Best Picture 2024: The Final Five

As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.

What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?

On the eve of the 98th Academy Awards, let’s ponder what five would have done so at the 97th. One is for certain. We know that Sean Baker’s Anora has a reserved slot. It won five out of six awards it was up for – Picture, Director, Actress (Mikey Madison), Original Screenplay, and Film Editing.

Picking the other 4 of 9 for the final five is less clear. Here’s my best speculation.

The Brutalist

Brady Corbet’s epic immigrant drama scored ten nods and won three for Adrien Brody’s lead performance, Original Score, and Cinematography. Other nods went to the director, Supporting Actress (Felicity Jones), Supporting Actor (Guy Pearce), Original Screenplay, Film Editing, and Production Design.

Does It Make the Final Five?

Yes and it can certainly be argued that it was second in the BP voting.

A Complete Unknown

James Mangold’s Bob Dylan biopic starring Timothée Chalamet landed a laudable eight nominations – BP, Director, Actor, Monica Barbaro in Supporting Actress, Edward Norton in Supporting Actor, Adapted Screenplay, Costume Design, and Sound. It was one of two BP nominees that went home empty-handed.

Does It Make the Final Five?

I don’t think it’s automatic but yes. Despite the 0 for 8 tally, the fact that it made the directing five puts it over the edge.

Conclave

Edward Berger’s drama about the search a new Pope also landed eight mentions with the others coming in Actor (Ralph Fiennes), Supporting Actress (Isabella Rossellini), Adapted Screenplay, Costume Design, Film Editing, Original Score, and Production Design. It won for the script.

Does It Make the Final Five?

Like Unknown, not automatic but I’m going with yes because of the screenplay victory.

Dune: Part Two

The Denis Villeneuve sequel managed five nominations with two victories in Sound and Visual Effects and at bats for Cinematography and Production Design.

Does It Make the Final Five?

No. That handful is nods is only half of what the 2021 predecessor achieved and Villeneuve’s omission is telling.

Emilia Pérez

Jacques Audiard’s crime musical easily led the ceremony with 13 nominations. There were victories in Supporting Actress (Zoe Saldaña) and Original Song. Other noms were for directing, Actress (Karla Sofia Gascón), Adapted Screenplay, International Feature Film, Cinematography, Film Editing, Makeup and Hairstyling, Original Score, another Original Song, and Sound.

Does It Make the Final Five?

Yes. As you may recall, Gascón’s controversial comments likely sunk the pic’s chances at International Feature Film where I’m Still Here would emerge. However, at the time of the nominations, I feel Pérez still would’ve made it in the top half of contention.

I’m Still Here

The Brazilian political drama from Walter Salles was the beneficiary of Emilia backlash when it took the IFF prize. It was also up for Actress (Fernanda Torres).

Does It Make the Final Five?

No. Even with the late breaking international prize, the three noms are second lowest of the lot.

Nickel Boys

RaMell Ross’s drama is the only pic with two nominations with the other coming in Adapted Screenplay.

Does It Make the Final Five?

No and the question was pretty much answered above.

The Substance

Coralie Fargeat was nominated for director in her wild anti-aging body horror saga that won Makeup and Hairstyling and was up for Actress (Demi Moore) and Original Screenplay.

Does It Make the Final Five?

This was the toughest one to leave off, but no. I’d have it sixth. Had Moore received Best Actress, it might be a different story.

Wicked

With 10 noms, the adaptation of the acclaimed Broadway musical won Costume Design and Production Design. It additionally made the ballot for Actress (Cynthia Erivo), Supporting Actress (Ariana Grande), Film Editing, Makeup and Hairstyling, Original Score, Sound, and Visual Effects.

Does It Make the Final Five?

The case could certainly be made, but I’m going no. No direction or screenplay inclusions make the call a bit easier.

That means my 2024 final five consists of the alphabetically top heavy:

Anora

The Brutalist

A Complete Unknown

Conclave

Emilia Pérez

The 98th Academy Awards air tomorrow and down the line, I’ll give you my top 5 for that show!

