Jason Reitman had a one-two punch of consecutive Best Picture nominees with Juno and Up in the Air in 2007 and 2009. Some follow-ups generated solid reviews (Young Adult, Tully) while others (Labor Day, The Front Runner) drew more mixed reactions. None have received significant awards buzz in the past decade and a half. Will that change with Saturday Night?
The Sony Pictures dramedy is slated for release on October 11th which is the 49th anniversary of the iconic sketch show it celebrates. This recounts the chaotic moments leading up to the premiere of Saturday Night Live. Gabriel LaBelle (who essentially played young Steven Spielberg in 2022’s The Fabelmans) is 30-year-old Lorne Michaels. The extensive supporting cast (some playing 1975 legends with others as future legends) includes Cooper Hoffman, Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (as Andy Kaufman and Jim Henson), Andrew Barth Feldman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste.
Having just played Telluride and hitting Toronto shortly, early word-of-mouth is primarily on the fresh side. There are some high profile reviews of the thumbs down variety. I would say Saturday Night stands a shot at a Best Picture nomination, but it is a coin flip at the moment as we await how competitors pan out. Down ballot categories like Costume Design and (especially) Film Editing could occur especially if it sneaks into BP.
As for the cast, LaBelle is getting quality ink. Yet some of the strongest notices are going to Sennott as writer Rosie Schuster and Smith as Chevy Chase. I’m skeptical any of the performers break into their respective categories though the SAG Awards could certainly nominate the cast in their Ensemble race. Speaking of other shows, the Golden Globes could put it up for Musical/Comedy assuming Sony campaigns for it there and LaBelle could make the Actor (Musical/Comedy) quintet.
At the Academy Awards, there is almost always a picture or two that is up solely for its screenplay. This is a distinct possibility with Saturday Night and its original screenplay from Reitman and Gil Kenan. My Oscar Prediction posts will continue…
In eights days, the Venice Film Festival will get underway followed the next day by Telluride and followed by Toronto the following week. The trio of events, as they always do, kick off a flurry of awards activity and dozens of Oscar Prediction posts on this blog. The fests in Italy, Colorado, and Canada will make the picture for the 97th Academy Awards considerably clearer.
As you peruse the titles listed below, here are just some which will debut at one or more of the festivals: Conclave, Joker: Folie à Deux, Queer, Nickel Boys, The Piano Lesson, Saturday Night, The End, Maria, Nightbitch, Babygirl, The Room Next Door, I’m Still Here, Beetlejuice Beetlejuice, The Brutalist, The Fire Inside, Hard Truths, We Live in Time, The Wild Robot, Piece by Piece, and The Last Showgirl.
The plan is for my next update to arrive on Labor Day. By that time, quite a few of these titles will already have eyeballs on them and reviews will be written. Consider this the penultimate forecast before it gets really real.
This update comes with a pair of changes in the supporting fields. In Supporting Actress, Tilda Swinton (The Room Next Door) enters my quintet with Isabella Rossellini (Conclave) dropping out. Speaking of Conclave, John Lithgow is now in my Supporting Actor five over his costar Stanley Tucci.
You can peruse all the movement below as festival season is nearly upon us!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Sing Sing (PR: 2) (E)
3. Dune: Part Two (PR: 3) (E)
4. Anora (PR: 6) (+2)
5. Conclave (PR: 4) (-1)
6. Emilia Pérez (PR: 5) (-1)
7. Queer (PR: 7) (E)
8. Nickel Boys (PR: 8) (E)
9. The Piano Lesson (PR: 10) (+1)
10. A Complete Unknown (PR: 9) (-1)
Other Possibilities:
11. The Seed of the Sacred Fig (PR: 11) (E)
12. Saturday Night (PR: 18) (+6)
13. Joker: Folie à Deux (PR: 13) (E)
14. The Room Next Door (PR: 15) (+1)
15. Nosferatu (PR: 12) (-3)
16. Nightbitch (PR: 14) (-2)
17. Gladiator II (PR: 16) (-1)
18. Maria (PR: 17) (-1)
19. The End (PR: 20) (+1)
20. A Real Pain (PR: 19) (-1)
21. Wicked (PR: Not Ranked)
22. All We Imagine as Light (PR: 24) (+2)
23. The Brutalist (PR: Not Ranked)
24. A Different Man (PR: 21) (-3)
25. Hard Truths (PR: 22) (-3)
Dropped Out:
The Fire Inside
Here
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Sean Baker, Anora (PR: 5) (+2)
4. Jacques Audiard, Emilia Pérez (PR: 4) (E)
5. Edward Berger, Conclave (PR: 3) (-2)
Other Possibilities:
6. Greg Kwedar, Sing Sing (PR: 7) (+1)
7. Luca Guadagnino, Queer (PR: 8) (+1)
8. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 6) (-2)
9. RaMell Ross, Nickel Boys (PR: 11) (+2)
10. James Mangold, A Complete Unknown (PR: 10) (E)
11. Malcolm Washington, The Piano Lesson (PR: 14) (+3)
12. Jason Reitman, Saturday Night (PR: Not Ranked)
13. Pedro Almodóvar, The Room Next Door (PR: Not Ranked)
14. Todd Phillips, Joker: Folie à Deux (PR: 12) (-2)
15. Robert Eggers, Nosferatu (PR: 9) (-6)
Dropped Out:
Ridley Scott, Gladiator II
Marielle Heller, Nightbitch
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Mikey Madison, Anora (PR: 3) (E)
4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)
5. Saoirse Ronan, The Outrun (PR: 5) (E)
Other Possibilities:
