Death of a Unicorn Review

Alex Scharfman’s Death of a Unicorn is the latest in a lengthy list of eat the rich pics over the past few years. This one is mixed with some centuries old European folklore pertaining to the title characters and Jenna Ortega bringing her mopey teen attitude inside its mansion walls. The auto accident that kicks off the multi-genre exercise should ensure more B-movie scares and humor. It’s curiously low on both and dodgy CGI doesn’t help. While not a complete wreck, it’s damaged goods.

Elliot (Paul Rudd) is a widowed attorney en route to the sprawling estate (doubling as a nature preserve) of his pharmaceutical empire boss Odell Leopold (Richard E. Grant). Daughter Ridley (Ortega) is reluctantly along for the ride when they smash into a creature that sure seems like the mythical beast of legend. When Ridley touches the wounded creature’s horn, a connection is made before Dad tire irons the animal.

At the Leopolds, Elliot at first tries to conceal the roadkill in his hatchback and get down to business with Odell, wife Belinda (Téa Leoni), and clueless and hobby hopping son Shepard (a game Will Poulter). Yet the roadkill might not be actually killed and its elders lurk on the property grounds. Meanwhile Ridley googles the history of unicorn mythos and it indicates a violent near future. The Leopolds plot a way to increase their wealth despite the dangerous situation.

When the horn piercing bloodletting finally commences, Unicorn hadn’t yet added compelling ingredients to its menu of top 1% satire combined with a familiar daddy-daughter healing subplot. I was hoping the righteous kills from the otherworldly beings would bring the gory and guilty pleasures. Subpar visual effects tame those aspects. That leaves us with occasional laughs courtesy of Poulter and Anthony Carrigan’s unappreciated family butler. The overall results are served up in middling fashion.

** (out of four)

May 16-18 Box Office Predictions

Blogger’s Update (05/14): Two days before its premiere, I am doing a significant upgrade on Final Destinaition from $35.2 million to $44.2 million

Final Destination Bloodlines looks to inject some life into multiplexes with the franchise returning after 14 dormant years. We also have music superstar Abel Tesfaye (better known as The Weeknd) headlining the musical thriller Hurry Up Tomorrow. My detailed prediction posts on the newcomers can be accessed here:

Bloodlines should be another winner for Warner Bros after the massive success of A Minecraft Movie and Sinners (the studio might account for 60 percent of the high 5 this weekend). I have the sixth entry in the series achieving the strongest start yet in the mid 30s.

As for Hurry Up Tomorrow (which also costars Jenna Ortega and Barry Keoghan), it’s tricky to figure how many of The Weeknd’s fans will turn out this week(e)nd. Buzz seems quiet and it could fall anywhere between fourth and sixth place.

The New Avengers (recently known as Thunderbolts*) should drop to the runner-up slot after two weeks on top. The MCU adventure may see a dip in the low to mid 40s. Sinners looks to place third while Minecraft and The Accountant 2 could duke it out for 4th (depending on where Tomorrow falls).

Here’s how I see the top 6 shaking out:

1. Final Destination Bloodlines

Predicted Gross: $42.2 million

2. The New Avengers

Predicted Gross: $18.1 million

3. Sinners

Predicted Gross: $15.9 million

4. A Minecraft Movie

Predicted Gross: $5.2 million

5. The Accountant 2

Predicted Gross: $4.6 million

6. Hurry Up Tomorrow

Predicted Gross: $4.5 million

Box Office Results (May 9-11)

The New Avengers had a rather typical MCU slide at 56% with $32.3 million in its second outing. That’s on pace with my $33.8 million call. The decline is a bit more than Shang-Chi and the Legend of the Ten Rings with 54% but not as steep as the 62% that befell Eternals.

Sinners held firm in second with $22.1 million, a tad shy of my $24 million prediction. Ryan Coogler’s latest has bitten off $215 million after four weeks.

A Minecraft Movie was third with $7.6 million (I said $8.9 million) as the blockbuster stands at a mighty $408 million in its six weeks of play.

