Tag: Jeffrey Wright

2023 Oscar Predictions: September 23rd Edition

To say that September has given us plenty to think about when it comes to Oscar speculation is a massive understatement. Of course, it’s always been this way with the many titles premiering at the Venice, Telluride, and Toronto Film Festivals. Those fests cause the stock of certain pictures and performers to rise and fall.

In the past week alone, there’s been lots of big news. It was announced that Lily Gladstone (Killers of the Flower Moon) will vie for lead Actress as opposed to Supporting Actress (where she was seen as a strong favorite to win).

Then the nation of France shocked us by announcing that they’re selecting The Taste of Things to compete in International Feature Film instead of Anatomy of a Fall, which was also looked at as a frontrunner.

Finally, it was confirmed that Bob Marley: One Love will not be receiving a limited December release. Instead it’ll drop in February 2024 so we can officially write off Kingsley Ben-Adir’s chances for this year.

For now, I’m still predicting that Anatomy will materialize in the Picture, Actress, and Original Screenplay races. I am dropping its director Justine Triet from my projected five.

As for the Gladstone news, I’m slotting her right behind Emma Stone (Poor Things) in the lead derby. Gladstone’s disappearance in Supporting Actress causes Danielle Brooks (The Color Purple) to become #1 (I’d had Gladstone in first for months prior to the surprising announcement). Viola Davis (Air) is back in my five due to the developments.

Readers of the blog know that over the past few days, I did individual posts updating Picture, Director, and the four acting races. I also whittled BP down from 25 to 15 possibilities and the others from 15 to 10.

With Barbie‘s announced move to Original Screenplay, it moves to #1 over Past Lives. In Adapted, festival love propels Poor Things to the top spot over Killers of the Flower Moon.

A noteworthy Actress alteration besides Gladstone joining the quintet is Barbie herself (Margot Robbie) making the cut. Greta Lee (Past Lives) and Fantasia Barrino (The Color Purple) are now on the outside looking in.

Here’s where I have it shaking out in my first full predictions in nearly a month!

Best Picture

Predicted Nominees:

1. Oppenheimer (Previous Ranking: 1) (Even)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Barbie (PR: 5) (+1)

5. Past Lives (PR: 4) (-1)

6. The Color Purple (PR: 7) (+1)

7. The Holdovers (PR: 8) (+1)

8. Maestro (PR: 9) (+1)

9. Anatomy of a Fall (PR: 6) (-3)

10. American Fiction (PR: 10) (E)

Other Possibilities:

11. The Zone of Interest (PR: 11) (E)

12. Air (PR: 12) (E)

13. Origin (PR: 13) (E)

14. Spider-Man: Across the Spider-Verse (PR: 14) (E)

15. Napoleon (PR: 15) (E)

Best Director

Predicted Nominees:

1. Christopher Nolan, Oppenheimer (PR: 1) (E)

2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)

3. Yorgos Lanthimos, Poor Things (PR: 3) (E)

4. Greta Gerwig, Barbie (PR: 4) (E)

5. Celine Song, Past Lives (PR: 8) (+3)

Other Possibilities

6. Justine Triet, Anatomy of a Fall (PR: 5) (-1)

7. Alexander Payne, The Holdovers (PR: 7) (E)

8. Jonathan Glazer, The Zone of Interest (PR: 6) (-2)

9. Bradley Cooper, Maestro (PR: 9) (E)

10. Blitz Bazawule, The Color Purple (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Emma Stone, Poor Things (PR: 1) (E)

2. Lily Gladstone, Killers of the Flower Moon (PR: Not Ranked) – moved from Supporting Actress

3. Carey Mulligan, Maestro (PR: 3) (E)

4. Sandra Hüller, Anatomy of a Fall (PR: 2) (-2)

5. Margot Robbie, Barbie (PR: 6) (+1)

Other Possibilities:

6. Fantasia Barrino, The Color Purple (PR: 5) (-1)

7. Greta Lee, Past Lives (PR: 4) (-3)

8. Annette Bening, Nyad (PR: 7) (-1)

9. Cailee Spaeny, Priscilla (PR: 8) (-1)

10. Natalie Portman, May December (PR: 9) (-1)

Dropped Out:

Aunjanue Ellis-Taylor, Origin

Best Actor

Predicted Nominees:

1. Cillian Murphy, Oppenheimer (PR: 1) (E)

2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)

3. Colman Domingo, Rustin (PR: 4) (+1)

4. Paul Giamatti, The Holdovers (PR: 5) (+1)

5. Bradley Cooper, Maestro (PR: 3) (-2)

Other Possibilities:

6. Jeffrey Wright, American Fiction (PR: Not Ranked)

7. Andrew Scott, All of Us Strangers (PR: 6) (-1)

8. Teo Yoo, Past Lives (PR: 10) (+2)

9. Joaquin Phoenix, Napoleon (PR: 7) (-2)

10. Barry Keoghan, Saltburn (PR: 9) (-1)

Dropped Out:

Anthony Hopkins, One Life

Best Supporting Actress

Predicted Nominees:

1. Danielle Brooks, The Color Purple (PR: 2) (+1)

2. Da’Vine Joy Randolph, The Holdovers (PR: 4) (+2)

3. Taraji P. Henson, The Color Purple (PR: 3) (E)

4. Emily Blunt, Oppenheimer (PR: 5) (+1)

5. Viola Davis, Air (PR: 6) (+1)

Other Possibilities:

6. Penelope Cruz, Ferrari (PR: 7) (+1)

7. Julianne Moore, May December (PR: 9) (+2)

8. Rosamund Pike, Saltburn (PR: Not Ranked)

9. Jodie Foster, Nyad (PR: 8) (-1)

10. America Ferrera, Barbie (PR: Not Ranked)

Dropped Out:

Lily Gladstone, Killers of the Flower Moon – moved to Best Actress

Jodie Comer, The Bikeriders

Best Supporting Actor

Predicted Nominees:

1. Robert Downey, Jr., Oppenheimer (PR: 1) (E)

2. Ryan Gosling, Barbie (PR: 3) (+1)

3. Mark Ruffalo, Poor Things (PR: 4) (+1)

4. Robert De Niro, Killers of the Flower Moon (PR: 2) (-2)

5. John Magaro, Past Lives (PR: 5) (E)

Other Possibilities:

6. Willem Dafoe, Poor Things (PR: 6) (E)

7. Charles Melton, May December (PR: 7) (E)

8. Colman Domingo, The Color Purple (PR: 8) (E)

9. Glenn Howerton, BlackBerry (PR: 9) (E)

10. Sterling K. Brown, American Fiction (PR: Not Ranked)

Dropped Out:

Dominic Sessa, The Holdovers

Best Original Screenplay

Predicted Nominees:

1. Barbie (PR: Not Ranked) – moved from Adapted Screenplay

2. Past Lives (PR: 1) (-1)

3. The Holdovers (PR: 6) (+3)

4. Anatomy of a Fall (PR: 2) (-2)

5. Air (PR: 4) (-1)

Other Possibilities:

6. Maestro (PR: 3) (-3)

7. May December (PR: 7) (E)

8. Asteroid City (PR: 8) (E)

9. Saltburn (PR: 5) (-4)

10. Fair Play (PR: 9) (-1)

Dropped Out:

Rustin

Napoleon

The Boy and the Heron

The Book of Clarence

The Iron Claw

A Thousand and One

Best Adapted Screenplay

Predited Nominees:

1. Poor Things (PR: 4) (+3)

2. Killers of the Flower Moon (PR: 1) (-1)

3. Oppenheimer (PR: 2) (-1)

4. American Fiction (PR: Not Ranked)

5. All of Us Strangers (PR: 15) (+10)

Other Possibilities:

6. Hit Man (PR: Not Ranked)

7. The Color Purple (PR: 6) (-1)

8. The Zone of Interest (PR: 5) (-3)

9. Origin (PR: 11) (+2)

10. Spider-Man: Across the Spider-Verse (PR: 7) (-3)

Dropped Out:

Barbie – moved to Original Screenplay

One Life

BlackBerry

Next Goal Wins

The Nickel Boys

Dumb Money

The Killer

Best International Feature Film

Predicted Nominees:

1. The Zone of Interest (PR: 1) (E)

2. The Taste of Things (PR: 4) (+2)

3. Perfect Days (PR: 8) (+5)

4. Fallen Leaves (PR: 6) (+2)

5. About Dry Grasses (PR: 3) (-2)

Other Possibilities:

6. The Teachers’ Lounge (PR: Not Ranked)

7. Society of the Snow (PR: 10) (+3)

8. The Delinquents (PR: Not Ranked)

9. The Promised Land (PR: Not Ranked)

10. Il capitano (PR: Not Ranked)

Dropped Out:

Anatomy of a Fall

Monster

The Boy and the Heron

La Chimera

Best Animated Feature

Predicted Nominees:

1. Spider-Man: Across the Spider-Verse (PR: 1) (E)

2. The Boy and the Heron (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. Wish (PR: 4) (E)

5. Teenage Mutant Ninja Turtles: Mutant Mayhem (PR: 6) (+1)

Other Possibilities:

6. Chicken Run: Dawn of the Nugget (PR: 7) (+1)

7. Nimona (PR: 5) (-2)

8. The Super Mario Bros. Movie (PR: Not Ranked)

9. Robot Dreams (PR: 8) (-1)

10. Suzume (PR: Not Ranked)

Dropped Out:

Ernest and Celestine: A Trip to Gibberitia

They Shot the Piano Player

Best Documentary Feature

Predicted Nominees:

1. Beyond Utopia (PR: 1) (E)

2. Still: A Michael J. Fox Movie (PR: 2) (E)

3. 20 Days in Mariupol (PR: 3) (E)

4. Stamped from the Beginning (PR: 8) (+4)

5. Orlando, My Political Biography (PR: 7) (+2)

Other Possibilities:

6. American Symphony (PR: Not Ranked)

7. The Eternal Memory (PR: 5) (-2)

8. The Mother of All Lies (PR: 6) (-2)

9. Every Body (PR: 4) (-5)

10. It Ain’t Over (PR: Not Ranked)

Dropped Out:

Wild Life

The Deepest Breath

Best Cinematography

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 4) (+1)

4. Maestro (PR: 3) (-1)

5. The Zone of Interest (PR: 7) (+2)

Other Possibilities:

6. Napoleon (PR: 5) (-1)

7. The Color Purple (PR: 6) (-1)

8. Asteroid City (PR: 10) (+2)

9. The Killer (PR: 8) (-1)

10. Barbie (PR: Not Ranked)

Dropped Out:

Ferrari

Best Costume Design

Predicted Nominees:

1. Poor Things (PR: 2) (+1)

2. Barbie (PR: 1) (-1)

3. The Color Purple (PR: 4) (+1)

4. Killers of the Flower Moon (PR: 6) (+2)

5. Chevalier (PR: 5) (E)

Other Possibilities:

6. Priscilla (PR: 9) (+3)

7. Oppenheimer (PR: 8) (+1)

8. Napoleon (PR: 3) (-5)

9. Wonka (PR: 10) (+1)

10. Maestro (PR: Not Ranked)

Dropped Out:

Asteroid City

Best Film Editing

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: Not Ranked)

4. Maestro (PR: 3) (-1)

5. Past Lives (PR: 5) (E)

Other Possibilities:

6. Ferrari (PR: 9) (+3)

7. Air (PR: 4) (-3)

8. The Holdovers (PR: Not Ranked)

9. Anatomy of a Fall (PR: 8) (-1)

10. Barbie (PR: Not Ranked)

Dropped Out:

The Zone of Interest

The Killer

The Color Purple

Best Makeup and Hairstyling

Predicted Nominees:

1. Poor Things (PR: 1) (E)

2. Maestro (PR: 3) (+1)

3. Guardians of the Galaxy Vol. 3 (PR: 2) (-1)

4. Barbie (PR: 4) (E)

5. Priscilla (PR: 8) (+3)

Other Possibilities:

6. Oppenheimer (PR: 7) (+1)

7. Nyad (PR: Not Ranked)

8. The Color Purple (PR: 9) (+1)

9. Golda (PR: 6) (-3)

10. Killers of the Flower Moon (PR: 5) (-5)

Dropped Out:

Beau is Afraid

Best Original Score

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. Napoleon (PR: 8) (+4)

5. Past Lives (PR: 5) (E)

Other Possibilities:

6. Spider-Man: Across the Spider-Verse (PR: 6) (E)

7. The Killer (PR: 4) (-3)

8. Asteroid City (PR: 9) (+1)

9. The Boy and the Heron (PR: Not Ranked)

10. Ferrari (PR: Not Ranked)

Dropped Out:

The Zone of Interest

One Life

Best Original Song

Predicted Nominees:

1. TBD from The Color Purple (PR: 1) (E)

2. “What Was I Made For?” from Barbie (PR: 2) (E)

3. “Road to Freedom” from Rustin (PR: 5) (+2)

4. “The Wish” from Wish (PR: 3) (-1)

5. “I’m Just Ken” from Barbie (PR: 4) (-1)

Other Possibilities:

6. “Quiet Eyes” from Past Lives (PR: 6) (E)

7. “Gonna Be You” from 80 for Brady (PR: 7) (E)

8. “High Life” from Flora and Son (PR: Not Ranked)

9. “Joan Still” from Theater Camp (PR: 10 (+1)

10. “Dance The Night” from Barbie (PR: 8) (-2)

Dropped Out:

“Steal the Show” from Elemental

Best Production Design

Predicted Nominees:

1. Poor Things (PR: 2) (+1)

2. Killers of the Flower Moon (PR: 1) (-1)

3. Barbie (PR: 3) (E)

4. Oppenheimer (PR: 4) (E)

5. The Color Purple (PR: 7) (+2)

Other Possibilities:

6. Asteroid City (PR: 6) (E)

7. Napoleon (PR: 5) (-2)

8. Maestro (PR: 8) (E)

9. Wonka (PR: Not Ranked)

10. Saltburn (PR: 10) (E)

Dropped Out:

The Zone of Interest

Best Sound

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. The Color Purple (PR: 5) (+3)

3. Ferrari (PR: 6) (+3)

4. Napoleon (PR: 2) (-2)

5. Killers of the Flower Moon (PR: 3) (-2)

Other Possibilities:

6. Spider-Man: Across the Spider-Verse (PR: 4) (-2)

7. Maestro (PR: 7) (E)

8. Barbie (PR: Not Ranked)

9. The Killer (PR: 9) (E)

10. The Zone of Interest (PR: 8) (-2)

Dropped Out:

The Creator

Best Visual Effects

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Guardians of the Galaxy Vol. 3 (PR: 3) (+1)

3. The Creator (PR: 2) (-1)

4. Poor Things (PR: Not Ranked)

5. Rebel Moon (PR: 4) (-1)

Other Possibilities:

6. Napoleon (PR: 5) (-1)

7. Indiana Jones and the Dial of Destiny (PR: 6) (-1)

8. Killers of the Flower Moon (PR: Not Ranked)

9. Dungeons & Dragons: Honor Among Thieves (PR: 7) (-2)

10. Barbie (PR: 8) (-2)

Dropped Out:

Wonka

The Little Mermaid

And that equates to these movies garnering these numbers of nominations:

12 Nominations

Killers of the Flower Moon, Oppenheimer

11 Nominations

Poor Things

10 Nominations

Barbie

7 Nominations

The Color Purple

6 Nominations

Maestro

4 Nominations

The Holdovers

3 Nominations

Anatomy of a Fall

2 Nominations

Air, American Fiction, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Wish, The Zone of Interest

1 Nomination

About Dry Grasses, All of Us Strangers, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, Fallen Leaves, Ferrari, Orlando, My Political Biography, Perfect Days, Priscilla, Rebel Moon, Spider-Man: Across the Spider-Verse, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, Teenage Mutant Ninja Turtles: Mutant Mayhem, 20 Days in Mariupol

Oscar Predictions: American Fiction

Awards prospects for Cord Jefferson’s American Fiction rose precipitously today as it won the People’s Choice Award at the Toronto Film Festival. Per a previous post hours ago, that particular honor has been a major harbinger for a Best Picture nomination at the Oscars. How much so? 14 of the past 15 recipients have achieved a BP nod and five have taken the prize.

