Tag: Jenna Ortega

October 23-25 Box Office Predictions

**Blogger’s Update (10/21): I didn’t do an individual post for Wicker with Olivia Colman, but with the news that it is debuting on over 1400 screens, my $4.9 million puts it in fifth place on my chart.

Clayface from the DC Universe was, until very recently, expected to easily rule the box office charts this weekend. That may be challenged from a previously unanticipated source. We also have Laika Animation’s critically acclaimed Wildwood and Taika Waititi’s far from acclaimed sci-fi dramedy Klara and the Sun starring Jenna Ortega premiering. You can peruse my detailed prediction posts on the newcomers here:

Clayface Box Office Prediction
Wildwood Box Office Prediction
Klara and the Sun Box Office Prediction

Clayface could gross high teens for a floor to possibly mid to high 20s in the best case scenario. My estimate puts it right in the middle of the range in the low 20s. That’s far from impressive but not too shabby considering its reported $40 million budget.

As mentioned, that figure was thought to be enough to give it bragging rights at #1. Then You Can See Everything happened. Nathan Fielder and Lance Oppenheim’s documentary about imprisoned Theranos founder Elizabeth Holmes exceeded all expectations with a sizzling #2 debut on 855 screens (more on its opening below). It is slated to grow to around 2600 venues this weekend. I think the word-of-mouth could mean a low to mid 20s output in its sophomore frame. That means I’m giving it the edge for the top spot.

Wildwood, despite glowing reviews, may fall under $10 million for a fourth place start. As for Klara, my meager $2.3 million guesstimate might mean it struggles to even make the top 10.

Current champ Street Fighter should be third with a low 60s percentage fall while holdovers Sense and Sensibility, Whalefall, and Other Mommy all post similar grosses.

Here’s how I see it all shaking out:

1. You Can See Everything

Predicted Gross: $23.8 million

2. Clayface

Predicted Gross: $22 million

3. Street Fighter

Predicted Gross: $11.6 million

4. Wildwood

Predicted Gross: $7.2 million

5. Wicker

Predicted Gross: $4.9 million

6. Sense and Sensibility

Predicted Gross: $4.2 million

7. Other Mommy

Predicted Gross: $3.9 million

8. Whalefall

Predicted Gross: $3.7 million

Box Office Results (October 16-18)

Video game based Street Fighter kicked off in line with expectations at $30.7 million for first, managing to outdo my $24.5 million take. I look for it to fade quickly.

A24 nailed down the second highest non-concert documentary opening in history behind 2004’s Fahrenheit 9/11 with You Can See Everything. With over $18k per screen, the doc (which no one knew existed until it surprise screened at Telluride) was runner-up with $15.6 million. That’s well beyond my $8.9 million prediction as its future looks rosy.

Other Mommy dropped to third with $8.2 million (a 70% plummet) compared to my $9.1 million call. The horror flick with Jessica Chastain sits at $44 million after two weeks.

Survival tale Whalefall flopped in fourth with $7.8 million, in line with my $8.2 million projection. Mixed reviews helped sink it.

Sense and Sensibility rounded out the top five with a respectable $7.2 million, ahead of my $5.3 million forecast. The latest Jane Austen adaptation may hold up fairly in subsequent weekends.

Finally, Verity was sixth with $6 million (I said $5.9 million) as the romantic thriller brought its three-week tally to $65 million.

And that does it for now, folks! Until next time…

Klara and the Sun Box Office Prediction

Taika Waititi’s latest dramedy is Klara and the Sun and it’s out October 23rd. Based on the Kazuo Ishiguro 2021 novel, Jenna Ortega stars in the sci-fi tale with Amy Adams, Mia Tharia, Aran Murphy, Steve Buscemi, and Natasha Lyonne providing support.

After its premiere at the London Film Festival, negative word-of-mouth start peeking out. Sun now sports a 25% Rotten Tomatoes score with 27 on Metacritic. This will struggle mightily to find an audience. There is little hope this will approach the $33 million domestic gross that greeted the filmmaker’s awards player Jojo Rabbit in 2019.

My forecast puts this in line with Waititi’s 2023 predecessor Next Goal Wins. The soccer tale also whiffed with critics and underperformed with a mere $2.5 million in its opening. I don’t see a compelling argument for Sun eclipsing it.

Klara and the Sun opening weekend prediction: $2.3 million

For my Clayface prediction, click here:

Clayface Box Office Prediction

For my Wildwood prediction, click here:

Wildwood Box Office Prediction

Oscar Predictions: Klara and the Sun

It’s been seven years since Taika Waititi’s Jojo Rabbit was an Academy favorite with an Adapted Screenplay win for the filmmaker and five other noms including Best Picture. His follow-ups have been Thor: Love and Thunder (one of the MCU’s lower rated entries) and soccer flick Next Goal Wins which was met with a shrug.

