Playing a dying documentary filmmaker recounting his life, on paper Oh, Canada sounds like the kind of project that could give 74-year-old Richard Gere his first Oscar nomination. It reunites the actor with his American Gigolo collaborator Paul Schrader some four and a half decades later. Schrader is adapting the Russell Banks novel, who also wrote Affliction. The director’s version of that source material resulted in Nick Nolte being up for Best Actor in 1998 and James Coburn winning Supporting Actor.
Canada premiered in France at Cannes. The supporting cast includes Jacob Elordi (playing Gere’s younger self), Uma Thurman, Michael Imperioli, Victoria Hill, Penelope Mitchell, and Kristine Froseth.
There’s only a smattering of reviews and they’re mixed with a current 60% RT score. Schrader has been a busy man lately. 2018’s First Reformed nabbed him a nod for Best Original Screenplay (somehow his first). Follow-ups The Card Counter and Master Gardener were not on the radar of voters. It’s highly unlikely this will be either.
As for Gere, that acting nom should remain elusive. He was rather famously omitted for 2002’s Chicago, despite the movie taking Best Picture and four of his costars being recognized. My Oscar Prediction posts will continue…
The top races went as I anticipated at the 77th BAFTA Awards while other races were a bit more unpredictable. That’s pretty much par for the course with the British equivalent of the Oscars as I went 13/23 (oof) in my selections.
Let’s start with Oppenheimer. As expected, Christopher Nolan’s epic took Best Film and its maker is your Best Director. Some prognosticators had this pegged for a record setting 10 BAFTAs. I had it winning 8 and it took 7. In addition to Film and Director, I correctly called Cillian Murphy in Actor, Robert Downey Jr. in Supporting Actor, Cinematography, Editing, and Original Score. I still believe Paul Giamatti in The Holdovers poses a threat to Murphy with the Academy (especially if he manages to win SAG). Oppenheimer should take those other BAFTA trophies a little less than a month away at the Oscars.
I incorrectly had Oppenheimer taking Best Sound. It instead went to The Zone of Interest. The Holocaust drama had a solid day with a victory in Best Film Not in the English Language over my predicted Anatomy of a Fall and for Outstanding British Film over my pick of Poor Things.
Despite the Poor miss in that category, it was honored with a handful of prizes. Emma Stone is your Best Actress and it won Costume Design, Makeup & Hair (over my Maestro call), Production Design, and Special Visual Effects (over my Napoleon pick).
The Holdovers was a double recipient for Supporting Actress with Da’Vine Joy Randolph and Casting (I went with All of Us Strangers instead).
Those four (Oppenheimer, Poor Things, The Zone of Interest, The Holdovers) were the only features with two victories or more. Here’s what else I got right: Anatomy of a Fall in Original Screenplay (which certainly helps its Oscar chances) and 20 Days in Mariupol for Documentary (same story).
In Adapted Screenplay, it was American Fiction continuing to make the case for Academy gold with a surprise win over Poor Things and my runner-up Oppenheimer.
The Boy and the Heron, as it did at the Globes, is Best Animated Feature over Spider-Man: Across the Spider-Verse. I went with Spidey and there could be a real showdown on March 10th.
Earth Mama is the Outstanding British Debut by a Writer, Director or Producer over the favored How to Have Sex while the lead in Sex (Mia McKenna-Bruce) is the Rising Star over Jacob Elordi (who I picked).
Some overall takeaways that shouldn’t surprise: Oppenheimer is still the overwhelming choice for BP as it’s winning everywhere it needs to. Same goes for Nolan and Downey Jr.
Randolph is bascially a lock for Supporting Actress while Emma Stone helped herself today over stiff competition from Sandra Hüller in Anatomy of a Fall. Some noteworthy pics that didn’t take a single award: Barbie, Killers of the Flower Moon, and Maestro.
Keep an eye on the blog for all Oscar speculation as we approach the big show!
Sunday brings the 77th BAFTA Awards as we look for further clues to the pictures and performers who will emerge victorious at the Oscars next month. Oppenheimer leads the pack with 13 nominations (the same number as its Academy haul) with Poor Things in second with 11 (also matching numbers wise with its American counterpart).
