13-year-old franchise.

The weekend’s wild card is Sound of Freedom. Jim Caviezel’s turn as a vigilante taking on human traffickers is being championed by faith-based and conservative groups. This resulted in a terrific $14 million bounty when it started on July 4th. How it legs out is anyone’s guess and I’m going with a low double digits Friday-Sunday number. That would put it solidly in third.

As for Joy Ride, critics are being kind and the studio is hoping for a Crazy Rich Asians style sleeper hit. The hard R rating could prevent that and my sub $10 million projection puts it in fourth just ahead of animated holdovers Elemental and Spider-Man: Across the Spider-Verse.

And with that, here’s how I foresee the top 6 shaking out:

1. Indiana Jones and the Dial of Destiny

Predicted Gross: $28 million

2. Insidious: The Red Door

Predicted Gross: $25.2 million

3. Sound of Freedom

Predicted Gross: $12.5 million

4. Joy Ride

Predicted Gross: $8.4 million

5. Elemental

Predicted Gross: $8 million

6. Spider-Man: Across the Spider-Verse

Predicted Gross: $7.8 million

Box Office Results (June 30-July 2)

Considering Crystal Skull in 2008 made off with $100 million for its Friday to Sunday portion of a holiday weekend, the $60.3 million for Dial of Destiny is a major letdown for Disney. I wasn’t much more generous at $65.3 million. When it premiered in Cannes over a month ago, its mediocre reaction set the table for a disappointing gross. Perhaps more importantly is that it didn’t play for younger audiences whose reverence for the series isn’t matched by the 40 and up crowd.

Disney/Pixar’s Elemental, after a troubling start, continued to level off nicely in weekend #3. It was second with $12.1 million, in line with my $12.7 million prediction for a three-week $89 million tally.

Spider-Man: Across the Spider-Verse was third with $12 million compared to my $13.5 million estimate. The Sony juggernaut has amassed $340 million.

Jennifer Lawrence’s No Hard Feelings was fourth with $7.8 million (I went higher at $89 million). The ten-day take is $29 million which is fairly decent for a genre that’s struggled in recent times.

Transformers: Rise of the Beasts rounded out the top five with $7.3 million. I incorrectly had it on the outside looking in. The total is $136 million.

Finally, DreamWorks Animation’s Ruby Gillman: Teenage Kraken was a major flop in sixth with only $5.5 million. I was kinder at $7.8 million. With serious kiddie competition, parents opted for leftovers like Elemental and Spidey.

And that does it for now, folks! Until next time…

June 30-July 2 Box Office Predictions

Blogger’s Update (06/29): I have my estimate for Ruby Gillman from to $10.8M to $7.8M, which puts it in fifth instead of fourth.

Harrison Ford hopes to retire his iconic character with boffo box office returns as Indiana Jones and the Dial of Destiny whips into theaters. We also have DreamWorks Animation’s Ruby Gillman, Teenage Kraken seeking success amid serious competition. My detailed prediction posts on the newcomers can be perused here:

Indiana Jones and the Dial of Destiny Box Office Prediction

Ruby Gillman, Teenage Kraken Box Office Prediction

Disney might not have done itself any favors when it screened Destiny last month at the Cannes Film Festival. The critical reaction was rather weak as it sits with 62% on Rotten Tomatoes. The fifth entry in the franchise’s much maligned 2008 predecessor Kingdom of the Crystal Skull managed 77%. I suspect that expectations should be tempered and I have it hitting mid 60s for what would be considered a significantly disappointing beginning.

Slots 2-4 should be quite animated with Spider-Man: Across the Spider-Verse and Elemental losing around 30-35%. That could put both of them ahead of Ruby. The fact that it’s not based on known IP won’t help and neither will the level of competition. I have it barely topping $10 million for a fourth place start.

No Hard Feelings should round out the top five with a 40% range decline in its sophomore frame.