Oscar Predictions – Springsteen: Deliver Me from Nowhere

Awards prospects for Springsteen: Deliver Me from Nowhere are no longer a complete unknown now that it has premiered at Telluride prior to its October 24th domestic bow. Chronicling the making of his 1982 album Nebraska during a tumultuous personal period, Jeremy Allen White headlines as the legendary Boss in the Scott Cooper directed effort. Jeremy Strong (as longtime manager Jon Landau), Paul Walter Hauser, Stephen Graham, Odessa Young, Gaby Hoffman, Marc Maron, and David Krumholtz costar.

As reviews trickle in from Colorado, some common themes have emerged. Critics are praising its focus on a particular time in Springsteen’s legendary career and avoiding musical biopic cliches. Word-of-mouth indicates this could fare well with Academy voters like last year’s Bob Dylan centered A Complete Unknown. That includes viability in Best Picture, Adapted Screenplay, and down-the-line races like Casting, Film Editing, Makeup and Hairstyling, and certainly Sound. Cooper probably is a long shot for his direction though it is worth noting that James Mangold was a bit of a surprise nominee for Unknown.

As for the performances, White (a two-time Emmy winner for The Bear) seems poised for his first Oscar recognition. In the supporting derbies, it sounds like Strong is the better bet over Graham. Prognosticators have been wondering who would emerge between the two. If the Succession thespian makes the Supporting Actor quintet, it would be his second nom in a row after last year’s The Apprentice. While Odessa Young is being singled out in some write-ups, I doubt she materializes in Supporting Actress. My Oscar Prediction posts will continue…

98th Academy Awards: FIRST Predictions in Best Director

And we are off to the races with my first Oscar predictions for the 98th Academy Awards.

It is just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They have been unfolding on the blog over the next few days. I already posted my take in the acting fields and they can be found here:

98th Academy Awards: FIRST Predictions in Best Actress

98th Academy Awards: FIRST Predictions in Best Actor

98th Academy Awards: FIRST Predictions in Best Supporting Actress

98th Academy Awards: FIRST Predictions in Best Supporting Actor

That brings us to Best Director. This is the one major race of these first six where I named none of the eventual nominees for 97th ceremony back in April of 2024. That means the winner Sean Baker (Anora) and the other quartet of contenders (Jacques Audiard for Emilia Pérez, Brady Corbet for The Brutalist, Coralie Fargeat for The Substance, James Mangold for A Complete Unknown) had yet to reach my radar screen. Two years ago, I already had eventual recipient Christopher Nolan (Oppenheimer) in my high five during the inaugural guesstimate.

Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system much like Anora, Pérez, The Substance, and The Brutalist last time around.

This premiere post projects a return to competition for previous honoree Chloe Zhao with heavy hitters like Paul Thomas Anderson and Guillermo del Toro on the outside looking in.

Here’s the first snapshot with Best Picture up next!

TODD’S FIRST OSCAR PREDICTIONS FOR BEST DIRECTOR AT THE 98TH ACADEMY AWARDS

Park Chan-wook, No Other Choice

Luca Guadagnino, After the Hunt

Andrew Patterson, The Rivals of Amziah King

Josh Safdie, Marty Supreme

Chloe Zhao, Hamnet

Other Possibilities:

Paul Thomas Anderson, One Battle After Another

Noah Baumbach, Jay Kelly

Edward Berger, The Ballad of a Small Player

James Cameron, Avatar: Fire and Ash

Jon M. Chu, Wicked: For Good

Guillermo del Toro, Frankenstein

Mike Flanagan, The Life of Chuck

Yorgos Lanthimos, Bugonia

Spike Lee, Highest 2 Lowest

Joachim Trier, Sentimental Value

97th Academy Awards FINAL Winner Predictions

This is it. After months upon months of speculation and scores of individual Oscar Prediction posts…

After 35 Case Of entries making the argument for and against every Best Picture, Director, Actress, Actor, Supporting Actress, and Supporting Actor nominee…

After trying to pick up clues based on what happened at the Golden Globes, BAFTA, SAG, Critics Choice, PGA, DGA, and more…

After changing and re-changing my mind right up until I type these final words…

These are my final prediction for the 97th Academy Awards airing Sunday with Conan O’Brien hosting!