For each race, I’m giving you a predicted winner with a runner-up. I’ll have a recap on the blog with my takeaways following the ceremony!
Film
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
Predicted Winner: Oppenheimer
Runner-Up: Poor Things
Director
Nominees: Bradley Cooper (Maestro), Jonathan Glazer (The Zone of Interest), Andrew Haigh (All of Us Strangers), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Justine Triet (Anatomy of a Fall)
Predicted Winner: Christopher Nolan, Oppenheimer
Runner-Up: Is there one?? Let’s just say Glazer
Actress in a Leading Role
Nominees: Fantasia Barrino (The Color Purple), Sandra Huller (Anatomy of a Fall), Carey Mulligan (Maestro), Vivian Oparah (Rye Lane), Margot Robbie (Barbie), Emma Stone (Poor Things)
Predicted Winner: Emma Stone, Poor Things
Runner-Up: Sandra Hüller, Anatomy of a Fall
Actor in a Leading Role
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Barry Keoghan (Saltburn), Cillian Murphy (Oppenheimer), Teo Yoo (Past Lives)
Predicted Winner: Cillian Murphy, Oppenheimer
Runner-Up: Paul Giamatti, The Holdovers
Actress in a Supporting Role
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Claire Foy (All of Us Strangers), Sandra Hüller (The Zone of Interest), Rosamund Pike (Saltburn), Da’Vine Joy Randolph (The Holdovers)
Predicted Winner: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
Actor in a Supporting Role
Nominees: Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Jacob Elordi (Saltburn), Ryan Gosling (Barbie), Paul Mescal (All of Us Strangers), Dominic Sessa (The Holdovers)
Predicted Winner: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
Original Screenplay
Nominees: Anatomy of a Fall, Barbie, The Holdovers, Maestro, Past Lives
Predicted Winner: Anatomy of a Fall
Runner-Up: The Holdovers
Adapted Screenplay
Nominees: All of Us Strangers, American Fiction, Oppenheimer, Poor Things, The Zone of Interest
Predicted Winner: Poor Things
Runner-Up: Oppenheimer
Animated Feature
Nominees: The Boy and the Heron, Chicken Run: Dawn of the Nugget, Elemental, Spider-Man: Across the Spider-Verse
Predicted Winner: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
Documentary
Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, Still: A Michael J. Fox Movie, Wham!
Predicted Winner: 20 Days in Mariupol
Runner-Up: Beyond Utopia
Film Not in the English Language
Nominees: 20 Days in Mariupol, Anatomy of a Fall, Past Lives, Society of the Snow, The Zone of Interest
Predicted Winner: Anatomy of a Fall
Runner-Up: The Zone of Interest
Casting
Nominees: All of Us Strangers, Anatomy of a Fall, The Holdovers, How to Have Sex, Killers of the Flower Moon
Predicted Winner: All of Us Strangers
Runner-Up: The Holdovers
Cinematography
Nominees: Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things, The Zone of Interest
Predicted Winner: Oppenheimer
Runner-Up: Poor Things
Costume Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Predicted Winner: Poor Things
Runner-Up: Barbie
Editing
Nominees: Anatomy of a Fall, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest
Predicted Winner: Oppenheimer
Runner-Up: Poor Things
Make-Up & Hair
Nominees: Killers of the Flower Moon, Maestro, Napoleon, Oppenheimer, Poor Things
Predicted Winner: Maestro
Runner-Up: Poor Things
Original Score
Nominees: Killers of the Flower Moon, Oppenheimer, Poor Things, Saltburn, Spider-Man: Across the Spider-Verse
Predicted Winner: Oppenheimer
Runner-Up: Killers of the Flower Moon
Production Design
Nominees: Barbie, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest
Predicted Winner: Poor Things
Runner-Up: Barbie
Sound
Nominees: Ferrari, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest
Predicted Winner: Oppenheimer
Runner-Up: The Zone of Interest
Special Visual Effects
Nominees: The Creator, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon, Poor Things
Predicted Winner: Napoleon
Runner-Up: The Creator
Outstanding British Film
Nominees: All of Us Strangers, How to Have Sex, Napoleon, The Old Oak, Poor Things, Rye Lane, Saltburn, Scrapper, Wonka, The Zone of Interest
Predicted Winner: Poor Things
Runner-Up: The Zone of Interest
Outstanding Debut by a British Writer, Director or Producer
Nominees: Blue Bag Life, Bobi Wine: The People’s President, Earth Mama, How to Have Sex, Is There Anybody Out There?