6. Julianne Moore, The Room Next Door (PR: 6) (E)
7. Lady Gaga, Joker: Folie à Deux (PR: 7) (E)
8. Marianne Jean-Baptiste, Hard Truths (PR: 8) (E)
9. Demi Moore, The Substance (PR: 12) (+3)
10. Fernanda Torres, I’m Still Here (PR: Not Ranked)
11. June Squibb, Thelma (PR: 11) (E)
12. Carrie Coon, His Three Daughters (PR: 9) (-3)
13. Ryan Destiny, The Fire Inside (PR: 10) (-3)
14. Pamela Anderson, The Last Showgirl (PR: 15) (+1)
15. Florence Pugh, We Live in Time (PR: 13) (-2)
Dropped Out:
Zendaya, Challengers
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Daniel Craig, Queer (PR: 3) (+1)
3. Ralph Fiennes, Conclave (PR: 2) (-1)
4. Timothèe Chalamet, A Complete Unknown (PR: 4) (E)
5. Sebastian Stan, A Different Man (PR: 5) (E)
Other Possibilities:
6. Ethan Herisse, Nickel Boys (PR: 9) (+3)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (E)
8. John David Washington, The Piano Lesson (PR: 6) (-2)
9. Glen Powell, Hit Man (PR: 10) (+1)
10. André Holland, The Actor (PR: 8) (-2)
11. Adrien Brody, The Brutalist (PR: Not Ranked)
12. Gabriel LaBelle, Saturday Night (PR: 14) (+2)
13. Jesse Plemons, Kinds of Kindness (PR: 11) (-2)
14. Paul Mescal, Gladiator II (PR: 12) (-2)
15. Jesse Eisenberg, A Real Pain (PR: 15) (E)
Dropped Out:
Tom Hanks, Here
Best Supporting Actress
Predicted Nominees:
1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 1) (E)
2. Zoe Saldaña, Emilia Pérez (PR: 2) (E)
3. Saoirse Ronan, Blitz (PR: 3) (E)
4. Danielle Deadwyler, The Piano Lesson (PR: 5) (+1)
5. Tilda Swinton, The Room Next Door (PR: 6) (+1)
Other Possibilities:
6. Isabella Rossellini, Conclave (PR: 4) (-2)
7. Selena Gomez, Emila Pérez (PR: 8) (+1)
8. Natasha Lyonne, His Three Daughters (PR: 7) (-1)
9. Joan Chen, Dídi (PR: 9) (E)
10. Fernanda Montenegro, I’m Still Here (PR: Not Ranked)
11. Elle Fanning, A Complete Unknown (PR: 11) (E)
12. Lesley Manville, Queer (PR: 10) (-2)
13. Kathy Burke, Blitz (PR: Not Ranked)
14. Valeria Golino, Maria (PR: 14) (E)
15. Elizabeth Olsen, His Three Daughters (PR: 13) (-2)
Dropped Out:
Glenn Close, The Deliverance
Rachel Sennott, Saturday Night
Best Supporting Actor
Predicted Nominees:
1. Samuel L. Jackson, The Piano Lesson (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. John Lithgow, Conclave (PR: 10) (+7)
4. Denzel Washington, Gladiator II (PR: 5) (+1)
5. Kieran Culkin, A Real Pain (PR: 4) (-1)
Other Possibilities:
6. Stanley Tucci, Conclave (PR: 3) (-3)
7. Adam Pearson, A Different Man (PR: 6) (-1)
8. Drew Starkey, Queer (PR: 7) (-1)
9. Stephen Graham, Blitz (PR: 12) (+3)
10. Harris Dickinson, Blitz (PR: 8) (-2)
11. Hamish Linklater, Nickel Boys (PR: 13) (+2)
12. Edward Norton, A Complete Unknown (PR: 11) (-1)
13. Brian Tyree Henry, The Fire Inside (PR: 9) (-4)
14. Mark Eidelstein, Anora (PR: 14) (E)
15. Guy Pearce, The Brutalist (PR: Not Ranked)
Dropped Out:
Paul Raci, Sing Sing
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Emilia Pérez (PR: 3) (E)
4. A Real Pain (PR: 4) (E)
5. Hard Truths (PR: 5) (E)
Other Possibilities:
6. Saturday Night (PR: 7) (+1)
7. The Seed of the Sacred Fig (PR: 6) (-1)
8. The End (PR: 9) (+1)
9. His Three Daughters (PR: 8) (-1)
10. Dídi (PR: 11) (+1)
11. Maria (PR: 10) (-1)
12. Challengers (PR: 12) (E)
13. Kinds of Kindness (PR: 13) (E)
14. The Brutalist (PR: Not Ranked)
15. The Substance (PR: 15) (E)
Dropped Out:
A Different Man
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 2) (+1)
2. Conclave (PR: 1) (-1)
3. Nickel Boys (PR: 3) (E)
4. Queer (PR: 4) (E)
5. Dune: Part Two (PR: 7) (+2)
Other Possibilities:
6. The Room Next Door (PR: 5) (-1)
7. The Piano Lesson (PR: 6) (-1)
8. Nightbitch (PR: 8) (E)
9. A Complete Unknown (PR: 10) (+1)
10. Hit Man (PR: 9) (-1)
11. Joker: Folie à Deux (PR: 11) (E)
12. Inside Out 2 (PR: 12 (E)
13. The Fire Inside (PR: 15) (+2)
14. Gladiator II (PR: 14) (E)
15. Nosferatu (PR: 13) (-2)
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. I’m Still Here (PR: 2) (E)
3. Grand Tour (PR: 3) (E)
4. The Count of Monte Cristo (PR: 4) (E)
5. The Girl with the Needle (PR: 5) (E)
Other Possibilities:
6. Caught by the Tides (PR: 9) (+3)
7. Evil Does Not Exist (PR: 7) (E)
8. Simon of the Mountain (PR: Not Ranked)
9. All We Imagine as Light (PR: 6) (-3)
10. Uprising (PR: 8) (-2)
Dropped Out:
Kneecap
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 5) (+2)
4. Wallace & Gromit: Vengeance Most Fowl (PR: 3) (-1)
5. Memoir of a Snail (PR: 4) (-1)
Other Possibilities:
6. Piece by Piece (PR: 6) (E)
7. Moana 2 (PR: 7) (E)
8. Savages (PR: 8) (E)
9. The Most Precious of Cargoes (PR: Not Ranked)
10. Transformers One (PR: 10) (E)
Dropped Out:
The Lord of the Rings: The War of the Rohirrim
Best Documentary Feature
Predicted Nominees:
1. Daughters (PR: 1) (E)
2. Black Box Diaries (PR: 2) (E)
3. Soundtrack to a Coup d’Etat (PR: 4) (+1)
4. Sugarcane (PR: 6) (+2)
5. Will & Harper (PR: 3) (-2)
Other Possibilities:
6. No Other Land (PR: 5) (-1)
7. Super/Man: The Christopher Reeve Story (PR: 7) (E)
8. Union (PR: 9) (+1)
9. Gaucho Gaucho (PR: 8) (-1)
10. Skywalkers: A Love Story (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Joker: Folie à Deux (PR: 3) (E)
4. Nosferatu (PR 4) (E)
5. Queer (PR: 5) (E)
Other Possibilities:
6. Emila Pérez (PR: 8) (+2)
7. Conclave (PR: 7) (E)
8. Anora (PR: 6) (-2)
9. Gladiator II (PR: 9) (E)
10. Maria (PR: Not Ranked)
