Star Wars: The Force Awakens Movie Review

When the famous line “A long time ago in a galaxy far, far away” appears and the Star Wars emblem rockets across the screen, it evokes a series of emotions that is familiar to any lover of the franchise. It changes from generation to generation but is likely strongest with those old enough to recall the first time seeing it in 1977 when the original premiered. The first Star Wars was a cultural phenomenon from the get go. It solidified what we now know as the modern blockbuster era. Its sequel The Empire Strikes Back improved upon it. Return of the Jedi ended the trilogy on a satisfactory if more uneven note. I was not alive in 1977 and I witnessed the series in a weekend of VHS viewing where I was captivated like legions of film lovers across the globe.

By the time George Lucas got around to making his prequel trilogy, I was age 19 at the time of The Phantom Menace. Like all other fans of what came before it, I anticipated Menace breathlessly and like many others, it was a letdown in many fashions. It didn’t really look like a Star Wars pic. More like a video game. In all honesty, the concept of watching the eventual Darth Vader as a precocious child wasn’t really necessary. Follow ups Attack of the Clones and Revenge of the Sith were improvements in some ways (especially Sith) yet still didn’t come close to matching the magic of the real trilogy (as I refer to it).

Therefore it was with a sense of major excitement mixed with some trepidation that I awaited Star Wars: The Force Awakens, episode VII of the franchise that picks up about 30 years after the events of Return of the Jedi. George Lucas sold the rights to Disney, who have grand Marvel style plans for the series. J.J. Abrams, who successfully reinvigorated the Star Trek flicks, is behind the camera. The beloved trio of Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), and Princess (now General) Leia (Carrie Fisher) would return along with Chewbacca, R2-D2, and C-3PO. A new generation of heroes and villains would emerge. The three year wait is finally over and the question is ready to be answered: does Force have the force to bring Star Wars back in the good graces of those who cherish it? The answer is mostly an unqualified and resounding yes.

Episode VII informs us that Luke Skywalker has vanished and the evil First Order (spawned from Darth Vader’s galactic empire) has restored its dominance despite a resistance led by Leia. The Resistance is desperately attempting to obtain a map containing Luke’s whereabouts that is built into BB-8, a droid that is pretty adorable in a manner in which Jar Jar Binks sure wasn’t. One of the leaders of the movement is pilot Poe Dameron (Oscar Isaac), whose character doesn’t have much impact in these proceedings but likely will in future installments. He teams with Storm Trooper gone good Finn (John Boyega) on the mission to find Skywalker. And that BB-8 droid leads them to Rey (Daisy Ridley), a young girl who has a connection with The Force. Their union soon brings them to Han, Chewie, and the now relic called the Millennium Falcon to fight First Order Commander Kylo Ren (Adam Driver) and Supreme Leader Snoke (Andy Serkis).

As we’d expect, there are some revelations about who some of the characters actually are. I wouldn’t dream of spoiling them here. J.J. Abrams is keenly aware of our nostalgia goggles and he presents a vision that hearkens back to the original in both plot and tone. This is a plus. J.J. and his cowriters Lawrence Kasdan (who penned Empire and Jedi) and Michael Arndt are clearly cognizant of the expectation to start anew while rewarding what we adore about episodes IV-VI. There is much plot to roll out, but Awakens does so at a usually brisk pace throwing in the epic battles that look more like we wish for in any entry since 1983.

The John Williams score and special effects are, of course, top notch. Of the returnees, Mr. Ford is given the most material and provides Solo wisecracks and some emotion. Fisher acquits herself decently even though Leia is primarily relegated to the sidelines. As for Luke, the filmmakers have been careful to reveal nothing and neither will I. When it comes to the newcomers, we sense that Rey, Finn, and Poe will establish the new trio for the next few years. Here it is Rey that jumps out and much of that is due to a fine performance from Miss Ridley. Boyega’s Finn has his moments along with occasionally clunky dialogue. Driver is quite effective as Ren and we have a new villain whose motivations create an intriguing dynamic in this universe.

I would rank The Force Awakens as the third best pic in the series, after the first two (slightly above Jedi). Abrams and company accomplish something Lucas ultimately could not with episodes I-III. We care more about the actions transpiring here than with anything from 1999-2005. This is a franchise awakened in a way we have not seen in over 30 years. For those who might have had a bad feeling about this, fear not.