Predicted Winner: How to Have Sex
Runner-Up: Bobi Wine: The People’s President
Rising Star
Nominees: Phoebe Dynevor, Ayo Edebiri, Jacob Elordi, Mia McKenna-Bruce, Sophia Wilde
Predicted Winner: Jacob Elordi
Runner-Up: Mia McKenna-Bruce
That works out to these numbers of victories for these pictures:
8 Wins
Oppenheimer
5 Wins
Poor Things
2 Wins
Anatomy of a Fall
1 Win
20 Days in Mariupol, All of Us Strangers, How to Have Sex, The Holdovers, Maestro, Napoleon, Spider-Man: Across the Spider-Verse
The BAFTAs, the United Kingdom’s equivalent to the Oscars, unveiled their nominations six days before the Academy has their turn. In short… the BAFTAs always BAFTA. That means there were some baffling omissions in some major competitions that could alter the thinking of prognosticators when it comes to their Oscar forecasts. Then again… the BAFTAs have a history of going their own way that doesn’t necessarily have a connection to what the Academy ultimately decides. I went 85 for 119 in my guesstimates for BAFTA.
Let’s walk each race one by one with the nominees, how I performed, and some quick thoughts.
Film
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
How I Did: 4/5
Barbie failed to make the cut with The Holdovers (which had a very impressive morning) sliding in. This is likely Oppenheimer‘s race to lose.
Director
Nominees: Bradley Cooper (Maestro), Jonathan Glazer (The Zone of Interest), Andrew Haigh (All of Us Strangers), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Justine Triet (Anatomy of a Fall)
How I Did: 4/6
Here’s where the shockers begin. Cooper and Payne are in over Yorgos Lanthimos (Poor Things) and Martin Scorsese (Killers of the Flower Moon). Marty’s exclusion is especially surprising. As with Film – Mr. Nolan is looking strong.
Actress
Nominees: Fantasia Barrino (The Color Purple), Sandra Huller (The Zone of Interest), Carey Mulligan (Maestro), Vivian Oparah (Rye Lane), Margot Robbie (Barbie), Emma Stone (Poor Things)
How I Did: 3/6
More unforeseen action as Barrino, Oparah, and Robbie (my alternate) appear here instead of Lily Gladstone (Killers of the Flower Moon), Greta Lee (Past Lives), and Mia McKenna-Bruce (How to Have Sex). In perhaps the story of the day, Gladstone falling off is truly astonishing as she’s been seen by many (including me) as the #1 option for the Oscar in Actress. For BAFTA, Stone might be the smart choice and you can anticipate some writers switching her to the top spot over Gladstone at Oscar.
Actor
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Barry Keoghan (Saltburn), Cillian Murphy (Oppenheimer), Teo Yoo (Past Lives)
How I Did: 4/6
Despite no love for Past Lives in the categories above, Teo Yeo is in along with Domingo in place of Leonardo DiCaprio (Killers of the Flower Moon) and Andrew Scott (All of Us Strangers). Scott’s omission at BAFTA, to me, is more unexpected than Leo missing. Murphy might be out front, but Giamatti (especially considering The Holdovers overperformance) is a factor. For that matter, Maestro also had a solid showing and Cooper could get a win here.
Supporting Actress
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Claire Foy (All of Us Strangers), Sandra Huller (The Zone of Interest), Rosamund Pike (Saltburn), Da’Vine Joy Randolph (The Holdovers)
How I Did: 5/6
Hüller, who was my alternate pick, is a double nominee. I went with Cara Jade Myers for Flower Moon. Randolph has been sweeping the season thus far and will look to continue that.