Dropped Out:
A Complete Unknown
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 5) (+3)
3. Wicked (PR: 3) (E)
4. Gladiator II (PR: 2) (-2)
5. Blitz (PR: 7) (+2)
Other Possibilities:
6. Joker: Folie à Deux (PR: 4) (-2)
7. Furiosa: A Mad Max Saga (PR: 6) (-1)
8. Beetlejuice Beetlejuice (PR: 10) (+2)
9. Queer (PR: 9) (E)
10. Maria (PR: 8) (-2)
Best Film Editing
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Anora (PR: 3) (E)
4. Sing Sing (PR: 7) (+3)
5. Challengers (PR: 10) (+5)
Other Possibilities:
6. A Complete Unknown (PR: 6) (E)
7. Conclave (PR: 4) (-3)
8. Emilia Pérez (PR: 5) (-3)
9. Queer (PR: 9) (E)
10. Joker: Folie à Deux (PR: 8) (-2)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. A Different Man (PR: 4) (+1)
4. Joker: Folie à Deux (PR: 3) (-1)
5. Beetlejuice Beetlejuice (PR: 7) (+2)
Other Possibilities:
6. Wicked (PR: 5) (-1)
7. Furiosa: A Mad Max Saga (PR: 6) (-1)
8. Maria (PR: 8) (E)
9. Blitz (PR: Not Ranked)
10. Sasquatch Sunset (PR: 9) (-1)
Dropped Out:
Nightbitch
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Joker: Folie à Deux (PR: 2) (E)
3. Gladiator II (PR: 4) (+1)
4. Queer (PR: 3) (-1)
5. Emilia Pérez (PR: 8) (+3)
Other Possibilities:
6. Challengers (PR: 9) (+3)
7. Sing Sing (PR: 6) (-1)
8. Nosferatu (PR: Not Ranked)
9. Conclave (PR: 5) (-4)
10. Here (PR: Not Ranked)
Dropped Out:
Blitz
The Piano Lesson
Best Original Song
Predicted Nominees:
1. TBD from Emilia Pérez (PR: 1) (E)
2. TBD from Joker: Folie à Deux (PR: 2) (E)
3. TBD from Sing Sing (PR: 3) (E)
4. “Relentless” from Diane Warren: Relentless (PR: 4) (E)
5. TBD from Wicked (PR: 8) (+3)
Other Possibilities:
6. TBD from Piece by Piece (PR: 5) (-1)
7. TBD from Moana 2 (PR: 6) (-1)
8. “Harper and Will Go West” from Will & Harper (PR: 7) (-1)
9. “Why Am I Here” from Shirley (PR: Not Ranked)
10. “Compress/Repress” from Challengers (PR: 10) (E)
Dropped Out:
TBD from Mufasa: The Lion King
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 4) (+1)
4. Nosferatu (PR: 3) (-1)
5. Joker: Folie à Deux (PR: 7) (+2)
Other Possibilities:
6. Wicked (PR: 8) (+2)
7. Furiosa: A Mad Max Saga (PR: 6) (-1)
8. Conclave (PR: 5) (-3)
9. Beetlejuice Beetlejuice (PR: Not Ranked)
10. Queer (PR: 9) (-1)
Dropped Out:
Maria
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 3) (+1)
3. Gladiator II (PR: 2) (-1)
4. A Complete Unknown (PR: 5) (+1)
5. Wicked (PR: 9) (+4)
Other Possibilities:
6. Joker: Folie à Deux (PR: 7) (+1)
7. Furiosa: A Mad Max Saga (PR: 4) (-3)
8. Nosferatu (PR: Not Ranked)
9. A Quiet Place: Day One (PR: 10) (+1)
10. Civil War (PR: Not Ranked)
Dropped Out:
Emilia Pérez
Twisters
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Gladiator II (PR: 6) (+3)
4. Furiosa: A Mad Max Saga (PR: 3) (-1)
5. Here (PR: 4) (-1)
Other Possibilities:
6. Blitz (PR: Not Ranked)
7. Twisters (PR: 7) (E)
8. Alien: Romulus (PR: Not Ranked)
9. Deadpool & Wolverine (PR: 10) (+1)
10. Wicked (PR: 5) (-5)
Dropped Out:
Godzilla x Kong: The New Empire
Mufasa: The Lion King
And that equates to these movies generating these numbers of nominations:
11 Nominations
Dune: Part Two
9 Nominations
Blitz
8 Nominations
Emilia Pérez
6 Nominations
Gladiator II, Sing Sing
5 Nominations
Anora, Conclave, Joker: Folie à Deux, Queer
4 Nominations
Nosferatu
3 Nominations
A Complete Unknown, Nickel Boys, The Piano Lesson, Wicked
2 Nominations
A Different Man, A Real Pain
1 Nomination
Beetlejuice Beetlejuice, Black Box Diaries, Challengers, The Count of Monte Cristo, Daughters, Diane Warren: Relentless, Flow, Furiosa: A Mad Max Saga, The Girl with the Needle, Grand Tour, Hard Truths, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Maria, Memoir of a Snail, Nightbitch, The Outrun, The Room Next Door, Soundtrack to a Coup d’Etat, Sugarcane, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Will & Harper
Is Saturday Night alright for Oscar? Jason Reitman’s latest picture chronicles the premiere of SNL back in 1975. The surprise announcement this week is that it has wrapped production and will hit theaters on October 11th. That’s exactly 49 years after the iconic NBC sketch show debuted.
One week after the Bob Dylan biopic A Complete Unknown joined the 2024 calendar, Saturday will try to get into the Academy mix. The most likely categories for the Sony release are significant ones – Picture, Director, and especially Original Screenplay. The cast also presents some possibilities like Gabriel LaBelle (from The Fabelmans) as Lorne Michaels. I’m assuming he’d be campaigned for in lead Actor though nothing is confirmed. In Supporting Actress, let’s see if Rachel Sennott as writer Rosie Shuster and Ella Hunt as legendary cast member Gilda Radner get in the convo.
I am not elevating Saturday Night into my predictions for any race yet, but you’ll see it in the possibilities section.
The Piano Lesson gets a boost this week as it is back in BP over The Seed of the Sacred Fig. Piano‘s Samuel L. Jackson also returns to #1 in Supporting Actor with his costar Danielle Deadwyler back in the quintet for Supporting Actress. Natasha Lyonne (His Three Daughters) drops.
Mohammad Rasolouf in Director also falls out for Seed in favor of Anora‘s Sean Baker. Pedro Almodóvar’s The Room Next Door shifts from Original to Adapted Screenplay and makes my cut with Dune: Part Two on the outside looking in.
