Tag: It Chapter Two

September 13-15 Box Office Predictions

Psychological thriller Speak No Evil with James McAvoy and action comedy The Killer’s Game starring Dave Bautista hope to get lucky with audiences this weekend as Beetlejuice Beetlejuice looks to reign supreme for a second frame. You can peruse my detailed prediction posts on the newcomers here:

Speak No Evil Box Office Prediction
The Killer’s Game Box Office Prediction

Evil appears poised for an easy second place start as I have the Blumhouse remake of a 2022 Danish flick in the low teens.

As for The Killer’s Game, I look for it to continue a tepid streak for distributor Lionsgate in the mid single digits. That could mean fourth place with holdovers Deadpool & Wolverine in third and Reagan in fifth.

Beetlejuice Beetlejuice impressed in its opening frame (more on that below). That business might be prove to be front loaded. A low to mid 60s sophomore slide is likely and understandable.

Here’s how I have it all shaking out:

1. Beetlejuice Beetlejuice

Predicted Gross: $40.9 million

2. Speak No Evil

Predicted Gross: $14.6 million

3. Deadpool & Wolverine

Predicted Gross: $4.4 million

4. The Killer’s Game

Predicted Gross: $3.7 million

5. Reagan

Predicted Gross: $3.1 million

Box Office Results (September 6-8)

Tim Burton’s long in the making sequel Beetlejuice Beetlejuice achieved the second best September start in box office history with $111 million. That puts it in between 2017’s It ($123 million) and its 2019 follow-up ($91 million). While it didn’t quite match my $115.7 million prediction, audiences were clearly primed for Michael Keaton and Winona Ryder’s returns to their iconic characters with Jenna Ortega joining the proceedings.

Deadpool & Wolverine was the runner-up with $7 million (I was higher at $9.8 million) for $613 million after seven weeks of slashing 2024 records.

Reagan held up well in third with $4.8 million. My projection? $4.8 million! In two weeks, the biopic has made $18 million.

Alien: Romulus was fourth at $3.9 million (I said $4.5 million) to bring the four-week tally to $97 million.

I incorrectly did not have It Ends with Us in the top five, but it managed fifth with $3.7 million. It has totaled $141 million in five weeks.

And that does it for now, folks! Until next time…

September 6-8 Box Office Predictions

The autumn cinematic season looks to spook up a massive debut with Beetlejuice Beetlejuice, Tim Burton’s long in the works sequel to his 1988 classic with Michael Keaton reprising his iconic role. My detailed prediction post on it can be accessed here:

Beetlejuice Beetlejuice Box Office Prediction

In order for Beetlejuice to set the all-time domestic September opening record, it would need to eclipse the $123 million achieved by 2017’s It. That could be a tall order but it is achievable. For second place, topping the $91 million earned by It‘s 2019 sequel is the assignment. My forecast gives Burton and company those bragging rights with room to spare.

The rest of the top five will belong to summer holdovers with Deadpool & Wolverine sliding to second. Spots 3-5 should be a close call between Reagan, Twisters, and Alien: Romulus. I have them in that order though the figures are basically interchangeable.

Here’s how I have it shaking out:

1. Beetlejuice Beetlejuice

Predicted Gross: $115.7 million

2. Deadpool & Wolverine

Predicted Gross: $9.8 million

3. Reagan

Predicted Gross: $4.8 million

4. Twisters

Predicted Gross: $4.7 million

5. Alien: Romulus

Predicted Gross: $4.5 million

Box Office Results (August 30-September 2)

A rather dull Labor Day weekend greeted multiplexes as Deadpool & Wolverine, in its sixth frame, stayed in first with $19.5 million. That’s a little more than my $18.3 million prediction as the MCU heavy hitter is up to $603 million.

Alien: Romulus was second with $11.6 million, under my $13.7 million prediction. The franchise’s latest entry is nearing the century mark at $91 million after three weeks.

The bright spot of the holiday for theaters was Ronald Reagan’s reemergence with Dennis Quaid playing him. Biopic Reagan was a solid third with $10.3 million, easily surpassing my meager $5.6 million take.