Supporting Actor
Nominees: Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Jacob Elordi (Saltburn), Ryan Gosling (Barbie), Paul Mescal (All of Us Strangers), Dominic Sessa (The Holdovers)
How I Did: 4/6
Elordi and Sessa in over Anthony Hopkins (One Life) and Mark Ruffalo (Poor Things). It’s worth noting that this is Ruffalo’s second major miss after SAG. Downey Jr. has taken GG and CCA and looks to keep the streak alive.
Original Screenplay
Nominees: Anatomy of a Fall, Barbie, The Holdovers, Maestro, Past Lives
How I Did: 4/5
Maestro finds a slot over my Saltburn call. Considering how The Holdovers performed, I’d put it out front with Anatomy lurking.
Adapted Screenplay
Nominees: All of Us Strangers, American Fiction, Oppenheimer, Poor Things, The Zone of Interest
How I Did: 4/5
Now would be a good time to mention that Zone had a fine day despite missing Best Film. It’s in here over Flower Moon in another snub for Scorsese’s epic. This is a tricky race and I’m not ready to declare a frontrunner.
Casting
Nominees: All of Us Strangers, Anatomy of a Fall, The Holdovers, How to Have Sex, Killers of the Flower Moon
How I Did: 2/5
Since there’s no Oscar competition for this one, it’s always a crapshoot figuring this out and it shows. Anatomy, How to, and Holdovers are named and I picked Barbie, Oppenheimer (a rare category which it missed), and Saltburn.
Animated Feature
Nominees: The Boy and the Heron, Chicken Run: Dawn of the Nugget, Elemental, Spider-Man: Across the Spider-Verse
How I Did: 3/4
As with all animated derbies for 2023, it’s Heron vs. Spider-Man. The former could have the edge at BAFTA, but either could be victorious. I had Nimona instead of Elemental.
British Film
Nominees: All of Us Strangers, How to Have Sex, Napoleon, The Old Oak, Poor Things, Rye Lane, Saltburn, Scrapper, Wonka, The Zone of Interest
How I Did: 9/10
My alt Oak makes the ten over One Life. Maybe Poor Things gets this since it’s the only Best Film entry. However, I wouldn’t discount Strangers or Zone.
Debut by a British Writer, Director, or Producer
Nominees: Blue Bag Life, Bobi Wine: The People’s President, Earth Mama, How to Have Sex, Is There Anybody Out There?
How I Did: 1/5
Ouch. Only got How to Have Sex listed correctly so I guess I’ll say it wins (especially considering its impressive performance elsewhere). I wrongly had The End We Start From, Police Society, Rye Lane, and Scrapper.
Film Not in the English Language
Nominees: 20 Days in Mariupol, Anatomy of a Fall, Past Lives, Society of the Snow, The Zone of Interest
How I Did: 3/5
Mariupol and Snow over The Boy and the Heron and Fallen Leaves. Anatomy is probably a slight favorite over Zone.
Documentary
Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, Still: A Michael J. Fox, Wham!
How I Did: 5/5 (!)
I’ll admit I didn’t think this would be one of my 2 perfect calls. Considering its inclusion in the international race, Mariupol is a decent bet for the trophy.
Cinematography
Nominees: Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things, The Zone of Interest
How I Did 4/5
Maestro over Saltburn. Think Oppenheimer.
Costume Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
How I Did: 4/5
Killers over Wonka. Think Barbie or Poor Things.
Editing
Nominees: Anatomy of a Fall, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest
How I Did: 5/5 (!)
This is Oppenheimer.
Makeup and Hair
Nominees: Killers of the Flower Moon, Maestro, Napoleon, Oppenheimer, Poor Things
How I Did: 3/5
Barbie and Priscilla are no-shows while Killers and Napoleon materialize. This should be Maestro.