We’ve had endless chatter on this blog so let’s get to it. For each race, I’m giving you my winner pick with a runner-up and some brief commentary.

BEST PICTURE

Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, Wicked

Unlike last year where Oppenheimer was the obvious pick to win, there is real suspense heading into the last category of the night. Anora took Critics Choice/DGA/PGA, Conclave nabbed BAFTA/SAG Best Ensemble while The Brutalist and Emilia Pérez won their respective Drama and Musical or Comedy competitions at the Globes.

Due to its recent controversies, Pérez is out of the hunt. I honestly could see The Brutalist still emerging. I had it placed at #1 in my overall predictions for a long time during my weekly updates. That said, it’s probably third in the running. Even though one heckuva argument can be made for Conclave and recent momentum, I’m going with Anora.

PREDICTED WINNER: ANORA

Runner-Up: Conclave

BEST DIRECTOR

Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), James Mangold (A Complete Unknown)

It is very dangerous to go against the DGA winner and that’s Sean Baker. Oscar/DGA match nearly every year. If you’re betting on this competition, probably go Baker. Yet Corbet took the Globe and BAFTA. Jon M. Chu (as an outlier) was the Critics Choice honoree. I could see Corbet still pulling this off.

PREDICTED WINNER: BRADY CORBET, THE BRUTALIST

Runner-Up: Sean Baker, Anora

BEST ACTRESS

Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance), Fernanda Torres (I’m Still Here)

Torres (Globe winner for Actress in a Drama) isn’t impossible, but it’s a long shot. This is a real nail biter between Madison and Moore. The former was the surprise BAFTA recipient while Moore’s comeback narrative yielded her the Globe (Musical or Comedy), Critics Choice, and SAG. Had Madison taken SAG, I’d probably be predicting her. I’m sticking with Demi in what could be the closest race of the evening.

PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE

Runner-Up: Mikey Madison, Anora

BEST ACTOR

Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)

Chalamet certainly made this race more intriguing when he took SAG, but Brody has the Globe/Critics Choice/BAFTA combo.

PREDICTED WINNER: ADRIEN BRODY, THE BRUTALIST

Runner-Up: Timothée Chalamet, A Complete Unknown

BEST SUPPORTING ACTRESS

Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)

It was once thought that this could turn into a Grande v. Saldaña showdown. The latter has instead swept through the season. Saldaña appears immune to the Pérez negative publicity.

PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ

Runner-Up: Ariana Grande, Wicked

BEST SUPPORTING ACTOR

Yura Borisvov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)

It’s rare for the Supporting Actor winner not to come from a BP nominee, but Culkin has swept thus far and anyone else taking this would be a major upset at this juncture.

PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN

Runner-Up: Edward Norton, A Complete Unknown

BEST ORIGINAL SCREENPLAY

Anora, The Brutalist, A Real Pain, September 5, The Substance

This is not the slam dunk that I once assumed with Anora. Both A Real Pain and The Substance have picked up unexpected precursor prizes. I’m still going with my BP.

PREDICTED WINNER: ANORA

Runner-Up: A Real Pain

BEST ADAPTED SCREENPLAY

A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing

Conclave should get this though a Nickel Boys upset is feasible.

PREDICTED WINNER: CONCLAVE

Runner-Up: Nickel Boys

BEST INTERNATIONAL FEATURE FILM

Emilia Pérez, Flow, The Girl with the Needle, I’m Still Here, The Seed of the Sacred Fig

This will be the largest test as to how much controversy truly hurt Pérez. A few weeks ago, I would’ve easily picked it. Then came bad press and I’m Still Here sneaking in the BP ten with Torres up in Best Actress. Pérez could still pull this off, but I’m saying Here.

PREDICTED WINNER: I’M STILL HERE

Runner-Up: Emilia Pérez

BEST ANIMATED FEATURE

Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot

Flow and Robot have both picked up precursors. So did Gromit, but that was BAFTA and they honored their own. This feels like a coin flip between Flow and Robot and my gut says the former in a squeaker.