The Accountant 2 held better than I assumed in weekend #3 with $6.7 million compared to my $4.6 million estimate. Ben Affleck’s sequel is up to $51 million.

Finally, I didn’t do a projection for micro-budgeted slasher flick Clown in a Cornfield. Yet it managed to be fifth with $3.6 million on over 2000 screens.

And that does it for now, folks! Until next time…

Hurry Up Tomorrow Box Office Prediction

Lionsgate hopes that fans of The Weeknd turn out next weekend when Hurry Up Tomorrow drops May 16th. A companion piece to the singer’s sixth studio album released in late January, It Comes at Night and Waves director is behind the camera and co-wrote the screenplay with Abel Tesfaye (best known by the aforementioned stage name). Jenna Ortega and Barry Keoghan join the performer in the cast.

The musical thriller is unlikely to be The Weeknd’s Purple Rain though figuring how much of his fanbase will turn out is tricky. With a reported production budget of $20 million, it’ll hope to at least get to higher single digits at the start. I suspect many will save their money and watch on streaming.

Hurry Up Tomorrow opening weeknd (*) prediction: $4.5 million

For my Final Destination Bloodlines prediction, click here:

April 4-6 Box Office Predictions

Blogger’s Update (04/03): On the eve of its premiere, a very significant update as Minecraft tracking is going through the roof. I’m upping my projection from $57.5 million to a whopping $92.5 million (!)

A Minecraft Movie starring Jason Momoa and Jack Black looks to dominate the charts while The Chosen: Last Supper – Part 2 hopes to capture a hefty portion of the audience that witnessed Part 1 this past weekend. You can peruse my detailed prediction posts on the newcomers here:

Minecraft, based on the best selling video game of all time, should outgross the rest of the top five combined. However, that’s with a caveat. My mid to high 50s estimate isn’t exactly a robust number for this IP and would be considered a slight disappointment.

The rest of the top 5 is a little tricky. The Chosen: Last Supper – Part 2 encompasses episodes 3-5 of the popular faith-based TV show. Part 1 easily outpaced expectations (more on that below). The follow-up shows should see diminishing returns, but it could still be good enough for second or third place. According to the info I’ve seen, Part 1 should still be in multiplexes and it might remain in the top five.

As for holdovers, Jason Statham’s A Working Man clocked a surprising #1 start and it may lose around half its audience while Disney’s dud Snow White may lose slightly more.

Here’s how I have the chart playing out:

1. A Minecraft Movie

Predicted Gross: $92.5 million

2. A Working Man

Predicted Gross: $8 million

3. The Chosen: Last Supper – Part 2

Predicted Gross: $7.8 million

4. Snow White

Predicted Gross: $6.7 million

5. The Chosen: Last Supper – Part 1

Predicted Gross: $5.2 million

Box Office Results (March 28-30)

In an upset, A Working Man capitalized on the ho-hum Snow White reception and was first with $15.5 million. The action thriller rose above my $13.9 million prediction and is another decent hit for Mr. Statham.

Disney’s Snow White live-action retelling tumbled 66% to $14.3 million, below my $16.4 million projection. The ten-day take is $66 million as it tries to reach $100 million domestically.

The Chosen: Last Supper – Part 1, as mentioned, easily rose above forecasts in third with $11.7 million. That soars past my $6.4 million call and is quite a heavenly result for the Fathom Events distributed property.

Horror flick The Woman in the Yard with Danielle Deadwyler debuted in fourth with $9.3 million, surpassing my $6.7 million estimate. With a C- Cinemascore, the sophomore drop should be substantial. Lucky for it, the budget is reportedly a meager $12 million.

The biggest disappointment of the week besides Snow‘s fall was Death of a Unicorn. In fifth place, the horror comedy with Paul Rudd and Jenna Ortega took in just $5.7 million compared to my $8.8 million prediction.