Fourth place belonged to Twisters with $9.8 million. It blew past my $6.8 million forecast in week 7 to bring its tally to $260 million.

It Ends with Us rounded out the top five with $9.3 million (I went with $10.2 million) for a pleasing four-week gross of $135 million.

Faith-based drama The Forge was sixth with $6.5 million (I said $7.2 million) for $16 million after two weeks.

Also in its sophomore frame, Blink Twice grossed $6.1 million for seventh. That’s in range with my $6.3 million projection and it has $16 million in its coffers.

Finally, Blumhouse horror flick AfrAId was DOA in ninth with just $4.4 million. I was kinder at $7.4 million.

And that does it for now, folks! Until next time…

Beetlejuice Beetlejuice Box Office Prediction

Over three and a half decades after the original made a killing at the box office, Beetlejuice Beetlejuice appears in theaters on September 6th. Tim Burton returns to direct the macabre comedy with Michael Keaton reprising his title role as the demented bio-exorcist. Winona Ryder and Catherine O’Hara are back as Lydia and Delia Deetz with Jenna Ortega (hot off Netflix’s Wednesday from exec producer Burton) joining as third gen Deetz. Other newcomers to the franchise are Justin Theroux, Monica Bellucci, and Willem Dafoe.

The long-in-development sequel received a high-profile slot kicking off the Venice Film Festival this week. Reviews are mostly fresh with many critics saying it’s a return to form for its filmmaker. In 1988, Beetlejuice grossed $74 million domestically and was the 10th highest earner of the year. Since then, its reputation has grown as a classic genre mixup of humor and genial horror.

This should succeed in bringing in 36 years worth of fans and it doesn’t hurt that Ortega is present. Tracking continues to tick up from $65-75 million as it’s now expected to rise above well above that and maybe even in nine figures. The domestic September opening weekend records are held by 2017’s It ($123 million) and its 2019 sequel It Chapter Two with $91 million. Third place belongs to the MCU’s Shang-Chi and the Legend of the Ten Rings at $75 million.

Beetlejuice Beetlejuice should face no trouble achieving second place and it could absolutely come in first. The momentum appears real and I’ll say it gets beyond the century mark.

Beetlejuice Beetlejuice opening weekend prediction: $115.7 million

November 3-5 Box Office Predictions

After a record breaking Halloween opening at the box office, Five Nights at Freddy’s will have no trouble dominating the charts again as November arrives. The only wide release is the expansion of biopic Priscilla from Sofia Coppola. You can peruse my detailed prediction post on it here:

Priscilla Box Office Prediction

While it played went well in limited release this weekend, Priscilla probably won’t impress as it goes nationwide. I’m projecting it at the lower end of its range for what could be a fourth or fifth place showing (depending on the second weekend drop for faith-based doc After Death).

Freddy’s is ready to easily be 1st again after its massive start (more on that below). It’s a reasonable assumption that its earnings will be quite front loaded. A mid 60s to even high 60s decline wouldn’t be a surprise, but that would still give it a second frame atop the landscape due to scant competition.

Taylor Swift: The Eras Tour and Killers of the Flower Moon (following a disappointing sophomore performance) should retain their spots in second and third. Here’s how I see it shaking out:

1. Five Nights at Freddy’s

Predicted Gross: $27.6 million

2. Taylor Swift: The Eras Tour

Predicted Gross: $8.3 million

3. Killers of the Flower Moon

Predicted Gross: $5.8 million

4. Priscilla

Predicted Gross: $3.9 million

5. After Death

Predicted Gross: $3.2 million

Box Office Results (October 27-29)

Based on the hugely successful series of video games, Five Nights at Freddy’s obliterated the previous best Halloween weekend of all time. It was held by 2011’s Puss in Boots with $34 million. Freddy’s more than doubled that mark with an astonishing $80 million. That’s good for the third highest horror start in history after It and its sequel. It bested my $68.3 million prediction and that’s all the more impressive considering it premiered simultaneously on Peacock.

Taylor Swift: The Eras Tour, after its own record setting two weeks on top, fell to second with $15.4 million. That’s a tad more than my $14.2 million take as it’s up to $150 million domestically.

