As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our final performer in Best Actress is Emma Stone for Bugonia. If you missed my posts covering the others, you can find them here:
2014 (Supporting Actress) – Birdman – lost to Patricia Arquette in Boyhood; 2016 (Actress) – La La Land (WON); 2018 (Supporting Actress) – The Favourite – lost to Regina King in If Beale Street Could Talk; 2023 (Actress) – Poor Things (WON)
The Case for Emma Stone:
She’s won the other two times she was up in the lead competition and her collaborations with Yorgos Lanthimos have attracted lots of Oscar attention. For her work in Bugonia, she was nominated at key precursors SAG Actor, BAFTA, the Golden Globes, and Critics Choice.
The Case Against Emma Stone:
Best Actress is the one acting category where a sweep is expected to occur thanks to Jessie Buckley in Hamnet. Her performance has won everywhere and the Academy could certainly feel that Stone has been well-rewarded in recent years. Her costar Jesse Plemons couldn’t manage a nod.
The Verdict:
Stone will not be making a third trip to the stage.
My Case Of posts will continue the last Best Actor contender – Wagner Moura in The Secret Agent…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our third contender among the Supporting Actress nominees is Amy Madigan for Weapons. If you missed the first two write-ups covering the performers from Sentimental Value, you can access them here:
1985 – Best Supporting Actress (Twice in a Lifetime) – lost to Anjelica Huston for Prizzi’s Honor
The Case for Amy Madigan:
The only thespian in the race who’s not a first-time nominee, Madigan’s work as the supremely creepy Aunt Gladys in Zach Cregger’s horror pic arrives 40 years after her initial nod for Twice in a Lifetime. She won the Critics Choice prize and has been nominated at the Globes and SAG Actor. If they bestowed the trophy based on number of Halloween costumed inspired by her role, Madigan would take this in a landslide.
The Case Against Amy Madigan:
Madigan was snubbed at BAFTA. You have to go back to 2018 and Regina King (If Beale Street Could Talk) to find the last Oscar recipient who didn’t make the cut there. Prior to that, it was Marcia Gay Harden (Pollock) in 2000. Teyana Taylor (One Battle After Another) took the Globe as we await SAG. This genre doesn’t produce a lot of acting winners and Weapons missed all other categories including Original Screenplay and Makeup and Hairstyling. Penélope Cruz (Vicky Christina Barcelona) is the last Supporting Actress honoree whose movie only got one nomination and that was in 2008.
The Verdict:
A SAG victory would elevate Madigan’s stock and she is probably runner-up in the race at the moment behind Taylor.
My Case Of posts will continue with third entrant in Supporting Actor – Delroy Lindo for Sinners…
In 2018, Regina King was a Supporting Actress victor at the Oscars for If Beale Street Could Talk. Her latest project, at least on paper, appears to be another hopeful. In the biographical drama Shirley (not to be confused with 2020’s same titled biographical drama with Elisabeth Moss), King portrays Shirley Chisholm, the first African-American woman to run for President in 1972. Depicting that time in her life, John Ridley (an Academy winner for penning 2013’s 12 Years a Slave) directs with a supporting cast including the late Lance Reddick, Terrence Howard, Lucas Hedges, Brian Stokes Mitchell, and André Holland. The film is out in limited release this weekend before its March 22nd Netflix premiere.
Early reviews are mostly complimentary while none are really raves. The RT score is 78%. Any thoughts of this being a BP contender can go away (the release date kind of clued us into that). Unsurprisingly, King is being highly praised. I just question whether this will be in the minds of voters several months down the road. Netflix will need to keep her busy on the campaign trail for any possibility of a second nom. My Oscar Prediction posts will continue…
Brian Tyree Henry’s performance in Causeway as a mechanic struggling with his involvement in a family tragedy is next up in my Case Of posts for the Supporting Actor hopefuls.
The Case for Brian Tyree Henry:
After critically appreciated roles in Widows and If Beale Street Could Talk and being singled out in genre fare such as Godzilla vs. Kong and Bullet Train, he earned his strongest reviews yet for the Apple TV drama costarring Jennifer Lawrence. He’s also up for a Critics Choice nod.
The Case Against Brian Tyree Henry:
In addition to missing out on precursors such as SAG, BAFTA, and the Golden Globes, Ke Huy Quan (Everything Everywhere All at Once) is the overwhelming favorite in the race. He represents the indie pic’s sole mention and he was a surprise addition on nomination morning.