Original Score
Nominees: Killers of the Flower Moon, Oppenheimer, Poor Things, Saltburn, Spider-Man: Across the Spider-Verse
How I Did: 4/5
My alt Saltburn in over Indiana Jones and the Dial of Destiny (which missed both races I projected it in). Think Oppenheimer.
Production Design
Nominees: Barbie, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest
How I Did: 4/5
My alt Zone in over Napoleon. This should be Barbie or Poor Things.
Sound
Nominees: Ferrari, Maestro, Mission: Impossible – Dead Reckoning Part One, Oppenheimer, The Zone of Interest
How I Did: 4/5
Mission over Napoleon. Bank on an Oppenheimer win.
Special Visual Effects
Nominees: The Creator, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning Part One, Napoleon, Poor Things
How I Did: 2/5
Ouch on this one. We know now that Oppenheimer will not be a nominee in VE for BAFTA or Oscar. Indiana Jones, Oppenheimer, and Spider-Man out in favor of my alt Guardians, Mission, and Napoleon. Your guess is as good as mine, but maybe Creator or Poor Things is the pick.
That all works out to these movies contending for these numbers of BAFTAs:
13 Noininations
Oppenheimer
11 Nominations
Poor Things
10 Nominations
The Zone of Interest
9 Nominations
Killers of the Flower Moon
7 Nominations
The Holdovers, Maestro
6 Nominations
All of Us Strangers, Anatomy of a Fall
5 Nominations
Barbie, Saltburn
4 Nominations
Napoleon
3 Nominations
How to Have Sex, Past Lives
2 Nominations
20 Days in Mariupol, The Color Purple, Mission: Impossible – Dead Reckoning Part One, Rye Lane, Spider-Man: Across the Spider-Verse
1 Nomination
American Fiction, American Symphony, Beyond Utopia, Blue Bag Life, Bobi Wine: The People’s President, The Boy and the Heron, Chicken Run: Dawn of the Nugget, The Creator, Earth Mama, Elemental, Ferrari, Guardians of the Galaxy Vol. 3, Is There Anybody Out There?, The Old Oak, Rustin, Scrapper, Society of the Snow, Still: A Michael J. Fox Movie, Wham!, Wonka
I’ll have winner predictions up for shortly before the BAFTA ceremony on Sunday, February 18th.
Two months after it premiered at the Venice Film Festival, Priscilla rolls out in wide release on November 3rd. Based on her mid-80s memoir, the biopic of Priscilla Presley stars Cailee Spaeny in the title role with Jacob Elordi as Elvis. Sofia Coppola directs.
Reviews have been satisfactory with a 94% Rotten Tomatoes rating. While Spaeny could contend at the Oscars in Best Actress (though it’s a crowded field), this has not generated much awards buzz outside of that. The A24 title is out in limited fashion October 27th. While it might play decently on the coasts, I suspect there’s not much demand across the country.
Part of its diminished prospects could be attributed to Elvis, Baz Luhrmann’s flashy biopic which rocked the box office in the summer of 2022. It picked up 8 Academy nominations as well.
If this were to manage high single digits, A24 should consider that a success. I am skeptical about that and I question whether it even gets to $5 million.
Priscilla opening weekend prediction: $3.9 million
One year after Elvis landed 8 Oscar nominations (but no wins), your mind might be suspicious that this year’s Priscilla could also attract awards voters. Based on reaction from its Venice, you might be wrong. Sofia Coppola’s biopic casts Cailee Spaeny as The King’s young bride with Jacob Elordi as the legendary entertainer. The A24 release hits theaters on October 27th.
With a Rotten Tomatoes score of 95%, Priscilla enters what it clearly already a crowded BP and Actress race. The film and Spaeny are certainly not guaranteed to make the cuts (especially the former). Elordi could contend, but Supporting Actor inclusion might be a reach. Based on a 1985 memoir cowritten by the title subject, Coppola’s adapted screenplay could also struggle in a bustling field. Unlike her Lost in Translation from 20 years ago, don’t count on her making the director or writing races.