I’ll also note that Conclave is now 2nd in my projections for total nominations (9) behind Dune‘s 10.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Sing Sing (PR: 3) (+1)
3. Dune: Part Two (PR: 2) (-1)
4. Conclave (PR: 4) (E)
5. Emilia Pérez (PR: 5) (E)
6. Anora (PR: 6) (E)
7. Queer (PR: 7) (E)
8. Nickel Boys (PR: 9) (+1)
9. A Complete Unknown (PR: 8) (-1)
10. The Piano Lesson (PR: 11) (+1)
Other Possibilities:
11. The Seed of the Sacred Fig (PR: 10) (-1)
12. Nosferatu (PR: 15) (+3)
13. Joker: Folie à Deux (PR: 12) (-1)
14. Nightbitch (PR: 14) (E)
15. The Room Next Door (PR: 19) (+4)
16. Gladiator II (PR: 14) (-2)
17. Maria (PR: 17) (E)
18. Saturday Night (PR: Not Ranked)
19. A Real Pain (PR: 22) (+3)
20. The End (PR: 16) (-4)
21. A Different Man (PR: 23) (+2)
22. Hard Truths (PR: 20) (-2)
23. The Fire Inside (PR: 21) (-2)
24. All We Imagine as Light (PR: 18) (-6)
25. Here (PR: 24) (-1)
Dropped Out:
Wicked
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Jacques Audiard, Emilia Pérez (PR: 4) (E)
5. Sean Baker, Anora (PR: 6) (+1)
Other Possibilities:
6. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 5) (-1)
7. Greg Kwedar, Sing Sing (PR: 7) (E)
8. Luca Guadagnino, Queer (PR: 8) (E)
9. Robert Eggers, Nosferatu (PR: 15) (+6)
10. James Mangold, A Complete Unknown (PR: 9) (-1)
11. RaMell Ross, Nickel Boys (PR: 10) (-1)
12. Todd Phillips, Joker: Folie à Deux (PR: 14) (+2)
13. Ridley Scott, Gladiator II (PR: 11) (-2)
14. Malcolm Washington, The Piano Lesson (PR: Not Ranked)
15. Marielle Heller, Nightbitch (PR: 12) (-3)
Dropped Out:
Payal Kapadia, All We Imagine as Light
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Mikey Madison, Anora (PR: 3) (E)
4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)
5. Saoirse Ronan, The Outrun (PR: 5) (E)
Other Possibilities:
6. Julianne Moore, The Room Next Door (PR: 6) (E)
7. Lady Gaga, Joker: Folie à Deux (PR: 7) (E)
8. Marianne Jean-Baptiste, Hard Truths (PR: 8) (E)
9. Carrie Coon, His Three Daughters (PR: 9) (E)
10. Ryan Destiny, The Fire Inside (PR: 10) (E)
11. June Squibb, Thelma (PR: 12) (+1)
12. Demi Moore, The Substance (PR: 11) (-1)
13. Florence Pugh, We Live in Time (PR: 13) (E)
14. Zendaya, Challengers (PR: 14) (E)
15. Pamela Anderson, The Last Showgirl (PR: 15) (E)
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. Timothée Chalamet, A Complete Unknown (PR: 4) (E)
5. Sebastian Stan, A Different Man (PR: 5) (E)
Other Possibilities:
6. John David Washington, The Piano Lesson (PR: 7) (+1)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (-1)
8. Andrè Holland, The Actor (PR: 8) (E)
9. Ethan Herisse, Nickel Boys (PR: 11) (+2)
10. Glen Powell, Hit Man (PR: 9) (-1)
11. Jesse Plemons, Kinds of Kindness (PR: 10) (-1)
12. Paul Mescal, Gladiator II (PR: 12) (E)
13. Tom Hanks, Here (PR: 13) (E)
14. Gabriel LaBelle, Saturday Night (PR: Not Ranked)
15. Jesse Eisenberg, A Real Pain (PR: 15) (E)
Dropped Out:
Andrew Garfield, We Live in Time
Best Supporting Actress
Predicted Nominees:
1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 1) (E)
2. Zoe Saldaña, Emilia Pérez (PR: 2) (E)
3. Saoirse Ronan, Blitz (PR: 3) (E)
4. Isabella Rossellini, Conclave (PR: 4) (E)
5. Danielle Deadwyler, The Piano Lesson (PR: 6) (+1)
Other Possibilities:
6. Tilda Swinton, The Room Next Door (PR: 7) (+1)
7. Natasha Lyonne, His Three Daughters (PR: 5) (-2)
8. Selena Gomez, Emilia Pérez (PR: 8) (E)
9. Joan Chen, Dídi (PR: 9) (E)
10. Lesley Manville, Queer (PR: 11) (+1)
11. Elle Fanning, A Complete Unknown (PR: 10) (-1)
12. Glenn Close, The Deliverance (PR: 12) (E)
13. Elizabeth Olsen, His Three Daughters (PR: 13) (E)
14. Valeria Golino, Maria (PR: 14) (E)
15. Rachel Sennott, Saturday Night (PR: Not Ranked)
Dropped Out:
Kathy Burke, Blitz
Best Supporting Actor
Predicted Nominees:
1. Samuel L. Jackson, The Piano Lesson (PR: 2) (+1)
2. Clarence Maclin, Sing Sing (PR: 1) (-1)
3. Stanley Tucci, Conclave (PR: 3) (E)
4. Kieran Culkin, A Real Pain (PR: 4) (E)
5. Denzel Washington, Gladiator II (PR: 5) (E)
Other Possibilities:
6. Adam Pearson, A Different Man (PR: 7) (+1)
7. Drew Starkey, Queer (PR: 6) (-1)
8. Harris Dickinson, Blitz (PR: 9) (+1)
9. Brian Tyree Henry, The Fire Inside (PR: 10) (+1)
10. John Lithgow, Conclave (PR: 8) (-2)
11. Edward Norton, A Complete Unknown (PR: 14) (+3)
12. Stephen Graham, Blitz (PR: 11) (-1)
13. Hamish Linklater, Nickel Boys (PR: Not Ranked)
14. Mark Eidelstein, Anora (PR: 12) (-2)
15. Paul Raci, Sing Sing (PR: 13) (-2)
Dropped Out:
Scoot McNairy, Nightbitch
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Emilia Pérez (PR: 6) (+3)
4. A Real Pain (PR: 3) (-1)
5. Hard Truths (PR: 5) (E)
Other Possibilities:
6. The Seed of the Sacred Fig (PR: 4) (-2)
7. Saturday Night (PR: Not Ranked)
8. His Three Daughters (PR: 8) (E)
9. The End (PR: 9) (E)
10. Maria (PR: 12) (+2)
11. Dídi (PR: 10) (-1)
12. Challengers (PR: 11) (-1)
13. Kinds of Kindness (PR: 13) (E)
14. A Different Man (PR: Not Ranked)
15. The Substance (PR: Not Ranked)
Dropped Out:
The Room Next Door (moved to Adapted Screenplay)
All We Imagine as Light
I Saw the TV Glow
Best Adapted Screenplay
Predicted Nominees:
1. Conclave (PR: 1) (E)
2. Sing Sing (PR: 2) (E)
3. Nickel Boys (PR: 3) (E)
4. Queer (PR: 4) (E)
5. The Room Next Door (PR: Not Ranked) – moved from Original Screenplay
Other Possibilities:
6. The Piano Lesson (PR: 6) (E)
7. Dune: Part Two (PR: 5) (-2)
8. Nightbitch (PR: 7) (-1)
9. Hit Man (PR: 8) (-1)
10. A Complete Unknown (PR: 9) (-1)
11. Joker: Folie à Deux (PR: 10) (-1)
12. Inside Out 2 (PR: 11) (-1)
13. Nosferatu (PR: 14) (+1)
14. Gladiator II (PR: 12) (-2)
15. The Fire Inside (PR: 13) (-2)
Dropped Out:
Here
Best International Feature Film
Predicted Nominees:
1. Emila Pérez (PR: 1) (E)
2. I’m Still Here (PR: 2) (E)
3. Grand Tour (PR: 5) (+2)
4. The Count of Monte Cristo (PR: 4) (E)
5. The Girl with the Needle (PR: Not Ranked)
Other Possibilities:
6. All We Imagine as Light (PR: 3) (-3)
7. Evil Does Not Exist (PR: 8) (+1)
8. Uprising (PR: 7) (-1)
9. Caught by the Tides (PR: 6) (-3)
10. Kneecap (PR: 9) (-1)
Dropped Out:
Simon of the Mountain
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Wallace & Gromit: Vengeance Most Fowl (PR: 4) (+1)
4. Memoir of a Snail (PR: 3) (-1)
5. Flow (PR: 5) (E)
Other Possibilities:
6. Piece by Piece (PR: 6) (E)
7. Moana 2 (PR: 7) (E)
8. Savages (PR: 8) (E)
9. The Lord of the Rings: The War of the Rohirrim (PR: Not Ranked)
10. Transformers One (PR: 10) (E)
Dropped Out:
Orion and the Dark
Best Documentary Feature
Predicted Nominees:
1. Daughters (PR: 1) (E)
2. Black Box Diaries (PR: 2) (E)
3. Will & Harper (PR: 3) (E)
4. Soundtrack to a Coup d’Etat (PR: 5) (+1)
5. No Other Land (PR: 4) (-1)
Other Possibilities:
6. Sugarcane (PR: 7) (+1)
7. Super/Man: The Christopher Reeve Story (PR: 6) (-1)
8. Gaucho Gaucho (PR: 8) (E)
9. Union (PR: 9) (E)
10. Skywalkers: A Love Story (PR: Not Ranked)
Dropped Out:
Frida
Best Cinematography
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Joker: Folie à Deux (PR: 5) (+2)
4. Nosferatu (PR: 3) (-1)
5. Queer (PR: 10) (+5)
Other Possibilities:
6. Anora (PR: 4) (-2)
7. Conclave (PR: 8) (+1)
8. Emilia Pérez (PR: 6) (-2)
9. Gladiator II (PR: 7) (-2)
10. A Complete Unknown (PR: Not Ranked)
Dropped Out:
Maria
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Gladiator II (PR: 3) (+1)
3. Wicked (PR: 2) (-1)
4. Joker: Folie à Deux (PR: 7) (+3)
5. Nosferatu (PR: 5) (E)
Other Possibilities:
6. Furiosa: A Mad Max Saga (PR: 8) (+2)
7. Blitz (PR: 4) (-3)
8. Maria (PR: 6) (-2)
9. Queer (PR: 9) (E)
10. Beetlejuice Beetlejuice (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Anora (PR: 4) (+1)
4. Conclave (PR: 3) (-1)
5. Emilia Pérez (PR: 7) (+2)
Other Possibilities:
6. A Complete Unknown (PR: 5) (-1)
7. Sing Sing (PR: 8) (+1)
8. Joker: Folie à Deux (PR: 6) (-2)
9. Queer (PR: Not Ranked)
10. Challengers (PR: 10) (E)
Dropped Out:
Gladiator II
Best Makeup & Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. Joker: Folie à Deux (PR: 3) (E)
4. A Different Man (PR: 5) (+1)
5. Wicked (PR: 6) (+1)
Other Possibilities:
6. Furiosa: A Mad Max Saga (PR: 4) (-2)
7. Beetlejuice Beetlejuice (PR: 7) (E)
8. Maria (PR: 9) (+1)
9. Sasquatch Sunset (PR: 10) (+1)
10. Nightbitch (PR: Not Ranked)
Dropped Out:
Blitz
Best Original Score
Predicted Nominees
1. Dune: Part Two (PR: 1) (E)
2. Joker: Folie à Deux (PR: 2) (E)
3. Queer (PR: 3) (E)
4. Gladiator II (PR: 6) (+2)
5. Conclave (PR: 8) (+3)
Other Possibilities:
6. Sing Sing (PR: 5) (-1)
7. Blitz (PR: 7) (E)
8. Emilia Pérez (PR: 4) (-4)
9. Challengers (PR: 9) (E)
10. The Piano Lesson (PR: Not Ranked)
Dropped Out:
Here
Best Original Song
Predicted Nominees:
1. TBD from Emilia Pérez (PR: 1) (E)
2. TBD from Joker: Folie à Deux (PR: 2) (E)
3. TBD from Sing Sing (PR: 6) (+3)
4. “Relentless” from Diane Warren: Relentless (PR: 4) (E)
5. TBD from Piece by Piece (PR: 5) (E)
Other Possibilities:
6. TBD from Moana 2 (PR: 7) (+1)
7. “Harper and Will Go West” from Will & Harper (PR: 10) (+3)
8. TBD from Wicked (PR: 3) (-5)
9. TBD from Mufasa: The Lion King (PR: 9) (E)
10. “Compress/Repress” from Challengers (PR: 8) (-2)
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Nosferatu (PR: 3) (E)
4. Gladiator II (PR: 4) (E)
5. Conclave (PR: 8) (+3)
Other Possibilities:
6. Furiosa: A Mad Max Saga (PR: 7) (+1)
7. Joker: Folie à Deux (PR: 5) (-2)
8. Wicked (PR: 6) (-2)
9. Queer (PR: 9) (E)
10. Maria (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Gladiator II (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Furiosa: A Mad Max Saga (PR: 4) (E)
5. A Complete Unknown (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: 10) (+4)
7. Joker: Folie à Deux (PR: 6) (-1)
8. Twisters (PR: 9) (+1)
9. Wicked (PR: 7) (-2)
10. A Quiet Place: Day One (PR: 8) (-2)
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Furiosa: A Mad Max Saga (PR: 3) (E)
4. Here (PR: 5) (+1)
5. Wicked (PR: 9) (+4)
Other Possibilities:
6. Gladiator II (PR: 4) (-2)
7. Twisters (PR: 7) (E)
8. Godzilla x Kong: The New Empire (PR: 6) (-2)
9. Mufasa: The Lion King (PR: Not Ranked)
10. Deadpool & Wolverine (PR: 10) (E)
Dropped Out:
Blitz
That equates to these movies nabbing these numbers of nominations:
10 Nominations
Dune: Part Two
9 Nominations
Conclave
8 Nominations
Blitz, Emilia Pérez
5 Nominations
Anora, Gladiator II, Joker: Folie à Deux, Queer, Sing Sing
4 Nominations
Nosferatu
3 Nominations
A Complete Unknown, Nickel Boys, The Piano Lesson, Wicked
2 Nominations
A Different Man, Furiosa: A Mad Max Saga, A Real Pain
1 Nomination