***1/2 (out of four)

Todd’s Weekly Oscar Predictions: December 18th Edition

We arrive at my weekly Oscar predictions and a new wrinkle has been added. I’m predicting every category with the exception of Foreign and Documentary (those will eventually be added).

As with last week, I’ll ranking according to my feelings on likelihood of the films and performers being nominated and let you know what’s changed since last week. The pluses and minuses and no changes indicated their ranking from last week to this week.

Let’s get to it!

Best Picture

  1. Spotlight (No Change)
  2. The Revenant (No Change)
  3. Room (No Change)
  4. Brooklyn (+3)
  5. Carol (-1)
  6. The Martian (No Change)
  7. Mad Max: Fury Road (-2)
  8. Bridge of Spies (No Change)
  9. The Big Short (+2)

Other Possibilities:

10. Inside Out (No Change)

11. The Hateful Eight (-2)

12. Star Wars: The Force Awakens (+11)

13. Trumbo (+6)

14. Son of Saul (+3)

15. The Danish Girl (+1)

16. Sicario (+5)

17. Beasts of No Nation (-3)

18. Steve Jobs (-5)

19. Straight Outta Compton (-4)

20. Creed (-8)

21. Joy (-2)

22. Love and Mercy (-1)

23. Anomalisa (-6)

What’s Changed Since Last Week – IN: The Big Short. OUT: The Hateful Eight.

Best Director

  1. Tom McCarthy, Spotlight (No Change)
  2. Alejandro Gonzalez Inarritu, The Revenant (No Change)
  3. George Miller, Mad Max: Fury Road (No Change)
  4. Ridley Scott, The Martian (No Change)
  5. Todd Haynes, Carol (No Change)

Other Possibilities:

6. Steven Spielberg, Bridge of Spies (+1)

7. Lenny Abrahamson, Room (-1)

8. J.J. Abrams, Star Wars: The Force Awakens (+9)

9. John Crowley, Brooklyn (No Change)

10. Quentin Tarantino, The Hateful Eight (-2)

11. Adam McKay, The Big Short (+1)

12. Laszlo Nemes, Son of Saul (+1)

13. Jay Roach, Trumbo (Previously Not Ranked)

14. Tom Hooper, The Danish Girl (+2)

15. Danny Boyle, Steve Jobs (-1)

16. Cary Fukunaga, Beasts of No Nation (-5)

17. Ryan Coogler, Creed (-7)

DROPPED OUT: David O. Russell, Joy

What’s Changed Since Last Week: NO CHANGES

Best Actor

  1. Leonardo DiCaprio, The Revenant (No Change)
  2. Michael Fassbender, Steve Jobs (+1)
  3. Eddie Redmayne, The Danish Girl (-1)
  4. Bryan Cranston, Trumbo (+1)
  5. Johnny Depp, Black Mass (-1)

Other Possibilities:

6. Matt Damon, The Martian (No Change)

7. Will Smith, Concussion (No Change)

8. Michael Caine, Youth (+3)

9. Ian McKellen, Mr. Holmes (No Change)

10. Tom Hanks, Bridge of Spies (No Change)

11. Geza Rohrig, Son of Saul (+2)

12. Steve Carell, The Big Short (No Change)

13. Michael B. Jordan, Creed (-5)

What’s Changed Since Last Week: No Changes

Best Actress

  1. Brie Larson, Room (No Change)
  2. Saoirse Ronan, Brooklyn (No Change)
  3. Cate Blanchett, Carol (No Change)
  4. Charlotte Rampling, 45 Years (No Change)
  5. Jennifer Lawrence, Joy (No Change)

Other Possibilities:

6. Charlize Theron, Mad Max: Fury Road (+1)

7. Helen Mirren, Woman in Gold (+2)

8. Blythe Danner, I’ll See You in My Dreams (-2)

9. Sarah Silverman, I Smile Back (-1)

10. Maggie Smith, The Lady in the Van (No Change)

11. Carey Mulligan, Suffragette (+1)

12. Lily Tomlin, Grandma (-1)

What’s Changed Since Last Week: No Changes

Best Supporting Actor

  1. Mark Rylance, Bridge of Spies (No Change)
  2. Michael Keaton, Spotlight (+1)
  3. Paul Dano, Love and Mercy (+1)
  4. Idris Elba, Beasts of No Nation (+1)
  5. Sylvester Stallone, Creed (-3)

Other Possibilities:

6. Michael Shannon, 99 Homes (+4)

7. Mark Ruffalo, Spotlight (-1)

8. Tom Hardy, The Revenant (No Change)

9. Christian Bale, The Big Short (-2)

10. Jacob Tremblay, Room (+1)

11. Benicio del Toro, Sicario (-2)

What’s Changed Since Last Week: No Changes

Best Supporting Actress

  1. Alicia Vikander, The Danish Girl (No Change)
  2. Rooney Mara, Carol (No Change)
  3. Jennifer Jason Leigh, The Hateful Eight (No Change)
  4. Kate Winslet, Steve Jobs (No Change)
  5. Helen Mirren, Trumbo (+2)

Other Possibilities:

6. Rachel McAdams, Spotlight (+4)

7. Jane Fonda, Youth (-2)

8. Kristen Stewart, Clouds of Sils Maria (-2)

9. Elizabeth Banks, Love and Mercy (No Change)

10. Joan Allen, Room (-2)

DROPPED OUT: Alicia Vikander, Ex Machina

What’s Changed Since Last Week – IN: Helen Mirren, OUT: Jane Fonda.

Best Original Screenplay 

  1. Spotlight (No Change)
  2. Inside Out (+1)
  3. The Hateful Eight (-1)
  4. Bridge of Spies (No Change)
  5. Love and Mercy (+1)

Other Possibilities:

6. Son of Saul (-1)

7. Mad Max: Fury Road (Previously Not Ranked)

8. 99 Homes (No Change)

9. Sicario (+1)

10. Ex Machina (+1)

11. Straight Outta Compton (-4)

12. Youth (Previously Not Ranked)

13. Joy (-4)

14. Trainwreck (-2)

What’s Changed Since Last Week – IN: Love and Mercy. OUT: Son of Saul.

Best Adapted Screenplay

  1. Room (+2)
  2. Brooklyn (+2)
  3. Carol (-2)
  4. The Big Short (+1)
  5. Steve Jobs (-3)

Other Possibilities:

6. The Martian (+1)

7. Trumbo (+3)

8. The Revenant (-2)

9. Beasts of No Nation (No Change)

10. Anomalisa (-2)

11. The Danish Girl (+1)

DROPPED OUT: Creed

What’s Changed Since Last Week: No Changes

Best Animated Feature (First Time Predictions)

  1. Inside Out
  2. Anomalisa
  3. Kahlil Gobran’s The Prophet
  4. Shaun the Sheep Movie
  5. The Good Dinosaur

Other Possibilities:

6. The Peanuts Movie

7. When Marnie Was There

8. Home

Best Cinematography (First Time Predictions)

  1. The Hateful Eight
  2. The Revenant
  3. Mad Max: Fury Road
  4. The Martian
  5. Sicario

Other Possibilities:

6. Carol

7. Bridge of Spies

8. The Danish Girl

Best Production Design (First Time Predictions)

  1. Carol
  2. The Danish Girl
  3. Mad Max: Fury Road
  4. Cinderella
  5. Bridge of Spies

Other Possibilities:

6. The Revenant

7. Brooklyn

8. The Martian

9. The Hateful Eight

10. Star Wars: The Force Awakens

11. MacBeth

Best Editing (First Time Predictions)

  1. Spotlight
  2. Mad Max: Fury Road
  3. The Revenant
  4. The Big Short
  5. Steve Jobs

Other Possibilities:

6. The Hateful Eight

7. The Martian

8. Bridge of Spies

9. Room

Best Costume Design (First Time Predictions)

  1. Carol
  2. Cinderella
  3. Brooklyn
  4. The Danish Girl
  5. Far from the Madding Crowd

Other Possibilities:

6. Mad Max: Fury Road

7. Suffragette

8. Trumbo

9. The Hateful Eight

10. MacBeth

Best Makeup and Hairstyling (First Time Predictions)

  1. The Danish Girl
  2. Carol
  3. Star Wars: The Force Awakens

Other Possibilities:

4. Mad Max: Fury Road

5. Black Mass

6. Pan

7. The Hateful Eight

8. The Revenant

Best Visual Effects (First Time Predictions)

  1. Mad Max: Fury Road
  2. The Martian
  3. Star Wars: The Force Awakens
  4. Jurassic World
  5. The Walk

Other Possibilities:

6. The Revenant

7. In the Heart of the Sea

8. Ex Machina

Best Sound Mixing (First Time Predictions)

  1. Mad Max: Fury Road
  2. The Martian
  3. Star Wars: The Force Awakens
  4. The Revenant
  5. Sicario

Other Possibilities:

6. Jurassic World

7. The Hateful Eight

8. In the Heart of the Sea

Best Sound Editing (First Time Predictions)

  1. Mad Max: Fury Road
  2. The Revenant
  3. The Martian
  4. Star Wars: The Force Awakens
  5. In the Heart of the Sea

Other Possibilities:

6. Sicario

7. The Hateful Eight

8. Jurassic World

Best Original Score (First Time Predictions)

  1. The Hateful Eight
  2. Carol
  3. Spotlight
  4. Star Wars: The Force Awakens
  5. The Danish Girl

Other Possibilities:

6. The Revenant

7. Bridge of Spies

8. Sicario

9. Brooklyn

10. Mad Max: Fury Road

11. Southpaw

Best Original Song (First Time Predictions)

  1. “Til It Happens To You” from The Hunting Ground
  2. “See You Again” from Furious 7
  3. “Love Me Like You Do” from Fifty Shades of Grey
  4. “Writing’s on the Wall” from Spectre
  5. “Earned It” from Fifty Shades of Grey

Other Possibilities:

6. “Simple Song #3” from Youth

7. “One Kind of Love” from Love and Mercy

8. “So Long” from Concussion

Whew! Those predictions reflect a current belief of the following films garnering nominations with number included:

9 Nominations

Carol

8 Nominations

Mad Max: Fury Road

7 Nominations

The Revenant

6 Nominations

The Danish Girl, The Martian, Spotlight

5 Nominations

Star Wars: The Force Awakens

4 Nominations

Bridge of Spies, Brooklyn, The Hateful Eight, Steve Jobs

3 Nominations

The Big Short, Room

2 Nominations

Cinderella, Fifty Shades of Grey, Inside Out, Love and Mercy, Sicario, Trumbo

1 Nomination

Anomalisa, Beasts of No Nation, Black Mass, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, In the Heat of the Sea, Joy, Jurassic World, Kahlil Gabron’s The Prophet, Shaun the Sheep Movie, Spectre, The Walk

 

Oscar Watch – Star Wars: The Force Awakens

This weekend, Star Wars: The Force Awakens looks poised and primed to demolish box office records. It’s sold $100 million in pre-sale tickets (a previously unimaginable figure). The Disney marketing machine has been in hyper drive. Hyperbole it is not to say this is the most eagerly anticipated picture of the 21st century.

Over the last few months, I’ve been writing my Oscar predictions and now it’s to the point where I’m doing weekly predictions as we draw closer to the actual nominations coming in January. Through it, Star Wars has hung out there like a giant question mark. If it got rave reviews, could it potentially become a player not just to smash records, but to enter the Oscar fray?

Today the landscape has become clearer as the review embargo has been lifted on the eve of its release. And the word that’s emerged is glowing like Luke Skywalker’s lightsaber. Based on 127 reviews so far, The Force Awakens stands at a magnificent 97% on Rotten Tomatoes. I’ll confess that I’m being careful not to read the reviews (I’ll be seeing it Sunday and my own review will be on the blog that day), but the consensus is undeniably that this is a welcome return to the most beloved franchise in history.

Does that mean The Force Awakens could become the first entry in the series to nab a Best Picture nomination since the original in 1977? Yes… it does. Is it guaranteed? No and my predictions on Friday likely won’t have it making the cut. However, as it premieres to what could be history making numbers and with critics on its side, the forces could align to include it and possibly J.J. Abrams in the directing race. Stay tuned…

Todd’s Weekly Oscar Predictions: December 11 Edition

And now we’ve arrived at my weekly Oscar predictions for the eight biggest categories and yes, things have changed in one week. Most notably, many critics precursor awards have been announced and just in the last 48 hours, nominations for the SAG and Golden Globe awards have been revealed. The past week’s activity has given a huge boost to Mad Max: Fury Road‘s inclusion into the Best Picture race and I’m including it for the first time. Other pics that have received some momentum: Carol, Trumbo (in acting races), and possibly The Big Short.

For the first time, I’m ceasing to list my predicted nominees and other possibilities alphabetically. We are now switching to where I’m listing according to my thoughts on their probability of being nominated.