I suspect A24 will need to mount expert campaigns for anything beyond Spaeney in Actress and she’s already competing with the likes of Emma Stone (Poor Things), Sandra Hüller (Anatomy of a Fall), Fantasia Barrino (The Color Purple), Carey Mulligan (Maestro), Greta Lee (Past Lives), and Annette Bening (Nyad) to name a few. My Oscar Prediction posts will continue…
Emerald Fennell’s debut Promising Young Woman landed five high profile nods in 2020: Picture, Director, Actress (Carey Mulligan), Original Screenplay (which it won), and Film Editing. She’s back again with Saltburn and it has debuted at Telluride prior to its November 24th limited release and December 1st wide bow. The psychological thriller stars Barry Keoghan (fresh off a Supporting Actor nod for last year’s The Banshees of Inisherin), Jacob Elordi, Rosamund Pike, Richard E. Grant, Alison Oliver, Archie Madekwe, and Mulligan (in what’s said to be a short appearance).
Initial reaction out of Colorado is divergent. The Rotten Tomatoes rating is 75%, but its detractors are rather loud. So are its ardent admirers. Chances for a Best Picture or Director nod are far less promising than for Young Woman. Voters could choose to honor Fennell once again with a nom in Original Screenplay but that’s iffy as well.
As far as acting mentions, only Keoghan seems to be a possibility. There are plenty of other hopefuls contending in movies that could land in BP and he could face an uphill climb. Techs like Cinematography and Production Design are feasible. Yet Saltburn doesn’t appear poised to follow Fennell’s first feature with its prospects. My Oscar Prediction posts will continue…
After giving us well-regarded erotic thrillers in the 1980s (9 1/2 Weeks, Fatal Attraction), 90s (Indecent Proposal), and 00s (Unfaithful), Adrian Lyne is back in genre form after 22 years with Deep Water. Unfortunately it’s often as lifeless as the marriage it portrays and even when its central relationship gathers steam in the third act, I still found myself mostly unsatisfied.
Based on a 1957 by Patricia Highsmith (who wrote the novels that became Strangers on a Train and The Talented Mr. Ripley), Water is certainly a cinematic step-down from those pictures. Vic Van Allen (Ben Affleck) doesn’t have much to do in his sleepy small Louisiana town. He’s an early retiree after inventing a chip that powers drones. The political ramifications of his former occupation are glossed over though it seems like the screenwriters wanted to explore it further. He spends his days tending to his pet snails and his precocious daughter (adorably played by Grace Jenkins who gives the most memorable performance).
Her mom is Melinda (Ana de Armas), who is not content being a soccer mom. Vic and Melinda spend their evenings at endless gatherings of their well to do neighbors that include Lil Rel Howery and his muted comic relief and Don (Tracy Letts), a screenwriter looking for inspiration. He may have found it with the Van Allens. Melinda is not shy about flaunting her flirtations and likely sexual dalliances with a string of hunks like the surfer looking Joel (Brendan C. Miller) and ivory tickling Charlie (Jacob Elordi). A previous hookup turned up dead and the townspeople whisper about Vic’s possible involvement. The chatter intensifies when Melinda’s latest conquests follow similar fates.
There’s perhaps some deeper meaning to glean about the nature of suburban marriages and jealousy and my hunch is that it’s found in Highsmith’s source material. It generally isn’t on the screen (or stream in this case since it’s a Hulu release). Instead we get a film where’s little joy in the repetition. Deep Water never quite finds the balance of being a kooky guilty pleasure and an engrossing sexual nail-biter. Occasionally it comes close with the former as Vic bizarrely explains the nutritional dangers of those snails.
Part of the problem is that the leads aren’t given compelling characters to play. Affleck does portray his general malaise with the desired effect while de Armas is saddled with a one-note femme fatale. If she’s supposed to be sympathetic, the writers failed to accomplish that mission. There is a cute moment when their adorable offspring belts out Leo Sayer’s mid 70s tune “You Make Me Feel Like Dancing”. As for Deep Water, it made me feel wistful of an era when these types of exercises were better. Lyne made some of them and this recent proposal falls short of being a decent one.
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