Black Box Diaries, The Count of Monte Cristo, Daughters, Diane Warren: Relentless, Flow, The Girl with the Needle, Grand Tour, Hard Truths, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Maria, Memoir of a Snail, Nightbitch, No Other Land, The Outrun, Piece by Piece, The Room Next Door, Soundtrack to a Coup d’Etat, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Will & Harper
Unlike 2016’s ballyhooed female Ghostbusters reboot or 2021’s Ghostbusters: Afterlife (which served as a sequel to the first two), Frozen Empire doesn’t need to burden itself with spending time introducing new characters to mix with the oldies and three-year-old newbies. The fifth franchise feature, unlike Afterlife, doesn’t have to employ a long windup before it nourishes our nostalgic hankerings. Unfortunately it still does yet I found it slightly more fulfilling than its two predecessors. That’s not sizzling praise, but I wasn’t totally cold to its charms and it’s the fresher characters that often shine.
You may recall that Afterlife introduced us to Egon Spengler’s brood that he abandoned for what turned out to be noble reasons. Granddaughter Phoebe (Mckenna Grace) is Harold Ramis’s spitting image in look, spirit, and overall nerdiness. She’s moved from Oklahoma to NYC along with mom (Carrie Coon), stepdad (Paul Rudd), and brother (Finn Wolfhard) and they’ve set up shop in that iconic firehouse where their patriarch slid down the pole with the OG ‘Busters. They are carrying on the family tradition and, yes, it makes them feel good until Mayor Walter Peck (William Atherton, returning after four decades after a memorable role in the original) sidelines Phoebe. Ray (Dan Aykroyd) and Winston (Ernie Hudson) and Janine (Annie Potts, finally getting to put on a uniform) are still around as is Venkman (Bill Murray)… sort of. One gets the impression that Murray crashes the party just long enough for the paycheck and perhaps a week on set. He still fits in a drolly satisfying one-liner or two as only he can.
There’s a lot of characters to keep up with and the script from director Gil Kenan and Jason Reitman develops juggle problems. Rudd and Coon, whose romance was a focal point three years ago, are given the short shrift. Wolfhard and Celeste O’Connor (who hit it off in Oklahoma as well) fare even worse. Same goes for Phoebe’s buddy Podcast (Logan Kim).
The most promising additions are the brand new ones that factor into the plot. Lazy Nadeem (Kumail Nanjiani) sells his dead grandma’s shiny orb to Ray for a quick few bucks. It turns out to be a device that could start a new ice age while also summoning previously captured spirits back to the Big Apple. Nanjiani’s comedic spirits are a high point. Patton Oswalt’s quick work as a library employee in the New York Public Library is one of the better scenes. We have Emily Alyn Lind as a long departed apparition trying to reunite with her loved ones. In the meantime, she plays chess with Phoebe with a slight romantic undertone. Some of this material is decent enough that I wondered whether the wistful remembrances of what entertained us from 1984 is needed anymore.
Saying that Empire is the best sequel in the series is really not saying much. A more appropriate way to say it might be that it’s the least disappointing. Many of the same drawbacks of what came between 1984 and 2024 are present. I did, however, find it funnier than the schmaltzy Afterlife. Maybe there’s a little life left in this franchise after all. Frozen Empire shows that sporadically.
Ghostbusters: Frozen Empire attempts to match its 2021 predecessor’s grosses when it debuts this weekend. Chances are that it will also match its Oscar prospects. The fifth feature in the franchise that began in 1984, Gil Kenan directs with Jason Reitman coproducing and cowriting. Stars from Afterlife three years back return including Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor, and Logan Kim. Cast members from 40 years ago are in attendance – Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton. Kumail Nanjiani and Patton Oswalt additionally join the bustin’.
Critical reaction today gives it the coldest Rotten Tomatoes score of all Ghostbusters at 47%. The original nabbed 95% while its 1989 sequel only managed 55%. 2016’s reboot was rated 74% while Afterlife received 64%.
The Academy’s history with this series is limited to part 1. Ray Parker Jr.’s inescapable theme song was up for Best Song (losing to Stevie Wonder’s “I Just Called to Say I Love You” from The Woman in Red) and the Visual Effects were in contention (coming up short to Indiana Jones and the Temple of Doom). Three ceremonies ago, Afterlife was shortlisted for VE but didn’t make the final five cut. The special effects (which some reviewers are criticizing) are highly unlikely to catch the attention of voters this time around. My Oscar Prediction posts will continue…
Arriving almost 40 years after the classic original, Ghostbusters: Frozen Empire looks to heat up multiplexes on March 22nd. The fifth feature in the franchise serves as a sequel to 2021’s Ghostbusters: Afterlife with Gil Kenan taking over directorial duties from Jason Reitman (the pair cowrote the script together). Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor, and Logan Kim reprise their roles alongside OG cast members Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton. Newcomers to the series include Kumail Nanjiani and Patton Oswalt.
