Disney/Pixar looks to jump to the top of the box office charts with Hoppers while Warner Bros hopes moviegoers RSVP for The Bride!, Maggie Gyllenhaal’s take on The Bride of Frankenstein starring Jessie Buckley and Christian Bale. You can peruse my detailed prediction posts on the newcomers here:
Recent original Pixar titles (Elemental, Elio) have struggled out of the gate with openings below $30 million. With encouraging reviews, I suspect that won’t be the case with Hoppers and I’m going with a start in the mid 40s.
As for The Bride!, I am forecasting a subpar premiere barely topping $10 million. As I mentioned in my post, the second weekend of Scream 7 and especially similar subject matter being covered in Guillermo del Toro’s Frankenstein on Netflix could hinder this.
Speaking of Scream 7, it had a terrific debut (more on that below) that easily set a franchise record. The horror genre usually sees substantial declines in their second frames and I envision a mid to high 60s plummet for the latest adventures of Ghostface. Goat and Wuthering Heights should round out the top five.
Here’s I how I envision it shaking out:
1. Hoppers
Predicted Gross: $43.6 million
2. Scream 7
Predicted Gross: $19.5 million
3. The Bride!
Predicted Gross: $10.3 million
4. Goat
Predicted Gross: $5.8 million
5. Wuthering Heights
Predicted Gross: $3.4 million
Box Office Results (February 27-March 1)
As mentioned, Scream 7 had no trouble making loud noises at multiplexes with a series best $63.6 million, trouncing the $44 million that 2023 predecessor Scream VI pulled in. It also eclipsed my meager $47.6 million prediction for the best start yet in 2026.
Goat dropped to second with $12 million, down only 29% for a three-week tally of $73 million. I went a little lower at $10.8 million.
Wuthering Heights was third with $6.7 million (I said $6.9 million) and its three-week total is $72 million. The Margot Robbie-Jacob Elordi romance should fall a bit short of nine digits.
I did not have the rest of the high five being populated with music docs, but that was the result. Twenty One Pilots: More Than We Ever Imagined was fourth with $3.7 million. The King was fifth as EPiC: Elvis Presley in Concert made $3.5 million to bring its earnings to nearly $8 million. Crime 101 was sixth with $3.7 million. I didn’t do a prediction for it and it’s made $30 million after three weeks.
I Can Only Imagine 2 fell a sharp 59% after a disappointing debut to $3.1 million in seventh. I forecasted a bit more at $4 million. The faith-based sequel stands at $13 million after ten days.
Send Help was eighth with $2.8 million (I went with $2.6 million) for a five-week gross of $59 million.
And that does it for now, folks! Until next time…