PREDICTED WINNER: FLOW

Runner-Up: The Wild Robot

BEST DOCUMENTARY FEATURE

Black Box Diaries, No Other Land, Porcelain War, Soundtrack to a Coup d’Etat, Sugarcane

The doc branch is truly unpredictable and that’s compounded by precursors being all over the place. In fact, Super/Man: The Christopher Reeve Story picked up a couple honors and it’s not listed here. No Other Land was once thought of as a sweeper and that didn’t materialize. I’ll still say it wins with Porcelain as the most significant threat.

PREDICTED WINNER: NO OTHER LAND

Runner-Up: Porcelain War

BEST CINEMATOGRAPHY

The Brutalist, Dune: Part Two, Emilia Pérez, Maria, Nosferatu

Maria and Nosferatu are possible but I’ll say the epic Brutalist.

PREDICTED WINNER: THE BRUTALIST

Runner-Up: Nosferatu

BEST COSTUME DESIGN

A Complete Unknown, Conclave, Gladiator II, Nosferatu, Wicked

Academy voters should ride with Wicked.

PREDICTED WINNER: WICKED

Runner-Up: A Complete Unknown

BEST FILM EDITING

Anora, The Brutalist, Conclave, Emilia Pérez, Wicked

This is a tough one between Anora, The Brutalist, and Conclave. The Brutalist is tempting and so is going with the BP pick Anora. This feels like a dart board selection and I’m landing on BAFTA honoree Conclave.

PREDICTED WINNER: CONCLAVE

Runner-Up: Anora

BEST MAKEUP AND HAIRSTYLING

A Different Man, Emilia Pérez, Nosferatu, The Substance, Wicked

All signs point to The Substance.

PREDICTED WINNER: THE SUBSTANCE

Runner-Up: Wicked

BEST ORIGINAL SCORE

The Brutalist, Conclave, Emilia Pérez, Wicked, The Wild Robot

I wouldn’t rule out Conclave, but The Brutalist is the pick.

PREDICTED WINNER: THE BRUTALIST

Runner-Up: Conclave

BEST ORIGINAL SONG

“El Mal” from Emilia Pérez; “The Journey” from The Six Triple Eight; “Like a Bird” from Sing Sing; “Mi Camino” from Emilia Pérez; “Never Too Late” from Elton John: Never Too Late

Who knows? Maybe the Academy just goes with Elton John. They could also finally honor songwriter Diane Warren after 15 nomination and zero wins. And this is another test for Pérez with Globe winner “Mi Camino”. I’ll say “Camino” in a pick ’em.

PREDICTED WINNER: “MI CAMINO” FROM EMILIA PÉREZ

Runner-Up: “The Journey” from The Six Triple Eight

BEST PRODUCTION DESIGN

The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked

If The Brutalist over performs and takes BP, I could see this happening. Wicked is the safer pick.

PREDICTED WINNER: WICKED

Runner-Up: The Brutalist

BEST SOUND

A Complete Unknown, Dune: Part Two, Emilia Pérez, Wicked, The Wild Robot

The musicals could surprise. Dune: Part Two is likelier.

PREDICTED WINNER: DUNE: PART TWO

Runner-Up: A Complete Unknown

BEST VISUAL EFFECTS

Alien: Romulus, Better Man, Dune: Part Two, Kingdom of the Planet of the Apes, Wicked

This should be Dune‘s other victory.

PREDICTED WINNER: DUNE: PART TWO

Runner-Up: Better Man

And there you have it! I’ll have a recap up Sunday evening and here’s the breakdown of win totals for the pictures…

4 Wins

The Brutalist

2 Wins

Anora, Conclave, Dune: Part Two, Emilia Pérez, The Substance, Wicked

1 Win

Conclave, Flow, I’m Still Here, No Other Land, A Real Pain

Oscars: The Case of James Mangold for A Complete Unknown

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our final entry in Best Director and that’s James Mangold for A Complete Unknown. If you missed my posts covering the other nominees, they’re linked at the bottom.

Previous Directing Oscar Nominations:

None

The Case for James Mangold:

After a long career with varied projects like Cop Land, Girl Interrupted, Walk the Line, Logan, Ford v Ferrari, and Indiana Jones and the Dial of Destiny, Mangold’s Bob Dylan biopic is his first entry into Best Director. He made the quintet at DGA. The Academy could honor him for the overall body of work.