And that does it for now, folks! Until next time…

March 28-30 Box Office Predictions

A quartet of newcomers hope to populate spots 2-5 this weekend with Snow White looking to cling to first place after a muted debut. We have the Jason Statham action pic A Working Man, Paul Rudd and Jenna Ortega in the horror comedy Death of a Unicorn, more serious scary movie The Woman in the Yard with Danielle Deadwyler, and the first two episodes of the popular faith-based program The Chosen: Last Supper – Part 1. You can peruse my detailed prediction posts on the newcomers here:

Snow White had the lowest modern-day premiere for any of the Mouse House live-action adaptations (more on that below). To add insult to injury, its B+ Cinemascore grade is also the worst of the sub genre. The similarly performing Dumbo from 2019 plummeted 60% in its sophomore frame. I would expect a similar result for Snow White and that should mean a mid-teens gross.

That might keep it in first place as I have A Working Man in the low teens for a runner-up showing (it has an outside shot of being #1). I am placing Unicorn just below $10 million with Yard and Chosen both in the mid single digits. Considering the sad state of affairs at multiplexes financially, that should mean 80% of the high 5 is fresh product.

Here’s how I see it playing out:

1. Snow White

Predicted Gross: $16.4 million

2. A Working Man

Predicted Gross: $13.9 million

3. Death of a Unicorn

Predicted Gross: $8.8 million

4. The Woman in the Yard

Predicted Gross: $6.7 million

5. The Chosen: Last Supper – Part 1

Predicted Gross: $6.4 million

Box Office Results (March 21-23)

Pick your cliched headline – it was a sleepy opening… it was a ho-hum debut…

They apply to Snow White which, as mentioned, experienced the weakest unveiling of any Disney live-action rendering at $42.2 million. That’s below my $49.6 million take and it’s a pretty impossible spin job for its studio to attempt. Some articles have correctly pointed out that Mufasa: The Lion King premiered to lower numbers but legged out nicely. The difference is that Mufasa rolled out over the holidays where drop-offs are insignificant. I don’t expect that to be the case here.

As I suspected, slots 2-6 were separated by just over a million bucks. That made it tricky to know where the pics would land. Black Bag stayed in second place with $4.2 million, on target with my $4 million prediction. Steven Soderbergh’s spy tale sits at $14 million after ten days.

Captain America: Brave New World was third with $4 million, in line with my $4.1 million call. The MCU entry is nearing $200 million with $192 million in the bank after six weeks.

Novocaine slid from 1st to 4th with $3.6 million, a tad below my $4.1 million projection. The two-week take is $15 million.

Mickey 17 rounded out the top five with $3.6 million. My estimate? $3.6 million! The three-week earnings are an underwhelming $40 million.

Finally, critically panned Robert De Niro (and Robert De Niro) Mob saga The Alto Knights was flat in sixth with $3.1 million (I said $3.7 million).

And that does it for now, folks! Until next time…

Death of a Unicorn Box Office Prediction

After being unveiled at South by Southwest earlier this month, A24’s Death of a Unicorn gallops into theaters March 28th. The latest chapter in the eat the rich comedy horror genre comes from writer/director Alex Scharfman with Paul Rudd and Jenna Ortega headlining. Costars include Will Poulter, Téa Leoni, and Richard E. Grant.

Critical reaction is mixed with 63% on Rotten Tomatoes and a 56 Metacritic. Better reviews could’ve bolstered the buzz. A debut in the neighborhood of Abigail ($10.2 million) is certainly feasible. There is competition from The Woman in the Yard (a more serious scary offering) that could keep genre fans away. I’ll say Unicorn falls under $10 million unless Ortega’s Wednesday fans turn out in larger force than I’m anticipating.

Death of a Unicorn opening weekend prediction: $8.8 million

For my A Working Man prediction, click here:

For my The Woman in the Yard prediction, click here:

For my The Chosen: Last Supper – Part 1 prediction, click here:

Oscar Predictions: Death of a Unicorn

A24’s Death of a Unicorn has screened at South by Southwest prior to its March 28th theatrical premiere. The horror comedy from Alex Scharfman stars Paul Rudd and Jenna Ortega as a father-daughter who accidentally cause the title of the film to occur. This displeases another unicorn. The supporting cast includes Will Poulter, Téa Leoni, Richard E. Grant, and Anthony Carrigan.