Here’s how I see it shaking out:

1. Indiana Jones and the Dial of Destiny

Predicted Gross: $65.3 million

2. Spider-Man: Across the Spider-Verse

Predicted Gross: $13.4 million

3. Elemental

Predicted Gross: $12.7 million

4. No Hard Feelings

Predicted Gross: $8.9 million

5. Ruby Gillman, Teenage Kraken

Predicted Gross: $7.8 million

Box Office Results (June 23-25)

Thanks to the disastrous performance of The Flash (we’ll get there shortly), Spider-Man: Across the Spider-Verse swung back into 1st place in week #4. The acclaimed animated sequel took in $19 million. I was right on target with $18.9 million and it’s up to a terrific $316 million with $400 million in its sights.

Pixar’s Elemental, after a poor premiere, was on less shaky ground in its follow-up outing. The A Cinemascore grade probably helped as it dropped a commendable 38% at $18.4 million (I went lower with $16.8 million). That’s the smallest Pixar sophomore frame downslide since Up 14 years ago. The total is $65 million in ten days.

The Flash… wow. After a shockingly low $55 million opening, the DCEU debacle plunged 72% and landed in third with only $15.1 million. I was more generous at $17.5 million. The ten-day take is $87 million and it should be out of the top five in only its third go-round. Embarrassing.

Jennifer Lawrence’s raunchy comedy No Hard Feelings debuted in fourth with $15 million, exceeding my call of $11.7 million. For its genre, that’s a pretty solid haul as comedies have struggled in recent years. It should manage to hold up decently in subsequent weekends.

Transformers: Rise of the Beasts rounded out the top five with $11.7 million, rising above my $9.3 million projection. The three-week gross is $123 million.

Wes Anderson’s Asteroid City expanded nationwide and nabbed the highest per theater average on the chart. The star-studded tale made an impressive $9 million and went above my $7.6 million guesstimate. It’s at $10.2 million when factoring its limited release dollars from the previous weekend.

Finally, The Little Mermaid was seventh with $8.5 million (I said $7 million) to bring its earnings to $270 million in five weeks.

And that does it for now, folks! Until next time…

Oscar Predictions: No Hard Feelings

There are times when these Oscar Predictions posts quickly morph into Golden Globe Predictions entries. Such is the case for No Hard Feelings. The raunchy comedy hits theaters this Friday with Jennifer Lawrence starring. Good Boys director Gene Stupnitsky is behind the camera and the supporting cast includes Andrew Barth Feldman, Laura Benanti, Natalie Morales, and Matthew Broderick.

The hard R-rated flick is generating mixed notices with a 61% Rotten Tomatoes score. The Sony Release isn’t meant to be an awards player. However, even the bulk of negative reviews have kind words for Lawrence. In her first theatrical headlining role since 2018’s Red Sparrow, J-Law has been with a fixture at the Globes. She’s a five-time nominee and three of them were for Best Actress in a Musical/Comedy. Two were victories for 2012’s Silver Linings Playbook and 2015’s Joy. She also made the cut for 2021’s Don’t Look Up.

A sixth GG nod is not out of the question, but it will depend on how stacked the race is. That remains to be seen. My Oscar (Globe) Prediction posts will continue…

June 23-25 Box Office Predictions

Following a weekend in which two high profile pictures opened far under what their respective studios hoped for, a pair of comedies debut wide attempting to find an audience. They are Jennifer Lawrence’s raunchy comedy No Hard Feelings and Wes Anderson’s Asteroid City. You can peruse my detailed prediction posts on them here:

No Hard Feelings Box Office Prediction

Asteroid City Box Office Prediction

Feelings marks Lawrence’s first headlining role in theaters since Red Sparrow over five years ago. This isn’t a genre she’s known for and comedies in general struggle to break out these days in multiplexes. It could be lucky to top $10 million and that should put it in fourth position for a soft start.

Asteroid City performed impressively in its limited NY/LA six theater engagement. Branching out to middle America is another ballgame and my estimate puts it in sixth.