Fiction marks the directorial debut of Jefferson and the race relations dramedy is led by Jeffrey Wright. Based on buzz from up north, the actor could absolutely snag a spot in Best Actor. Yet as I’ve mentioned before, that is a stacked race that includes hopefuls like Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Bradley Cooper (Maestro), and Paul Giamatti (The Holdovers).

The supporting cast includes Tracee Ellis Ross, Erika Alexander, Leslie Uggams, Sterling K. Brown, John Ortiz, Issa Rae, Adam Brody, and Keith David. It’s likely Wright (vying for his first nomination) is the feasible nominee if he can break through the crowded pack.

Adapted Screenplay might be the best bet for inclusion, but I can’t stress enough how major the TIFF People’s Choice victory is. Expect it to materialize in lots of BP top tens starting today and I very well may follow suit in my imminent update. My Oscar Prediction posts will continue…

Toronto Gets Real About American Fiction

The Toronto Film Festival has wrapped and our friends up north have bestowed their People Choice’s Award along with the first and second runner-ups. Just how important is this prize in correlating to a Best Picture spot at the Oscars? Let’s go to the numbers and they’re telling.

Of the last 15 People’s Choice winners from TIFF, 14 received a BP nomination and 5 of them ultimately took the big prize: 2008’s Slumdog Millionaire, 2010’s The King’s Speech, 2013’s 12 Years a Slave, 2018’s Green Book, and 2020’s Nomadland.

When it comes to the 1st and 2nd runners-up, 10 of them in the past 15 cycles have received BP attention. That includes three winners in 2012’s Argo, 2015’s Spotlight, and 2019’s Parasite.

So… it’s a key harbinger to Academy attention. And that’s why it’s a tad surprising that Cord Jefferson’s directorial debut American Fiction is the pick. That’s not because it didn’t get great reviews (it’s at 96% via 24 write-ups on RT). It just snuck up on prognosticators like myself with the TIFF love (there’s not even a trailer yet). The dramedy focused on race relations is now undeniably a factor in awards discussions as it moves towards its November 3rd debut. Jeffrey Wright’s lead performance and the Adapted Screenplay are also in the mix for attention.

The first runner-up, unsurprisingly, is Alexander Payne’s The Holdovers (which many were picking to receive People’s Choice). For Payne, it’s looked at as a return to form after his underwhelming predecessor Downsizing in 2017. This 1970s set Christmas tale appears poised for possible nods in BP (joining earlier Payne efforts Sideways, The Descendants, and Nebraska) and Paul Giamatti and Da’Vine Joy Randolph, and certainly Original Screenplay.

The Boy and the Heron is Hayao Miyazaki’s latest acclaimed animated feature which opened TIFF. It’s pretty much a given that this will contend in Best Animated Feature though it could be a tall order to overcome frontrunner Spider-Man: Across the Spider-Verse.

Here are the facts: TIFF has boosted Fiction in a serious way. Keep an eye on the blog for further Oscar Predictions updates!

Oscars 2023: The State of the Best Actor Race (September 12th)

At this impossibly early stage of the Oscar predicting calendar, one could actually make a decent argument that the final five of the Best Actor category could be set. That might seem like a silly thing to say, but it’s entirely possible that the quintet I have ranked 1-5 end up being the contenders. We have arrived at the leading gentlemen in my deep dives into six major categories at the 96th Academy Awards. If you missed my write-ups on the supporting derbies, you can access them here:

Oscars 2023: The State of the Supporting Actor Race (September 7th)
Oscars 2023: The State of the Supporting Actress Race (September 10th)

The Venice and Telluride fests and the ongoing one in Toronto have shed light on some hopefuls and increased their chances. They’ve also winnowed the field in my opinion. Adam Driver probably won’t be feted for Ferrari nor is Michael Fassbender looking likely for The Killer or Next Goal Wins. Barry Keoghan has a better shot than either of them for Saltburn, but the film’s divisive reaction may hurt him. On the other hand, Andrew Scott has established himself as a serious possibility for All of Us Strangers. So have Anthony Hopkins in One Life and (perhaps to a lesser degree) Jeffrey Wright for American Fiction.