Klara and the Sun, based on Kazuo Ishiguro’s 2021 novel, is his latest. The futuristic sci-fi dramedy stars Jenna Ortega with a supporting cast including Amy Adams, Mia Tharia, Aran Murphy, Steve Buscemi, and Natasha Lyonne. It premiered at the London Film Festival with stateside distribution set for October 23rd.

Critics are taking a dim look at Sun. Rotten Tomatoes is at 27% with Metacritic even worse at 25. Judging from some reviews, this could end up on Worst of 2026 lists. Some write-ups are sparing Ortega from the incoming, but this will not be contending at any awards shows other than perhaps the Razzies. My Oscar Prediction posts will continue…

Scream 7 Box Office Prediction

Scream 7 looks to set record high franchise noise when it debuts February 27th. Nearly 30 years into the series, Kevin Williamson (who penned the 1st, 2nd, and 4th editions) directs and cowrites. This is only his second behind the camera feature after 1999’s Teaching Mrs. Tingle. Jenna Ortega and Melissa Barrera, the headliners of parts V-VI, are MIA. However, Neve Campbell is back in action after missing the predecessor along with returnees Jasmin Savoy Brown, Mason Gooding, David Arquette, Matthew Lillard, Courtney Cox, and Roger L. Jackson (voicing Ghostface). Newcomers to the fold include Isabel May, Anna Camp, Michelle Randolph, Jimmy Tatro, Mckenna Grace, Asa Germann, Celeste O’Connor, Sam Rechner, Tim Simons, and Joel McHale.

After a decade in dormancy, the franchise was brought back with solid numbers in 2022. The fifth pic (simply titled Scream) took in just over $30 million opening weekend with an eventual $81 million domestic haul. Yet those premiere grosses fell short of 2 and 3 and the overall gross fell short of the first three flicks. Scream VI in 2023 (not adjusted for inflation) set series bests at a $44 million start and $108 million stateside.

With little competition at multiplexes and recent overperformances for the genre, I am leaning toward 7 being lucky. I suspect this might achieve another record number out of the gate.

Scream 7 opening weekend prediction: $47.6 million

Death of a Unicorn Review

Alex Scharfman’s Death of a Unicorn is the latest in a lengthy list of eat the rich pics over the past few years. This one is mixed with some centuries old European folklore pertaining to the title characters and Jenna Ortega bringing her mopey teen attitude inside its mansion walls. The auto accident that kicks off the multi-genre exercise should ensure more B-movie scares and humor. It’s curiously low on both and dodgy CGI doesn’t help. While not a complete wreck, it’s damaged goods.

Elliot (Paul Rudd) is a widowed attorney en route to the sprawling estate (doubling as a nature preserve) of his pharmaceutical empire boss Odell Leopold (Richard E. Grant). Daughter Ridley (Ortega) is reluctantly along for the ride when they smash into a creature that sure seems like the mythical beast of legend. When Ridley touches the wounded creature’s horn, a connection is made before Dad tire irons the animal.

At the Leopolds, Elliot at first tries to conceal the roadkill in his hatchback and get down to business with Odell, wife Belinda (Téa Leoni), and clueless and hobby hopping son Shepard (a game Will Poulter). Yet the roadkill might not be actually killed and its elders lurk on the property grounds. Meanwhile Ridley googles the history of unicorn mythos and it indicates a violent near future. The Leopolds plot a way to increase their wealth despite the dangerous situation.

When the horn piercing bloodletting finally commences, Unicorn hadn’t yet added compelling ingredients to its menu of top 1% satire combined with a familiar daddy-daughter healing subplot. I was hoping the righteous kills from the otherworldly beings would bring the gory and guilty pleasures. Subpar visual effects tame those aspects. That leaves us with occasional laughs courtesy of Poulter and Anthony Carrigan’s unappreciated family butler. The overall results are served up in middling fashion.

** (out of four)

May 16-18 Box Office Predictions

Blogger’s Update (05/14): Two days before its premiere, I am doing a significant upgrade on Final Destinaition from $35.2 million to $44.2 million

Final Destination Bloodlines looks to inject some life into multiplexes with the franchise returning after 14 dormant years. We also have music superstar Abel Tesfaye (better known as The Weeknd) headlining the musical thriller Hurry Up Tomorrow. My detailed prediction posts on the newcomers can be accessed here:

Final Destination Bloodlines Box Office Prediction
Hurry Up Tomorrow Box Office Prediction

Bloodlines should be another winner for Warner Bros after the massive success of A Minecraft Movie and Sinners (the studio might account for 60 percent of the high 5 this weekend). I have the sixth entry in the series achieving the strongest start yet in the mid 30s.

As for Hurry Up Tomorrow (which also costars Jenna Ortega and Barry Keoghan), it’s tricky to figure how many of The Weeknd’s fans will turn out this week(e)nd. Buzz seems quiet and it could fall anywhere between fourth and sixth place.