Previous Nominations:
None
The Verdict:
Even if a major upset occurs in Supporting Actor, it’s highly doubtful Henry will be the cause of it.
My Case Of posts will continue with Martin McDonagh’s direction for The Banshees of Inisherin!
If you’ve missed the write-ups for the other Supporting Actors in the field, they can be found here:
The National Board of Review, a group of cinephiles out of New York City, bestows its best of every year in early December. Their selections certainly don’t forecast who and what the Academy will eventually name. They do, like many critics organizations, give us potential hints as to who and what’s hot and not as Oscar voters ready their ballots.
For 2022, the NBR went with the year’s most popular picture in Top Gun: Maverick. Named Best Film, Maverick is expected to land a spot in the Academy’s BP ten. Picking it to win is risky business. Of the last 10 NBR victors, only one went on to win BP at the big dance – 2018’s Green Book (and that was a surprise). The last three recipients were The Irishman, Da 5 Bloods, and Licorice Pizza. On the other hand, one three NBR winning films in the 21st century didn’t score an Oscar BP nomination: 2000’s Quills, 2014’s A Most Violent Year, and the aforementioned Bloods from 2020.
The directing prize went to Steven Spielberg for The Fabelmans. He’s ranked #1 in my Oscar picks and has been for quite some time. If he takes Oscar, he’d be the first NBR victor to do so since 2006 when Martin Scorsese won for The Departed.
The matches don’t improve much in the acting derbies. Michelle Yeoh (Everything Everywhere All at Once) was crowned Best Actress. Three of the past 10 winners achieved Oscar glory: Julianne Moore for Still Alice, Brie Larson in Room, and Renee Zellweger as Judy. On a side note, a Cate Blanchett Tàr prize here would’ve been the easy bet. That picture was ignored by NBR even in their selections for the 10 greatest films not named Top Gun: Maverick (more on that below).
Colin Farrell nabbed another lead Actor honor for The Banshees of Inisherin. Two of the previous 10 NBR gentleman made a podium trip at the Oscars: Casey Affleck in Manchester by the Sea and Will Smith last year for King Richard (remember that?). Farrell is emerging as a major threat as is Austin Butler for Elvis (which received no love from this board). Along with Brendan Fraser in The Whale (who needs some critic groups love awfully soon), they make up a three-way tussle for Best Actor.
Janelle Monae is your Best Supporting Actress as her stock is rising. Yet only two of the past 10 winners match Oscar with Regina King for If Beale Street Could Talk and Youn Yuh-Jung for Minari. Brad Pitt is the only Supporting Actor NBR/Academy match of the last decade for Once Upon a Time in Hollywood. Brendan Gleeson in The Bansees of Inisherin will try and join that small club as he emerged over frontrunner Ke Huy Quan in Everything Everywhere.
Original Screenplay went to Banshees while All Quiet on the Western Front was a surprise recipient in Adapted Screenplay over Women Talking (which is widely favored to catch the Academy’s attention).
Other pics making their mark today were Marcel the Shell with Shoes On for Animated Feature, Close in International Feature Film, and Sr. for Documentary Feature. All are expected to vie for consideration at the Oscars.
Finally, the NBR chooses 10 additional features on their best of list. This year they were Aftersun, Avatar: The Way of Water, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Glass Onion: A Knives Out Mystery, RRR, Till, The Woman King, and Women Talking. In addition to Tár and Elvis – you also won’t find The Whale or Babylon or Triangle of Sadness among the picks. Same with She Said and Guillermo del Toro’s Pinocchio.
From 2019-2021, the winning pictures and ten other NBR picks equated to between 5-7 of the Academy’s BP contenders. Right now, I have six of these 2022 films in my Oscar 10: Maverick, Avatar, Banshees, Everything Everywhere, Fabelmans, and Women Talking. That corresponds to what usually occurs between NBR and Oscar.
All in all, a good day for Maverick and company. That said – if you think it is now cruising to Best Picture, history suggests otherwise.
The New York Film Critics Circle have made their selections for the year’s best and that kicks off a flurry of regional awards coming our way in the days and weeks ahead. This particular critics group (as is the case with most) isn’t much of a barometer on who and what will win. It is, however, a decent glimpse of who and what could contend.