Yet I can’t shake the strange feeling that the five might look like a combo of already screened and/or released titles (including one at Cannes). There’s Cillian Murphy for Oppenheimer and Leonardo DiCaprio in Killers of the Flower Moon. And the fests of the past few days have showcased the strong chances for Bradley Cooper (Maestro), Colman Domingo (Rustin), and Paul Giamatti (The Holdovers). That said, I’d say there’s not a clear frontrunner of the group.

It can’t be that simple, can it? Probably not. Yet it’s a sturdy group to bet on at the moment. We’re still waiting to see about Joaquin Phoenix as Napoleon or Kingsley Ben-Adir in Bob Marley: One Love. And perhaps Teo Yoo (Past Lives) or Matt Damon (Air) could materialize for the duo’s already released efforts.

I’m shortening my possible nominees from 15 to 10 and here’s my snapshot of the race right now!

Predicted Nominees:

1. Cillian Murphy, Oppenheimer (Previous Ranking: 1) (Even)

2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (+1)

3. Bradley Cooper, Maestro (PR: 2) (-1)

4. Colman Domingo, Rustin (PR: 4) (E)

5. Paul Giamatti, The Holdovers (PR: 6) (+1)

Other Possibilities:

6. Andrew Scott, All of Us Strangers (PR: Not Ranked)

7. Joaquin Phoenix, Napoleon (PR: 9) (+2)

8. Anthony Hopkins, One Life (PR: 8) (E)

9. Barry Keoghan, Saltburn (PR: 5) (-4)

10. Teo Yoo, Past Lives (PR: 7) (-3)

Dropped Out:

Kingsley Ben-Adir, Bob Marley: One Love

Michael Fassbender, Next Goal Wins

Adam Driver, Ferrari

Matt Damon, Air

David Strathairn, A Little Prayer

Koji Yakusho, Perfect Days

Best Actress is up next!

Oscar Predictions: Rustin

As the gay activist instrumental in organizing Martin Luther King Jr.’s March on Washington, Colman Domingo has been seen as a serious Best Actor possibility since Rustin was announced. The biopic has premiered in Telluride prior to its November 3rd limited theatrical release and November 17th Netflix streaming start. George C. Wolfe, in his follow-up to Ma Rainey’s Black Bottom, directs with a supporting cast including Chris Rock, Glynn Turman, Ami Ameen, CCH Pounder, Michael Potts, Jeffrey Wright, and Audra McDonald.

Festival reviews indicate Domingo should find himself among the lead Actor quintet and that’s even with the already considerable competition (it’s going to be tricky to figure out who gets snubbed). The pic itself sits at 100% on Rotten Tomatoes.

It will be interesting to see Netflix’s campaign. They’re sure to go all in on Bradley Cooper’s Maestro and their BP blitz for Rustin could be more muted. There’s certainly the chance that Domingo represents its only nod (though Lenny Kravitz has a track called “Road to Freedom” that could make it). If the love extends to supporting, perhaps Turman contends. I’m skeptical about that. As for Domingo, it sure seems like the voters will go his way for a spot. My Oscar Prediction posts will continue…

Asteroid City Review

Wes Anderson’s mix of melancholia and quirky humor is abundant in Asteroid City with its massive cast and dueling aspect ratios. This is a stunning looking feature focused on the behind the scenes made for TV airing of a play (shot in black & white). The play itself is presented via Technicolor hues in a Western desert setting in the 1950s. Whether it’s the characters they’re playing or the actors and directors themselves, they exist in Anderson’s wheelhouse of themes. From dealing with grief to unlikely romances and coming-of-age under unique circumstances, any filmmaker would be rightly accused of ripping off Anderson if this weren’t made by him. Whether it works will depend on how into him you are. I’m not a die-hard though his signature style popped for me in The Royal Tenenbaums, The Grand Budapest Hotel, and more. It can also leave me cold. That happened in portions of his previous effort The French Dispatch while other segments were more successful. This City was lukewarm.