And here we go, my friends:

Best Picture

  1. Spotlight
  2. The Revenant
  3. Room
  4. Carol
  5. Mad Max: Fury Road
  6. The Martian
  7. Brooklyn
  8. Bridge of Spies
  9. The Hateful Eight

Other Possibilities:

10. Inside Out

11. The Big Short

12. Creed

13. Steve Jobs

14. Beasts of No Nation

15. Straight Outta Compton

16. The Danish Girl

17. Son of Saul

18. Anomalisa

19. Trumbo

20. Joy

21. Sicario

22. Love and Mercy

23. Star Wars: The Force Awakens

What’s Changed Since Last Week – In: Mad Max: Fury Road, Out: Inside Out

Best Director

  1. Tom McCarthy, Spotlight
  2. Alejandro Gonzalez Inarritu, The Revenant
  3. George Miller, Mad Max: Fury Road
  4. Ridley Scott, The Martian
  5. Todd Haynes, Carol

Other Possibilities:

6. Lenny Abrahamson, Room

7. Steven Spielberg, Bridge of Spies

8. Quentin Tarantino, The Hateful Eight

9. John Crowley, Brooklyn

10. Ryan Coogler, Creed

11. Cary Fukanaga, Beasts of No Nation

12. Adam McKay, The Big Short

13. Laszlo Nemes, Son of Saul

14. Danny Boyle, Steve Jobs

15. David O. Russell, Joy

16. Tom Hooper, The Danish Girl

17. J.J. Abrams, Star Wars: The Force Awakens

What’s Changed Since Last Week – In: Todd Haynes. Out: Lenny Abrahamson

Best Actor

  1. Leonardo DiCaprio, The Revenant
  2. Eddie Redmayne, The Danish Girl
  3. Michael Fassbender, Steve Jobs
  4. Johnny Depp, Black Mass
  5. Bryan Cranston, Trumbo

Other Possibilities:

6. Matt Damon, The Martian

7. Will Smith, Concussion

8. Michael B. Jordan, Creed

9. Ian McKellen, Mr. Holmes

10. Tom Hanks, Bridge of Spies

11. Michael Caine, Youth

12. Steve Carell, The Big Short

13. Geza Rohrig, Son of Saul

What’s Changed Since Last Week – In: Bryan Cranston. Out: Matt Damon

Best Actress

  1. Brie Larson, Room
  2. Saoirse Ronan, Brooklyn
  3. Cate Blanchett, Carol
  4. Charlotte Rampling, 45 Years
  5. Jennifer Lawrence, Joy

Other Possibilities:

6. Blythe Danner, I’ll See You in My Dreams

7. Charlize Theron, Mad Max: Fury Road

8. Sarah Silverman, I Smile Back

9. Helen Mirren, Woman in Gold

10. Maggie Smith, The Lady in the Van

11. Lily Tomlin, Grandma

12. Carey Mulligan, Suffragette

What’s Changed Since Last Week – NO CHANGES

Best Supporting Actor

  1. Mark Rylance, Bridge of Spies
  2. Sylvester Stallone, Creed
  3. Michael Keaton, Spotlight
  4. Paul Dano, Love and Mercy
  5. Idris Elba, Beasts of No Nation

Other Possibilities:

6. Mark Ruffalo, Spotlight

7. Christian Bale, The Big Short

8. Tom Hardy, The Revenant

9. Benicio del Toro, Sicario

10. Michael Shannon, 99 Homes

11. Jacob Tremblay, Room

What’s Changed Since Last Week – In: Paul Dano and Idris Elba. Out: Tom Hardy and Mark Ruffalo

Best Supporting Actress

  1. Alicia Vikander, The Danish Girl
  2. Rooney Mara, Carol
  3. Jennifer Jason Leigh, The Hateful Eight
  4. Kate Winslet, Steve Jobs
  5. Jane Fonda, Youth

Other Possibilities:

6. Kristen Stewart, Clouds of Sils Maria

7. Helen Mirren, Trumbo

8. Joan Allen, Room

9. Elizabeth Banks, Love and Mercy

10. Rachel McAdams, Spotlight

11. Alicia Vikander, Ex Machina

What’s Changed Since Last Week: NO CHANGES

Best Original Screenplay

  1. Spotlight
  2. The Hateful Eight
  3. Inside Out
  4. Bridge of Spies
  5. Son of Saul

Other Possibilities:

6. Love and Mercy

7. Straight Outta Compton

8. 99 Homes

9. Joy

10. Sicario

11. Ex Machina

12. Trainwreck

What’s Changed Since Last Week – IN: Son of Saul. Out: Love and Mercy

Best Adapted Screenplay

  1. Carol
  2. Steve Jobs
  3. Room
  4. Brooklyn
  5. The Big Short

Other Possibilities:

6. The Revenant

7. The Martian

8. Anomalisa

9. Beasts of No Nation

10. Trumbo

11. Creed

12. The Danish Girl

What’s Changed Since Last Week – In: The Big Short. Out: Anomalisa. 