Todd Field’s Tár and Martin McDonagh’s The Banshees of Inisherin each earned two honors. The former was named Best Film with Cate Blanchett taking the Actress award. Eight of the last 10 NYFCC victors in Film went on to receive a BP Oscar nomination. Yet none of those movies won the big prize from the Academy. The last one that did was 2011’s The Artist. And that make sense here. Tár appears highly likely to make the BP cut though it isn’t much of a threat to take the gold. Five of the past 10 Actress recipients were nominated with only one winner. Who was that winner? Cate Blanchett for 2013’s Blue Jasmine. She could certainly do so again. This won’t be the only critics branch to name her.
Colin Farrell was Best Actor for Banshees and After Yang. Like Actress, half of the previous ten New York honorees made the Oscar quintet with two winners – Daniel Day-Lewis (Lincoln) and Casey Affleck (Manchester by the Sea). Farrell appears to be locked in a tight three-way race with Brendan Fraser (The Whale) and Austin Butler (Elvis). Every precursor like this helps a little. Banshees also won Best Screenplay. That’s another Academy three-way battle in Original Screenplay with Everything Everywhere All at Once and The Fabelmans.
The supporting fields are a bit more predictive as far as Academy matches. Eight of 10 Supporting Actor NYFCC takers were at the Oscars. That includes four winners in Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), Mark Rylance (Bridge of Spies), and Mahershala Ali (Moonlight). We could see another match with Ke Huy Quan (Everything Everywhere All at Once). Expect to hear his name a lot.
Supporting Actress, on the contrary, was more of a surprise. Keke Palmer’s work in Nope topped all rivals in a wide open field that’s hard to peg for Oscar prognosticating. 7 of 10 winners here made the big dance including the victorious Patricia Arquette (Boyhood), Regina King (If Beale Street Could Talk), and Laura Dern (Marriage Story). I’ve yet to have Palmer in my top ten. I’m starting to wonder if she could get in the mix for her memorable performance in the sci-fi horror tale. I should note that NYFCC named Lupita Nyong’o Best Actress for Peele’s Us from 2019 and she came up short with Oscar voters.
The rest of the categories all showcased viable contenders in their respective competitions. Marcel the Shell with Shoes On picked up Animated Feature and I expect it to get love from the critics. Same with Non-Fiction Film and All the Beauty and the Bloodshed (I have it ranked first in Oscar’s Documentary Feature). Poland’s EO was a slightly unexpected choice in Foreign Film over Decision to Leave (which I have pegged as the soft frontrunner for the Academy). Finally, Top Gun: Maverick aced Cinematography and it should get an Oscar nod there for the thrilling aerial camerawork.
Keep coming to the blog for all your awards news and I’ll have updated Oscar predictions up this Sunday!
Prior to its limited theatrical output on October 22 and Netflix bow on November 3, The Harder They Fall has dropped at the London Film Festival. The late 19th century set Western revenge tale comes from Jeymes Samuel, who wears many hats here as director, writer, producer, and composer. This is a fictional tale consisting of many actual African-American figures from the era. The cast includes Jonathan Majors, Idris Elba, Zazie Beetz, Regina King, Delroy Lindo, and Lakeith Stanfield.
Early reviews are quite positive and Fall stands at 100% on Rotten Tomatoes with the handful of write-ups available thus far. Some critics have compared the violent, funny, and period piece elements to Quentin Tarantino. Of the impressive cast, Elba seems to be garnering lots of ink. Despite Emmy, Golden Globe, BAFTA, and SAG nods in his filmography, he’s yet to make the cut with the Academy (his snub in 2015 for Beasts of No Nation was a surprising one). At the moment, Supporting Actor has very few surefire hopefuls (one could argue there’s none). If Fall is able to land with awards voters, here is an obvious category where it could play.
Regina King could factor in as well though Supporting Actress may already have at least a slot or two filled. She did also win just three years ago for 2018’s If Beale Street Could Talk.
As for the movie itself, I could see a scenario where it gains popularity once it streams and has its pushers for inclusion. I wouldn’t bank on it happening, but I wouldn’t totally discount it.
Finally, there’s the soundtrack which includes original tracks from Jay-Z, Lauryn Hill, and Kid Cudi. Mr. Z (who also produces) could find himself in a slot for the Original Song five. If he manages to do so, he’d almost certainly be competing against Mrs. Z (aka Beyonce, who’s got a close to assured nod for “Be Alive” from King Richard).