The play we see (which takes up the bulk of screen time) happens in the sleepy title dwelling awoken by a youth astronomy convention. One of the top outcasts competing is Woodrow (Jake Ryan), the movie’s Max Fischer from Rushmore but nicer. His father is war photojournalist Augie and he’s played by Jason Schwartzman, who played Max in Anderson’s acclaimed dramedy from 1998. He’s recently widowed and (in a gag that works throughout) hasn’t figured out how to tell his son and three young daughters who might be witches that mom has passed. Tom Hanks is his wealthy father-in-law who lives on a golf course and reluctantly is teeing up accommodations for the family.

Another competitor is Dinah, daughter of Midge (Scarlett Johansson), a sullen movie star who assumes her fate will be similar to ingenues like Marilyn Monroe. She engages in a fireworks free tryst with Augie while Woodrow develops a crush on Dinah.

We’ve seen plenty of all-star casts in his oeuvre, but Anderson outdoes himself in Asteroid City. From Steve Carell’s motel manager to Matt Dillon’s auto mechanic or Tilda Swinton’s scientist and Rupert Friend’s singing cowboy who’s sweet on Maya Hawke’s teacher, the cast is a loaded group. Some are practically blink and you’ll miss them appearances – hey there’s Jeff Goldblum! And Hong Chau! Jeffrey Wright, who gave a segment stealing performance in The French Dispatch, has a highlight scene as a General judging the convention.

Without going into spoiler territory, the plot eventually employs sci-fi elements in an idiosyncratic Wes way. While this is happening, we get monochrome interludes with Bryan Cranston’s host introducing and commenting on the teleplay, Edward Norton as its writer, and Adrien Brody as the randy director. These are great performers, but the best moments come in Asteroid City. The backstage business of meeting the performers counterparts didn’t have a deep impact with me.

Neither did Asteroid City as a whole. Schwartzman and Johansson (who really sells her considerable star magnetism) have a couple memorable scenes of courtship. The technical work, particularly the production design, is impeccable. Yet the emotional and comedic payoff that has worked in Tenenbaums and beyond feels more remote in this bright wasteland.

**1/2 (out of four)

Asteroid City Box Office Prediction

After premiering to mixed reactions at the Cannes Film Festival last month, Wes Anderson’s Asteroid City expands nationwide on June 23rd. The auteur’s distinctive mix of dry humor and drama looks to be in high supply and same goes for his impressive sprawling cast. This time around it includes plenty of Anderson regulars and some newbies. The list boasts Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, and Jeff Goldblum.

With a 74% Rotten Tomatoes rating, this is far from the peak of critical acclaim for the filmmaker. I doubt this approaches the $59 million domestic gross that 2014’s The Grand Budapest Hotel made in 2014 (his best earner). Yet this should eclipse predecessor The French Dispatch from October 2021. It took in just $16 million (this was also during theatrical COVID challenges).

City rolls out June 16th in six venues. I imagine it’ll have one of the biggest per theater averages of 2023. That doesn’t necessarily translate to impressive numbers when it expands between the coasts a week later. I’m skeptical that it manages $10 million.

Asteroid City opening weekend prediction: $7.6 million

For my No Hard Feelings prediction, click here:

No Hard Feelings Box Office Prediction

Oscar Predictions: Asteroid City

Wes Anderson is no stranger to Cannes or Oscar nominations as Focus Features hopes the debut of Asteroid City at the former leads to the latter. A mix of comedy, drama, romance, and sci-fi, it features the auteur’s typical sprawling cast (many of whom have worked with him on multiple occasions). This includes (deep breath) Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Stephen Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, and Jeff Goldblum. Exhale.

Out stateside on June 23rd, City premiered in the south of France just like Anderson’s Moonrise Kingdom and The French Dispatch. Four of his last five works have generated the Academy’s attention. 2009’s Fantastic Mr. Fox was up for Animated Feature and Original Score (from frequent collaborator Alexandre Desplat). 2012’s Kingdom was in the Original Screenplay derby (with Anderson’s cowriter Roman Coppola). Two years later, The Grand Budapest Hotel was the massive awards breakthrough with nine Oscar nods and four victories in Costume Design, Makeup and Hairstyling, Original Score, and Production Design. It is Anderson’s sole BP nominee. 2018’s Isle of Dogs nabbed Animated Feature and Score mentions. In 2021, I had The French Dispatch predicted for Score and Production Design. It was surprisingly blanked on the morning of nominations.