As for the #1 spot… well, it gets interesting. Before The Flash premiered, the assumption was it would have two weeks to itself atop the charts. However, the Ezra Miller led DCEU adventure opened way below expectations (more on that below). With a weak B Cinemascore grade, a drop in the mid 60s could occur. If Spider-Man: Across the Spider-Verse sees a small decline in the 30% range, Spidey may return to the top spot over his superhero competitor. I’m guessing that will be the case.

The Flash wasn’t the only bomb as Pixar’s Elemental, for all intents and purposes, had the weakest wide release in the studio’s near 30 year history. It had an A Cinemascore grade so it may only dip in the mid to high 40s for third place.

I have Transformers: Rise of the Beasts falling around 55-60% in its third frame for fifth place with The Little Mermaid right behind Asteroid City in seventh.

Here’s how I see it playing out:

1. Spider-Man: Across the Spider-Verse

Predicted Gross: $18.9 million

2. The Flash

Predicted Gross: $17.5 million

3. Elemental

Predicted Gross: $16.8 million

4. No Hard Feelings

Predicted Gross: $11.7 million

5. Transformers: Rise of the Beasts

Predicted Gross: $9.3 million

6. Asteroid City

Predicted Gross: $7.6 million

7. The Little Mermaid

Predicted Gross: $7 million

Box Office Results (June 16-18)

You can read a whole slew of think pieces as to why The Flash failed so badly in its debut. I had it making $83.2 million. It… um… didn’t. The DCEU title earned an unthinkable $55 million marking a sizable disappointment for Warner Bros. Here’s a figure I can’t stop thinking about. Twelve summers ago, notorious dud Green Lantern rolled out with $53 million. Adjusted for inflation, that’s better than The Flash. Ouch.

If it weren’t for the paragraph above, there would likely be more think pieces about Elemental not connecting with audiences. The Pixar animated feature was second with just $29.6 million. I was on target with a $30.6 million prediction. On the heels of Lightyear flopping last summer, this is two under performers in a row for the Disney property.

Spider-Man: Across the Spider-Verse was third with $27 million, in range with my $27.6 million call. The three-week tally is $279 million and, per above, I see it leaping to first yet again.

Transformers: Rise of the Beasts tumbled 66% in weekend #2 with $20.6 million (I said $21.8 million). The ten-day take is $101 million.

The Little Mermaid rounded out the top five with $11 million, falling below my $13.8 million forecast. The Disney live-action remake has made $253 million thus far in its four weeks.

Finally, horror spoof The Blackening couldn’t translate positive reviews to brisk business. It was sixth with $6 million compared to my $7.7 million projection.

And that does it for now, folks! Until next time…

No Hard Feelings Box Office Prediction

Jennifer Lawrence enters new genre territory with No Hard Feelings on June 23rd. The raunchy comedy casts the Oscar winner as a down on her luck Uber driver hired to teach a 19-year-old (Andrew Barth Feldman) the birds and bees. Gene Stupnitsky, who made the 2019 sleeper hit Good Boys, directs. Costars include Matthew Broderick, Laura Benanti, Natalie Morales, Scott MacArthur, and Ebon Moss-Bachrach.

It’s been a minute since Lawrence has graced the big screen. She was in the supporting cast as Mystique for Dark Phoenix four years ago, but you have to go back five years to Red Sparrow since her last headlining multiplex appearance. Her last two features (Don’t Look Up, Causeway) went the streaming route. Audiences are accustomed to seeing her in action flicks and dramas so this is certainly a test.

As I’ve mentioned a lot over the past few years, it’s a challenge for original comedies to break out. Plenty of viewers may simply wait until it’s ready for home consumption. If this had come out at the height of Lawrence’s bankability, I might be offering a different outlook.

Sony Pictures won’t like this comp, but Rough Night with Scarlett Johansson was another example of a popular actress branching out to this type of movie. Debuting in June six years ago, the result was a soft $8 million start. I’ll say this gets over that figure, but not by too much.

No Hard Feelings opening weekend prediction: $11.7 million

For my Asteroid City prediction, click here:

Asteroid City Box Office Prediction

Best Picture 2021: The Final Five

We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.

As for the other nine, let’s take a deeper dive:

Belfast

Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.