Bottom line: we need to see what kind of reaction The Harder They Fall garners when it steams, but the buzz is sturdy enough now to indicate a potential contender. My Oscar Prediction posts for the films of 2021 will continue…
Amanda Seyfried’s work as screen star Marion Davies in David Fincher’s Mank is next up for my Case Of posts in the Supporting Actress competition. If you missed the ones focused on Maria Bakalova (Borat Subsequent Moviefilm), Glenn Close (Hillbilly Elegy), and Olivia Colman (The Father), click below:
The former Mean Girl drew career best notices for the Netflix pic and earned her first nomination. Seyfried also picked up nods at the Golden Globes and Critics Choice Awards.
The Case Against Amanda Seyfried
She did not, however, get a SAG Award mention and that was a surprise. There’s been just two Oscar recipients (Marcia Gay Harden for Pollock and Regina King in If Beale Street Could Talk) in Supporting Actress who didn’t at least get a SAG nomination. Furthermore, Yuh-jung Youn (Minari) has emerged as the frontrunner.
The Verdict
Upsets have happened in this category, but Seyfried’s chances are slim.
My Case Of posts will continue with Paul Raci in Sound of Metal…
Jared Leto strikes again! Ellen Burstyn and Delroy Lindo are 0 for 2 with the Golden Globes and SAG! Minari and Da 5 Bloods get much needed boosts after a rough go at the Globes!
These are some of the headlines from this morning’s SAG Award nominations, which are traditionally a more accurate barometer on what the Academy might do when it comes to their unveilings (happening March 15).
As I did yesterday with the Globes, let’s break down each category, how I did, and what I think it all means.
Outstanding Performance by a Cast in a Motion Picture
Nominees: Da 5 Bloods, Ma Rainey’s Black Bottom, Minari, One Night in Miami, The Trial of the Chicago 7
How I Did: 4/5
Minari needed a good showing here after receiving just one nod at Globes and it did so with SAG. It got in over my predicted Mank, which had a subpar performance today (more on that below). This could be where Trial ends up shining with a win, but it’s a strong competition this year.
Outstanding Performance by a Female in a Leading Role
Nominees: Amy Adams (Hillbilly Elegy), Viola Davis (Ma Rainey’s Black Bottom), Vanessa Kirby (Pieces of a Woman), Frances McDormand (Nomadland), Carey Mulligan (Promising Young Woman)
How I Did: 4/5
The Davis/Kirby/McDormand/Mulligan bunching looks solid for the Academy’s eventual list. It’s the fifth spot that’s up for grabs and Adams got in over Zendaya (Malcom & Marie). Look for Adams, Zendaya, and potentially Sophia Loren (The Life Ahead) to vie for it.
Outstanding Performance by a Male in a Leading Role
Nominees: Riz Ahmed (Sound of Metal), Chadwick Boseman (Ma Rainey’s Black Bottom), Anthony Hopkins (The Father), Gary Oldman (Mank), Steven Yeun (Minari)
How I Did: 4/5
The headline here is Delroy Lindo’s work in Da 5 Bloods has been snubbed by the Globes and SAG and that certainly puts his Oscar chances in serious jeopardy. This is also another shot in the arm for Minari with Yeun making the cut over Lindo. At this juncture, Ahmed/Boseman/Hopkins/Oldman looking good for the Academy. Whether Lindo can rebound is the question.
Outstanding Performance by a Female in a Supporting Role
Nominees: Maria Bakalova (Borat Subsequent Moviefilm), Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), Youn Yuh-jung (Minari), Helena Zengel (News of the World)
How I Did: 2/5
Ouch! If anything, this morning proved just how open this race is. The genuine surprise is Amanda Seyfried not being named for Mank. I believe she could win the Oscar (as could Close), so her omission is noticeable. It is worth mentioning that Regina King for If Beale Street Could Talk missed here in 2018 and wound up taking gold with the Academy. I also didn’t have Yuh-jung or Zengel in favor of Ellen Burstyn (Pieces of a Woman) and Saoirse Ronan (Ammonite). Burstyn has also been blanked with the Globes not honoring her yesterday. And Zengel has nabbed nods from both branches so her Oscar visibility is on the rise. This is also a boost for Bakalova.