The New Avengers (recently known as Thunderbolts*) should drop to the runner-up slot after two weeks on top. The MCU adventure may see a dip in the low to mid 40s. Sinners looks to place third while Minecraft and The Accountant 2 could duke it out for 4th (depending on where Tomorrow falls).

Here’s how I see the top 6 shaking out:

1. Final Destination Bloodlines

Predicted Gross: $42.2 million

2. The New Avengers

Predicted Gross: $18.1 million

3. Sinners

Predicted Gross: $15.9 million

4. A Minecraft Movie

Predicted Gross: $5.2 million

5. The Accountant 2

Predicted Gross: $4.6 million

6. Hurry Up Tomorrow

Predicted Gross: $4.5 million

Box Office Results (May 9-11)

The New Avengers had a rather typical MCU slide at 56% with $32.3 million in its second outing. That’s on pace with my $33.8 million call. The decline is a bit more than Shang-Chi and the Legend of the Ten Rings with 54% but not as steep as the 62% that befell Eternals.

Sinners held firm in second with $22.1 million, a tad shy of my $24 million prediction. Ryan Coogler’s latest has bitten off $215 million after four weeks.

A Minecraft Movie was third with $7.6 million (I said $8.9 million) as the blockbuster stands at a mighty $408 million in its six weeks of play.

The Accountant 2 held better than I assumed in weekend #3 with $6.7 million compared to my $4.6 million estimate. Ben Affleck’s sequel is up to $51 million.

Finally, I didn’t do a projection for micro-budgeted slasher flick Clown in a Cornfield. Yet it managed to be fifth with $3.6 million on over 2000 screens.

And that does it for now, folks! Until next time…

Hurry Up Tomorrow Box Office Prediction

Lionsgate hopes that fans of The Weeknd turn out next weekend when Hurry Up Tomorrow drops May 16th. A companion piece to the singer’s sixth studio album released in late January, It Comes at Night and Waves director is behind the camera and co-wrote the screenplay with Abel Tesfaye (best known by the aforementioned stage name). Jenna Ortega and Barry Keoghan join the performer in the cast.

The musical thriller is unlikely to be The Weeknd’s Purple Rain though figuring how much of his fanbase will turn out is tricky. With a reported production budget of $20 million, it’ll hope to at least get to higher single digits at the start. I suspect many will save their money and watch on streaming.

Hurry Up Tomorrow opening weeknd (*) prediction: $4.5 million

For my Final Destination Bloodlines prediction, click here:

Final Destination Bloodlines Box Office Prediction

April 4-6 Box Office Predictions

Blogger’s Update (04/03): On the eve of its premiere, a very significant update as Minecraft tracking is going through the roof. I’m upping my projection from $57.5 million to a whopping $92.5 million (!)

A Minecraft Movie starring Jason Momoa and Jack Black looks to dominate the charts while The Chosen: Last Supper – Part 2 hopes to capture a hefty portion of the audience that witnessed Part 1 this past weekend. You can peruse my detailed prediction posts on the newcomers here:

A Minecraft Movie Box Office Prediction
The Chosen: Last Supper – Part 2 Box Office Prediction

Minecraft, based on the best selling video game of all time, should outgross the rest of the top five combined. However, that’s with a caveat. My mid to high 50s estimate isn’t exactly a robust number for this IP and would be considered a slight disappointment.

The rest of the top 5 is a little tricky. The Chosen: Last Supper – Part 2 encompasses episodes 3-5 of the popular faith-based TV show. Part 1 easily outpaced expectations (more on that below). The follow-up shows should see diminishing returns, but it could still be good enough for second or third place. According to the info I’ve seen, Part 1 should still be in multiplexes and it might remain in the top five.

As for holdovers, Jason Statham’s A Working Man clocked a surprising #1 start and it may lose around half its audience while Disney’s dud Snow White may lose slightly more.

Here’s how I have the chart playing out:

1. A Minecraft Movie

Predicted Gross: $92.5 million

2. A Working Man

Predicted Gross: $8 million

3. The Chosen: Last Supper – Part 2

Predicted Gross: $7.8 million

4. Snow White

Predicted Gross: $6.7 million

5. The Chosen: Last Supper – Part 1

Predicted Gross: $5.2 million

Box Office Results (March 28-30)

In an upset, A Working Man capitalized on the ho-hum Snow White reception and was first with $15.5 million. The action thriller rose above my $13.9 million prediction and is another decent hit for Mr. Statham.

Disney’s Snow White live-action retelling tumbled 66% to $14.3 million, below my $16.4 million projection. The ten-day take is $66 million as it tries to reach $100 million domestically.