Critics indicate this is an Anderson effort through and through and most reviews are of the thumbs up variety. The Rotten Tomatoes score is 84%. Like Dispatch and pics before it, Score (by Desplat of course) and Production Design are possibilities. So is the screenplay from Anderson and Coppola. Yet the overseas reaction is not to the level of Hotel and City could come up short like Dispatch did. A Best Picture nod probably won’t occur though perhaps the Golden Globes could slot it in Motion Picture (Musical/Comedy).

Finally, despite the sheer volume of familiar faces appearing in his filmography, no actors have received recognition in one of Anderson’s pics from the Academy. Bill Murray in Rushmore and Gene Hackman in The Royal Tenenbaums likely came close. I do not anticipate that streak being broken here. My Oscar Prediction posts will continue…

Oscar Predictions: The Batman

You have to go back to 2008’s The Dark Knight to find the last Batfilm to receive an Oscar nomination. It landed the most of them. While famously missing Best Picture (it’s often called the flick that caused the Academy to expand beyond five nominees), it garnered eight nods and won Supporting Actor (Heath Ledger) and Sound Editing. The other nominations were for Sound Mixing, Art Direction, Cinematography, Makeup, Film Editing, and Visual Effects. 1989’s Batman was 1 for 1 in its nominations with Art Direction while follow-up Batman Returns was up for Makeup and Visual Effects and Batman Forever received a mention for Sound Effects Editing. Batman Begins from 2005 made the Cinematography final five. Batman and Robin, The Dark Knight Rises, Batman v Superman: Dawn of Justice, and Justice League all failed to show up at the big show.

That history lesson is, of course, given to you because reboot The Batman  with Robert Pattinson opens Friday and the review embargo lifted today. Early critical reaction has resulted in an 87% Rotten Tomatoes score thus far. Some write-ups are calling it masterful. Others are more mixed in the praise with some complaints of over length in particular.

So what are its Oscar prospects? As I see it, pretty strong in many of the races mentioned above. That includes Sound (now just one competition), Visual Effects, Production Design (what was Art Direction), Makeup and Hairstyling, Cinematography, and even Original Score (from Michael Giacchino). Director Matt Reeves, taking over the franchise, has experience in the VE derby with Dawn of the Planet of the Apes and War for the Planet of the Apes. 

Those down the line nods could be plentiful for The Batman. However, I don’t see it getting Best Picture, Director, Adapted Screenplay, or nominations for its actors. It won’t be for lack of social media chatter. We have seen numerous comic book adaptations receive fervent support online (from The Dark Knight to Deadpool to Avengers: Endgame to Spider-Man: No Way Home). Only Black Panther and Joker have made the BP cut. I don’t envision The Batman being the third, but tech nods should happen. My Oscar Prediction posts will continue…

The Batman Box Office Prediction

Another chapter for the Caped Crusader flies into theaters March 4th with The Batman. The franchise reboot comes with high expectations and pent up anticipation as Robert Pattinson takes over the title role. Matt Reeves, best known for Cloverfield and the last two Planet of the Apes pics, directs. The supporting cast includes Zoe Kravitz as Catwoman, Paul Dano as the Riddler, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred, and an unrecognizable Colin Farrell as the Penguin. Originally slated for summer 2021, it looks to rule the month of March after its COVID delay.

There is little competition in its way and its event picture status should propel it to huge numbers. How big? The Batman could be in line for a larger opening weekend than 2008’s The Dark Knight ($158 million) and 2012 follow-up The Dark Knight Rises ($160 million). And you may have forgotten that 2016’s Batman v Superman: Dawn of Justice actually holds the highest Bat premiere at $166 million.

Spider-Man: No Way Home showed that moviegoers were more than ready to turn out in force with the right product. Early IMAX offerings have already sold out for opening day. Estimates are wide. It could be as low as $100 million or approach $200 million. I’m thinking $145-$165 million is the likeliest range.

The Batman opening weekend prediction: $155.2 million