Outstanding Performance by a Male in a Supporting Role
Nominees: Sacha Baron Cohen (The Trial of the Chicago 7), Chadwick Boseman (Da 5 Bloods), Daniel Kaluuya (Judas and the Black Messiah), Jared Leto (The Little Things), Leslie Odom, Jr. (One Night in Miami)
How I Did: 4/5
Gotta start with Leto obviously. Yesterday, perhaps the most significant Globes shocker was Leto getting in. Today… SAG follows suit. So the possibility of his Oscar nomination is quite real. Leto gets in over my prediction of Glynn Turman in Ma Rainey. At this point, Baron Cohen/Boseman/Kaluuya/Odom Jr. should be in for Oscar with the fifth slot a head scratcher. It could be filled by performers who missed the Globes/SAG cut such as Paul Raci in Sound of Metal or Mark Rylance for The Trial of the Chicago 7. There’s also Globe nominee Bill Murray for On the Rocks. Or perhaps Mr. Leto keeps rolling…
Finally, I didn’t do predictions for the sixth category: Best Performance by a Stunt Ensemble in a Motion Picture. They are: Da 5 Bloods, Mulan, News of the World, The Trial of the Chicago 7, Wonder Woman 1984.
Today’s nominations give the following pictures these numbers in terms of nods:
3 Nominations
Da 5 Bloods, Ma Rainey’s Black Bottom, Minari, The Trial of the Chicago 7
2 Nominations
The Father, Hillbilly Elegy, News of the World, One Night in Miami
1 Nomination
Borat Subsequent Moviefilm, Judas and the Black Messiah, The Little Things, Mank, Mulan, Nomadland, Pieces of a Woman, Promising Young Woman, Sound of Metal, Wonder Woman 1984
You can expect updated Oscar estimates (which will certainly take these activities into account) on Sunday!
The National Board of Review bestowed their end of year honors today and the unpredictable group showed some love for Netflix… just not in the expected way. The NBR named Spike Lee’s Da 5 Bloods as Best Film along with Lee taking their top filmmaking prize. Bloods, which premiered on Netflix this summer, has been seen as a prospect whose Best Picture chances are questionable. In my rankings, it has risen over recent weeks all the way up to #5.
As for its chances to win, one could legitimately argue the NBR win means it probably won’t (and it probably won’t). In the 21st century, only 4 of the 20 NBR victors took Best Picture at the big show and only one in the past decade (2003’s Mystic River, 2007’s No Country for Old Men, 2008’s Slumdog Millionaire, 2018’s Green Book).
The NBR also names 10 of their other favorite pics and they are: First Cow, The Forty-Year-Old Version, Judas and the Black Messiah, The Midnight Sky, Minari, News of the World, Nomadland, Promising Young Woman, Soul, and Sound of Metal. The major surprise here is easily Netflix’s The Midnight Sky from George Clooney. It received very mixed reviews and is not anticipated to play with the Academy except for tech races. The other story here is the omission of three legit Netflix contenders at the Oscars: Ma Rainey’s Black Bottom, Mank, and The Trial of the Chicago 7. In particular, Chicago is seen as the main competitor to Nomadland for BP winner. That said, only 6 of the 11 NBR pics last year nabbed Oscar attention. Two other notable exclusions from the Board are The Father and One Night in Miami.
In the acting races, Riz Ahmed took Best Actor for Sound of Metal. He’s looked at as a likely Academy contender. Similar to the Picture discussion, only 1 NBR recipient here (Casey Affleck in Manchester by the Sea) achieved Oscar glory. Carey Mulligan named Best Actress for Promising Young Woman. The Oscar/NBR connection is slightly better as three of the past 10 trophy takers had good fortune with the Academy. The Sound of Metal love continued in Supporting Actor with Paul Raci winning. Like Actress, it’s a 3 out of 10 match in the 2010s. Youn Yuh-jung is NBR’s Supporting Actress choice for Minari. Only 1 of the last 10 victors for the Board won the Oscar (Regina King in 2018’s If Beale Street Could Talk). Minari also took Original Screenplay with News of the World winning Adapted. Soul, the front runner for the Oscar, was named Best Animated Feature.
Bottom line: the NBR can certainly increase exposure for hopefuls, but it’s certainly not a barometer for who wins at the Oscars. Nevertheless it’s a nice day for a Netflix feature that I currently have behind three others from the streamer that weren’t named here.
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