The Case Against James Mangold:

It hasn’t played out that way in precursors as Sean Baker (Anora) and Brady Corbet (The Brutalist) have been your winners. Mangold additionally didn’t make the cut at the Golden Globes, BAFTA, or Critics Choice.

The Verdict:

Mangold’s first nod will be just that and not a victory.

My Case Of posts have concluded just five days before the 97th Academy Awards. My final predictions for the ceremony will be posted tomorrow…

Oscars: The Case of Sean Baker for Anora

Oscars: The Case of Brady Corbet for The Brutalist

Oscars: The Case of Jacques Audiard for Emilia Pérez

Oscars: The Case of Coralie Fargeat for The Substance

Oscars: The Case of Edward Norton in A Complete Unknown

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Supporting Actor and that’s Edward Norton in James Mangold’s A Complete Unknown. If you missed my posts covering Yura Borisov (Anora) and Kieran Culkin (A Real Pain), they’re linked at the bottom.

Previous Acting Oscar Nominations:

Best Supporting Actor (1996, Primal Fear) – lost to Cuba Gooding Jr. (Jerry Maguire)

Best Actor (1998, American History X) – lost to Roberto Benigni (Life is Beautiful)

Best Supporting Actor (2014, Birdman) – lost to J.K. Simmons (Whiplash)

The Case for Edward Norton:

As folk singer Pete Seeger, Norton returns to the Oscar lineup a decade after his third nomination. For his fourth try, he achieved a quartet of noms in key precursors the Golden Globes, SAG, Critics Choice, and BAFTA. He’s 0 for 3 thus far and Academy voters might feel he’s overdue for the statue.

The Cast Against Edward Norton:

Kieran Culkin (A Real Pain) has swept so far with only SAG left. Timothée Chalamet might have a better shot if Unknown manages an acting victory.

The Verdict:

Unless he is a surprise SAG victor this Sunday, Supporting Actor seems to be going Culkin’s way. After March 2nd, the Norton count should be 0 for 4.

My Case Of posts will continue our next hopeful in Director and that’s Jacques Audiard for Emilia Pérez…

Oscars: The Case of Yura Borisov in Anora

Oscars: The Case of Kieran Culkin in A Real Pain

Oscars: The Case of Timothée Chalamet in A Complete Unknown

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Actor and that’s Timothée Chalamet in James Mangold’s A Complete Unknown. If you missed my post on Adrien Brody (The Brutalist), it’s linked at the bottom.

Previous Acting Oscar Nominations:

Best Actor (2017, Call Me by Your Name) – lost to Gary Oldman (Darkest Hour)

The Case for Timothée Chalamet:

He’s essentially Hollywood’s IT leading man of the moment coming off Wonka, Dune: Part Two, and this biopic where he embodies Bob Dylan. Plenty of critics have hailed it as career best work and he’s landed precursor nods everywhere that matter (Golden Globes, BAFTA, Critics Choice, SAG). Chalamet would make Oscar history as the youngest victor in this competition.

The Case Against Timothée Chalamet:

Adrien Brody (The Brutalist) has already taken the Globe and Critics Choice as he seeks his second gold statue. Side note – he’s the current record holder for youngest Best Actor recipient for The Pianist (2002). Voters might figure Chalamet will have other opportunities as his career progresses.

The Verdict:

Chalamet is rightly seen as the runner-up. If he can snag SAG next weekend, this becomes a race. If it goes to Brody, the sweep is likely on.

My Case Of posts will continue with our next Supporting Actress contender and that’s Ariana Grande in Wicked…

Oscars: The Case of Adrien Brody in The Brutalist

Oscars: The Case of Monica Barbaro in A Complete Unknown

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP nominees and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the BP contenders and they’re readily available for your perusing pleasure. Today is our initial entry in Best Supporting Actress and that’s Monica Barbaro in James Mangold’s A Complete Unknown.

Previous Oscar Acting Nominations:

None

The Case for Monica Barbaro:

As Bob Dylan’s on and off again flame Joan Baez, Barbaro has a breakout role as the legendary folk singer. The SAG awards put her in their mix and the picture itself scored an impressive eight nominations overall.