Originally slated for December of last year, Empire looks to exceed or match the grosses of Afterlife. Nearly two and a half years ago, it started off with $44 million and eventual domestic earnings of $129 million. That is right on pace with 2016’s ballyhooed reboot with Melissa McCarthy and Kristin Wiig which premiered to $46 million and $128 million overall.
2021’s version proved the franchise still has some juice. However, I wouldn’t be surprised if this earns slightly less due to Afterlife‘s middling critical reception and audience reaction that wasn’t totally over the moon. Low 40s sounds about right.
Ghostbusters: Frozen Empire opening weekend prediction: $42.7 million
Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!
Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five that I believe would’ve gotten in. It started with 2008 and that post can be accessed here:
We now move to 2007. And we, of course, know five movies that would make the cut. That would be the quintet of pics that got nominated. No Country for Old Men from the Coen Brothers was the night’s big winner with four victories: Picture, Director, Supporting Actor (Javier Bardem), and Adapted Screenplay. It also nabbed four additional nominations.
Tying Country for the most mentions is Paul Thomas Anderson’s There Will Be Blood with 8 nods and two wins for Actor (Daniel Day-Lewis) and Cinematography.
The other three contenders all took home one Oscar. Joe Wright’s Atonement received 7 noms and was victorious for the Original Score. Jason Reitman’s Juno tallied 4 mentions and a win in Original Screenplay. Tony Gilroy’s Michael Clayton achieved 7 nods with Tilda Swinton taking Supporting Actress.
Moving to the five pictures that I believe would’ve joined an expanded cut, Pixar strikes again. For 2008, I picked Wall-E as an addition. For 2007, the acclaimed Ratatouille had five nominations and a win for Animated Feature. I believe that’s enough that we would’ve seen it included.
The same goes for Julian Schnabel’s The Diving Bell and the Butterfly. Schnabel was in the mix for Best Director and it was also up in heavy hitter races Adapted Screenplay, Cinematography, and Film Editing. It could’ve been #6 on the board.
After that, it gets a little tricky. There are a few films that generated a couple of important nods, but didn’t manage to break out elsewhere. Away from Her saw Julie Christie in contention for Actress plus an Adapted Screenplay mention. The Savages saw Laura Linney in Best Actress along with Original Screenplay. The Assassination of Jesse James by the Coward Robert Ford made two lists for Supporting Actor (Casey Affleck and Cinematography). Yet its reputation has grown in time. Elizabeth: The Golden Age saw Cate Blanchett in Actress and it won Costume Design. 3:10 to Yuma was up for Original Score and Sound Mixing. Ultimately I decided none of these would make the dance.
The hardest film to leave off was The Bourne Ultimatum. The third chapter in Matt Damon’s action franchise went 3 for 3 by taking both Sound races (they’ve since been combined) and Film Editing. However, I just couldn’t pull the trigger on it finding a spot among the ten.
The second toughest to leave off is La Vie en Rose for which Marion Cotillard took home Best Actress (as well as a Makeup victory). It didn’t, on the other hand, score well in precursors.
So what other three pictures get in? Tim Burton’s Sweeney Todd: The Demon Barber of Fleet Street won Art Direction and was up for Actor (Johnny Depp) and Costume Design. It also nabbed a Critics Choice nod and won the Golden Globe for Musical/Comedy (over Juno).
The Globes and Critics Choice also found room for Ridley Scott’s American Gangster. It underperformed at Oscar with two inclusions for Supporting Actress and Art Direction. Yet I suspect it might’ve just made it.
Into the Wild from Sean Penn is my final pick. It was another underwhelming performer with two spots for Supporting Actor (Hal Holbrook) and Film Editing. The Critics Choice inclusion puts it barely over some of the aforementioned hopefuls.
And now for a new category on my blog that will update itself yearly after 13 initial posts covering 2009-21. It’s a simple concept. In 2009 – the Academy shifted their rules from a set amount of five Best Picture nominees to 10. That lasted for 2 years. In 2011, the number could fluctuate anywhere from 5-10. In most years, the magic number was 8 or 9 (it was never less than 8). Last year, the big race reverted back to a definite 10.
So… what if it hadn’t? What if 5 nominees was never altered? Well, Oscar speculators like yours truly would have to write posts predicting what would’ve been the final five. So that’s what this is all about.
Naturally it begins with 2009. Before that, something from 2008 might’ve contributed to the shift when The Dark Knight famously missed BP even though it was a critical darling and box office smash. A shift to 10 allowed popcorn favorites and smaller titles to make the cut. And they did.
When it comes to whittling down from 10 (or later 8 or 9) to five, there’s plenty of factors in play. What else did the movie get nominated for or win? Some races are more important than others like Director and Editing or the Screenplay derbies.
Yet it’s far from an exact science. This is educated guesswork based on Oscar history. I’ll walk through each title and give an ultimate Yes or No on whether it makes the five. The first is automatic and that’s whatever won. In 2009 that honor belonged to…
The Hurt Locker
Does It Make the Final Five?
Yes because it won Best Picture.
The other 9? That’s where it gets interesting. Let’s take them alphabetically, shall we?
Avatar
When Oscar nominations rolled out near the beginning of 2010, James Cameron’s 3D sensation was basking in the glow of becoming the biggest movie ever. That meant he was breaking his own record from 13 years earlier with Titanic. Cameron was nominated for Director – losing to ex-wife Kathryn Bigelow for Locker. The film also didn’t manage a Screenplay nod though Cameron is known more for his technical prowess than writing skills. On the tech side it managed 7 nods and won three (Art Direction, Cinematography, Visual Effects). So…
Does It Make the Final Five?
Yes. Though it lost a number of its nods to Locker, the gargantuan grosses would’ve been enough for it to advance.
The Blind Side
Sandra Bullock’s crowd pleasing football drama made her an Oscar winner. Yet those are the only two nominations it received as it couldn’t make the Adapted Screenplay shortlist. In fact, Avatar and this are the only two BP nominees not to see their scripts mentioned.
Does It Make the Final Five?
No. This is a perfect example of a blockbuster getting in due to the expansion that wouldn’t have with just five.
District 9
Neill Blomkamp’s acclaimed sci-fi tale was a surprise summer hit and he’s yet to replicate its mix of audience and critical appreciation. It was nominated in three other races – Adapted Screenplay, Visual Effects, and Film Editing. No wins.
Does It Make the Final Five?
This one is actually close for me. The screenplay and editing nods certainly make it doable. If it had landed Director, I’d probably say yes. A bit of a coin flip, but I’ll land on No.
An Education
The coming-of-age pic scored Carey Mulligan an Actress nod as well as Adapted Screenplay.
Does It Make the Final Five?