And that’ll do it for this week’s predictions! Stay tuned for next Friday’s picks…

Star Wars: The Force Awakens Box Office Prediction

It is not only the most anticipated film of the year but probably of the 21st century. This is not hyperbole. 38 years after George Lucas changed the movie industry forever with Star Wars, the baton has been passed to J.J. Abrams with Star Wars: The Force Awakens, out December 18. We’ve seen over a decade pass since the unevenly received second trilogy that ran from 1999-2005. This marked the end of Mr. Lucas’s involvement in the franchise and the end of 20th Century Fox producing the entries (no iconic Fox music before “In a galaxy far, far away” may take a little getting used to).

Instead we have Disney taking over the most beloved franchise in silver screen history and we’ve repeatedly seen their brilliance at marketing blockbusters (think Marvel Cinematic Universe). The Force Awakens has been omnipresent for months and it’s ramped up to the point where every other commercial seems to be connected somehow to it. The official trailers and TV spots have been events. It’s sold $100 million dollars at press time in pre-sale tickets, which was previously an unimaginable haul. With all the exposure, the studio has done a truly remarkable job in keeping plot details under wraps.

We know this: original trilogy stars Mark Hamill, Harrison Ford, and Carrie Fisher return in the iconic roles of Luke Skywalker, Han Solo, and Princess Leia. A new generation makes up the supporting cast that includes John Boyega, Oscar Isaac, Daisy Ridley, Adam Driver, and Domhnall Gleeson. Oh and there’s Chewbacca, R2-D2, and C-3PO.

For those of us old enough to remember the breathless anticipation afforded to 1999’s Star Wars Episode 1: The Phantom Menace, it’s probably the only thing that compares in the past couple of decades. There are many hotly anticipated blockbusters but Star Wars is simply on a different planet.

So now the nine figure question: how much will The Force Awakens earn its opening weekend? How much is it capable of making? Will its debut set the all time record? Fascinating queries indeed, these are.

We begin with this: the current record holder came out just this summer when Jurassic World earned $208.8 million, which edged out previous champ The Avengers at $207 million. I’m sure Disney would love to get that record back that the dinosaurs took away in June. These are the only two pictures that have made over $200M out of the gate. Both were released in summer, as are seven of the all time top ten domestic premieres.

None came out in December and this is not an inconsequential point. In fact, the current highest December debut belongs to The Hobbit: An Unexpected Journey. It made $84 million and that’s good for just the 57th largest opening ever. Truth be told, even massive blockbusters that open in December usually open smaller than they might in the summer. 2009’s Avatar began with $77 million before becoming the biggest stateside grosser ever. The reason is simple: Christmas time releases tend to play well over multiple weekends while similar summer titles make the bulk of their coin immediately.

Let’s dispatch with the glaringly obvious: The Force Awakens will obliterate the December record. At worst, it should double The Hobbit’s initial earnings. Frankly, guessing what Star Wars is capable of is a dicey proposition, but the low end of estimates is around $170-$175 million. If it managed that, it would sincerely be a fine start.

Yet there is a suspicion that Jurassic’s six month long record could be headed for extinction. The combo of Disney hype and a true love across all ages for the series has contributed to an Event Experience we rarely witness. What’s the highest it could go? Honestly, I don’t know. The figure of $300 million has been mentioned. That seems a bit crazy, but you just never know. There’s part of me that believes $275-$280 million might just be reachable and another that feels it could fall short of the record with around $185-$205 million.

What’s a box office predicting blogger to do? Split the difference. With this wide range of possibilities, I’ll project that Star Wars: The Force Awakens will achieve the best American opening ever and by a rather considerable margin. I’ll be one among many speculating over the next ten days before its debut, but my two cents is in, my friends. Let’s see what happens!

Star Wars: The Force Awakens opening weekend prediction: $234.7 million

For my Sisters prediction, click here:

https://toddmthatcher.com/2015/12/10/sisters-box-office-prediction/

For my Alvin and the Chipmunks: The Road Chip prediction, click here:

https://toddmthatcher.com/2015/12/10/alvin-and-the-chipmunks-the-road-chip-box-office-prediction/