The Case Against Monica Barbaro:

Folks making up the voting branches at Critics Choice, BAFTA, and the Golden Globes did not nominate her. Zoe Saldaña from Emilia Pérez has dominated the precursors.

The Verdict:

Of Unknown‘s three acting nominees – Timothée Chalamet in Actor, Edward Norton in Supporting Actor, and here – I would rank Barbaro third in terms of winning possibility.

My Case Of posts will continue with the first hopeful in Supporting Actor and that’s Yura Borisov from Anora…

77th Directors Guild of America Awards Winner Predictions

In this busy awards weekend (Critics Choice is tomorrow and PGA on Saturday), the Directors Guild also weighs in with their best of on Saturday. The winner of the DGA Feature Film race correlates with the Oscar winner the vast majority of the time. That would be 21 of 24 occurrences in the 21st century. The guild also honors filmmakers in the documentary field and those making their first feature.

Let’s walk through all 3 competitions with a winner selection and a runner-up.

Feature Film

Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), James Mangold (A Complete Unknown)

The only difference between the Academy’s quintet and here is Berger in this mix and Coralie Fargeat (The Substance) in contention for Oscar. This is a very easy pick. Even if The Brutalist doesn’t take BP at the big show (and that’s quite possible), Corbet is the overwhelming favorite.

PREDICTED WINNER: Brady Corbet, The Brutalist

Runner-Up: Is there one? I suppose Sean Baker in Anora

Documentaries

Brendan Bellomo and Slava Leontyev (Porcelain War), Julian Brave NoiseCat and Emily Kassie (Sugarcane), Johan Grimonprez (Soundtrack to a Coup d’Etat), Ibrahim Nash’at (Hollywoodland), Natalie Rae and Angela Patton (Daughters)

There is less of a match with DGA and Oscar in this competition. Porcelain, Sugarcane, and Soundtrack are all up at the Academy while Daughters was an unexpected snub. This is admittedly guesswork with Oscar frontrunner No Other Land contending but I’ll roll with Porcelain.

PREDICTED WINNER: Brendan Bellomo and Slava Leontyev, Porcelain War

Runner-Up: Natalie Rae and Angela Patton, Daughters

FIRST-TIME FEATURE FILM

Payal Kapadia (All We Imagine as Light), Megan Park (My Old Ass), RaMell Ross (Nickel Boys), Halfdan Ullmann Tøndel (Armand), Sean Wang (Dídi)

All five pics have their admirers, but this should come down to Kapadia vs. Ross. I’m giving the latter the slight edge.

PREDICTED WINNER: RaMell Ross, Nickel Boys

Runner-Up: Payal Kapadia, All We Imagine as Light

I’ll have recap up (along with PGA) this weekend!

Oscars: The Case of A Complete Unknown

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora and The Brutalist for BP and if you missed those, they are linked at the bottom of the post. Our third hopeful is A Complete Unknown.

The Case for A Complete Unknown:

If you want to bet on the picture with some late breaking momentum, the Bob Dylan biopic from James Mangold might be your horse. Released in December, Unknown is doing healthy business at the box office and scored 8 total noms that include Director, Actor (Timothée Chalamet), Supporting Actress (Monica Barbaro), Supporting Actor (Edward Norton), Adapted Screenplay, Costume Design, and Sound. The journey to the better than expected nomination count began with over performances at the precursors. It really hasn’t missed anywhere with a Best Ensemble mention at SAG and BP noms at the Golden Globes, PGA, Critics Choice, BAFTA, and a DGA slot for Mangold.

The Case Against A Complete Unknown:

It didn’t win the Golden Globe in Drama (that went to The Brutalist). The 80% RT score and 71 Metacritic are below most of its competitors. There’s even a chance that it goes 0 for 8 on Oscar night. I wouldn’t say it is the favorite in any category.

The Verdict:

I don’t think it’s impossible for this to take the top prize, but I would need to see some victories at upcoming precursors such as Critics Choice or SAG.

My Case Of posts will continue with Conclave…

Oscars: The Case of Anora

Oscars: The Case of The Brutalist