It’s not totally out of the realm of possibility that it could’ve snuck in, but gotta go No. It missed a Golden Globe nod for example and a lot of the focus was on Mulligan’s work.
Inglourious Basterds
Quentin Tarantino’s WWII opus was his return to significant awards attention 15 years following Pulp Fiction. In addition to the Pic nod, he was nominated for his direction and screenplay (losing both to Locker). Other nominations: Sound Editing, Sound Mixing, Cinematography, Film Editing, and a Supporting Actor victory for Christoph Waltz.
Does It Make the Final Five?
Yes. The 8 nominations are enough to indicate as much.
Precious
The breakthrough drama from Lee Daniels scored five other mentions for Directing, Gabourey Sidibe in Actress, Mo’Nique in Supporting Actress (a victory), Adapted Screenplay (another win), and Editing.
Does It Make the Final Five?
Yes. The screenplay win puts it over the top.
A Serious Man
The Coen Brothers dark comedy received just one other nod for their screenplay with acclaimed lead Michael Stuhlbarg missing the Best Actor cut.
Does It Make the Final Five?
Even with the love for its brotherly makers – No.
Up
As far as I’m concerned, the Pixar masterpiece’s first few minutes should win Best Picture every year. The tearjerker was a rare animated Best Picture contender and it contended for four others. It obviously won Animated Feature as well as Original Score in addition to mentions in Original Screenplay and Sound Editing.
Does It Make the Final Five?
I’m saying No, but I’m not sure of that. I’d probably put it sixth.
Up in the Air
Our other Up contender is Jason Reitman’s workplace dramedy which received six nods. The others were Director, Actor (George Clooney), Supporting Actress (both Vera Farmiga and Anna Kendrick), and Adapted Screenplay.
Does It Make the Final Five?
Yes. While it retrieved no statues, I think it would’ve just edged other hopefuls such as Up or District 9.
So that means if 2009 had just five Best Picture nominees, I believe they would’ve been:
The Hurt Locker (winner)
Avatar
Inglourious Basterds
Precious
Up in the Air
An important note – the movies here match the five Best Director nominees. That’s rare and that will be rare in subsequent postings on years that follow. From 2000-2008 that only occurred twice (2005 and 2008). So don’t get used to it.
I shall return soon with my rumblings and final five for 2010!
The original Ghostbusters, lest we forget, was filled with ribald humor coming from SNL vets that were in the prime of their careers. Overloading the reboot/sequel Afterlife with gooey family drama feels, in many ways, as misplaced as the missteps that 2016’s version took or that 1989’s traditional follow-up was a fairly weak retread of the first. This franchise hasn’t succeeded in their attempts to capitalize on what made 1984’s pic special and that extends to this.
It’s not for a lack of trying as the 2021 iteration goes to extreme lengths to get our nostalgia radars working into overdrive. Jason Reitman takes over directorial duties from his father Ivan, who made the 80s blockbusters. There’s not a piece of attire or Twinkie or demonic marshmallow from 1984 that isn’t placed with the clear purpose of inspiring wild cheers. Sometimes you wanna go where everybody knows the name of every nearly four decade old artifact, vehicle or gadget. In this Afterlife, it more often feels forced than welcome.
We shift from the Big Apple to the sleepy town of Summerville, Oklahoma. Egon Spangler, Harold Ramis’s nerdy scientist from the OG ‘Busters, has relocated to a dilapidated farmhouse and cut off contact with his family and former colleagues. His demise in the prologue causes his heirs to inhabit the dusty domicile. This includes down on her luck daughter Callie (Carrie Coon) and her two kids. Since I think it’s now contactually necessary for Stranger Things players to participate in these reboots, Finn Wolfhard is her teenage son Trevor. Mckenna Grace is the real lead as 12-year-old daughter Phoebe, who resembles her granddad in looks and interests. An outcast at school, she bonds with fellow geek Podcast (Logan Kim) and her summer school teacher Mr. Grooberson (Paul Rudd).
Trevor and Phoebe are completely unaware that Egon was a Ghostbuster (we’ll just go with that I suppose). Paranormal activities start revealing his life’s work including Phoebe’s ongoing chess game with an unseen spirit. The iconic car (yay!) is stored on the property. Of course, the late Egon was in Summerville for a reason and it has to do with familiar haunters from ’84 and preventing them from returning.
This all leads to familiar heroic faces eventually turning up (though not with significant screen time). With their limited participation, the question is whether the new and much younger generation of spirit crushers is compelling enough to warrant a feature. I didn’t think so, but there are some positives. Grace’s performance is terrific (while Wolfhard and his budding romance with his bellhop coworker Celeste O’Connor adds little). Rudd’s considerable talents (he takes a liking to Callie) add a bit of fun. The sight of Bill Murray randomly turning up anywhere is good for a smile (though not much more here than reading about how he does so in real life).
However, the tone in general struck me as off. It’s hard not to be touched by its tribute to the late Harold Ramis (a man responsible for so many laughs in landmark comedies of the past). I felt the sentiment because of that and not the absence of Egon. Afterlife seems trapped in the notion that our emotional connections to these characters run deeper than they do. Like many reboots nowadays, the mere presence of something old is meant to provide the requisite entertainment value. It made me feel mostly dispirited.
It’s in with the old and in with the new as Ghostbusters: Afterlife debuts in theaters November 19th. This was originally scheduled to haunt multiplexes in the summer of 2020 before numerous COVID delays. Jason Reitman directs and there’s some family legacy involved as dad Ivan made parts I and II in 1984 and 1989. Newcomers to the series include Carrie Coon, Finn Wolfhard, Mckenna Grace, Tracy Letts, and Paul Rudd (not to mention Stay Puft Marshmallow Minis according to the trailer). Returnees from the 80s are Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and Sigourney Weaver.
If rebooting this franchise sounds familiar – that’s because it happened five years ago to middling results. The Paul Feig helmed remake led by Melissa McCarthy and Kristin Wiig took in $46 million on its opening weekend but fizzled quickly due to so-so reviews and audience reaction. It also featured the OG Busters making cameos. This new iteration serves as a direct sequel to the first two.
Some estimates have Afterlife beginning at $50 million or above. That’s certainly doable, but I’m not so sure. While it’s obviously a well-known property and the ’84 original is rightly considered a classic, both follow-ups have been letdowns. The 71% Rotten Tomatoes score is OK, but its actually below the 74% that greeted the ballyhooed 2016 pic.
I’m projecting that this makes it to $35-$40 million and doesn’t get to the number we saw just a half decade back.
Ghostbusters: Afterlife opening weekend prediction: $38.1 million
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