Early reviews are complimentary mixed with so-so notices. The Rotten Tomatoes score is 70% with Metacritic at 60. Unicorn represents the latest feature in a growing eat the rich sub genre that includes Triangle of Sadness, The Menu, Glass Onion: A Knives Out Mystery, and Saltburn. Some of those titles received awards attention. Don’t expect Death to. My Oscar Prediction posts will continue…

Beetlejuice Beetlejuice Box Office Prediction

Over three and a half decades after the original made a killing at the box office, Beetlejuice Beetlejuice appears in theaters on September 6th. Tim Burton returns to direct the macabre comedy with Michael Keaton reprising his title role as the demented bio-exorcist. Winona Ryder and Catherine O’Hara are back as Lydia and Delia Deetz with Jenna Ortega (hot off Netflix’s Wednesday from exec producer Burton) joining as third gen Deetz. Other newcomers to the franchise are Justin Theroux, Monica Bellucci, and Willem Dafoe.

The long-in-development sequel received a high-profile slot kicking off the Venice Film Festival this week. Reviews are mostly fresh with many critics saying it’s a return to form for its filmmaker. In 1988, Beetlejuice grossed $74 million domestically and was the 10th highest earner of the year. Since then, its reputation has grown as a classic genre mixup of humor and genial horror.

This should succeed in bringing in 36 years worth of fans and it doesn’t hurt that Ortega is present. Tracking continues to tick up from $65-75 million as it’s now expected to rise above well above that and maybe even in nine figures. The domestic September opening weekend records are held by 2017’s It ($123 million) and its 2019 sequel It Chapter Two with $91 million. Third place belongs to the MCU’s Shang-Chi and the Legend of the Ten Rings at $75 million.

Beetlejuice Beetlejuice should face no trouble achieving second place and it could absolutely come in first. The momentum appears real and I’ll say it gets beyond the century mark.

Beetlejuice Beetlejuice opening weekend prediction: $115.7 million

Oscar Predictions: Beetlejuice Beetlejuice

It was surprising when the Venice organizers announced that Beetlejuice Beetlejuice (out September 6th) would open their film festival which kicked off today. The long-in-development sequel (as in 36 years) brings Tim Burton back in the director’s chair with Michael Keaton reprising his iconic role as the ghost with the most. Winona Ryder and Catherine O’Hara return with Jenna Ortega (who stars in Netflix’s Wednesday from Burton), Justin Theroux, Monica Bellucci, and Willem Dafoe entering the macabre universe.

Projections have Beetlejuice squared circling big numbers at the box office. The Italian premiere announcement has prognosticators pondering the awards viability. The 1988 original earned a sole Oscar nod and it won Best Makeup (before it was Makeup and Hairstyling), beating out a worthy competitor in Coming to America.

Most of the reviews for the follow-up are in the plus column with 21 out of the current 27 sporting red on Rotten Tomatoes. Many are saying it’s a welcome return to form for Burton. It could certainly land another Makeup mention though defeating Dune: Part Two won’t be an easy chore. I wouldn’t totally rule out Production Design or Visual Effects as possibilities.

Anything beyond that is unlikely as the same probably holds true for its Golden Globes chances in Musical/Comedy. My Oscar Prediction posts will continue with frequency now that Venice is underway…

Oscar Predictions: My Old Ass

Megan Park received critical acclaim for her 2021 directorial debut The Fallout starring Jenna Ortega. Her follow-up is generating the same in Park City at Sundance with My Old Ass. Maisy Stella (best known from TV’s Nashville) stars as a youngster able to communicate with her future self (Aubrey Plaza) about life and love ahead. Maddie Ziegler, Percy Hynes White, and Seth Isaac Johnson costar. Amazon MGM Studios plunked down $15 million for the distribution rights and they plan a theatrical release later this year.

With a 92% RT score, much of the festival buzz (beyond the sale) is centered on Stella. I don’t think the film itself will go far with awards prospects. In fact, the Academy may not sniff it at all. The Golden Globes, on the other hand, could take a look at the lead in Actress (Musical/Comedy). She could be a contender. My Oscar Prediction posts will continue…