Killers of the Flower Moon, despite great reviews and Oscar buzz, fell a troubling 60% in its second outing with $9.3 million. I assumed it would hold up much better at $13.4 million. The subpar ten-day tally (especially considering a $200 million budget) is $40 million.

I mistakenly left After Death out of top five. The documentary from Angel Studios (the company behind the unexpected summer smash Sound of Freedom) was fourth with $5 million.

The Exorcist: Believer rounded out the top five with $3.2 million (I said $3.5 million) for $59 million in four weeks.

PAW Patrol: The Mighty Movie was sixth with $2.3 million (I went with $2.9 million) for five week earnings of $59 million as well.

And that does it for now, folks! Until next time…

Oscar Predictions: The Flash

The twelve pictures that have made up the DC Extended Universe in the past decade has resulted in a grand total of one nomination at the Oscars. That honor belongs to Suicide Squad in 2016 for Makeup and Hairstyling and it won. Other DCEU titles like Man of Steel, Batman v Superman: Dawn of Justice, Wonder Woman, Aquaman, and 2021’s The Suicide Squad couldn’t manage Visual Effects or Sound or any other mentions.

Could that change with The Flash? Opening June 16th, the superhero tale finally hits screens after multiples delays and lots of unflattering news about its lead Ezra Miller. On the other hand, audiences could be stoked to see the returns of Ben Affleck and especially Michael Keaton as Batman. Sasha Calle costars as Supergirl with Michael Shannon reprising his role as General Zod from Man of Steel. Andy Muschietti, best known for helming the two It chapters, directs.

The review embargo lapsed today and the result thus far is 73%. That’s fine, but plenty of the write-ups are of the mixed variety. It’s nostalgic overtones are being praised and criticized. I could see this contending for Visual Effects and probably that race only. Yet given the DCEU track record, I wouldn’t want to double down on it making the cut. My Oscar Prediction posts will continue…

John Wick: Chapter 4 Review

No franchise has seen more actors submit headshots to get their heads shot than this one. Nearly a decade has passed since the puppy of John Wick (Keanu Reeves) was offed by Russian mobsters in the 2014 original. Much less time has expired onscreen as we arrive at Chapter 4. In the features that have followed, the world building continues to grow as the squib games ramp up.

As a quick reminder, Wick was a legendary hitman mourning his wife’s death from natural causes in 2014. When the condemned criminals caused the demise of his very good boy, it triggered a thirst for revenge still not quenched. The storyline also veered into unexpected and violently enjoyable directions. This includes The Continental, stylish hotels across the globe that cater to nefarious types. The Wick world also established its own set of rules for how these characters behave. It’s all set in a cinematic universe where law enforcement is on permanent break and an all-powerful syndicate The High Table calls the shots.

Ultimately it’s an excuse for long take battles where Keanu and his friends and enemies (and in some cases frenemies) find fresh ways to shoot indistinguishable baddies in the head. This can be monotonous but director Chad Stahelski and his team of technicians and stunt persons more often impress with their inventive set-ups.

In 2019’s Chapter 3 – Parabellum, Wick was left for dead by the High Table and rescued by underground crime lord the Bowery King (Laurence Fishburne, still having a ball). Our title character is in heavy revenge mode as the travelogue takes him to Morocco on horseback and then New York City, Japan, and Berlin. His back is always against the wall as the reward for his killing is $20 million and increasing.

The main player tasked with extinguishing Wick is Caine (Donnie Yen), a blind former Table assassin reluctantly returning to employment. His lack of sight causes creative ways for him to accomplish goals. Every time a bell rings around him, a henchman gets his wings (you’ll see). His hirer is the arrogant and ruthless Marquis (Bill Skarsgård), making for a delightfully smarmy addition. Skarsgård nailed the role of Pennywise with his demented sideways glances in the It double feature. Now he has another memorable villainous turn. Ian McShane’s Continental manager Winston (last seen putting a bullet into Wick) is more supportive this time. Shamier Anderson turns up as a skilled bounty hunter waiting for the price to be right before taking Wick out. In keeping with the franchise’s canine connection, he has a dedicated pooch who enacts cruelty to would-be tormentors. The dog’s presence also humorously reveals that even hotels for the underworld must adopt a policy for emotional support animals.