The Chosen: Last Supper – Part 1, as mentioned, easily rose above forecasts in third with $11.7 million. That soars past my $6.4 million call and is quite a heavenly result for the Fathom Events distributed property.

Horror flick The Woman in the Yard with Danielle Deadwyler debuted in fourth with $9.3 million, surpassing my $6.7 million estimate. With a C- Cinemascore, the sophomore drop should be substantial. Lucky for it, the budget is reportedly a meager $12 million.

The biggest disappointment of the week besides Snow‘s fall was Death of a Unicorn. In fifth place, the horror comedy with Paul Rudd and Jenna Ortega took in just $5.7 million compared to my $8.8 million prediction.

And that does it for now, folks! Until next time…

March 28-30 Box Office Predictions

A quartet of newcomers hope to populate spots 2-5 this weekend with Snow White looking to cling to first place after a muted debut. We have the Jason Statham action pic A Working Man, Paul Rudd and Jenna Ortega in the horror comedy Death of a Unicorn, more serious scary movie The Woman in the Yard with Danielle Deadwyler, and the first two episodes of the popular faith-based program The Chosen: Last Supper – Part 1. You can peruse my detailed prediction posts on the newcomers here:

A Working Man Box Office Prediction
Death of a Unicorn Box Office Prediction
The Woman in the Yard Box Office Prediction
The Chosen: Last Supper – Part 1 Box Office Prediction

Snow White had the lowest modern-day premiere for any of the Mouse House live-action adaptations (more on that below). To add insult to injury, its B+ Cinemascore grade is also the worst of the sub genre. The similarly performing Dumbo from 2019 plummeted 60% in its sophomore frame. I would expect a similar result for Snow White and that should mean a mid-teens gross.

That might keep it in first place as I have A Working Man in the low teens for a runner-up showing (it has an outside shot of being #1). I am placing Unicorn just below $10 million with Yard and Chosen both in the mid single digits. Considering the sad state of affairs at multiplexes financially, that should mean 80% of the high 5 is fresh product.

Here’s how I see it playing out:

1. Snow White

Predicted Gross: $16.4 million

2. A Working Man

Predicted Gross: $13.9 million

3. Death of a Unicorn

Predicted Gross: $8.8 million

4. The Woman in the Yard

Predicted Gross: $6.7 million

5. The Chosen: Last Supper – Part 1

Predicted Gross: $6.4 million

Box Office Results (March 21-23)

Pick your cliched headline – it was a sleepy opening… it was a ho-hum debut…

They apply to Snow White which, as mentioned, experienced the weakest unveiling of any Disney live-action rendering at $42.2 million. That’s below my $49.6 million take and it’s a pretty impossible spin job for its studio to attempt. Some articles have correctly pointed out that Mufasa: The Lion King premiered to lower numbers but legged out nicely. The difference is that Mufasa rolled out over the holidays where drop-offs are insignificant. I don’t expect that to be the case here.

As I suspected, slots 2-6 were separated by just over a million bucks. That made it tricky to know where the pics would land. Black Bag stayed in second place with $4.2 million, on target with my $4 million prediction. Steven Soderbergh’s spy tale sits at $14 million after ten days.

Captain America: Brave New World was third with $4 million, in line with my $4.1 million call. The MCU entry is nearing $200 million with $192 million in the bank after six weeks.

Novocaine slid from 1st to 4th with $3.6 million, a tad below my $4.1 million projection. The two-week take is $15 million.

Mickey 17 rounded out the top five with $3.6 million. My estimate? $3.6 million! The three-week earnings are an underwhelming $40 million.

Finally, critically panned Robert De Niro (and Robert De Niro) Mob saga The Alto Knights was flat in sixth with $3.1 million (I said $3.7 million).

And that does it for now, folks! Until next time…

Death of a Unicorn Box Office Prediction

After being unveiled at South by Southwest earlier this month, A24’s Death of a Unicorn gallops into theaters March 28th. The latest chapter in the eat the rich comedy horror genre comes from writer/director Alex Scharfman with Paul Rudd and Jenna Ortega headlining. Costars include Will Poulter, Téa Leoni, and Richard E. Grant.

Critical reaction is mixed with 63% on Rotten Tomatoes and a 56 Metacritic. Better reviews could’ve bolstered the buzz. A debut in the neighborhood of Abigail ($10.2 million) is certainly feasible. There is competition from The Woman in the Yard (a more serious scary offering) that could keep genre fans away. I’ll say Unicorn falls under $10 million unless Ortega’s Wednesday fans turn out in larger force than I’m anticipating.

Death of a Unicorn opening weekend prediction: $8.8 million

For my A Working Man prediction, click here:

A Working Man Box Office Prediction

For my The Woman in the Yard prediction, click here:

The Woman in the Yard Box Office Prediction

For my The Chosen: Last Supper – Part 1 prediction, click here:

The Chosen: Last Supper – Part 1 Box Office Prediction