I have a tough time ranking these movies over the others. It sort of feels like one long movie. This one feels a bit longer because it is. Chapter 4 probably doesn’t need to clock in at three hours, but the action sequences continue to wow and this edition has the best adversary. As long as they continue to stay this solid and stylish, my policy will be to support them.

*** (out of four)

Barbarian Review

Zach Cregger’s Barbarian is really three movies in its 100 minutes and you won’t see two of them coming. You won’t find this Blu-Ray laying around at an Airbnb for your viewing enjoyment (I realize there’s probably not many Blu-Rays laying around anyway). Your viewing enjoyment may depend on your tolerance for gross out scares and if that’s up your alley, this offers some genuine surprises.

Tess (Georgina Campbell) pulls up to a bad Detroit neighborhood to stay at the aforementioned company’s property. She has a job interview the next morning and is shocked to find someone else trying to catch some shuteye. Keith (Bill Skarsgard) is just as confused until they discover the property has been double booked.

For a little while, we’re led to think this could be a meet cute heading down rom com territory. Not so much. It’s hard to forget that Mr. Skarsgard donned creepy makeup recently as Pennywise in the It parts. The couple is instead heading down to the basement where there’s plenty of dank discoveries to uncover.

This is about where spoilers come into play and I do suggest watching Barbarian cold. We do have Justin Long in the mix as a sitcom actor going through a Me Too moment and other cast members whose house appearances shall remain a secret.

I give credit to Cregger, a sitcom actor himself and comedian, for a screenplay that veers into unexpected places. It also tackles some dark subjects while keeping the primary objective in focus. That’s to provide a frightening stay at this setting that wouldn’t merit many stars. On that note, just how were the reviews from previous guests? This creation does merit a referral for horror fans.

Barbarian Box Office Prediction

The fall movie season kicks off in horrific fashion with Barbarian, Zach Cregger’s directorial debut which premiered at Comic-Con in July to solid buzz. Whether its festival reaction translates to positive box office numbers is questionable.

Georgina Campbell, Bill Skargard (who’s had huge success in the genre with It and its sequel), and Justin Long star in a pic whose plot is being kept rather secretive. Early word-of-mouth suggests horror fans might be best served by entering this one cold.

September is not looking overly encouraging for blockbuster possibilities. It is, however, filled with scary flicks. Barbarian starts the trend with Pearl out a week later and Smile arriving at month’s end. Barbarian needs that chatter from its screenings to seep into the mainstream and I’m not sure it has. One comp could be Malignant, which premiered on the same post Labor Day weekend last year. It made just over $5 million though it was simultaneously streaming on HBO Max.

This should benefit a little from being theatrical only. I’ll say Barbarian will be lucky to make close to double digits, but may to settle for $6-8 million.

Barbarian opening weekend prediction: $7.1 million

Annabelle Comes Home Review

The first Annabelle spinoff in 2014 felt like a cheap and quick money grab after the success of The Conjuring the year before and I’d say it stands as the worst experience in this cinematic universe. Three years later, Annabelle: Creation managed to slightly improve on its predecessor as it told the 1950s set backstory of the demonic doll. Some horror aficionados felt it was a significant improvement, but I wouldn’t go that far. Annabelle Comes Home, which takes place about a year after the events of The Conjuring, accomplishes what very few trilogies can. I think this is the best of the trio and about on the level with The Conjuring 2 as far as effectiveness. That means it’s nowhere near the quality of the film that kicked the whole shebang off, but it’s well-crafted and feels like some effort got put into it.

Paranormal investigators Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) are back and they basically bookend this latest haunting. The real focus is their daughter Judy (Mckenna Grace) as she deals with that supremely creepy looking title doll. Her parents have recently acquired Annabelle and locked her in a case that explicitly warns others to keep it closed. When the Warrens go off somewhere investigating what will probably be a Conjuring flick someday, Judy is left in the care of high school babysitter Mary Ellen (Madison Iseman). Her friend Daniela (Katie Sarife) joins the party and is curious if there are evil spirits lurking in the Warren household. She’s also desperate to connect with her recently deceased father.

As we know, Daniela has found the right house to do just that. Her actions unlock a whole lotta spirited occurrences which come with the franchise’s now well-known and precise sound effects editing. Home marks the directorial debut of Gary Dauberman, who wrote the first two Annabelle‘s and The Nun (he also penned both It pics). This walks a sometimes pleasurable line between the terrorized babysitter premise while being steeped in Conjuring lore. We briefly see several other spirits awakened and that includes a dog who’s a bad boy and a board game with a mind of its own.

Yet Annabelle Comes Home never turns into Ouija or Cujo. Most of the focus is on Annabelle. And despite her still scary appearance, no Conjuring sequel/spinoff has quite nailed the key objective: being consistently scary itself. With the exception of Annabelle’s first 2014 starring role, they look good and sound really good. They’re also far cries from what started it all.

**1/2 (out of four)

Top 25 SNL Alumni Movie Performances: Numbers 25-21

It’s time for another list on this here blog of mine and Saturday Night Live has been on the mind lately. With The King of Staten Island garnering solid reviews and serving as a launching pad for the film career of current cast member Pete Davidson, I’ve decided to compile my own personal list of top 25 performances from the 45 years of SNL alumni.

And this is sure to be a list where many moviegoers would have their own choices that do not reflect my own. Obviously SNL has a rich history of performers that have made the transition to the big screen and there are lots of notable comedic (and some dramatic) highlights.

A couple of notes before we start with numbers 25-21:

  • There are couple well-known actors that I chose to leave on the cutting room floor due to their very brief tenures on the show. Ben Stiller was a cast member for only 4 episodes and Laurie Metcalf was a not ready for prime time player for exactly 1 show. That didn’t seem like enough to include them. In short, if you lasted a season or more on SNL, you are eligible.
  • This list is undeniably dominated by men. That’s just a fact. On the other hand, if I did a list that included TV (which I may after this), you would certainly see a more substantial presence of former female performers. Think Tina Fey, Amy Poehler, Julia Louis-Dreyfus, and their acclaimed small screen work.
  • We have a couple of cinematic legends like Eddie Murphy and Bill Murray and I could have chosen plenty of their roles for inclusion. I tried to limit that, but you will see them make quite an impact in the top 25.

And with that, let’s get to the list!

25. Jan Hooks, Pee Wee’s Big Adventure (1985)

OK, maybe this is cheating a little bit since Ms. Hooks (who was brilliant on SNL) gets about three minutes of screen time in Tim Burton’s team-up with Paul Reubens for his iconic character. Yet her work as the cheery tour guide with the southern drawl is so memorable that I couldn’t leave it off. Six words: “There’s no basement at the Alamo!”

https://www.youtube.com/watch?v=cYfjq3ZYZbA

24. Bill Hader, It Chapter Two (2019)

Hader has been one of the most versatile cast members in recent times and has had memorable film roles in Superbad and Trainwreck, among others. I include this horror sequel because he was the undeniable bright spot in an otherwise inferior sequel.

https://www.youtube.com/watch?v=8Z1iGzNNzJw

23. Will Forte, MacGruber (2010)

Count me in as one of the ardent defenders of this SNL spin-off featuring Forte doing a feature length version of his idiotic MacGyver like role. MacGruber was a box office flop upon release but has since turned into a deserved cult classic (with a rumored sequel happening).

22. Tina Fey, Mean Girls (2004)

Before her fantastic work on 30 Rock, Fey wrote this hit comedy that has spawned a massive following and a Broadway musical. Her work as a teacher here served as a springboard to an impressive TV and movie career.

21. Billy Crystal, When Harry Met Sally… (1989)

Crystal has certainly had his share of hits, but I’ll give the nod to his romantic leading man role opposite Meg Ryan in Rob Reiner’s blockbuster.

That does it for now, folks! I’ll continue the list with numbers 20-16 in short order…